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| Enjoy The Organ 1
Orgue
Barenreiter
'Profitez de l'orgue' présente des pièces d'orgue attractifs des 18e et 19e si...(+)
'Profitez de l'orgue' présente des pièces d'orgue attractifs des 18e et 19e siècles qui sont gérables sur des instruments plus petits et, avec le temps, même peu de pratique, conduire à des résultats impressionnants. Ces pièces sont destinées principalement à l'organiste amateur, mais peut aussi être d'intérêt pour le professionnel qui peut les utiliser comme point de départ pour l'improvisation.Volume 1 comprend, entre autres éléments: Luigi Cherubini, 'Sonate en fa majeur', Louis-Claude Daquin, 'Le coucou', Johann Christian Gotthilf Tag, 'Symphonie avec orgue en ut majeur'- Anonymes, 'Variations sur' La Gayta ''Carl Czerny,' Prélude en fa majeur op. 698,1 '- Une collection de pièces de concert faciles pour l'orgue- Principalement pour les musiciens d'église amateurs et organistes- Maniable sur les petits instruments- Mène à des résultats impressionnants / Orgue
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| Sonntagsorgel, Volume III
Orgue [Partition]
Barenreiter
11.50 EUR - vendu par Note4Piano
Délais: En Stock
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| Sweelinck, Jan
Pieterszoon :
Choralbearbeitungen (Teil
1)
Orgue [Partition] - Intermédiaire
Barenreiter
The importance of Jan Pieterszoon Sweelinck (1562?1621) to the clavier music of ...(+)
The importance of Jan Pieterszoon Sweelinck (1562?1621) to the clavier music of the baroque era can hardly be overestimated. This scholarly performance edition by Siegbert Rampe is the first to present all of his keyboard works while distinguishing between?works of certain authenticity?, ?works of uncertain authenticity? and ?works of doubtful authenticity.?
The seven volumes of this edition, with commentary in German and English, stand at the cutting edge of musical scholarship. Volumes III.1 and III.2 contain, for the first time, all the chorale settings attributed to Sweelinck or handed down under his name.
Volume III.1 presents ten additional chorale and psalm settings and many facsimiles.
A detailed preface covers the sources, the music, the choice of instruments, and questions related to performance practice.
- Definitive complete Urtext edition in seven volumes
- Based on the latest findings of scholarship
- Detailed prefaces and critical report (German and English) as well as list of sources in each volume
- Notes on ornamentation
?All eight volumes inclu de commentaries in German and English and reflect the latest scholarly research. Highly recommended.?
(The American Organist August 2010)
?Anyone interested in scrutinizing the musical text, scouring for alternative versions, and thoroughly examining the sources should buy Rampe?s edition.?
(Musik und Kirche)
?? Bärenreiter?s offering will provi de you with an authoritative treasury of Sweelinck?s work.?
(Church Music Quarterly, 3-2007)
??a must for even serious organ student .?
(The Organ no. 336 ? May?June 2006) / Classique / Partition / Broché /
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| Kaller Ernst - Organ
Method Band 1 - Organ
Orgue
Schott
This School of Organ Playing presupposes a certain technical facility on the pia...(+)
This School of Organ Playing presupposes a certain technical facility on the piano. The pedal exercises at the beginning are rudimentary and should be practiced in all keys, gradually accelerating the tempo.
The studies are graded according to their polyphony, beginning with simple two part exercises, followed by those in three and more parts. This acquaintance with the strict principles of polyphonic music, and the introduction to effective part writing, with a knowledge of harmonic form and architectonic values, provide the essential background for the correct performance of polyphonic music, especialle the fugue.
The most important musical forms have been used to illustrate the various possibilites of registration and its relationship to style (colourful, individualistic and smooth playing).
The studies are so arranged that earlier technical points, etc. are constantly reviewed, through comparison of style and form, in order to fix, or refreshen, the ideas in the student's mind.
It is very important that the evolution of organ music from vocal music should be made clear to the student the very beginning, both musically and intellectually. He will be shown the technical evolution of organ music during the centuries and thus prepared for an artistic execution and interpretation of old and new words, especially for the incomparable art of our great Johann Sebastian Bach.
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