Organ solo - Intermediate SKU: EC.9245 Composed by Byron Adams. Score. E....(+)
Organ solo - Intermediate
SKU: EC.9245
Composed by Byron Adams.
Score. E.C. Schirmer
Publishing #9245.
Published by E.C.
Schirmer Publishing
(EC.9245).
UPC:
600313492457.
By
ron Adams's Suite in
Olden Style for organ
solo looks back at
Baroque forms in a
contemporary manner. This
score can be played in
its entirety, but each
movement can be played
singly and in any
combination with any
other movement as the
player sees fit. The four
movements that comprise
the Suite in Olden Style
are appropriate for
either a religious
service or in
recital.
T
he first movement,
Sinfonia, is based on the
Advent chorale Nun komm,
der Heiden Heiland
(Savior of the Nations,
come). The second
movement is a reflective
fugue, while the third
movement is a pensive
Siciliana. The last
movement, Rigaudon, is
extroverted, lively, and
brilliant.
Organ SKU: AP.12-0571507719 Volume 1. England 1510-1590. Ed...(+)
Organ
SKU:
AP.12-0571507719
Volume 1.
England 1510-1590.
Edited by James Dalton.
Masterworks; Organ -
Method or Collection.
Faber Edition: Early
Organ Series. Masterwork.
Book. Faber Music
#12-0571507719. Published
by Faber Music
(AP.12-0571507719).
ISBN 9780571507719.
English.
The Faber
Early Organ Series is
among the most
comprehensive anthologies
of early organ music ever
published. In 18 volumes
it spans two centuries
and six geographical
regions, presenting a
broad and balanced view
of the main forms, styles
and composers. Within
each geographical region
the pieces, most of which
are for manuals only, are
arranged by date of
composition or
publication. The
presentation is both
scholarly and practical;
all of the music has been
newly edited from the
earliest surviving
sources according to a
systematic editorial
method that preserves as
many features of the
original notation as
possible while making it
fully accessible to
modern players. In every
volume, an informative
Introduction sets the
music in historical
context. There are also
helpful sections on
Ornamentation and
Registration, and a
Critical Commentary
giving detailed
information on the
sources.
By Felix Alexandre Guilmant. Edited by Wayne Leupold. For Organ. Organ - Method ...(+)
By Felix Alexandre
Guilmant. Edited by Wayne
Leupold. For Organ. Organ
- Method or Collection.
Masterwork. Book. 140
pages. Published by
Belwin Music .
(Concert Organ Music from four Centuries). Edited by Martin Weyer. For organ sol...(+)
(Concert Organ Music from
four Centuries). Edited
by Martin Weyer. For
organ solo. Paperback.
Originals and
Arrangements. Performance
score, anthology. Text
language: German/English.
Published by Baerenreiter
Verlag
Organ SKU: HL.48184378 Composed by Olivier Messiaen. Leduc. Classical. So...(+)
Organ
SKU:
HL.48184378
Composed
by Olivier Messiaen.
Leduc. Classical.
Softcover. 166 pages.
Alphonse Leduc #AL27373.
Published by Alphonse
Leduc (HL.48184378).
UPC: 888680846329.
10.0x13.5x0.283
inches.
“Oliv
ier Messiaen (1908-1992)
is known for his unique
composition style.
Incorporating complex
rhythms, harmony and
melodies, Book of the
Holy Sacrement for Organ
is no exception to the
composer's popular,
distinctive style.
Composed in 1984, Book of
the Holy Sacrement is a
major collection of Organ
pieces by the composer.
Messiaen began to compose
the cycle of compositions
in 1928 and it comprises
18 parts. The work was
first performed in 1986
by organist, Almut
Roessler, with a typical
performance lasting about
100 minutes. Messiaen's
Book of the Holy
Sacrement is essential to
all advanced, virtuoso
and contemporary
organists seeking to
expand and vary their
repertoire.â€.
Organ SKU: HL.48182909 Composed by Olivier Messiaen. Leduc. Classical. So...(+)
Organ
SKU:
HL.48182909
Composed
by Olivier Messiaen.
Leduc. Classical.
Softcover. 89 pages.
Alphonse Leduc #AL24656.
Published by Alphonse
Leduc (HL.48182909).
UPC: 888680862145.
0.298
inches.
Olivier
Messiaen (1908-1992) is
known for his unique
composition style.
Incorporating complex
rhythms, harmony and
melodies, Meditations on
the Mystery of the Holy
Trinity is no exception
to the composer's
popular, distinctive
style. Composed in 1969,
Meditations on the
Mystery of the Holy
Trinity is an example of
Messiaen's use of
Serialism. The composer
first used what he called
his musical alphabet in
Meditations on the
Mystery of the Holy
Trinity, where the
alphabet includes motifs
for the concepts, 'to
have', 'to be' and 'God'.
Furthermore, 'sentences'
depict the writings of
St. Thomas Aquinas.
Messiaen's musical
alphabet, which he also
described as communicable
language is explained as
a preface to the
composition Meditations
on the Mystery of the
Holy Trinity. Divided
into nine sections
('meditations'), a
typical performance lasts
about 74 minutes.
Messiaen's Meditations on
the Mystery of the Holy
Trinity is essential to
all advanced, virtuoso
and contemporary
organists seeking to
expand and vary their
repertoire..
Organ SKU: HL.48181400 Composed by Olivier Messiaen. Leduc. Classical. So...(+)
Organ
SKU:
HL.48181400
Composed
by Olivier Messiaen.
Leduc. Classical.
Softcover. 14 pages.
Alphonse Leduc #AL20906.
Published by Alphonse
Leduc (HL.48181400).
UPC: 888680855420.
9.0x12.25x0.13
inches.
“Oliv
ier Messiaen (1908-1992)
is known for his unique
composition style.
Incorporating complex
rhythms, harmony and
melodies, Mass of
Pentecost is no exception
to the composer's
popular, distinctive
style. Composed in
1949-1950, the Organ Mass
is thought to be based on
twenty years of
improvising at Saint
Trinity Church in Paris
where Messiaen was
organist. Mass of
Pentecost is in five
movements; 1) Entrance,
2) Offertory, 3)
Consecration, 4)
Communion, and 5)
Recessional. Influences
of birdsong are depicted
within the piece,
reflecting the composer's
interest in ornithology.
The first movement also
contains the use of Greek
rhythms. Mass of
Pentecost is essential to
all advanced organists
seeking to expand and
vary their
repertoire.â€.
Organ SKU: HL.48180687 For Organ. Composed by Olivier Messiaen. Le...(+)
Organ
SKU:
HL.48180687
For
Organ. Composed by
Olivier Messiaen. Leduc.
Classical. Softcover. 28
pages. Alphonse Leduc
#AL18826. Published by
Alphonse Leduc
(HL.48180687).
UPC:
888680831998.
9.5x12.25x0.139
inches.
Olivier
Messiaen (1908-1992) is
known for his unique
composition style.
Incorporating complex
rhythms, harmony and
melodies, The Ascension
for Organ is no exception
to the composer's
popular, distinctive
style. The Ascension was
originally composed for
orchestra by Messiaen in
1932-1933. The composer
described the work as
Four Symphonic
Meditations and the
sections are; 1) Majesty
of Christ praying that
His Father should glorify
Him, 2) Serene Alleluias
from a soul longing for
Heaven, 3) Alleluia on
the Trumpet, Alleluia on
the Cymbal, and 4) Prayer
from Christ ascending
towards His Father.
Messiaen arranged The
Ascension for solo organ
a year later. The first,
second and fourth
movements are
arrangements of the
orchestral version,
however, the composer
created a new third
movement; Outburst of joy
from a soul before the
Glory of Christ, which is
its own glory. The
Ascension is essential to
all advanced organists
seeking to expand and
vary their
repertoire.
Organ SKU: PL.PPMO2040M Composed by Thomas Fielding. Score. Paraclete Pre...(+)
Organ
SKU:
PL.PPMO2040M
Composed
by Thomas Fielding.
Score. Paraclete Press
#PPMO2040M. Published by
Paraclete Press
(PL.PPMO2040M).
Brief works in
different styles: a tuba
tune based on two Advent
melodies, a French
Classic Gloria developed
from a noel, a meditation
on the First Nowell, and
a chant-style arrangement
of Divinum Mysterium, all
of moderate
difficulty.
Organ SKU: HL.48024623 Organ Arrangement by Greg Morris. Composed ...(+)
Organ
SKU:
HL.48024623
Organ
Arrangement by Greg
Morris. Composed by
Ralph Vaughan Williams.
Edited by Greg Morris. BH
Piano. Classical,
English, Folk. Softcover.
20 pages. Boosey & Hawkes
#M060134494. Published by
Boosey & Hawkes
(HL.48024623).
ISBN
9781784543907. UPC:
888680940775.
9.0x12.0x0.096
inches.
A major
addition to the
repertoire of
transcriptions for organ,
the whole suite or any
one of the movements will
delight performers and
audiences alike. Vaughan
Williams's original score
for military band of 1923
(orchestrated by Gordon
Jacob the following year)
was a milestone in the
introduction of English
folk song to the
classical repertory which
both he and his friend
Holst championed. Over
its three contrasting
movements (two marches
separated by an
intermezzo) no fewer than
nine folk songs are
presented, in both lively
and emotive style. Greg
Morris, organist at
London's Temple Church,
has deftly arranged the
suite, providing generic
registration suggestions
for a romantic
instrument, but in the
hands of imaginative
players the score will
readily transfer to
organs of most styles and
eras.
Composed by Angela Kraft
Cross. Sacred. Sacred
Music Press #70/2138S.
Published by Sacred Music
Press (LO.70-2138S).
ISBN
9780787763534.
Ange
la Kraft Cross's career
as a church musician,
touring recitalist, and
teacher has resulted in
numerous organ
compositions. Five
striking works have been
selected to form her
first published
collection. The pieces
employ a variety of
styles and moods: two in
a contemporary style
inspired by the classic
English trumpet
voluntaries, a delightful
pastorale, a deeply
expressive Kyrie eleison,
and the powerful
passacaglia Tree of Life
inspired by the seasons
of the year and our
faith. Kraft Cross's
stunning writing is sure
to make a strong impact
in recital or as service
voluntaries.
Organ solo SKU: FZ.50510 Composed by Michel Corrette. Edited by Jean Sain...(+)
Organ solo
SKU:
FZ.50510
Composed by
Michel Corrette. Edited
by Jean Saint-Arroman.
This edition: Facsimile.
La Musique Francaise
Classique de 1650 a 1800.
Score. Published by Anne
Fuzeau Productions -
France (FZ.50510).
ISBN 9790049505109.
24.00 x 33.00 cm
inches.
This
facsimile of an original
by Michel Corrette is
part of our French
classical music
collection. Pieces pour
l'orgue dans un genre
nouveau, a l'usage des
Dames Religieuses et a
ceux qui touchent
l'orgue. Avec le melange
des jeux et la maniere
d'imiter le tonnerre.
Edition : Paris, (s. d. =
1787). Presentation:
Edition - Terminology -
Registrations -
Ornamentation. These
organ pieces, largley
written in late
eighteenth century style,
are technically quite
easy. They are therefore
ideal for young musicians
studying the organ.
Collection
supervised by the
musicologist Jean
Saint-Arroman, professor
at the Conservatoire
National Superieur de
Musique et de Danse of
Paris and at the CEFEDEM
Ile de France (Training
Centre for Music
Teachers). He is the
author of the majority of
our prefaces and has also
been involved in library
searches. Facsimile
of a copy in the National
Library of Paris
(France). Anne Fuzeau
Classique propose period
copies of classical music
scores.
Organ SKU: BR.EB-9306 Urtext - Critical Source Edition of the Free Org...(+)
Organ
SKU:
BR.EB-9306
Urtext
- Critical Source Edition
of the Free Organ
Works. Composed by
Dietrich Buxtehude.
Edited by Harald Vogel.
Solo instruments;
Softbound. Edition
Breitkopf.
Renaissance/early
Baroque; Baroque. Score.
84 pages. Breitkopf and
Haertel #EB 9306.
Published by Breitkopf
and Haertel (BR.EB-9306).
ISBN 9790004187708. 12
x 9 inches.
This
edition is the result of
Harald Vogel's many years
of practice as an
organist and
musicologist. The music
text is based on a
reevaluation of 17th- and
18th-century manuscripts
containing the free organ
and keyboard works by
Buxtehude. They
originated during a
transitional phase
between the traditional
letter tablature and the
staff notation still in
use today. Since many
works have survived only
in transcriptions for
staff notation, the
editor was confronted
with a high error rate,
which he carefully
analyzes in the
Einzelanmerkungen. During
the preparation of the
edition, the editor
always kept sight of the
performance practice, but
still, the image of the
sources is never
distorted (e. g. by
superfluous rests,
beaming not conforming to
the sources and the
unhistorical adjustment
of time signatures) and
stays very close to the
compositional notation,
the letter tablature. The
flexible use of three
staves and the
differentiated
distribution of the
voices on the staves
allow for an
approximation in reading
conventions of historical
notation with its
resulting information
about hand division.
Grouping the free organ
repertoire into works
with obbligato pedal and
works for manuals, this
edition is organized in
two volumes. The first
subvolume (I/1, EB 9304)
contains the Preface and
the Preludes, whereas the
second subvolume (I/2, EB
9305) contains Toccatas,
Ostinato works,
alternative versions and
a comprehensive Critical
Commentary (in German
only). Volume II (EB
9306) contains
Buxtehude's free organ
and keyboard works
(manualiter) with the
corresponding texts
(Preface and Critical
Commentary).Until 1971,
Harald Vogel worked on a
dissertation (with Georg
von Dadelsen, Hamburg) on
Die Fuge um Bach. Besides
the description of the
inclusion of triple
measures into the C
notation and the
irregularities of the
voice mutation in the
polyphonic structures,
this also included a
discussion about the
justification of the
inner textual criticism.
With the inner textual
criticism, deviations in
parallel passages are
unified. The North German
fugue style, reaching a
peak in Buxtehude's work,
is characterized by a
constant diversity of
details in subject and
polyphonic progressions.
One of the indicators of
the fantastic style is
the dissolution of the
polyphonic structures at
the ends of the fugues,
evident in Buxtehude's
work.In this edition, a
musical text is presented
that avoids the
uniformity of detail not
conforming to the
sources. However, there
are many examples of
transcription and cursory
errors, which are
analyzed in a methodical
systematic manner. About
the editor: As an
organist, professor,
organ expert, and
scholar, Harald Vogel has
rendered outstanding
services to the
interpretation of early
music and especially to
historical performance
practice concerning the
organ for decades. He has
received numerous awards,
including an ECHO Klassik
as Instrumentalist of the
Year (2012), honorary
doctorates from Lulea
University of Technology
(Sweden, 2008) and
Oberlin College (USA,
2014), as well as the
Buxtehude Prize of the
City of Lubeck (2018).
Harald Vogel is the
author and editor of
numerous scholarly
publications and
editions. Through his
lifelong performance
practice, he can look
back on an extensive
discography, including
the complete recording of
Buxtehude's organ works,
which he recorded in
various locations with
historical organ
instruments of the North
German organ building
tradition in Scandinavia,
North Germany and the
Netherlands.
pure
source edition (no
mixture of different
transmissions)
comprehensive commentary
(Vol. I/2 & II) (with
texts about the sources,
chronology, use of keys,
liturgic placement as
well as detailed critical
remarks, incl. music
examples (in German
only))good page
turnsflexible division of
voices (on 2 or 3
systems, good
legibility)contains
facsimiles.
Organ SKU: BR.EB-9415 Urtext - Critical Source Edition of the Free Org...(+)
Organ
SKU:
BR.EB-9415
Urtext
- Critical Source Edition
of the Free Organ
Works. Composed by
Dietrich Buxtehude.
Edited by Harald Vogel.
Solo instruments;
Softbound. Edition
Breitkopf.
Renaissance/early
Baroque; Baroque. Score.
192 pages. Breitkopf and
Haertel #EB 9415.
Published by Breitkopf
and Haertel (BR.EB-9415).
ISBN 9790004188897. 12
x 9 inches.
This
edition is the result of
Harald Vogel's many years
of practice as an
organist and
musicologist. The music
text is based on a
reevaluation of 17th- and
18th-century manuscripts
containing the free organ
and keyboard works by
Buxtehude. They
originated during a
transitional phase
between the traditional
letter tablature and the
staff notation still in
use today. Since many
works have survived only
in transcriptions for
staff notation, the
editor was confronted
with a high error rate,
which he carefully
analyzes in the
Einzelanmerkungen. During
the preparation of the
edition, the editor
always kept sight of the
performance practice, but
still, the image of the
sources is never
distorted (e. g. by
superfluous rests,
beaming not conforming to
the sources and the
unhistorical adjustment
of time signatures) and
stays very close to the
compositional notation,
the letter tablature. The
flexible use of three
staves and the
differentiated
distribution of the
voices on the staves
allow for an
approximation in reading
conventions of historical
notation with its
resulting information
about hand division.
Grouping the free organ
repertoire into works
with obbligato pedal and
works for manuals, this
edition is organized in
two volumes. The first
subvolume (I/1, EB 9304)
contains the Preface and
the Preludes, whereas the
second subvolume (I/2, EB
9305) contains Toccatas,
Ostinato works,
alternative versions and
a comprehensive Critical
Commentary (in German
only). Volume II (EB
9306) contains
Buxtehude's free organ
and keyboard works
(manualiter) with the
corresponding texts
(Preface and Critical
Commentary).Until 1971,
Harald Vogel worked on a
dissertation (with Georg
von Dadelsen, Hamburg) on
Die Fuge um Bach. Besides
the description of the
inclusion of triple
measures into the C
notation and the
irregularities of the
voice mutation in the
polyphonic structures,
this also included a
discussion about the
justification of the
inner textual criticism.
With the inner textual
criticism, deviations in
parallel passages are
unified. The North German
fugue style, reaching a
peak in Buxtehude's work,
is characterized by a
constant diversity of
details in subject and
polyphonic progressions.
One of the indicators of
the fantastic style is
the dissolution of the
polyphonic structures at
the ends of the fugues,
evident in Buxtehude's
work.In this edition, a
musical text is presented
that avoids the
uniformity of detail not
conforming to the
sources. However, there
are many examples of
transcription and cursory
errors, which are
analyzed in a methodical
systematic manner. About
the editor: As an
organist, professor,
organ expert, and
scholar, Harald Vogel has
rendered outstanding
services to the
interpretation of early
music and especially to
historical performance
practice concerning the
organ for decades. He has
received numerous awards,
including an ECHO Klassik
as Instrumentalist of the
Year (2012), honorary
doctorates from Lulea
University of Technology
(Sweden, 2008) and
Oberlin College (USA,
2014), as well as the
Buxtehude Prize of the
City of Lubeck (2018).
Harald Vogel is the
author and editor of
numerous scholarly
publications and
editions. Through his
lifelong performance
practice, he can look
back on an extensive
discography, including
the complete recording of
Buxtehude's organ works,
which he recorded in
various locations with
historical organ
instruments of the North
German organ building
tradition in Scandinavia,
North Germany and the
Netherlands.
pure
source edition (no
mixture of different
transmissions)
comprehensive commentary
(Vol. I/2 & II) (with
texts about the sources,
chronology, use of keys,
liturgic placement as
well as detailed critical
remarks, incl. music
examples (in German
only))good page
turnsflexible division of
voices (on 2 or 3
systems, good
legibility)contains
facsimiles.
Solo Organ SKU: CA.5600300 Vol. II/2. Composed by Giacomo Puccini....(+)
Solo Organ
SKU:
CA.5600300
Vol.
II/2. Composed by
Giacomo Puccini. Edited
by Virgilio Bernardoni.
Complete editions /
Selected works: Edizione
Nazionale delle Opere di
Giacomo Puccini. Free
organ music. Full score
(complete edition /
selected edition). 148
pages. Carus Verlag #CV
56.003/00. Published by
Carus Verlag
(CA.5600300).
ISBN
9790007188047.
The
organ is the instrument
on which the young
Giacomo Puccini began his
career as a musician.
Through the rediscovery
of a considerable number
of hand-written pieces,
which he composed after
1870 as part of his
duties as organist in the
churches of Lucca,
several primary sources
are now available. These
give an insight into the
beginnings of his musical
activities which have
only been known about
from anecdotes from his
first biographers until
now. Puccini's organ
repertoire includes works
which were typical for
liturgical organ music at
that time: sonatas for
the main sections of the
mass, versets which were
substituted for Gregorian
chant, marches, which
were played after the
mass (exceptionally even
waltzes), and even a
pastorale for Christmas
time. This music was
written with the sound of
instruments made in
Tuscany in mind. These
have just one manual, a 8
foot Principale register
and a small pedalboard
always coupled to the
manual. In addition there
were several solo stops
divided into bass and
soprano.Puccini
contributed with
originality to the
renewal of Italian organ
practice, which began in
his day to discard its
operatic style in favor
of a style more suited to
the liturgy.
For Organ. Composed by Olivier Messiaen (1908-1992). Leduc. Sacred, Classical....(+)
For Organ. Composed by
Olivier Messiaen
(1908-1992).
Leduc. Sacred, Classical.
Softcover. 10 pages.
Alphonse
Leduc #AL19266. Published
by
Alphonse Leduc
Composed by Craig A. Penfield. Sacred, General, Lent, Reformation. Lorenz Pub...(+)
Composed by Craig A.
Penfield. Sacred,
General, Lent,
Reformation. Lorenz
Publishing Company
#70/2079L. Published by
Lorenz Publishing Company
(LO.70-2079L).
For Organ. Composed by Olivier Messiaen (1908-1992). Leduc. Sacred, Classical....(+)
For Organ. Composed by
Olivier Messiaen
(1908-1992).
Leduc. Sacred, Classical.
Softcover. 12 pages.
Alphonse
Leduc #AL19274. Published
by
Alphonse Leduc
Clavichord; harpsichord; keyboard; piano SKU: HH.HH240-SOL Composed by H....(+)
Clavichord; harpsichord;
keyboard; piano
SKU:
HH.HH240-SOL
Composed
by H.O.C. Zinck. Edited
by Christopher Hogwood.
Clavichord; Harpsichord;
Keyboard; Piano. Playing
score. Edition HH Music
Publishers #HH240-SOL.
Published by Edition HH
Music Publishers
(HH.HH240-SOL).
ISBN
9790708059738.
When
Zinck's sonatas first
appeared in print in
1783, the publication was
greeted as exceptional by
the best European
critics: Their
interesting melodic
style, highly developed
turns of phrase, great
diversity of musical
ideas unified into one
great sonata style far
removed from the routine,
and finally, very
descriptive tone
painting, elevate them
and make them worthy of
the approval of
connoisseurs.