EG 58-98. Composed by Gunther Martin Gottsche, Martin Weyer. Paperback. ...(+)
EG 58-98. Composed
by Gunther Martin
Gottsche, Martin Weyer.
Paperback. Small chorale
preludes and
accompaniments to the
German Protestant Hymn
Book. EG 58-98.
Performance score,
anthology. Baerenreiter
Verlag #BA09272.
Published by Baerenreiter
Verlag (BA.BA09272).
Organ SKU: BA.BA09273 Composed by Gunther Martin Göttsche and Martin W...(+)
Organ
SKU:
BA.BA09273
Composed
by Gunther Martin
Göttsche and Martin
Weyer. Paperback. Small
chorale preludes and
accompaniments to the
German Protestant Hymn
Book. EG 99-154.
Performance score,
anthology. Baerenreiter
Verlag #BA09273_00.
Published by Baerenreiter
Verlag (BA.BA09273).
SATB choir and piano/organ SKU: OU.9780193566187 Acht Weihnachtslieder...(+)
SATB choir and
piano/organ
SKU:
OU.9780193566187
Acht Weihnachtslieder
in deutscher Ubersetzung
(Eight carols in German
translation).
Composed by John Rutter.
Vocal score. 88 pages.
Oxford University Press
#9780193566187. Published
by Oxford University
Press (OU.9780193566187).
ISBN 9780193566187. 10
x 7 inches.
For
SATB and piano or organ
For countless singers and
listeners, the carols of
John Rutter form the
quintessential repertoire
of any Christmas concert
or service. This
selection includes eight
of Rutter's most popular
carols in German
translation, together
with a full list of
orchestral accompaniments
available on hire and
sale.
(Free Accompaniments for well-known Hymn Tunes). By Harrison Oxley (1940-). For ...(+)
(Free Accompaniments for
well-known Hymn Tunes).
By Harrison Oxley
(1940-). For Organ. Royal
School of Church Music.
Sacred. Easy. Text
language: English. 26
pages
SATB choir, SATB, SATB, organ SKU: CA.739300 Composed by Kay Johannsen. S...(+)
SATB choir, SATB, SATB,
organ
SKU:
CA.739300
Composed by
Kay Johannsen. Sacred
vocal music. Full score.
Composed 2015. 12 pages.
Carus Verlag #CV
07.393/00. Published by
Carus Verlag (CA.739300).
ISBN 9790007172268.
Text language:
Latin.
Veni was
composed by Kay Johannsen
in November 2015. Similar
to his 2010 work Et
vidimus gloriam eius for
four choral groups (SSA,
TTB, SATB, SATB) and
organ based on the
beginning of St John's
Gospel, Veni requires a
spatial separation of
three four-part choirs.
The starting point of the
composition is the 12th
century hymn Veni
redemptor gentium by St
Ambrose of Milan, which
Martin Luther used as the
basis of his 1524 hymn
Nun komm, der Heiland.
The four sections of the
cantus firmus are sung in
turn by all the basses,
altos, sopranos, and
tenors, each part at a
louder dynamic than the
other parts. For the
accompanying voices
Johannsen uses different
principles of canonic
technique and motivic
variation, with most of
the material derived from
the cantus firmus. The
organ part of this
12-part chorale
arrangement provides a
harmonic orientation, but
is completely independent
and introduces both
moments of rhythmic
accentuation and elements
of veiling. The choral
writing is also deepened
and elevated by the organ
sounds derived from the
text. Despite all the
motivic links between the
parts, the music has a
direct sensual effect as
a sound collage. The work
ends with three
increasingly distant,
homophonic invocations of
Veni: the plea Komm
occurs at the beginning
as at the end.
Eingang und Ausgang to Taufe und Konfirmation. Composed by Gunther Martin...(+)
Eingang und Ausgang to
Taufe und
Konfirmation.
Composed by Gunther
Martin Gottsche, Martin
Weyer. Paperback. Small
chorale preludes and
accompaniments to the
German Protestant Hymn
Book. EG 155-212.
Performance score,
anthology. Baerenreiter
Verlag #BA09274.
Published by Baerenreiter
Verlag (BA.BA09274).
Organ SKU: BA.BA09275 Composed by Gunther Martin Göttsche and Martin W...(+)
Organ
SKU:
BA.BA09275
Composed
by Gunther Martin
Göttsche and Martin
Weyer. Paperback. Small
chorale preludes and
accompaniments to the
German Protestant Hymn
Book. EG 213-261.
Performance score,
anthology. Baerenreiter
Verlag #BA09275_00.
Published by Baerenreiter
Verlag (BA.BA09275).
ISBN 9790006537129. 24
x 30.5 cm inches.
Language: German.
Preface: Göttsche,
Gunther Martin / Weyer,
Martin.
(for Organ Solo). Arranged by Lyndell Leatherman. For Organ. Fred Bock Publicati...(+)
(for Organ Solo).
Arranged by Lyndell
Leatherman. For Organ.
Fred Bock Publications.
Softcover. 32 pages. Fred
Bock Music Company
#BGK1022. Published by
Fred Bock Music Company
Organ - Medium SKU: AU.9781506487366 Hymn Introductions and Accompanim...(+)
Organ - Medium
SKU:
AU.9781506487366
Hymn Introductions and
Accompaniments.
Composed by Eric Wall.
Christian. Score.
Augsburg Fortress
#9781506487366. Published
by Augsburg Fortress
(AU.9781506487366).
ISBN 9781506487366.
9x12 inches.
In
this collection featuring
16 hymn tunes, Eric Wall
provides an introduction
and multiple arrangements
of each, thoughtfully
crafted and reflective of
the hymn text associated
with each tune. The
composer provides
valuable endnotes
offering helpful
direction related to the
character and performance
of each setting, as well
as ideas for how to adapt
these settings to
alternate hymn texts.
Tunes include CHRIST BE
OUR LIGHT, HOUSTON, CWM
RHONDA, and WAYFARING
STRANGER.
Organ SKU: GI.G-003039 Introductions Modulations and Free Harmonizatio...(+)
Organ
SKU:
GI.G-003039
Introductions
Modulations and Free
Harmonizations for
Familiar Hymntunes.
Composed by Edward
Eicker. Tune Name:
Aurelia, Duke Street,
Hyfrydol, Hymn To Joy,
Lasst Uns Erfreuen, Lobe
Den Herren, Materna,
Nettleton, Nicaea,
 Old Hundredth.
Sacred. GIA Publications
#003039. Published by GIA
Publications
(GI.G-003039).
UPC:
641151030609.
A
very practical collection
for accompanying hymns.
Composer Edward Eicker
has taken ten familiar
and frequently-used hymn
tunes and provided each
with an
artful introduction
and a free harmonization,
often used for a final
stanza. In addition,
there is a modulation
provided for each tune
that takes the hymn up
one step. The modulation
is followed by the same
free harmonization in the
new key. This collection
provides organists with
great
flexibility—any
one of the four items
provided for the hymns
can be used by itself or
in any combination with
the others.