SSA vocal soli, SSA
choir, 2 violins, basso
continuo, organ
SKU:
CA.5425711
Composed
by Michael Haydn. Edited
by Armin Kircher. This
edition: urtext.
Stuttgart Urtext Edition:
Johann Michael Haydn.
German title: Missa Sti
Aloysii In B. Ssa Mh 257.
Sacred vocal music,
Masses, Latin. Single
Part, Violin 1. Composed
1777. MH 257. 12 pages.
Duration 30 minutes.
Carus Verlag #CV
54.257/11. Published by
Carus Verlag
(CA.5425711).
ISBN
9790007226091. Language:
Latin.
Johann
Michael Haydn's oeuvre
includes more than thirty
works in Latin or German
for two or three
descants, composed for
his dear choirboys of the
Salzburg 'Kapellhaus'.
The first setting of the
ordinary in this series
was the Missa Sancti
Aloysii, composed in
1777. It was initially
intended for the
Commemoration of the Holy
Innocents on 28 December,
when the chapel boys
celebrated their
principal feast day. This
exceptionally charming
mass, characterized by a
wonderfully effervescent
joyfulness, is an
insider's tip for anyone
looking for new
repertoire for three-part
women's, girls' or boys'
choir. By virtue of ist
scoring, the mass is also
eminently suitable for
small-scale performances.
Score and part available
separately - see item
CA.5425700.
SSA vocal soli, SSA
choir, 2 violins, basso
continuo, organ
SKU:
CA.5425712
Composed
by Michael Haydn. Edited
by Armin Kircher. This
edition: urtext.
Stuttgart Urtext Edition:
Johann Michael Haydn.
German title: Missa Sti
Aloysii In B. Ssa Mh 257.
Sacred vocal music,
Masses, Latin. Single
Part, Violin 2. Composed
1777. MH 257. 12 pages.
Duration 30 minutes.
Carus Verlag #CV
54.257/12. Published by
Carus Verlag
(CA.5425712).
ISBN
9790007226107. Language:
Latin.
Johann
Michael Haydn's oeuvre
includes more than thirty
works in Latin or German
for two or three
descants, composed for
his dear choirboys of the
Salzburg 'Kapellhaus'.
The first setting of the
ordinary in this series
was the Missa Sancti
Aloysii, composed in
1777. It was initially
intended for the
Commemoration of the Holy
Innocents on 28 December,
when the chapel boys
celebrated their
principal feast day. This
exceptionally charming
mass, characterized by a
wonderfully effervescent
joyfulness, is an
insider's tip for anyone
looking for new
repertoire for three-part
women's, girls' or boys'
choir. By virtue of ist
scoring, the mass is also
eminently suitable for
small-scale performances.
Score and part available
separately - see item
CA.5425700.
Vocal soli, choir, orchestra, congregation, organ SKU: CA.4019815 Compose...(+)
Vocal soli, choir,
orchestra, congregation,
organ
SKU:
CA.4019815
Composed
by Heinrich von
Herzogenberg. Double
bass. Sacred vocal music,
Oratorios, Special days.
Single Part, Double Bass.
Op. 104. 36 pages.
Duration 150 minutes.
Carus Verlag #CV
40.198/15. Published by
Carus Verlag
(CA.4019815).
ISBN
9790007218003. Language:
German.
The present
publication finally
closes the gap in the
availability of the three
church oratorios of
Heinrich von Herzogenberg
(1843-1900). With this
late work, which he
considered his most
important, Heinrich von
Herzogenberg set the
musical high point of the
15th Conference of the
German Church Song
Association in Strasbourg
(1899), and also of his
entire career. The
celebration of the
harvest provides an
interesting look into the
stylistic diversity of
church music at the end
of the 19th century, and
shows the composer's
aptitude for dramatic
presentation in a special
way. Score and part
available separately -
see item CA.4019800.
Vocal soli, choir, orchestra, congregation, organ SKU: CA.4019849 Compose...(+)
Vocal soli, choir,
orchestra, congregation,
organ
SKU:
CA.4019849
Composed
by Heinrich von
Herzogenberg. Organ.
Sacred vocal music,
Oratorios, Special days.
Single Part, Organ. Op.
104. Duration 150
minutes. Carus Verlag #CV
40.198/49. Published by
Carus Verlag
(CA.4019849).
ISBN
9790007218010. Language:
German.
The present
publication finally
closes the gap in the
availability of the three
church oratorios of
Heinrich von Herzogenberg
(1843-1900). With this
late work, which he
considered his most
important, Heinrich von
Herzogenberg set the
musical high point of the
15th Conference of the
German Church Song
Association in Strasbourg
(1899), and also of his
entire career. The
celebration of the
harvest provides an
interesting look into the
stylistic diversity of
church music at the end
of the 19th century, and
shows the composer's
aptitude for dramatic
presentation in a special
way. Score and part
available separately -
see item CA.4019800.
Vocal soli, choir, orchestra, congregation, organ SKU: CA.4019803 Compose...(+)
Vocal soli, choir,
orchestra, congregation,
organ
SKU:
CA.4019803
Composed
by Heinrich von
Herzogenberg. This
edition: Paperbound.
Sacred vocal music,
Oratorios, Special days.
Vocal score. Op. 104. 208
pages. Duration 150
minutes. Carus Verlag #CV
40.198/03. Published by
Carus Verlag
(CA.4019803).
ISBN
9790007088903. Language:
German.
The present
publication finally
closes the gap in the
availability of the three
church oratorios of
Heinrich von Herzogenberg
(1843-1900). With this
late work, which he
considered his most
important, Heinrich von
Herzogenberg set the
musical high point of the
15th Conference of the
German Church Song
Association in Strasbourg
(1899), and also of his
entire career. The
celebration of the
harvest provides an
interesting look into the
stylistic diversity of
church music at the end
of the 19th century, and
shows the composer's
aptitude for dramatic
presentation in a special
way. Score available
separately - see item
CA.4019800.
Vocal soli, choir, orchestra, congregation, organ SKU: CA.4019812 Compose...(+)
Vocal soli, choir,
orchestra, congregation,
organ
SKU:
CA.4019812
Composed
by Heinrich von
Herzogenberg. Violin 2.
Sacred vocal music,
Oratorios, Special days.
Single Part, Violin 2.
Op. 104. 40 pages.
Duration 150 minutes.
Carus Verlag #CV
40.198/12. Published by
Carus Verlag
(CA.4019812).
ISBN
9790007217976. Language:
German.
The present
publication finally
closes the gap in the
availability of the three
church oratorios of
Heinrich von Herzogenberg
(1843-1900). With this
late work, which he
considered his most
important, Heinrich von
Herzogenberg set the
musical high point of the
15th Conference of the
German Church Song
Association in Strasbourg
(1899), and also of his
entire career. The
celebration of the
harvest provides an
interesting look into the
stylistic diversity of
church music at the end
of the 19th century, and
shows the composer's
aptitude for dramatic
presentation in a special
way. Score and part
available separately -
see item CA.4019800.
Vocal soli, choir, orchestra, congregation, organ SKU: CA.4019800 Compose...(+)
Vocal soli, choir,
orchestra, congregation,
organ
SKU:
CA.4019800
Composed
by Heinrich von
Herzogenberg. This
edition: Paperbound.
German title: Erntefeier.
Sacred vocal music,
Oratorios, Special days.
Full score. Op. 104. 372
pages. Duration 150
minutes. Carus Verlag #CV
40.198/00. Published by
Carus Verlag
(CA.4019800).
ISBN
9790007104160. Language:
German.
The present
publication finally
closes the gap in the
availability of the three
church oratorios of
Heinrich von Herzogenberg
(1843-1900). With this
late work, which he
considered his most
important, Heinrich von
Herzogenberg set the
musical high point of the
15th Conference of the
German Church Song
Association in Strasbourg
(1899), and also of his
entire career. The
celebration of the
harvest provides an
interesting look into the
stylistic diversity of
church music at the end
of the 19th century, and
shows the composer's
aptitude for dramatic
presentation in a special
way.
Vocal soli, choir, orchestra, congregation, organ SKU: CA.4019811 Compose...(+)
Vocal soli, choir,
orchestra, congregation,
organ
SKU:
CA.4019811
Composed
by Heinrich von
Herzogenberg. Violin 1.
Sacred vocal music,
Oratorios, Special days.
Single Part, Violin 1.
Op. 104. 40 pages.
Duration 150 minutes.
Carus Verlag #CV
40.198/11. Published by
Carus Verlag
(CA.4019811).
ISBN
9790007217969. Language:
German.
The present
publication finally
closes the gap in the
availability of the three
church oratorios of
Heinrich von Herzogenberg
(1843-1900). With this
late work, which he
considered his most
important, Heinrich von
Herzogenberg set the
musical high point of the
15th Conference of the
German Church Song
Association in Strasbourg
(1899), and also of his
entire career. The
celebration of the
harvest provides an
interesting look into the
stylistic diversity of
church music at the end
of the 19th century, and
shows the composer's
aptitude for dramatic
presentation in a special
way. Score and part
available separately -
see item CA.4019800.
Erntefeier Orgue [Conducteur et Parties séparées] Carus Verlag
Vocal soli, choir, orchestra, congregation, organ SKU: CA.4019809 Compose...(+)
Vocal soli, choir,
orchestra, congregation,
organ
SKU:
CA.4019809
Composed
by Heinrich von
Herzogenberg. 2x
40.198/21 2 flutes, 2x
40.198/22 2 oboes, 2x
40.198/23 2 clarinets, 2x
40.198/24 2 bassoons, 2x
40.198/31 2 horns, 2x
40.198/32 2 trumpets, 2x
40.198/32 2 trumpets, 2x
40.198/32 2 trumpets, 2x
40.198/32 2 trumpets, 2x
40.198/33 2 trombones, 1x
40.198/3. Harmony parts.
Sacred vocal music,
Oratorios, Special days.
Set of Orchestra Parts.
Op. 104. 476 pages.
Duration 150 minutes.
Carus Verlag #CV
40.198/09. Published by
Carus Verlag
(CA.4019809).
ISBN
9790007217952. Language:
German.
The present
publication finally
closes the gap in the
availability of the three
church oratorios of
Heinrich von Herzogenberg
(1843-1900). With this
late work, which he
considered his most
important, Heinrich von
Herzogenberg set the
musical high point of the
15th Conference of the
German Church Song
Association in Strasbourg
(1899), and also of his
entire career. The
celebration of the
harvest provides an
interesting look into the
stylistic diversity of
church music at the end
of the 19th century, and
shows the composer's
aptitude for dramatic
presentation in a special
way. Score and parts
available separately -
see item CA.4019800.
Vocal soli, choir, orchestra, congregation, organ SKU: CA.4019814 Compose...(+)
Vocal soli, choir,
orchestra, congregation,
organ
SKU:
CA.4019814
Composed
by Heinrich von
Herzogenberg.
Violoncello. Sacred vocal
music, Oratorios, Special
days. Single Part, Cello.
Op. 104. 44 pages.
Duration 150 minutes.
Carus Verlag #CV
40.198/14. Published by
Carus Verlag
(CA.4019814).
ISBN
9790007217990. Language:
German.
The present
publication finally
closes the gap in the
availability of the three
church oratorios of
Heinrich von Herzogenberg
(1843-1900). With this
late work, which he
considered his most
important, Heinrich von
Herzogenberg set the
musical high point of the
15th Conference of the
German Church Song
Association in Strasbourg
(1899), and also of his
entire career. The
celebration of the
harvest provides an
interesting look into the
stylistic diversity of
church music at the end
of the 19th century, and
shows the composer's
aptitude for dramatic
presentation in a special
way. Score and part
available separately -
see item CA.4019800.
Vocal soli, choir, orchestra, congregation, organ SKU: CA.4019813 Compose...(+)
Vocal soli, choir,
orchestra, congregation,
organ
SKU:
CA.4019813
Composed
by Heinrich von
Herzogenberg. Viola.
Sacred vocal music,
Oratorios, Special days.
Single Part, Viola. Op.
104. 40 pages. Duration
150 minutes. Carus Verlag
#CV 40.198/13. Published
by Carus Verlag
(CA.4019813).
ISBN
9790007217983. Language:
German.
The present
publication finally
closes the gap in the
availability of the three
church oratorios of
Heinrich von Herzogenberg
(1843-1900). With this
late work, which he
considered his most
important, Heinrich von
Herzogenberg set the
musical high point of the
15th Conference of the
German Church Song
Association in Strasbourg
(1899), and also of his
entire career. The
celebration of the
harvest provides an
interesting look into the
stylistic diversity of
church music at the end
of the 19th century, and
shows the composer's
aptitude for dramatic
presentation in a special
way. Score and part
available separately -
see item CA.4019800.
Erntefeier Orgue [Conducteur et Parties séparées] Carus Verlag
Vocal soli, choir, orchestra, congregation, organ SKU: CA.4019819 Compose...(+)
Vocal soli, choir,
orchestra, congregation,
organ
SKU:
CA.4019819
Composed
by Heinrich von
Herzogenberg. Complete
orchestral parts. Sacred
vocal music, Oratorios,
Special days. Set of
Orchestra Parts. Op. 104.
Duration 150 minutes.
Carus Verlag #CV
40.198/19. Published by
Carus Verlag
(CA.4019819).
ISBN
9790007133160. Language:
German.
The present
publication finally
closes the gap in the
availability of the three
church oratorios of
Heinrich von Herzogenberg
(1843-1900). With this
late work, which he
considered his most
important, Heinrich von
Herzogenberg set the
musical high point of the
15th Conference of the
German Church Song
Association in Strasbourg
(1899), and also of his
entire career. The
celebration of the
harvest provides an
interesting look into the
stylistic diversity of
church music at the end
of the 19th century, and
shows the composer's
aptitude for dramatic
presentation in a special
way. Score and parts
available separately -
see item CA.4019800.
Organ SKU: BR.EB-9306 Urtext - Critical Source Edition of the Free Org...(+)
Organ
SKU:
BR.EB-9306
Urtext
- Critical Source Edition
of the Free Organ
Works. Composed by
Dietrich Buxtehude.
Edited by Harald Vogel.
Solo instruments;
Softbound. Edition
Breitkopf.
Renaissance/early
Baroque; Baroque. Score.
84 pages. Breitkopf and
Haertel #EB 9306.
Published by Breitkopf
and Haertel (BR.EB-9306).
ISBN 9790004187708. 12
x 9 inches.
This
edition is the result of
Harald Vogel's many years
of practice as an
organist and
musicologist. The music
text is based on a
reevaluation of 17th- and
18th-century manuscripts
containing the free organ
and keyboard works by
Buxtehude. They
originated during a
transitional phase
between the traditional
letter tablature and the
staff notation still in
use today. Since many
works have survived only
in transcriptions for
staff notation, the
editor was confronted
with a high error rate,
which he carefully
analyzes in the
Einzelanmerkungen. During
the preparation of the
edition, the editor
always kept sight of the
performance practice, but
still, the image of the
sources is never
distorted (e. g. by
superfluous rests,
beaming not conforming to
the sources and the
unhistorical adjustment
of time signatures) and
stays very close to the
compositional notation,
the letter tablature. The
flexible use of three
staves and the
differentiated
distribution of the
voices on the staves
allow for an
approximation in reading
conventions of historical
notation with its
resulting information
about hand division.
Grouping the free organ
repertoire into works
with obbligato pedal and
works for manuals, this
edition is organized in
two volumes. The first
subvolume (I/1, EB 9304)
contains the Preface and
the Preludes, whereas the
second subvolume (I/2, EB
9305) contains Toccatas,
Ostinato works,
alternative versions and
a comprehensive Critical
Commentary (in German
only). Volume II (EB
9306) contains
Buxtehude's free organ
and keyboard works
(manualiter) with the
corresponding texts
(Preface and Critical
Commentary).Until 1971,
Harald Vogel worked on a
dissertation (with Georg
von Dadelsen, Hamburg) on
Die Fuge um Bach. Besides
the description of the
inclusion of triple
measures into the C
notation and the
irregularities of the
voice mutation in the
polyphonic structures,
this also included a
discussion about the
justification of the
inner textual criticism.
With the inner textual
criticism, deviations in
parallel passages are
unified. The North German
fugue style, reaching a
peak in Buxtehude's work,
is characterized by a
constant diversity of
details in subject and
polyphonic progressions.
One of the indicators of
the fantastic style is
the dissolution of the
polyphonic structures at
the ends of the fugues,
evident in Buxtehude's
work.In this edition, a
musical text is presented
that avoids the
uniformity of detail not
conforming to the
sources. However, there
are many examples of
transcription and cursory
errors, which are
analyzed in a methodical
systematic manner. About
the editor: As an
organist, professor,
organ expert, and
scholar, Harald Vogel has
rendered outstanding
services to the
interpretation of early
music and especially to
historical performance
practice concerning the
organ for decades. He has
received numerous awards,
including an ECHO Klassik
as Instrumentalist of the
Year (2012), honorary
doctorates from Lulea
University of Technology
(Sweden, 2008) and
Oberlin College (USA,
2014), as well as the
Buxtehude Prize of the
City of Lubeck (2018).
Harald Vogel is the
author and editor of
numerous scholarly
publications and
editions. Through his
lifelong performance
practice, he can look
back on an extensive
discography, including
the complete recording of
Buxtehude's organ works,
which he recorded in
various locations with
historical organ
instruments of the North
German organ building
tradition in Scandinavia,
North Germany and the
Netherlands.
pure
source edition (no
mixture of different
transmissions)
comprehensive commentary
(Vol. I/2 & II) (with
texts about the sources,
chronology, use of keys,
liturgic placement as
well as detailed critical
remarks, incl. music
examples (in German
only))good page
turnsflexible division of
voices (on 2 or 3
systems, good
legibility)contains
facsimiles.
Organ SKU: BR.EB-9415 Urtext - Critical Source Edition of the Free Org...(+)
Organ
SKU:
BR.EB-9415
Urtext
- Critical Source Edition
of the Free Organ
Works. Composed by
Dietrich Buxtehude.
Edited by Harald Vogel.
Solo instruments;
Softbound. Edition
Breitkopf.
Renaissance/early
Baroque; Baroque. Score.
192 pages. Breitkopf and
Haertel #EB 9415.
Published by Breitkopf
and Haertel (BR.EB-9415).
ISBN 9790004188897. 12
x 9 inches.
This
edition is the result of
Harald Vogel's many years
of practice as an
organist and
musicologist. The music
text is based on a
reevaluation of 17th- and
18th-century manuscripts
containing the free organ
and keyboard works by
Buxtehude. They
originated during a
transitional phase
between the traditional
letter tablature and the
staff notation still in
use today. Since many
works have survived only
in transcriptions for
staff notation, the
editor was confronted
with a high error rate,
which he carefully
analyzes in the
Einzelanmerkungen. During
the preparation of the
edition, the editor
always kept sight of the
performance practice, but
still, the image of the
sources is never
distorted (e. g. by
superfluous rests,
beaming not conforming to
the sources and the
unhistorical adjustment
of time signatures) and
stays very close to the
compositional notation,
the letter tablature. The
flexible use of three
staves and the
differentiated
distribution of the
voices on the staves
allow for an
approximation in reading
conventions of historical
notation with its
resulting information
about hand division.
Grouping the free organ
repertoire into works
with obbligato pedal and
works for manuals, this
edition is organized in
two volumes. The first
subvolume (I/1, EB 9304)
contains the Preface and
the Preludes, whereas the
second subvolume (I/2, EB
9305) contains Toccatas,
Ostinato works,
alternative versions and
a comprehensive Critical
Commentary (in German
only). Volume II (EB
9306) contains
Buxtehude's free organ
and keyboard works
(manualiter) with the
corresponding texts
(Preface and Critical
Commentary).Until 1971,
Harald Vogel worked on a
dissertation (with Georg
von Dadelsen, Hamburg) on
Die Fuge um Bach. Besides
the description of the
inclusion of triple
measures into the C
notation and the
irregularities of the
voice mutation in the
polyphonic structures,
this also included a
discussion about the
justification of the
inner textual criticism.
With the inner textual
criticism, deviations in
parallel passages are
unified. The North German
fugue style, reaching a
peak in Buxtehude's work,
is characterized by a
constant diversity of
details in subject and
polyphonic progressions.
One of the indicators of
the fantastic style is
the dissolution of the
polyphonic structures at
the ends of the fugues,
evident in Buxtehude's
work.In this edition, a
musical text is presented
that avoids the
uniformity of detail not
conforming to the
sources. However, there
are many examples of
transcription and cursory
errors, which are
analyzed in a methodical
systematic manner. About
the editor: As an
organist, professor,
organ expert, and
scholar, Harald Vogel has
rendered outstanding
services to the
interpretation of early
music and especially to
historical performance
practice concerning the
organ for decades. He has
received numerous awards,
including an ECHO Klassik
as Instrumentalist of the
Year (2012), honorary
doctorates from Lulea
University of Technology
(Sweden, 2008) and
Oberlin College (USA,
2014), as well as the
Buxtehude Prize of the
City of Lubeck (2018).
Harald Vogel is the
author and editor of
numerous scholarly
publications and
editions. Through his
lifelong performance
practice, he can look
back on an extensive
discography, including
the complete recording of
Buxtehude's organ works,
which he recorded in
various locations with
historical organ
instruments of the North
German organ building
tradition in Scandinavia,
North Germany and the
Netherlands.
pure
source edition (no
mixture of different
transmissions)
comprehensive commentary
(Vol. I/2 & II) (with
texts about the sources,
chronology, use of keys,
liturgic placement as
well as detailed critical
remarks, incl. music
examples (in German
only))good page
turnsflexible division of
voices (on 2 or 3
systems, good
legibility)contains
facsimiles.
Organ SKU: BR.EB-9305 Urtext - Critical Source Edition of the Free Org...(+)
Organ
SKU:
BR.EB-9305
Urtext
- Critical Source Edition
of the Free Organ
Works. Composed by
Dietrich Buxtehude.
Edited by Harald Vogel.
Solo instruments;
Softbound. Edition
Breitkopf.
Renaissance/early
Baroque; Baroque. Score.
84 pages. Breitkopf and
Haertel #EB 9305.
Published by Breitkopf
and Haertel (BR.EB-9305).
ISBN 9790004187692. 12
x 9 inches.
This
edition is the result of
Harald Vogel's many years
of practice as an
organist and
musicologist. The music
text is based on a
reevaluation of 17th- and
18th-century manuscripts
containing the free organ
and keyboard works by
Buxtehude. They
originated during a
transitional phase
between the traditional
letter tablature and the
staff notation still in
use today. Since many
works have survived only
in transcriptions for
staff notation, the
editor was confronted
with a high error rate,
which he carefully
analyzes in the
Einzelanmerkungen. During
the preparation of the
edition, the editor
always kept sight of the
performance practice, but
still, the image of the
sources is never
distorted (e. g. by
superfluous rests,
beaming not conforming to
the sources and the
unhistorical adjustment
of time signatures) and
stays very close to the
compositional notation,
the letter tablature. The
flexible use of three
staves and the
differentiated
distribution of the
voices on the staves
allow for an
approximation in reading
conventions of historical
notation with its
resulting information
about hand division.
Grouping the free organ
repertoire into works
with obbligato pedal and
works for manuals, this
edition is organized in
two volumes. The first
subvolume (I/1, EB 9304)
contains the Preface and
the Preludes, whereas the
second subvolume (I/2, EB
9305) contains Toccatas,
Ostinato works,
alternative versions and
a comprehensive Critical
Commentary (in German
only). Volume II (EB
9306) contains
Buxtehude's free organ
and keyboard works
(manualiter) with the
corresponding texts
(Preface and Critical
Commentary).Until 1971,
Harald Vogel worked on a
dissertation (with Georg
von Dadelsen, Hamburg) on
Die Fuge um Bach. Besides
the description of the
inclusion of triple
measures into the C
notation and the
irregularities of the
voice mutation in the
polyphonic structures,
this also included a
discussion about the
justification of the
inner textual criticism.
With the inner textual
criticism, deviations in
parallel passages are
unified. The North German
fugue style, reaching a
peak in Buxtehude's work,
is characterized by a
constant diversity of
details in subject and
polyphonic progressions.
One of the indicators of
the fantastic style is
the dissolution of the
polyphonic structures at
the ends of the fugues,
evident in Buxtehude's
work.In this edition, a
musical text is presented
that avoids the
uniformity of detail not
conforming to the
sources. However, there
are many examples of
transcription and cursory
errors, which are
analyzed in a methodical
systematic manner. About
the editor: As an
organist, professor,
organ expert, and
scholar, Harald Vogel has
rendered outstanding
services to the
interpretation of early
music and especially to
historical performance
practice concerning the
organ for decades. He has
received numerous awards,
including an ECHO Klassik
as Instrumentalist of the
Year (2012), honorary
doctorates from Lulea
University of Technology
(Sweden, 2008) and
Oberlin College (USA,
2014), as well as the
Buxtehude Prize of the
City of Lubeck (2018).
Harald Vogel is the
author and editor of
numerous scholarly
publications and
editions. Through his
lifelong performance
practice, he can look
back on an extensive
discography, including
the complete recording of
Buxtehude's organ works,
which he recorded in
various locations with
historical organ
instruments of the North
German organ building
tradition in Scandinavia,
North Germany and the
Netherlands.
pure
source edition (no
mixture of different
transmissions);
comprehensive commentary
(Vol. I/2 & II) (with
texts about the sources,
chronology, use of keys,
liturgic placement as
well as detailed critical
remarks, incl. music
examples (in German
only)); good page
turnsflexible division of
voices (on 2 or 3
systems, good
legibility); contains
facsimiles. Contains the
Critical Commentary of
the subvolumes I/1 and
I/2.
Organ SKU: BR.EB-9304 Urtext - Critical Source Edition of the Free Org...(+)
Organ
SKU:
BR.EB-9304
Urtext
- Critical Source Edition
of the Free Organ
Works. Composed by
Dietrich Buxtehude.
Edited by Harald Vogel.
Solo instruments;
Softbound. Edition
Breitkopf.
Renaissance/early
Baroque; Baroque. Score.
108 pages. Breitkopf and
Haertel #EB 9304.
Published by Breitkopf
and Haertel (BR.EB-9304).
ISBN 9790004187685. 12
x 9 inches.
This
edition is the result of
Harald Vogel's many years
of practice as an
organist and
musicologist. The music
text is based on a
reevaluation of 17th- and
18th-century manuscripts
containing the free organ
and keyboard works by
Buxtehude. They
originated during a
transitional phase
between the traditional
letter tablature and the
staff notation still in
use today. Since many
works have survived only
in transcriptions for
staff notation, the
editor was confronted
with a high error rate,
which he carefully
analyzes in the
Einzelanmerkungen. During
the preparation of the
edition, the editor
always kept sight of the
performance practice, but
still, the image of the
sources is never
distorted (e. g. by
superfluous rests,
beaming not conforming to
the sources and the
unhistorical adjustment
of time signatures) and
stays very close to the
compositional notation,
the letter tablature. The
flexible use of three
staves and the
differentiated
distribution of the
voices on the staves
allow for an
approximation in reading
conventions of historical
notation with its
resulting information
about hand division.
Grouping the free organ
repertoire into works
with obbligato pedal and
works for manuals, this
edition is organized in
two volumes. The first
subvolume (I/1, EB 9304)
contains the Preface and
the Preludes, whereas the
second subvolume (I/2, EB
9305) contains Toccatas,
Ostinato works,
alternative versions and
a comprehensive Critical
Commentary (in German
only). Volume II (EB
9306) contains
Buxtehude's free organ
and keyboard works
(manualiter) with the
corresponding texts
(Preface and Critical
Commentary).Until 1971,
Harald Vogel worked on a
dissertation (with Georg
von Dadelsen, Hamburg) on
Die Fuge um Bach. Besides
the description of the
inclusion of triple
measures into the C
notation and the
irregularities of the
voice mutation in the
polyphonic structures,
this also included a
discussion about the
justification of the
inner textual criticism.
With the inner textual
criticism, deviations in
parallel passages are
unified. The North German
fugue style, reaching a
peak in Buxtehude's work,
is characterized by a
constant diversity of
details in subject and
polyphonic progressions.
One of the indicators of
the fantastic style is
the dissolution of the
polyphonic structures at
the ends of the fugues,
evident in Buxtehude's
work.In this edition, a
musical text is presented
that avoids the
uniformity of detail not
conforming to the
sources. However, there
are many examples of
transcription and cursory
errors, which are
analyzed in a methodical
systematic manner. About
the editor: As an
organist, professor,
organ expert, and
scholar, Harald Vogel has
rendered outstanding
services to the
interpretation of early
music and especially to
historical performance
practice concerning the
organ for decades. He has
received numerous awards,
including an ECHO Klassik
as Instrumentalist of the
Year (2012), honorary
doctorates from Lulea
University of Technology
(Sweden, 2008) and
Oberlin College (USA,
2014), as well as the
Buxtehude Prize of the
City of Lubeck (2018).
Harald Vogel is the
author and editor of
numerous scholarly
publications and
editions. Through his
lifelong performance
practice, he can look
back on an extensive
discography, including
the complete recording of
Buxtehude's organ works,
which he recorded in
various locations with
historical organ
instruments of the North
German organ building
tradition in Scandinavia,
North Germany and the
Netherlands.
pure
source edition (no
mixture of different
transmissions);
comprehensive commentary
(Vol. I/2 & II) (with
texts about the sources,
chronology, use of keys,
liturgic placement as
well as detailed critical
remarks, incl. music
examples (in German
only)); good page
turnsflexible division of
voices (on 2 or 3
systems, good
legibility); contains
facsimiles. The
corresponding Critical
Commentary is contained
in Volume I/2 (EB
9305).
Organ SKU: ST.H345 Composed by Ena Baga. Organ music. Arranged by John No...(+)
Organ
SKU: ST.H345
Composed by Ena Baga.
Organ music. Arranged by
John Norris.. Score.
Stainer & Bell Ltd.
#H345. Published by
Stainer & Bell Ltd.
(ST.H345).
ISBN
9790220200571.
A
legend from the days of
silent cinema, pianist
Ena Baga was also the
gifted composer of many
short pieces that fall
into the category of
'light music'.
Bagatelle was
used as her signature
tune whilst organist at
the famous Tower
Ballroom, Blackpool.
Organ SKU: HL.48180249 Composed by Marcel Dupre. Leduc. Classical. CD onl...(+)
Organ
SKU:
HL.48180249
Composed
by Marcel Dupre. Leduc.
Classical. CD only. 41
pages. Alphonse Leduc
#AL16921. Published by
Alphonse Leduc
(HL.48180249).
UPC:
888680794811. 9x12
inches.
French
organist and composer,
Marcel Dupré
(1886-1971) is also
remembered as a
significant pedagogue.
However, his prominence
within the organ
repertoire remains
absolute with sublime
works, including his
Passion Symphony.
Dupré studied at
the Paris Conservatoire
with Louis Vierne and
Charles-Marie Widor,
where he won prizes for
piano, organ and fugue,
as well as the Grand Prix
de Rome. He was a famous
organ virtuoso and was
able to perform the
entire works composed for
the instrument by J. S.
Bach from memory.
Dupré's Op. 23,
the Passion Symphony for
Organ is made up of
four movements depicting
the life of Christ; 1)
The World awaiting the
Saviour, 2) Nativity, 3)
Crucifixion, and 4)
Resurrection. All of the
movements display a high
degree of virtuosic
technique and musical
integrity. Dupré's
compositions and didactic
works remain important to
organists today and his
Passion Symphony
is no exception.
Organ SKU: HL.49046130 Benedicere Organ. Composed by Robert M. Hel...(+)
Organ
SKU:
HL.49046130
Benedicere Organ.
Composed by Robert M.
Helmschrott. Organ Large
Works. Classical.
Softcover. 40 pages.
Duration 840 seconds.
Schott Music #ED9997.
Published by Schott Music
(HL.49046130).
Taking as a
basis the events at the
funeral service for Pope
John Paul I, the
conclave, the
inauguration of the new
pope, and the visit of
Benedict XVI at the
Synagogue of Cologne,
through Benedicere -
Litanei, Helmschrott
presents a piece of
'experienced music'. He
translates his
experiences into music -
which is exemplified in
the All Saints' Day
litany that was heard
again and againat the
festivities in Rome, or
the shofar which was
played in Cologne. He
sees his work as a symbol
of what he has
experienced and an
invocation of the past,
as an appeal for a better
future.
Best of Wedding for Organ and Vocal with CD composed by Various. Arranged by Cra...(+)
Best of Wedding for Organ
and Vocal with CD
composed by Various.
Arranged by Craig
Stevens. For organ,
voice. This edition:
Paperback. Collection.
Wedding. Book and CD.
Text Language: English.
128 pages. Published by
Santorella Publications
Organ solo SKU: BA.BA08340 Composed by George Frideric Handel. This editi...(+)
Organ solo
SKU:
BA.BA08340
Composed
by George Frideric
Handel. This edition:
urtext edition. Stapled.
Barenreiter Urtext. Set
containing BA 8341-8346.
Score. Opus 4, HWV
289-294. Baerenreiter
Verlag #BA08340_00.
Published by Baerenreiter
Verlag (BA.BA08340).
ISBN
9790006521135.
The
newly engraved scores and
parts for the six op. 4
organ concertos follow
the revised volume of the
Handel Complete Edition
edited by Terence Best
and William Gudger [BA
8340 / BA 8341-BA
8346].
The new
scores and orchestral
parts are free from the
overediting found in
other editions available
today. This means
performers can play just
exactly what Handel wrote
and not what others think
he meant. In other words,
you will not find trills,
staccato marks and slurs
sprinkled throughout the
score, you will find what
Handel wrote. In this new
Urtext edition all
editorial additions are
clearly
indicated.
Additio
nal string parts may also
be purchased
separately.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Organ SKU: HL.48184602 Composed by Johann Sebastian Bach. Leduc. Baroque....(+)
Organ
SKU:
HL.48184602
Composed
by Johann Sebastian Bach.
Leduc. Baroque.
Softcover. 64 pages.
Alphonse Leduc #AL27724.
Published by Alphonse
Leduc (HL.48184602).
UPC: 888680853921.
9.0x12.0x0.204
inches.
Part of the
Organ collection by J. S.
Bach, this first book of
the Volume X Three
Chorals Transcriptions,
Three partitas and
canonical variations,
book 1 (BWV 645, 646,
647, 766, 767, 768)
contains six pieces and
is completed by the
second book. The six
pieces that feature in
this book are three
choral-transcriptions and
three chorals with
variations: 1. Awake, The
Watchmen ery out 2.
Whither shall I flee 3.
He that suffereth God to
guide him 4. Partite on
?Christ, Thou who Art the
light of the day? 5.
Partite on ?O God, Thou
Holy God? 6. Partite on
?Hail to Thee merciful
Jesus? This volume is
translated in English and
French and features the
annotation of Marcel
Dupre, a French Organist,
to help the performer get
the most our of the sheet
music. The preface is
also well written, with
explanations of the
comments and descriptions
of the techniques to use
for an accomplished
interpretation of this
work. .
Organ (Organ) SKU: HL.14008416 Composed by Sir Peter Maxwell Davies. Musi...(+)
Organ (Organ)
SKU:
HL.14008416
Composed
by Sir Peter Maxwell
Davies. Music Sales
America. Classical. Book
[Softcover]. Composed
1999. 32 pages. Chester
Music #CH55477. Published
by Chester Music
(HL.14008416).
9.0x12.0x0.132
inches.
This
essentially contemplative
work in four movements is
based on a plainsong
fragment from the
Lamentations of Jeremiah,
traditionally sung on
Maundy Thursday in the
ceremonies spiralling
down to the sacrifice of
Christ on Good Friday.
First performed in June
1982 by Richard Hughes,
to whom the work is
dedicated.
Organ SKU: SU.80101437 For Organ. Composed by Carson Cooman. Keybo...(+)
Organ
SKU:
SU.80101437
For
Organ. Composed by
Carson Cooman. Keyboard,
Organ. Score. Zimbel
Press #80101437.
Published by Zimbel Press
(SU.80101437).
Night Sky Hymn
(2018) and Day Sky Hymn
(2018) can be played
together or separately
and form two musical
skyscapes. An Oasis
Remembered was written in
memory of the Australian
composer Robert Allworth
(1943-2017).
Instrumentation: Organ
Duration: 2017/18
Composed: 10' Published
by: Zimbel Press.
Organ - advanced SKU: HL.49003601 Organ Solo. Composed by Philipp ...(+)
Organ - advanced
SKU:
HL.49003601
Organ
Solo. Composed by
Philipp Jarnach. Edited
by Roman Summereder. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Op. 21. 15
pages. Schott Music
#ED2087. Published by
Schott Music
(HL.49003601).
ISBN
9790001126090. UPC:
073999322972.
9.0x12.0x0.061
inches.
Jarnach
wrote this piece in 1928
for the Chamber Music
Days of the
Donaueschingen Festival.
It was premiered on the
Voit organ in the great
hall of the assembly
rooms in the spa town of
Baden-Baden together with
Hindemith's 'Kammermusik
Nr. 7' for Organ and
Chamber Orchestra.