Soprano voice solo, SATB choir, 2 oboes, 2 horns, 2 trumpets, timpani, violin solo, 2 violins, viola, cello/contrabass, organ

SKU: CA.2701112

Offertorium. Composed by Louis Spohr. German title: Jubilate Deo (Lat/Dt). Sacred vocal music, Cantatas, Easter and Eastertide, Whitsun, Praise and thanks. Single Part, Violin 1. 4 pages. Duration 6 minutes. Carus Verlag #CV 27.011/12. Published by Carus Verlag (CA.2701112).

ISBN 9790007038786. Language: Latin/German.

Score available separately - see item CA.2701100.

Orchestra orchestra version: SSAA choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 violins, viola, cello, contrabass, organ - Grade 2

SKU: CA.4018011

Composed by Johannes Brahms. German title: Ave Maria op.12. Sacred vocal music, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Single Part, Violin 1. Composed 1858. Op. 12. 2 pages. Duration 5 minutes. Carus Verlag #CV 40.180/11. Published by Carus Verlag (CA.4018011).

ISBN 9790007064051. Key: F major. Language: Latin/English.

Brah ms's Ave Maria was composed in 1858. The widely-held opinions in the literature on Brahms - that the work has justifiably been forgotten, the part-writing is monotonous and the style and diction is ponderous - don't do justice to a truly charming piece, based on folksong-like models. Score and part available separately - see item CA.4018000.

Tenor voice solo, SATB choir, timpani, percussion, 2 violins, viola, cello, contrabass, harpsichord, organ

SKU: CA.1007049

Composed by Helmut Barbe. German title: Canticum Simeonis Nunc Dimittis Servum. Sacred vocal music, Cantatas. Single Part, Organ. 12 pages. Carus Verlag #CV 10.070/49. Published by Carus Verlag (CA.1007049).

ISBN 9790007018054. Language: Latin.

Score available separately - see item CA.1007000.

Solo tenor voice (soprano voice), 2 violin, 3 viola da gamba, organ

SKU: CA.9109900

Composed by Georg Christoph Leuttner. Edited by Konrad Ruhland. This edition: Paperbound. Coppenrath Series. German title: Regina Coeli 1401001. Sacred vocal music, Easter and Eastertide, Whitsun. Full score. 12 pages. Carus Verlag #CV 91.099/00. Published by Carus Verlag (CA.9109900).

ISBN 9790007115296. Language: Latin.

Soprano voice solo, SATB choir, 2 flutes, 2 oboes, 2 horns, 2 clarinos/trumpets, timpani, 2 violins, 2 violas, cello/bassoon/contrabass, organ

SKU: CA.4004714

Marienantiphon. Composed by Wolfgang Amadeus Mozart. Arranged by Mathias Siedel. This edition: urtext. Stuttgart Urtext Edition: Mozart. German title: Regina Coeli In C Rev.2001. Sacred vocal music, Easter and Eastertide, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary, Daily hours. Single Part, Cello/Double Bass. Composed 1771. KV 108 (74d). 4 pages. Duration 11 minutes. Carus Verlag #CV 40.047/14. Published by Carus Verlag (CA.4004714).

ISBN 9790007058814. Key: C major. Language: Latin.

Score available separately - see item CA.4004700.

Orchestra soprano/baritone vocal soli, SATB choir, 2 flutes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, timpani, violin, 2 violas, 2 cellos, contrabass, harp, organ

SKU: CA.2731149

Composed by Gabriel Faure. Edited by Marc Rigaudiere. French Sacred Music. Requiem. Fassung 1889 Fur Kleines Orchest. Sacred vocal music, Requiem. Single Part, Organ. Composed 1901. 20 pages. Duration 35 minutes. Carus Verlag #CV 27.311/49. Published by Carus Verlag (CA.2731149).

ISBN 9790007201593. Language: Latin.

The Requiem of Gabriel Faure is now available in two versions: in the symphonic version which was completed in 1900 and in a version with small orchestra of 1889. The symphonic version of Gabriel Faure's Requiem, published in 1901, was the product of a 13-year compositional process. Starting from the original five-movement form for strings, harp and organ, the composer wrote two additional movements, one after the other, and expanded the instrumentation in various stages for later performances. The present reconstruction of a version with small orchestra differs from other such attempts in that for the first time it presents the work not in a mixed version, but rather in the unified form from 1889. This is distinguished from the final version both in musical terms, as well as through the fact that it forgoes the use of flutes, clarinets and bassoons, while employing only two horns instead of four. With a critical Report with information about the source situation and the edition, and containing the individual readings (alternative readings, etc.). Since in 1889 the Offertoire was still without the choral section the present edition contains the Offertoire of the final version as appendix. Now available in carus music, the choir app. Score and part available separately - see item CA.2731100.

Aus: Sechs Marianische Hymnen. By Josef Gabriel Rheinberger. For Solo Soprano, [Mezzo-Soprano], Organ. Score. Language: Latin. Composed 1891. 171 no. 5a. 4 pages. Duration 3 min. Published by Carus Verlag (German import).

(aus: Sechs Marianische Hymnen). By Josef Gabriel Rheinberger. For Soli SSA or Choir, Organ. Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Level 3. Score. Language: Latin. Composed 1892. 171 no. 6. 8 pages. Duration 4 min

SATB/SATB choir, flute, oboe, clarinet, bassoon, 2 horn, 3 trumpet, 3 trombone, tuba, organ

SKU: CA.9215100

Vater unser. Composed by Heinrich Lemacher. This edition: Paperbound. German title: Pater Noster Op.128 5028601. Sacred vocal music, Our Father. Full score. Op. 128. 12 pages. Duration 6 minutes. Carus Verlag #CV 92.151/00. Published by Carus Verlag (CA.9215100).

ISBN 9790007120962. Key: G major. Language: Latin/German.

Orchestra Solo Voices, SATB Chorus, Orchestra, Organ

SKU: CA.2709215

Composed by Anton Bruckner. Edited by Knut Breyer. Single Part, double bass. WAB 26. Duration 45 minutes. Carus Verlag #2709200. Published by Carus Verlag (CA.2709215).

ISBN 9790007248772. Key: D minor. Latin.

Anton Bruckner composed his first mass, the Mass in D minor, in 1864 in just four months. It was not ready in time for the Kaiser Franz Joseph I's birthday, as planned, but was first performed on 20 November at the Feast of St Cecilia in Linz Cathedral - with great success. The mass is one of the first works by Bruckner to be written in his characteristic symphonic style. It was revised several times and first published in 1892. This edition is based on a critical evaluation of all the relevant sources, and offers an improved musical text. Score and part available separately - see item CA.2709200.

SATB choir, 2 violins, viola, cello/bassoon/contrabass, organ

SKU: CA.5103313

Composed by Wolfgang Amadeus Mozart. Edited by Bernhard Janz. Arranged by Eberhard Kraus. This edition: urtext. Stuttgart Urtext Edition: Mozart. Kyrie In F Neu 2005. Sacred vocal music, Mass sections. Single Part, Viola. Composed 1766. KV 33. 2 pages. Duration 2 minutes. Carus Verlag #CV 51.033/13. Published by Carus Verlag (CA.5103313).

ISBN 9790007058135. Key: F major. Language: Latin.

The first 18 bars come from a joint autograph of Leopold and Wolfgang Amadeus Mozart. Score and part available separately - see item CA.5103300.

Orchestra Solo Voices, SATB Chorus, Orchestra, Organ

SKU: CA.2709219

Composed by Anton Bruckner. Edited by Knut Breyer. Set of Orchestra Parts. WAB 26. Duration 45 minutes. Carus Verlag #2709200. Published by Carus Verlag (CA.2709219).

ISBN 9790007248710. Key: D minor. Latin.

Anton Bruckner composed his first mass, the Mass in D minor, in 1864 in just four months. It was not ready in time for the Kaiser Franz Joseph I's birthday, as planned, but was first performed on 20 November at the Feast of St Cecilia in Linz Cathedral - with great success. The mass is one of the first works by Bruckner to be written in his characteristic symphonic style. It was revised several times and first published in 1892. This edition is based on a critical evaluation of all the relevant sources, and offers an improved musical text. Score and parts available separately - see item CA.2709200.

SATB vocal soli, SATB choir, 2 oboes, 2 clarinos/trumpets, timpani, 2 violins, cello/contrabass, organ

SKU: CA.4004911

Marienantiphon. Composed by Wolfgang Amadeus Mozart. Edited by Berthold Over. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Mozart. German title: Regina Coeli In C Rev.2000. Sacred vocal music, Easter and Eastertide, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary, Daily hours. Single Part, Violin 1. Composed 1779. KV 276 (321d). 4 pages. Duration 7 minutes. Carus Verlag #CV 40.049/11. Published by Carus Verlag (CA.4004911).

ISBN 9790007058944. Key: C major. Language: Latin.

Score available separately - see item CA.4004900.

Soprano voice solo, SATB choir, 2 flutes, 2 oboes, 2 horns, 2 clarinos/trumpets, timpani, 2 violins, 2 violas, cello/bassoon/contrabass, organ

SKU: CA.4004711

Marienantiphon. Composed by Wolfgang Amadeus Mozart. Arranged by Mathias Siedel. This edition: urtext. Stuttgart Urtext Edition: Mozart. German title: Regina Coeli In C Rev.2001. Sacred vocal music, Easter and Eastertide, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary, Daily hours. Single Part, Violin 1. Composed 1771. KV 108 (74d). 8 pages. Duration 11 minutes. Carus Verlag #CV 40.047/11. Published by Carus Verlag (CA.4004711).

ISBN 9790007058784. Key: C major. Language: Latin.

Score available separately - see item CA.4004700.

Soprano voice solo, 2 oboes (2 flutes), 2 horns, 2 violins, viola, cello/bassoon/contrabass, organ

SKU: CA.4076704

Solomotette zum Dreifaltigkeitsfest oder zu Weihnachten. Composed by Wolfgang Amadeus Mozart. Edited by Wolfgang Hochstein. This edition: urtext. Stuttgart Urtext Edition: Mozart. Exsultate, Jubilate Rev.2000. Sacred vocal music, Trinity, Christmas, Praise and thanks, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Reduction for organ. Composed 1773. KV 165 (158a). 16 pages. Duration 17 minutes. Carus Verlag #CV 40.767/04. Published by Carus Verlag (CA.4076704).

ISBN 9790007084998. Key: F major. Language: Latin.

A good six years following its first performance in Milan (1773) a second version of Exsultate, jubilate was completed for a performance on Trinity Sunday in 1779. It has survived in a manuscript from Salzburg. This Salzburg version, which was discovered in 1978, differs from the Milan version primarily through the use of flutes instead of oboes and also through the use of two different texts for the first aria. In the first version the text refers to Christmas, whereas in the second version it refers to the festival of Trinity. Mozart's autograph of the Milan version had been thought to be missing since the second world war and it has only been accessible in the Biblioteka Jagiellonska in Krakow for a little over a decade. The present new critical edition by Wolfgang Hochstein is the first which could be based on both versions. Score available separately - see item CA.4076700.

Soprano, Ensemble and Organ

SKU: HL.14016017

Composed by Bent Sorensen. Music Sales America. Sacred. Score. 72 pages. Music Sales #KP00664. Published by Music Sales (HL.14016017).

ISBN 9788759873373. Latin-German.

In Paradisum for 2 Soprano soloists, Choir and Ensemble was composed by Bent Sorensen in 1994-95. Commissioned by Goteborg Domkirke.

Voice(s) and organ

SKU: BR.EB-8839

Composed by Antonin Dvorak. Arranged by Klaus-Uwe Ludwig. Voice; stapled. Edition Breitkopf.

Text underlay in Czech and German

Romantic period. Score. 36 pages. Breitkopf and Haertel #EB 8839. Published by Breitkopf and Haertel (BR.EB-8839).

ISBN 9790004184189. 9 x 12 inches. German / Czech.

Grief, Solace, and Trust The 10-lieder cycle, Biblical Songs op. 99, was composed in the spring of 1894 in New York City, where Antonin Dvorak lived for nearly two years. Homesickness and sad news of the death of composer friends, together with his own father's poor state of health, may have prompted Dvorak to choose the intimate form and religious subject. All of the cycle's texts derive from the Book of Psalms in the Old Testament. Klaus Uwe Ludwig's moving organ arrangement, close to the original, is based on the Dvorak Complete Edition. In translating the text from Czech to German, Ludwig respected to the utmost the content and speech rhythms paramount in the original.