Sacred.
Lorenz Publishing Company
#70/2173L. Published by
Lorenz Publishing Company
(LO.70-2173L).
ISBN
9780787766214.
Repr
inted from past issues of
Lorenz's long-running
magazine The Organist,
this handy coil-bound
book has almost one
hundred pages of
accessible music and
would be a welcome
addition to any
organist’s
library. Novice players
will appreciate the
uncomplicated pedal
parts, while veteran
organists will enjoy the
convenient
pick-up-and-play aspect.
Registration, duration,
and usages are provided
for all titles.
Composed
by Josef Gabriel
Rheinberger. Suite In C.
Orchesterfassung. Single
Part, Violin 1. Composed
1887. Op. 149. 8 pages.
Duration 33 minutes.
Carus Verlag #CV
50.149/13. Published by
Carus Verlag
(CA.5014913).
ISBN
9790007080075. Key: C
minor. Language: all
languages.
The
field of sacred chamber
music, apart from vocal
music and the solo-organ
repertoire, often lives
in the shadows. Thus the
reprint of this valuable
trio is all the more
welcome. The organ has
the same role here as the
piano in a piano trio!
(Wurttembergische Blatter
fur Kirchenmusik May
1993, p. 192). Score and
part available separately
- see item
CA.5014900.
Sacred.
Lorenz Publishing Company
#70/2280L. Published by
Lorenz Publishing Company
(LO.70-2280L).
ISBN
9780787771836.
Repr
inted from past issues of
our long-running magazine
The Organist, this handy
coil-bound book has
almost one hundred pages
of accessible music and
would be a welcome
addition to any
organist’s
library. Novice players
will appreciate the
uncomplicated pedal
parts, while veteran
organists will enjoy the
convenient
pick-up-and-play aspect.
Registration, duration,
and usages are provided
for all titles.
Sacred,
Advent, Christmas,
General. Lorenz
Publishing Company
#70/2435L. Published by
Lorenz Publishing Company
(LO.70-2435L).
ISBN
9780787778231.
Prin
ted from our digital
subscription Lorenz
Online, this handy
coil-bound volume
contains approximately 30
pieces of music and would
be a welcome addition to
any organist’s
library. Novice players
will appreciate the
uncomplicated pedal
parts, while veteran
organists will enjoy the
convenient
pick-up-and-play aspect.
Registration, duration,
and usages are provided
for all titles.
Composed
by Josef Gabriel
Rheinberger. Suite In C.
Orchesterfassung. Single
Part, Cello. Composed
1887. Op. 149. 8 pages.
Duration 33 minutes.
Carus Verlag #CV
50.149/16. Published by
Carus Verlag
(CA.5014916).
ISBN
9790007080105. Key: C
minor. Language: all
languages.
The
field of sacred chamber
music, apart from vocal
music and the solo-organ
repertoire, often lives
in the shadows. Thus the
reprint of this valuable
trio is all the more
welcome. The organ has
the same role here as the
piano in a piano trio!
(Wurttembergische Blatter
fur Kirchenmusik May
1993, p. 192). Score and
part available separately
- see item
CA.5014900.
Sacred,
Eastertide, General, Holy
Week, Lent, Pentecost.
Lorenz Publishing Company
#70/2457L. Published by
Lorenz Publishing Company
(LO.70-2457L).
ISBN
9780787779160.
Prin
ted from our digital
subscription Lorenz
Online, this handy
coil-bound volume
contains approximately 30
pieces of music and would
be a welcome addition to
any organistâ??s
library. Novice players
will appreciate the
uncomplicated pedal
parts, while veteran
organists will enjoy the
convenient pick up and
play aspect.
Registration, duration,
and usages are provided
for all titles.
Composed
by Josef Gabriel
Rheinberger. Suite In C.
Orchesterfassung. Single
Part, Double Bass.
Composed 1887. Op. 149. 4
pages. Duration 33
minutes. Carus Verlag #CV
50.149/17. Published by
Carus Verlag
(CA.5014917).
ISBN
9790007080112. Key: C
minor. Language: all
languages.
The
field of sacred chamber
music, apart from vocal
music and the solo-organ
repertoire, often lives
in the shadows. Thus the
reprint of this valuable
trio is all the more
welcome. The organ has
the same role here as the
piano in a piano trio!
(Wurttembergische Blatter
fur Kirchenmusik May
1993, p. 192). Score and
part available separately
- see item
CA.5014900.
Composed
by Josef Gabriel
Rheinberger. Suite In C.
Orchesterfassung. Single
Part, Cello Solo.
Composed 1887. Op. 149.
12 pages. Duration 33
minutes. Carus Verlag #CV
50.149/12. Published by
Carus Verlag
(CA.5014912).
ISBN
9790007080068. Key: C
minor. Language: all
languages.
The
field of sacred chamber
music, apart from vocal
music and the solo-organ
repertoire, often lives
in the shadows. Thus the
reprint of this valuable
trio is all the more
welcome. The organ has
the same role here as the
piano in a piano trio!
(Wurttembergische Blatter
fur Kirchenmusik May
1993, p. 192). Score and
part available separately
- see item
CA.5014900.
Sacred.
Lorenz Publishing Company
#70/2203L. Published by
Lorenz Publishing Company
(LO.70-2203L).
ISBN
9780787767754.
Repr
inted from past issues of
our long-running magazine
The Organist, this handy
coil-bound book has
almost one hundred pages
of accessible music and
would be a welcome
addition to any
organist’s
library. Novice players
will appreciate the
uncomplicated pedal
parts, while veteran
organists will enjoy the
convenient
pick-up-and-play aspect.
Registration, duration,
and usages are provided
for all titles.
Composed
by Josef Gabriel
Rheinberger. Suite In C.
Orchesterfassung. Single
Part, Viola. Composed
1887. Op. 149. 8 pages.
Duration 33 minutes.
Carus Verlag #CV
50.149/15. Published by
Carus Verlag
(CA.5014915).
ISBN
9790007080099. Key: C
minor. Language: all
languages.
The
field of sacred chamber
music, apart from vocal
music and the solo-organ
repertoire, often lives
in the shadows. Thus the
reprint of this valuable
trio is all the more
welcome. The organ has
the same role here as the
piano in a piano trio!
(Wurttembergische Blatter
fur Kirchenmusik May
1993, p. 192). Score and
part available separately
- see item
CA.5014900.
Organ - difficult SKU: HL.49017864 For organ. Composed by John Cas...(+)
Organ - difficult
SKU:
HL.49017864
For
organ. Composed by
John Casken. This
edition: Saddle
stitching. Sheet music.
Organ Large Works.
Sacrificium ist ein
anspruchsvolles Werk, das
die Interpreten mit einer
Fulle von
kontrastierendem Material
fordert, aber
gleichzeitig Raum fur
individuelle
Interpretation lasst.
Composed 2009. 20 pages.
Duration 8'. Schott Music
#ED13260. Published by
Schott Music
(HL.49017864).
ISBN
9790220131288. UPC:
884088567637.
9.0x12.0x0.107
inches.
Sacrificium
was commissioned by the
St Albans International
Organ Festival for what
has become one of the
most influential organ
competitions in the
world. It is a demanding
8 minute work that will
challenge performers with
an abundance of
contrasting material
whilst still leaving
space for individual
interpretation. Casken
refers to the story of
Alban who sacrificed his
life to save another
Christian thereby
becoming the first
British Martyr in his
programme note and more
specifically the act of
exchanging cloaks and
deception which led to
Alban's execution. This
idea of taking on a new
appearance is apparent in
the music as recurring
themes undergo
transformations,
gradually becoming
absorbed into new musical
textures.
Organ - easy-medium SKU: AU.9781506414058 Composed by Michael Burkhardt. ...(+)
Organ - easy-medium
SKU:
AU.9781506414058
Composed by Michael
Burkhardt. Sacred,
Easter, General. 16
pages. Published by
Augsburg Fortress
(AU.9781506414058).
ISBN 9781506414058.
8.5 x 11
inches.
Composer
William Rowan and text
writer Mary Louise
Bringle collaborated on a
graceful hymn that has
become a favorite in many
congregations. Now
Michael Burkhardt
provides an alternative
setting. Beginning with
an impressionistic
introduction for organ,
each stanza then has its
own accompaniment, over
which women, men, and all
(with soprano descant)
sing the tune.
Organ SKU: BR.EB-8670 Chorale Preludes from 5 Centuries to the Evang. ...(+)
Organ
SKU:
BR.EB-8670
Chorale
Preludes from 5 Centuries
to the Evang.
Gesangbuch. Composed
by Gardonyi / Ludwig /
Schweizer (Hrsg.). Edited
by Klaus Uwe Ludwig. Solo
instruments; Softbound.
Edition Breitkopf. Music
pedagogy. Score. 112
pages. Breitkopf and
Haertel #EB 8670.
Published by Breitkopf
and Haertel (BR.EB-8670).
ISBN 9790004180624. 9
x 12 inches.
In
Ewigkeit dich loben has
now become a permanent
fixture in the every-day
repertoire of many church
musicians. The editor's
four-volume concept has
proven to be both handy
and compelling. With its
limitation to the main
section of the new
Evangelical Hymnal,
however, many eager
organists increasingly
began to ask for preludes
to beloved church hymns
that are found in the
various regional sections
of the Hymnal, such as
Als ich bei meinen
Schafen wacht, Freunde,
dass der Mandelzweig and
Herr, deine Liebe. In
this selection from the
approximately 700 hymns
of the regional section,
the editor has included
hymns which have a long
history and are thus
quite well known, but
also certain hymns which
are found in more than
one regional section. The
result is a stylistically
varied palette of
traditional pieces and
newer, lesser known ones
that should stimulate the
imagination of every
organist.
in
Ewigkeit dich loben
features preludes for all
the hymns contained in
the new Protestant
Hymnbook (Evangelisches
Gesangbuch, EG)..
Organ SKU: BR.EB-9300 (Plainte sur la perte de la reflexion musicale)<...(+)
Organ
SKU:
BR.EB-9300
(Plainte sur la perte
de la reflexion
musicale). Composed
by Klaus Huber. Arranged
by A. Digby and M.
Sattelberger. Solo
instruments; stapled.
Edition Breitkopf. World
premieres: I version for
flute: Wiesbaden, 1972.
Music post-1945; New
music (post-2000). Score.
Composed 1972. 20 pages.
Duration 20'. Breitkopf
and Haertel #EB 9300.
Published by Breitkopf
and Haertel (BR.EB-9300).
ISBN 9790004187647. 9
x 12 inches.
World
premieres:I version for
flute: Wiesbaden, 1972II
version for piano: Nyon,
1972III version for var.
insts.: Cologne, May 29,
1976VI version for
accordeon: Fribourg, June
25, 1987VIII version for
violoncello Tokyo:
October 14, 1989X version
for organ: Stuttgart,
March 28, 2018This work
(A Breath of the
Untimely) was first
written for solo Flute
and dedicated to Aurele
Nicolet. Its bears the
subtitle Lament on the
Loss of Musical Thought -
some Madrigals for Solo
Flute or Flute with any
other Instruments. This
serves as a playing
instruction but doubles
at the same time as an
outmoded programme: it
refers back to the
musical origin of the
opening lamenting motif,
a tradition which was
once of its time but is
not of our time - namely
the Lamento genre which
gave the title to the
Chaconne in Purcell's
opera Dido and Aeneas.
Almost simultaneously I
wrote a second version
for Piano (for Piano
one-and-a-half hands),
which already formulates
possible approaches for
the performer, in some
detail, to the indicated,
quasi-canonic version of
the piece in the
programme. The multiple
version Ein Hauch von
Unzeit III realizes a
concrete version of a
formal state which floats
between strict canon and
aleatoric principles:
each of the musicians who
are spread throughout the
hall introduces their own
idiomatic translation of
the flute part. And so
the music exists,
omnipresent, not only
spatially throughout the
hall, but also formally
in a sort of fluctuating
simultaneity. For that
reason, it was my express
wish to any potential
interpreter that they
should construct entirely
their own version of the
piece. A healthy number
of musicians have
responded to my
suggestion - versions of
the piece have now been
made for guitar
(Cornelius Schwehr,
Gunther Schneider),
accordion (Hugo Noth),
double bass (Fernando
Grillo), violin
(Hansheinz Schneeberger),
viola, violoncello, and
double bass (trio basso,
Koln), violoncello
(Michael Bach), trombone
(Andrew Digby) and,
created by myself, a sung
version for voice (to
words by Georg Wilhelm
Friedrich Hegel und Max
Bense), and for viola.The
most important
requirement for the whole
piece is absolute
stillness, which should
as far as possible
emanate from the
performer. The pauses are
occasionally in this
respect the most
important element. These
may, if one can find the
necessary stillness,
become very long.Ein
Hauch von Unzeit (A
Breath of the Untimely) -
time almost
dissolves!(Klaus Huber,
1989/2014 - translation:
David
Alberman)CD:Jean-Luc
Menet (Bass flute)CD
Traversieres
120.270Jean-Luc Menet
(fl)CD STR
37039Bibliography:Zimmerm
ann, Heidy:
Zeitgestaltung im
Kompositionsprozess bei
Klaus Huber - dargestellt
anhand von Skizzen, in:
Mnemosyne. Zeit und
Gedachtnis in der
europaischen Musik des
ausgehenden 20.
Jahrhunderts, hrsg. von
Dorothea Redepenning und
Joachim Steinheuer,
Saarbrucken: Pfau 2006,
S. 90-109
World
premiere: Stuttgart,
Hospitalkirche, March 28,
2018.
Organ SKU: HL.49046414 Version for organ by Leif Thybo (1952) based on...(+)
Organ
SKU:
HL.49046414
Version for organ by
Leif Thybo (1952) based
on the original version
for chamber
orchestra. Composed
by Igor Stravinsky. Organ
Large Works. Classical.
Softcover. 52 pages.
Duration 900 seconds.
Schott Music #ED23092.
Published by Schott Music
(HL.49046414).
ISBN
9781540090522. UPC:
842819103974.
The
American musical patrons
Mildred and Robert Wood
Bliss were considering
which distinguished
composer to commission to
create a work in
celebration of their 30th
wedding anniversary in
1938. The couple had made
the acquaintance of Igor
Stravinsky in April the
preceding year at the
premiere of his ballet
Jeu de Cartes in New York
and had subsequently
invited the composer to
their country home
'Dumbarton Oaks' in
Washington D.C. to talk
about a new composition.
Stravinsky only just
managed to complete the
work in time for the
anniversary celebrations:
its date of completion
was also the date of its
first performance. For
his classically styled
three-movement work, he
selected the title
Concerto in E flat,
adding the subtitle
Dumbarton Oaks as a
dedication. The structure
of the work references
the concerto grosso: it
features a soloist
ensemble which unites in
the tutti sequences but
also plays in concertino
groups during the solo
episodes. Broken chordal
structures characterise
the central movement
whereas the outer
movements are
distinguished through
their use of fugato.
Dumbarton Oaks went on to
become one of Stravinskys
mostsuccessful works,
performed widely and
delighting Mildred Bliss
so much that she
immediately issued
another commission, for
the Symphony in C. Its
composer's very public
commitment to American
cultural life helped pave
the way for Stravinskys
emigration to the USA in
1945. As early as 1952
Leif Thybo created an
arrangement for organ
which Stravinsky probably
did not know at the time
of his life.