(Gammal fabodpsalm). Composed by Traditional. Arranged by Nils Lindberg. For organ solo. Published by Gehrmans Musikforlag

Organ

SKU: SU.80101338

For Organ. Composed by Craig A. Penfield. Keyboard, Organ. Score. Zimbel Press #80101338. Published by Zimbel Press (SU.80101338).

Organ Duration: 8' Composed: Published by: Zimbel Press Four contrasting works of easy to moderate difficulty, useful for service or recital: 1) Choral solemnis; 2) Prélude modale; 3) Paean; 4) Dona nobis pacem.

Organ solo

SKU: GH.CG-7228

Two Chorales from Dalecarlia. Composed by Kurt Wiklander. Op. 17. Gehrmans Musikforlag #CG 7228. Published by Gehrmans Musikforlag (GH.CG-7228).

Organ

SKU: BR.EB-8259

Kyrie Eleison. Composed by Friedhelm Dohl. Solo instruments; Softcover. Edition Breitkopf.

World premiere: Munich, 1980

Music post-1945. Score. Composed 1980. 12 pages. Duration 12'. Breitkopf and Haertel #EB 8259. Published by Breitkopf and Haertel (BR.EB-8259).

ISBN 9790004175750. 9 x 12 inches.

Das Fragment Kyrie eleison fur Orgel im Fruhjahr 1980 fur Zsigmond Szathmary komponiert ist Fragment im fruher angedeuteten Sinn. Als Ausschnitt aus dem Labyrinth unserer musikalischen Moglichkeiten, als Teilausdruck von diesen. Vielleicht auch Beginn eines grosseren Zyklus.Zugleich Ruckerinnerung an meine musikalische Kindheit, als ich, die Pedale mit den Fussen kaum erreichend, auf einer Orgelbank sass in einem kleinen Dorf mit dem schonen Namen Odenspiel, improvisierend ohne Ende, traumverloren.Spater wurden Kirche wie Orgel zum Problem. In neuen Stucken nun Ausgang von einfachen Elementen (Ton und Farbe, Intervall und Cluster, periodischer und aperiodischer Rhythmus, Gestik und Feld), Versuch, entsprechend den Bedingungen der Orgel, Punkt und Linie zur Flache zu formen. Auch zu explosiven Ausbruchen.Die Tone zu Beginn und Ende bilden ein Halbtonintervall, zugleich ein stationares Tongewebe. Erinnerung eines alten Klagerituals? Versteinert als nicht mehr mogliches oder noch nicht wieder mogliches Kyrie eleison?(Friedhelm Dohl)Bibliography:Peterse n, Birger: Neue Musik. Analysen, Berlin: Simon Verlag fur Bibliothekswissen 2013, pp. 111-120.

World premiere: Munich, 1980.

Bass voice solo, oboe (flute), organ

SKU: CA.715900

Composed by Magdalene Schauss-Flake. German title: Jauchzet dem Herrn, alle Welt. Sacred vocal music, Psalms, German, Whitsun, Praise and thanks. Full score. Carus Verlag #CV 07.159/00. Published by Carus Verlag (CA.715900).

ISBN 9790007014469. Language: German.

Organ Solo. By Johann Sebastian Bach. Arranged by Anthony Newman. Organ Large Works. Size 9x12 inches. Published by G. Schirmer, Inc.

By Rolf Lovland and Brendan Graham. For organ solo. Published by Musikk-Husets Forlag

By Jean Langlais (1907-1991). For organ. Classical. Score. Published by Editions Combre

Organ (Organ)

SKU: HL.48184501

Composed by Marcel Dupré. Leduc. Classical. Softcover. Alphonse Leduc #AL27557. Published by Alphonse Leduc (HL.48184501).

Mode dorien; Mode phrygien; Mode locrien; Mode ionien.

Melody for Flute. Composed by Pietro A. Yon (1886-1943). Organ Solo. Sheet. 8 pages. Alfred Music #00-FES04515. Published by Alfred Music

SSTBar choir, organ - Level 2

SKU: CA.2044305

Osterdialog. Composed by Heinrich Schutz. Edited by Helmut Lauterwasser. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Schutz. German title: Osterdialog Weib, Was Weinest Du. Sacred vocal music, Easter and Eastertide. Choral Score. Composed 1625 (terminus post quem). SWV 443. 12 pages. Carus Verlag #CV 20.443/05. Published by Carus Verlag (CA.2044305).

ISBN 9790007036416. Key: D dorian. Language: German.

Heinrich Schutz's Osterdialog (Dialogo per la Pascua) SWV 443 for four voices and basso continuo is based on an episode from the Gospel of St John, in which the risen Jesus appears before Mary Magdalene in front of the empty grave. Schutz had also composed a setting of this scene shortly before in 1623 in his Auferstehungshistorie [Resurrection History]. For the first time this edition contains an attempt to reconstruct the extensive final chorus of the work, which is missing except for the basso continuo part, by Helmut Lauterwasser. This musical jewel by Schutz represents a valuable addition to the musical repertoire for Easter, which is smaller than the Passiontide repertoire. 20.443/05: full score without cover and without final chorus 20.443/06: choral score, only final chorus. Score available separately - see item CA.2044300.

(Grade 6-7). Composed by Johann Sebastian Bach (1685-1750). Edited by Anne Marsden Thomas. For organ. Oxford Bach Books for Organ. Pieces and Studies. Level C-D (moderately difficult - difficult). 64 pages. Published by Oxford University Press

Organ

SKU: BT.DHP-0970913-401

Composed by Carl Philipp Emanuel Bach and Johann Sebastian Bach. Arranged by Gregg Sewell. Educational Tool. Book Only. Composed 1997. 24 pages. De Haske Publications #DHP 0970913-401. Published by De Haske Publications (BT.DHP-0970913-401).

German.

Een verzameling eenvoudige werken voor orgel (manualiter) van Johann Sebastian Bach uit zijn Notenbüchlein für Anna Magdalena. Geschikt voor de beginnende organist.

Speziell für den noch jungen Organisten zusammengestellte einfache Werke aus dem Notenbüchlein für Anna Magdalena von Johann Sebastian Bach.

Il libro per Anna Maddalena di Johann Sebastian Bach, brani semplici concepiti per organisti giovani e meno giovani.

String Orchestra Soprano Alto SATB Oboe Trumpet Organ

SKU: HL.14035114

By Jasmin Cameron. By Antonio Vivaldi. Music Sales America. Classical. Score. Music Sales #NOV078980. Published by Music Sales (HL.14035114).

Few baroque composers were ever able to create work as sunny, as joyous as Vivaldi did in this beloved Gloria. The contrast of mood throughout the work as it moves through the drama of the Mass to its satisfying double final movement shows the composer at the height of his powers.Vivaldi composed this work in Venice in about 1715, during his fruitful time at the Ospedale della Pieta. In his lifetime this priest, composer and virtuoso Violinist achieved enormous musical success. Considering his great popularity in the modern era, it is difficult to believe that public appreciation of his work declined after his death and that the Gloria languished undiscovered forcenturies. It wasn't until 1957 that the restored work was heard again in its entirety. Since that time, this moving and joyous Gloria has been recorded more than one hundred times and perennially appears on concert series around the world.