Composed by Gabriel
Faure. Edited by Marc
Rigaudiere. French Sacred
Music. Requiem. Fassung
1889 Fur Kleines Orchest.
Sacred vocal music,
Requiem. Single Part,
Double Bass. Composed
1901. 12 pages. Duration
35 minutes. Carus Verlag
#CV 27.311/16. Published
by Carus Verlag
(CA.2731116).
ISBN
9790007201586. Language:
Latin.
The Requiem
of Gabriel Faure is now
available in two
versions: in the
symphonic version which
was completed in 1900 and
in a version with small
orchestra of 1889. The
symphonic version of
Gabriel Faure's Requiem,
published in 1901, was
the product of a 13-year
compositional process.
Starting from the
original five-movement
form for strings, harp
and organ, the composer
wrote two additional
movements, one after the
other, and expanded the
instrumentation in
various stages for later
performances. The present
reconstruction of a
version with small
orchestra differs from
other such attempts in
that for the first time
it presents the work not
in a mixed version, but
rather in the unified
form from 1889. This is
distinguished from the
final version both in
musical terms, as well as
through the fact that it
forgoes the use of
flutes, clarinets and
bassoons, while employing
only two horns instead of
four. With a critical
Report with information
about the source
situation and the
edition, and containing
the individual readings
(alternative readings,
etc.). Since in 1889 the
Offertoire was still
without the choral
section the present
edition contains the
Offertoire of the final
version as appendix. Now
available in carus music,
the choir app. Score and
part available separately
- see item
CA.2731100.
O
Heiland, reiss die Himmel
auf. Composed by Max
Bruch. Edited by Minkus
Teske. Violin 1. Sacred
vocal music, Cantatas,
Advent. Single Part,
Violin 1. Composed
1868/1869. Op. 29. 8
pages. Duration 14
minutes. Carus Verlag #CV
10.364/11. Published by
Carus Verlag
(CA.1036411).
ISBN
9790007190385. Text
language: German. Text:
von Spee, Friedrich /
Simrock, Karl.
Max
Bruch succeeded in
composing an impressive
setting of the well known
Advent text, O Heiland,
reiss die Himmel auf (O
Saviour, tear open the
heavens). Compositionally
it is extremely
sophisticated in its
construction; Bruch
combines both the choir
and orchestra in a
powerfully expressive and
moving portrayal of
mankind waiting for the
coming of the Saviour.
Following the premiere of
the work in 1869 it was
celebrated as Bruch's
most important choral
work, but later it fell
largely into oblivion.
Almost 150 years after it
was composed, for the
first time a
critical-scholarly
edition is now available
to the public. Score and
part available separately
- see item
CA.1036400.
O
Heiland, reiss die Himmel
auf. Composed by Max
Bruch. Edited by Minkus
Teske. Sacred vocal
music, Cantatas, Advent.
Choral Score. Composed
1868/1869. Op. 29. 12
pages. Duration 14
minutes. Carus Verlag #CV
10.364/05. Published by
Carus Verlag
(CA.1036405).
ISBN
9790007166540. Text
language: German. Text:
von Spee, Friedrich /
Simrock, Karl.
Max
Bruch succeeded in
composing an impressive
setting of the well known
Advent text, O Heiland,
reiss die Himmel auf (O
Saviour, tear open the
heavens). Compositionally
it is extremely
sophisticated in its
construction; Bruch
combines both the choir
and orchestra in a
powerfully expressive and
moving portrayal of
mankind waiting for the
coming of the Saviour.
Following the premiere of
the work in 1869 it was
celebrated as Bruch's
most important choral
work, but later it fell
largely into oblivion.
Almost 150 years after it
was composed, for the
first time a
critical-scholarly
edition is now available
to the public. Score
available separately -
see item CA.1036400.
Solo organ - easy SKU: OU.9780193531550 Composed by John Rutter. Organ (S...(+)
Solo organ - easy
SKU:
OU.9780193531550
Composed by John Rutter.
Organ (Solo). The Oxford
Organ Library. 12 pages.
Duration 7'. Oxford
University Press
#9780193531550. Published
by Oxford University
Press (OU.9780193531550).
ISBN 9780193531550. 12
x 9 inches.
Elegy,
with its warmly
expressive tenor-range
melodies, is highly
suitable for use at
funerals, while the
cascading joy of Festive
Bells makes it perfect as
a wedding recessional.
Both pieces have that
warm sense of Englishness
that makes them very
accessible to the
first-time listener.
O
Heiland, reiss die Himmel
auf. Composed by Max
Bruch. Edited by Minkus
Teske. Double bass.
Sacred vocal music,
Cantatas, Advent. Single
Part, Double Bass.
Composed 1868/1869. Op.
29. 4 pages. Duration 14
minutes. Carus Verlag #CV
10.364/15. Published by
Carus Verlag
(CA.1036415).
ISBN
9790007190422. Text
language: German. Text:
von Spee, Friedrich /
Simrock, Karl.
Max
Bruch succeeded in
composing an impressive
setting of the well known
Advent text, O Heiland,
reiss die Himmel auf (O
Saviour, tear open the
heavens). Compositionally
it is extremely
sophisticated in its
construction; Bruch
combines both the choir
and orchestra in a
powerfully expressive and
moving portrayal of
mankind waiting for the
coming of the Saviour.
Following the premiere of
the work in 1869 it was
celebrated as Bruch's
most important choral
work, but later it fell
largely into oblivion.
Almost 150 years after it
was composed, for the
first time a
critical-scholarly
edition is now available
to the public. Score and
part available separately
- see item
CA.1036400.
Organ - Grade 5 SKU: HL.14018570 From Organ Drama In Three Evenings(+)
Organ - Grade 5
SKU:
HL.14018570
From
Organ Drama In Three
Evenings. Composed by
Rued Langgaard. Music
Sales America. Classical.
Book [Softcover].
Composed 2002. 54 pages.
Edition Wilhelm Hansen
#WH30493. Published by
Edition Wilhelm Hansen
(HL.14018570).
ISBN
9788759810569.
13.75x9.75x0.175 inches.
International (more than
one language).
The
first installment of the
huge organ trilogy Messis
(Harvest) by Danish
Composer Rued Landggard.
At over two hours in
length this one of the
most extensive works in
the organ repertoire. The
fourth movement of this
section includes a
chorale to be sung by
SATB choir.
SSA vocal soli or choir, organ SKU: CA.2706700 Composed by Hans Kossler. ...(+)
SSA vocal soli or choir,
organ
SKU:
CA.2706700
Composed
by Hans Kossler. Edited
by Gunter Graulich. This
edition: Paperbound.
German title: Missa In F
/ Ssa, Org, Zugleich
Orgelst. Sacred vocal
music. Full score. Carus
Verlag #CV 27.067/00.
Published by Carus Verlag
(CA.2706700).
ISBN
9790007095550. Language:
Latin.
In this
edition of his Mass for
women's choir, published
here for the first time,
compositional skill and a
sense for interesting
harmony are combined with
a lyric gift. This highly
romantic Mass will
succeed in the repertoire
for women's choir and
organ.
O
Heiland, reiss die Himmel
auf. Composed by Max
Bruch. Edited by Minkus
Teske. Sacred vocal
music, Cantatas, Advent.
Vocal score. Composed
1868/1869. Op. 29. 24
pages. Duration 14
minutes. Carus Verlag #CV
10.364/03. Published by
Carus Verlag
(CA.1036403).
ISBN
9790007166533. Text
language: German. Text:
von Spee, Friedrich /
Simrock, Karl.
Max
Bruch succeeded in
composing an impressive
setting of the well known
Advent text, O Heiland,
reiss die Himmel auf (O
Saviour, tear open the
heavens). Compositionally
it is extremely
sophisticated in its
construction; Bruch
combines both the choir
and orchestra in a
powerfully expressive and
moving portrayal of
mankind waiting for the
coming of the Saviour.
Following the premiere of
the work in 1869 it was
celebrated as Bruch's
most important choral
work, but later it fell
largely into oblivion.
Almost 150 years after it
was composed, for the
first time a
critical-scholarly
edition is now available
to the public. Score
available separately -
see item CA.1036400.
O
Heiland, reiss die Himmel
auf. Composed by Max
Bruch. Edited by Minkus
Teske. Viola. Sacred
vocal music, Cantatas,
Advent. Single Part,
Viola. Composed
1868/1869. Op. 29. 8
pages. Duration 14
minutes. Carus Verlag #CV
10.364/13. Published by
Carus Verlag
(CA.1036413).
ISBN
9790007190408. Text
language: German. Text:
von Spee, Friedrich /
Simrock, Karl.
Max
Bruch succeeded in
composing an impressive
setting of the well known
Advent text, O Heiland,
reiss die Himmel auf (O
Saviour, tear open the
heavens). Compositionally
it is extremely
sophisticated in its
construction; Bruch
combines both the choir
and orchestra in a
powerfully expressive and
moving portrayal of
mankind waiting for the
coming of the Saviour.
Following the premiere of
the work in 1869 it was
celebrated as Bruch's
most important choral
work, but later it fell
largely into oblivion.
Almost 150 years after it
was composed, for the
first time a
critical-scholarly
edition is now available
to the public. Score and
part available separately
- see item
CA.1036400.
Organ - intermediate SKU: ST.H449 Composed by John Norris. Arranged by Jo...(+)
Organ - intermediate
SKU: ST.H449
Composed by John Norris.
Arranged by John Norris.
Organ music. Sixteen
celebrated pieces for a
perfect wedding. Selected
and arranged for organ by
John Norris.. Score.
Stainer & Bell Ltd.
#H449. Published by
Stainer & Bell Ltd.
(ST.H449).
ISBN
9790220221286.
A
well-known teacher and
compiler of Stainer &
Bell's Opera Gala series,
John Norris has created
Wedding Gala with an ear
to giving church
organists a mix of
favourites and exciting
discoveries to brighten
the routine of music for
the service of holy
matrimony.
No
album would be complete
without the traditional
wedding music of
Mendelssohn and Wagner,
and it can be found here
in this collection
alongside other classics
of the wedding repertoire
by Jeremiah Clarke, Bach
and Handel. But there's
also a thoroughly
contemporary leavening,
with arrangements of
Sydney Carter's One More
Step and Lord of the
Dance, both firm
favourites, plus
Musorgsky's Pictures at
an Exhibition and
Charpentier's Prelude,
adding a note of
splendour.
But
the real bonus is for
lovers of English music,
with Elgar's Chanson de
Matin and 'The Call' from
the Five Mystical Songs
by Ralph Vaughan
Williams, seldom found in
comparable collections.
And there's also a rare
new discovery: the
ravishing Chosen Tune by
Herbert Howells,
transcribed from his
Three Pieces for violin
and piano, Op. 28, and
available as an organ
piece for the first
time.
Each piece
is comprehensively
registered by the
arranger, and the
collection as a whole
will be welcomed by all
organists of intermediate
standard as a source of
new material not only for
liturgical use but also
for recitals.
Keyboard and Organ Works from Copied Sources Partitas and Partita Movements, Par...(+)
Keyboard and Organ Works
from Copied Sources
Partitas and Partita
Movements, Part 2. By
Froberger, Johann Jacob.
Edited by Rampe,
Siegbert. For Organ,
Piano, Harpsichord.
Johann Jacob Froberger:
Neue Ausgabe samtlicher
Werke,Bd.4.1. Playing
Score; Urtext Edition
(paperbound). Published
by Baerenreiter-Ausgaben
(German import). ISBN
M006488360.
O
Heiland, reiss die Himmel
auf. Composed by Max
Bruch. Edited by Minkus
Teske. 1x 10.364/21 flute
1, 1x 10.364/22 flute 2,
1x 10.364/23 oboe 1, 1x
10.364/24 oboe 2, 1x
10.364/25 clarinet 1, 1x
10.364/26 clarinet 2, 1x
10.364/27 bassoon 1, 1x
10.364/28 bassoon 2, 1x
10.364/31 horn 1, 1x
10.364/32 horn 2, 1x
10.364/33 horn 3, 1x
10.36. Harmony parts.
Sacred vocal music,
Cantatas, Advent. Set of
Orchestra Parts. Composed
1868/1869. Op. 29.
Duration 14 minutes.
Carus Verlag #CV
10.364/09. Published by
Carus Verlag
(CA.1036409).
ISBN
9790007190378. Text
language: German. Text:
von Spee, Friedrich /
Simrock, Karl.
Max
Bruch succeeded in
composing an impressive
setting of the well known
Advent text, O Heiland,
reiss die Himmel auf (O
Saviour, tear open the
heavens). Compositionally
it is extremely
sophisticated in its
construction; Bruch
combines both the choir
and orchestra in a
powerfully expressive and
moving portrayal of
mankind waiting for the
coming of the Saviour.
Following the premiere of
the work in 1869 it was
celebrated as Bruch's
most important choral
work, but later it fell
largely into oblivion.
Almost 150 years after it
was composed, for the
first time a
critical-scholarly
edition is now available
to the public. Score and
parts available
separately - see item
CA.1036400.
O
Heiland, reiss die Himmel
auf. Composed by Max
Bruch. Edited by Minkus
Teske. Violoncello.
Sacred vocal music,
Cantatas, Advent. Single
Part, Cello. Composed
1868/1869. Op. 29. 4
pages. Duration 14
minutes. Carus Verlag #CV
10.364/14. Published by
Carus Verlag
(CA.1036414).
ISBN
9790007190415. Text
language: German. Text:
von Spee, Friedrich /
Simrock, Karl.
Max
Bruch succeeded in
composing an impressive
setting of the well known
Advent text, O Heiland,
reiss die Himmel auf (O
Saviour, tear open the
heavens). Compositionally
it is extremely
sophisticated in its
construction; Bruch
combines both the choir
and orchestra in a
powerfully expressive and
moving portrayal of
mankind waiting for the
coming of the Saviour.
Following the premiere of
the work in 1869 it was
celebrated as Bruch's
most important choral
work, but later it fell
largely into oblivion.
Almost 150 years after it
was composed, for the
first time a
critical-scholarly
edition is now available
to the public. Score and
part available separately
- see item
CA.1036400.
Oboe d'amore (oboe), organ SKU: CA.1306300 Chorale arrangement. Co...(+)
Oboe d'amore (oboe),
organ
SKU:
CA.1306300
Chorale
arrangement. Composed
by Johann Ludwig Krebs.
Edited by Felix
Friedrich. This edition:
paperback. With
instrumental parts.
Instrumental music based
on hymns. Full score.
Krebs-WV 715. 8 pages.
Duration 3 minutes. Carus
Verlag #CV 13.063/00.
Published by Carus Verlag
(CA.1306300).
ISBN
9790007167035. Language:
all languages.
In
the creative output of
the Bach pupil Johann
Ludwig Krebs,
arrangements of chorales
and freely composed works
for organ and a second
instrument occupy an
important position. They
offer a glimpse into the
so-called figural music
of the 17th and 18th
centuries, which has its
roots in Protestant
church music and
constitutes a major
aspect of music and music
making in worship
services. Until now,
Kreb's arrangement of the
chorale Wie schon
leuchtet der Morgenstern
existed only as a
fragment. The editor of
the present edition
discovered the remainder
of the arrangement, which
was previously missing,
and was able to complete
the fragment. Thus, the
complete chorale
arrangement, composed
wholly in the spirit of
Bach, is now available
for performance for the
first time.
O
Heiland, reiss die Himmel
auf. Composed by Max
Bruch. Edited by Minkus
Teske. Complete
orchestral parts. Sacred
vocal music, Cantatas,
Advent. Set of Orchestra
Parts. Composed
1868/1869. Op. 29.
Duration 14 minutes.
Carus Verlag #CV
10.364/19. Published by
Carus Verlag
(CA.1036419).
ISBN
9790007166557. Text
language: German. Text:
von Spee, Friedrich /
Simrock, Karl.
Max
Bruch succeeded in
composing an impressive
setting of the well known
Advent text, O Heiland,
reiss die Himmel auf (O
Saviour, tear open the
heavens). Compositionally
it is extremely
sophisticated in its
construction; Bruch
combines both the choir
and orchestra in a
powerfully expressive and
moving portrayal of
mankind waiting for the
coming of the Saviour.
Following the premiere of
the work in 1869 it was
celebrated as Bruch's
most important choral
work, but later it fell
largely into oblivion.
Almost 150 years after it
was composed, for the
first time a
critical-scholarly
edition is now available
to the public. Score and
parts available
separately - see item
CA.1036400.
SSA vocal soli or choir, organ SKU: CA.2706705 Composed by Hans Kossler. ...(+)
SSA vocal soli or choir,
organ
SKU:
CA.2706705
Composed
by Hans Kossler. Edited
by Gunter Graulich. Missa
In F / Ssa, Org, Zugleich
Orgelst. Sacred vocal
music. Choral Score.
Carus Verlag #CV
27.067/05. Published by
Carus Verlag
(CA.2706705).
ISBN
9790007112943. Language:
Latin.
In this
edition of his Mass for
women's choir, published
here for the first time,
compositional skill and a
sense for interesting
harmony are combined with
a lyric gift. This highly
romantic Mass will
succeed in the repertoire
for women's choir and
organ. Score available
separately - see item
CA.2706700.
SSTBar choir, organ - Level 2 SKU: CA.2044305 Osterdialog. Compose...(+)
SSTBar choir, organ -
Level 2
SKU:
CA.2044305
Osterdialog.
Composed by Heinrich
Schutz. Edited by Helmut
Lauterwasser. Arranged by
Paul Horn. This edition:
urtext. Stuttgart Urtext
Edition: Schutz. German
title: Osterdialog Weib,
Was Weinest Du. Sacred
vocal music, Easter and
Eastertide. Choral Score.
Composed 1625 (terminus
post quem). SWV 443. 12
pages. Carus Verlag #CV
20.443/05. Published by
Carus Verlag
(CA.2044305).
ISBN
9790007036416. Key: D
dorian. Language:
German.
Heinrich
Schutz's Osterdialog
(Dialogo per la Pascua)
SWV 443 for four voices
and basso continuo is
based on an episode from
the Gospel of St John, in
which the risen Jesus
appears before Mary
Magdalene in front of the
empty grave. Schutz had
also composed a setting
of this scene shortly
before in 1623 in his
Auferstehungshistorie
[Resurrection History].
For the first time this
edition contains an
attempt to reconstruct
the extensive final
chorus of the work, which
is missing except for the
basso continuo part, by
Helmut Lauterwasser. This
musical jewel by Schutz
represents a valuable
addition to the musical
repertoire for Easter,
which is smaller than the
Passiontide repertoire.
20.443/05: full score
without cover and without
final chorus 20.443/06:
choral score, only final
chorus. Score available
separately - see item
CA.2044300.
Organ SKU: BR.EB-8703 Reprint of the Leipzig edition 1900. Compose...(+)
Organ
SKU:
BR.EB-8703
Reprint
of the Leipzig edition
1900. Composed by
Hermann J. (Hrsg.) Busch.
Edited by H. J. Busch and
Ludwig Sauer. Solo
instruments; Softbound.
Edition Breitkopf.
Reprint of the edition
Leipzig 1900. Please
note: this edition has
nothing to do with Arnold
Schoenberg! The Schonberg
in question is a town
near Kronberg in
Germany’s hilly
Taunus region. Romantic
period. Score. 132 pages.
Breitkopf and Haertel #EB
8703. Published by
Breitkopf and Haertel
(BR.EB-8703).
ISBN
9790004180686. 9 x 12
inches.
Please
note: this edition has
nothing to do with Arnold
Schonberg! The Schonberg
in question is a town
near Kronberg in
Germany's hilly Taunus
region. Around the turn
of the last century, the
organist Ludwig Sauer
(1861-1940) wanted to
have a new organ built at
his church there and came
up with a novel way to
finance it: he asked a
number of composers to
donate a musical piece.
He eventually obtained 36
(!) pieces which he
grouped together in the
Organ Album for the
Benefit of the New Organ
in Schonberg by L. Sauer
and had published in 1900
by Breitkopf & Hartel.
Deserving particular
mention is Max Reger's
popular Introduction and
Passacaglia in D minor,
which was printed for the
first time in that
collection and which no
doubt helped Sauer's
project make organ
history. The Schonberger
Orgelalbum contains both
free pieces and works
based on chorales. Thanks
to the brevity of the
pieces, the book is ideal
for use in teaching and
in the religious
service..
Osterdialog.
Concluding chorus.
Composed by Heinrich
Schutz. Edited by Helmut
Lauterwasser. Stuttgart
Urtext Edition: Schutz.
Basso continuo. Sacred
vocal music. Single Part,
basso continuo. Composed
1625. 4 pages. Carus
Verlag #CV 20.443/11.
Published by Carus Verlag
(CA.2044311).
Key: D
dorian. Language:
German.
Heinrich
Schutz's Osterdialog
(Dialogo per la Pascua)
SWV 443 for four voices
and basso continuo is
based on an episode from
the Gospel of St John, in
which the risen Jesus
appears before Mary
Magdalene in front of the
empty grave. Schutz had
also composed a setting
of this scene shortly
before in 1623 in his
Auferstehungshistorie
[Resurrection History].
For the first time this
edition contains an
attempt to reconstruct
the extensive final
chorus of the work, which
is missing except for the
basso continuo part, by
Helmut Lauterwasser. This
musical jewel by Schutz
represents a valuable
addition to the musical
repertoire for Easter,
which is smaller than the
Passiontide repertoire.
20.443/05: full score
without cover and without
final chorus 20.443/06:
choral score, only final
chorus. Score and part
available separately -
see item CA.2044300.
Osterdialog.
Concluding chorus.
Composed by Heinrich
Schutz. Edited by Helmut
Lauterwasser. Stuttgart
Urtext Edition: Schutz.
Sacred vocal music.
Choral Score. Composed
1625. 8 pages. Carus
Verlag #CV 20.443/06.
Published by Carus Verlag
(CA.2044306).
ISBN
9790007188672. Key: D
dorian. Language:
German.
Heinrich
Schutz's Osterdialog
(Dialogo per la Pascua)
SWV 443 for four voices
and basso continuo is
based on an episode from
the Gospel of St John, in
which the risen Jesus
appears before Mary
Magdalene in front of the
empty grave. Schutz had
also composed a setting
of this scene shortly
before in 1623 in his
Auferstehungshistorie
[Resurrection History].
For the first time this
edition contains an
attempt to reconstruct
the extensive final
chorus of the work, which
is missing except for the
basso continuo part, by
Helmut Lauterwasser. This
musical jewel by Schutz
represents a valuable
addition to the musical
repertoire for Easter,
which is smaller than the
Passiontide repertoire.
20.443/05: full score
without cover and without
final chorus 20.443/06:
choral score, only final
chorus. Score available
separately - see item
CA.2044300.
Composed by Gabriel
Faure. Edited by Marc
Rigaudiere. French Sacred
Music. Requiem. Fassung
1889 Fur Kleines Orchest.
Sacred vocal music,
Requiem. Choral Score.
Composed 1901. 12 pages.
Duration 35 minutes.
Carus Verlag #CV
27.311/05. Published by
Carus Verlag
(CA.2731105).
ISBN
9790007132255. Language:
Latin.
The Requiem
of Gabriel Faure is now
available in two
versions: in the
symphonic version which
was completed in 1900 and
in a version with small
orchestra of 1889. The
symphonic version of
Gabriel Faure's Requiem,
published in 1901, was
the product of a 13-year
compositional process.
Starting from the
original five-movement
form for strings, harp
and organ, the composer
wrote two additional
movements, one after the
other, and expanded the
instrumentation in
various stages for later
performances. The present
reconstruction of a
version with small
orchestra differs from
other such attempts in
that for the first time
it presents the work not
in a mixed version, but
rather in the unified
form from 1889. This is
distinguished from the
final version both in
musical terms, as well as
through the fact that it
forgoes the use of
flutes, clarinets and
bassoons, while employing
only two horns instead of
four. With a critical
Report with information
about the source
situation and the
edition, and containing
the individual readings
(alternative readings,
etc.). Since in 1889 the
Offertoire was still
without the choral
section the present
edition contains the
Offertoire of the final
version as appendix. Now
available in carus music,
the choir app. Score
available separately -
see item CA.2731100.
Composed by Gabriel
Faure. Edited by Marc
Rigaudiere. French Sacred
Music. Requiem. Fassung
1889 Fur Kleines Orchest.
Sacred vocal music,
Requiem. Single Part,
Viola 2. Composed 1901.
16 pages. Duration 35
minutes. Carus Verlag #CV
27.311/13. Published by
Carus Verlag
(CA.2731113).
ISBN
9790007201555. Language:
Latin.
The Requiem
of Gabriel Faure is now
available in two
versions: in the
symphonic version which
was completed in 1900 and
in a version with small
orchestra of 1889. The
symphonic version of
Gabriel Faure's Requiem,
published in 1901, was
the product of a 13-year
compositional process.
Starting from the
original five-movement
form for strings, harp
and organ, the composer
wrote two additional
movements, one after the
other, and expanded the
instrumentation in
various stages for later
performances. The present
reconstruction of a
version with small
orchestra differs from
other such attempts in
that for the first time
it presents the work not
in a mixed version, but
rather in the unified
form from 1889. This is
distinguished from the
final version both in
musical terms, as well as
through the fact that it
forgoes the use of
flutes, clarinets and
bassoons, while employing
only two horns instead of
four. With a critical
Report with information
about the source
situation and the
edition, and containing
the individual readings
(alternative readings,
etc.). Since in 1889 the
Offertoire was still
without the choral
section the present
edition contains the
Offertoire of the final
version as appendix. Now
available in carus music,
the choir app. Score and
part available separately
- see item
CA.2731100.
Organ SKU: FG.55011-577-4 Composed by Lars Karlsson. Fennica Gehrman #550...(+)
Organ
SKU:
FG.55011-577-4
Composed by Lars
Karlsson. Fennica Gehrman
#55011-577-4. Published
by Fennica Gehrman
(FG.55011-577-4).
ISBN
9790550115774.
Prob
ably of folk song origin,
the Swedish hymn Den
blomstertid nu kommer was
first time published in
the 1695 Swedish Hymnal.
The Finnish version is
traditionally sung in the
end of the school year.
The rhytmic toccata,
followed by the joyful
variations and an
uplifting fuga by Lars
Karlsson is based on this
tune which strongly
associates with the
beginning of summer.
Flute; Organ - advanced SKU: HL.49017038 Flute and Organ. Composed...(+)
Flute; Organ - advanced
SKU: HL.49017038
Flute and Organ.
Composed by Jean Guillou.
This edition: Saddle
stitching. Sheet music.
Woodwind. Classical.
Composed 1969. Op. 17. 24
pages. Schott Music #ED
20373. Published by
Schott Music
(HL.49017038).
ISBN
9790001151733.
9.0x12.0x0.077
inches.
Jean
Guillou is regarded as an
important organist and
composer. As such, he has
created a comprehensive
oeuvre, especially for
solo instrument(s) and
organ, including
Intermezzo Op. 17
composed in Hamburg in
1969 which is now
published for the first
time.
O
Heiland, reiss die Himmel
auf. Composed by Max
Bruch. Edited by Minkus
Teske. This edition:
paperback. Sacred vocal
music, Cantatas, Advent.
Full score. Composed
1868/1869. Op. 29. 56
pages. Duration 14
minutes. Carus Verlag #CV
10.364/00. Published by
Carus Verlag
(CA.1036400).
ISBN
9790007166526. Language:
German. Text: von Spee,
Friedrich / Simrock,
Karl. Text by Friedrich
von Spee / Karl
Simrock.
Max Bruch
succeeded in composing an
impressive setting of the
well known Advent text, O
Heiland, reiss die Himmel
auf (O Saviour, tear open
the heavens).
Compositionally it is
extremely sophisticated
in its construction;
Bruch combines both the
choir and orchestra in a
powerfully expressive and
moving portrayal of
mankind waiting for the
coming of the Saviour.
Following the premiere of
the work in 1869 it was
celebrated as Bruch's
most important choral
work, but later it fell
largely into oblivion.
Almost 150 years after it
was composed, for the
first time a
critical-scholarly
edition is now available
to the public.
Composed by Gabriel
Faure. Edited by Marc
Rigaudiere. French Sacred
Music. Requiem. Fassung
1889 Fur Kleines Orchest.
Sacred vocal music,
Requiem. Single Part,
Organ. Composed 1901. 20
pages. Duration 35
minutes. Carus Verlag #CV
27.311/49. Published by
Carus Verlag
(CA.2731149).
ISBN
9790007201593. Language:
Latin.
The Requiem
of Gabriel Faure is now
available in two
versions: in the
symphonic version which
was completed in 1900 and
in a version with small
orchestra of 1889. The
symphonic version of
Gabriel Faure's Requiem,
published in 1901, was
the product of a 13-year
compositional process.
Starting from the
original five-movement
form for strings, harp
and organ, the composer
wrote two additional
movements, one after the
other, and expanded the
instrumentation in
various stages for later
performances. The present
reconstruction of a
version with small
orchestra differs from
other such attempts in
that for the first time
it presents the work not
in a mixed version, but
rather in the unified
form from 1889. This is
distinguished from the
final version both in
musical terms, as well as
through the fact that it
forgoes the use of
flutes, clarinets and
bassoons, while employing
only two horns instead of
four. With a critical
Report with information
about the source
situation and the
edition, and containing
the individual readings
(alternative readings,
etc.). Since in 1889 the
Offertoire was still
without the choral
section the present
edition contains the
Offertoire of the final
version as appendix. Now
available in carus music,
the choir app. Score and
part available separately
- see item
CA.2731100.
Organ SKU: PE.EP11591 Opus 27, 30, 40/1and2. Composed by Max Reger...(+)
Organ
SKU:
PE.EP11591
Opus
27, 30, 40/1and2.
Composed by Max Reger.
Edited by Martin
Schmeding. This edition:
Urtext. Organ Solo.
Classical; Romantic.
Book. 96 pages. Edition
Peters #98-EP11591.
Published by Edition
Peters (PE.EP11591).
ISBN 9790014135119.
German.
The
seven chorale fantasias
by Max Reger are among
the most important of
organ repertoire ?
masterpieces blending
chorale melody and
programmatic music based
on the text of the
chorales.
P
ublished on the occasion
of the composer's 150th
birthday, this
fundamentally revised
Urtext
edition, in two
volumes, is edited by the
internationally renowned
organist and Leipzig
professor of organ
Martin
Schmeding.
As one of the
most influential Reger
interpreters, Schmeding
not only includes the
latest research, but also
addresses the need for a
contemporary
interpretation of the
chorale fantasias on
modern organs. The
edition includes all the
original dynamic and
agogic indications
(including continuation
lines to cresc.,
etc., which are missing
in many modern editions),
as well as all the
original registration and
manual
indications.
<
p>Martin Schmeding's new
edition provides for the
first time an original
musical text that
combines the requirements
of a modern Urtext
edition with the demands
of a practical
edition.
Organ - Advanced SKU: MN.12-128 Composed by Harold Stover. Non Hymn-Based...(+)
Organ - Advanced
SKU:
MN.12-128
Composed by
Harold Stover. Non
Hymn-Based, Recital
Music. General.
Instrumental part.
MorningStar Music
Publishers #12-128.
Published by MorningStar
Music Publishers
(MN.12-128).
UPC:
688670121289.
The
three movements that make
up Nocturnes, Book I are
programmatic pieces that
take as their points of
departure a painting, the
rhythms of a great city,
and a poem. 1. The Starry
Night is a written down
improvisation based on
Vincent van Goghs famous
picture of the same name.
The tonal material is a
quite literal
transformation of the
visual elements of the
painting: the melismatic
cadenzas mirror van Goghs
swirling starlight, and
the powerful chords were
suggested by the sinister
trees that shoot upward
to puncture the skys
patterns. 2. Stovers Rag
is a product of the
ragtime revival of the
early 1970s, when many
composers tried their
hand at writing concert
rags. The New York night,
which was not without its
sinister element in those
days, is expressed in an
updating of the classic
ragtime format. The piece
looks backward as well,
with the old French
Baroque basse de
trompette making an
appearance in the trio
section. 3. The Song of
Shadows taps the
nostalgic mood typical of
the poetry of Walter de
la Mare. The poem of the
same name pictures a lone
musician on a winter
night, an dog sleeping
before a sinking fire,
and, at the end, the
spirits that are summoned
by music. The opening
melody, played on an 8
flute with tremulant,
suggests the blues-tinged
sound of an alto
saxophone, and throughout
the movement the organs
capacity for sustained
tone is used to suggest
and atmosphere of dreamy
timelessness. The pieces
were written in 1971 and
first performed on July
2, 1972 at the National
Shrine of the Immaculate
Conception in Washington,
DC, with the composer at
the console.
Composed by Mark Hayes. Arranged by Marvin Gaspard. Sacred, Contemporary Wors...(+)
Composed by Mark Hayes.
Arranged by Marvin
Gaspard.
Sacred, Contemporary
Worship, General. Lorenz
Publishing Company
#70/2093L. Published by
Lorenz Publishing Company