Organ SKU: SU.80101518 For Organ. Composed by Carson Cooman. Keybo...(+)
Organ
SKU:
SU.80101518
For
Organ. Composed by
Carson Cooman. Keyboard,
Organ. Score. Zimbel
Press #80101518.
Published by Zimbel Press
(SU.80101518).
An eclogue is
defined as a a pastoral
or idyllic poem, usually
in the form of a
conversation or
soliloquy. These seven
musical eclogues were
originally written as
separate pieces. However,
they can be played
individually or in any
combination as needed for
recital or service use.
Contains: Eclogue in C,
Eclogue in D, Eclogue in
E, Eclogue in F, Eclogue
in G, Eclogue in A and
Eclogue in BOrgan
Duration: 30’
Composed: 2022 Published
by: Zimbel Press.
Organ SKU: BR.EB-9306 Urtext - Critical Source Edition of the Free Org...(+)
Organ
SKU:
BR.EB-9306
Urtext
- Critical Source Edition
of the Free Organ
Works. Composed by
Dietrich Buxtehude.
Edited by Harald Vogel.
Solo instruments;
Softbound. Edition
Breitkopf.
Renaissance/early
Baroque; Baroque. Score.
84 pages. Breitkopf and
Haertel #EB 9306.
Published by Breitkopf
and Haertel (BR.EB-9306).
ISBN 9790004187708. 12
x 9 inches.
This
edition is the result of
Harald Vogel's many years
of practice as an
organist and
musicologist. The music
text is based on a
reevaluation of 17th- and
18th-century manuscripts
containing the free organ
and keyboard works by
Buxtehude. They
originated during a
transitional phase
between the traditional
letter tablature and the
staff notation still in
use today. Since many
works have survived only
in transcriptions for
staff notation, the
editor was confronted
with a high error rate,
which he carefully
analyzes in the
Einzelanmerkungen. During
the preparation of the
edition, the editor
always kept sight of the
performance practice, but
still, the image of the
sources is never
distorted (e. g. by
superfluous rests,
beaming not conforming to
the sources and the
unhistorical adjustment
of time signatures) and
stays very close to the
compositional notation,
the letter tablature. The
flexible use of three
staves and the
differentiated
distribution of the
voices on the staves
allow for an
approximation in reading
conventions of historical
notation with its
resulting information
about hand division.
Grouping the free organ
repertoire into works
with obbligato pedal and
works for manuals, this
edition is organized in
two volumes. The first
subvolume (I/1, EB 9304)
contains the Preface and
the Preludes, whereas the
second subvolume (I/2, EB
9305) contains Toccatas,
Ostinato works,
alternative versions and
a comprehensive Critical
Commentary (in German
only). Volume II (EB
9306) contains
Buxtehude's free organ
and keyboard works
(manualiter) with the
corresponding texts
(Preface and Critical
Commentary).Until 1971,
Harald Vogel worked on a
dissertation (with Georg
von Dadelsen, Hamburg) on
Die Fuge um Bach. Besides
the description of the
inclusion of triple
measures into the C
notation and the
irregularities of the
voice mutation in the
polyphonic structures,
this also included a
discussion about the
justification of the
inner textual criticism.
With the inner textual
criticism, deviations in
parallel passages are
unified. The North German
fugue style, reaching a
peak in Buxtehude's work,
is characterized by a
constant diversity of
details in subject and
polyphonic progressions.
One of the indicators of
the fantastic style is
the dissolution of the
polyphonic structures at
the ends of the fugues,
evident in Buxtehude's
work.In this edition, a
musical text is presented
that avoids the
uniformity of detail not
conforming to the
sources. However, there
are many examples of
transcription and cursory
errors, which are
analyzed in a methodical
systematic manner. About
the editor: As an
organist, professor,
organ expert, and
scholar, Harald Vogel has
rendered outstanding
services to the
interpretation of early
music and especially to
historical performance
practice concerning the
organ for decades. He has
received numerous awards,
including an ECHO Klassik
as Instrumentalist of the
Year (2012), honorary
doctorates from Lulea
University of Technology
(Sweden, 2008) and
Oberlin College (USA,
2014), as well as the
Buxtehude Prize of the
City of Lubeck (2018).
Harald Vogel is the
author and editor of
numerous scholarly
publications and
editions. Through his
lifelong performance
practice, he can look
back on an extensive
discography, including
the complete recording of
Buxtehude's organ works,
which he recorded in
various locations with
historical organ
instruments of the North
German organ building
tradition in Scandinavia,
North Germany and the
Netherlands.
pure
source edition (no
mixture of different
transmissions)
comprehensive commentary
(Vol. I/2 & II) (with
texts about the sources,
chronology, use of keys,
liturgic placement as
well as detailed critical
remarks, incl. music
examples (in German
only))good page
turnsflexible division of
voices (on 2 or 3
systems, good
legibility)contains
facsimiles.
Organ SKU: BR.EB-9415 Urtext - Critical Source Edition of the Free Org...(+)
Organ
SKU:
BR.EB-9415
Urtext
- Critical Source Edition
of the Free Organ
Works. Composed by
Dietrich Buxtehude.
Edited by Harald Vogel.
Solo instruments;
Softbound. Edition
Breitkopf.
Renaissance/early
Baroque; Baroque. Score.
192 pages. Breitkopf and
Haertel #EB 9415.
Published by Breitkopf
and Haertel (BR.EB-9415).
ISBN 9790004188897. 12
x 9 inches.
This
edition is the result of
Harald Vogel's many years
of practice as an
organist and
musicologist. The music
text is based on a
reevaluation of 17th- and
18th-century manuscripts
containing the free organ
and keyboard works by
Buxtehude. They
originated during a
transitional phase
between the traditional
letter tablature and the
staff notation still in
use today. Since many
works have survived only
in transcriptions for
staff notation, the
editor was confronted
with a high error rate,
which he carefully
analyzes in the
Einzelanmerkungen. During
the preparation of the
edition, the editor
always kept sight of the
performance practice, but
still, the image of the
sources is never
distorted (e. g. by
superfluous rests,
beaming not conforming to
the sources and the
unhistorical adjustment
of time signatures) and
stays very close to the
compositional notation,
the letter tablature. The
flexible use of three
staves and the
differentiated
distribution of the
voices on the staves
allow for an
approximation in reading
conventions of historical
notation with its
resulting information
about hand division.
Grouping the free organ
repertoire into works
with obbligato pedal and
works for manuals, this
edition is organized in
two volumes. The first
subvolume (I/1, EB 9304)
contains the Preface and
the Preludes, whereas the
second subvolume (I/2, EB
9305) contains Toccatas,
Ostinato works,
alternative versions and
a comprehensive Critical
Commentary (in German
only). Volume II (EB
9306) contains
Buxtehude's free organ
and keyboard works
(manualiter) with the
corresponding texts
(Preface and Critical
Commentary).Until 1971,
Harald Vogel worked on a
dissertation (with Georg
von Dadelsen, Hamburg) on
Die Fuge um Bach. Besides
the description of the
inclusion of triple
measures into the C
notation and the
irregularities of the
voice mutation in the
polyphonic structures,
this also included a
discussion about the
justification of the
inner textual criticism.
With the inner textual
criticism, deviations in
parallel passages are
unified. The North German
fugue style, reaching a
peak in Buxtehude's work,
is characterized by a
constant diversity of
details in subject and
polyphonic progressions.
One of the indicators of
the fantastic style is
the dissolution of the
polyphonic structures at
the ends of the fugues,
evident in Buxtehude's
work.In this edition, a
musical text is presented
that avoids the
uniformity of detail not
conforming to the
sources. However, there
are many examples of
transcription and cursory
errors, which are
analyzed in a methodical
systematic manner. About
the editor: As an
organist, professor,
organ expert, and
scholar, Harald Vogel has
rendered outstanding
services to the
interpretation of early
music and especially to
historical performance
practice concerning the
organ for decades. He has
received numerous awards,
including an ECHO Klassik
as Instrumentalist of the
Year (2012), honorary
doctorates from Lulea
University of Technology
(Sweden, 2008) and
Oberlin College (USA,
2014), as well as the
Buxtehude Prize of the
City of Lubeck (2018).
Harald Vogel is the
author and editor of
numerous scholarly
publications and
editions. Through his
lifelong performance
practice, he can look
back on an extensive
discography, including
the complete recording of
Buxtehude's organ works,
which he recorded in
various locations with
historical organ
instruments of the North
German organ building
tradition in Scandinavia,
North Germany and the
Netherlands.
pure
source edition (no
mixture of different
transmissions)
comprehensive commentary
(Vol. I/2 & II) (with
texts about the sources,
chronology, use of keys,
liturgic placement as
well as detailed critical
remarks, incl. music
examples (in German
only))good page
turnsflexible division of
voices (on 2 or 3
systems, good
legibility)contains
facsimiles.
Organ SKU: BR.OB-32108-11 With Insertion Movements for Performances ov...(+)
Organ
SKU:
BR.OB-32108-11
With Insertion
Movements for
Performances over
Christmas - Urtext.
Composed by Johann
Kuhnau. Edited by David
Erler. Choir; stapled.
Orchester-Bibliothek
(Orchestral Library).
Mass; Baroque. Part. 24
pages. Duration 30'.
Breitkopf and Haertel #OB
32108-11. Published by
Breitkopf and Haertel
(BR.OB-32108-11).
ISBN
9790004343050. 10 x 12.5
inches.
Kuhnau's
Magnificat in C major is
- apart from his Biblical
Sonatas - considered to
be his most ambitious and
best known work. However,
as recent research has
revealed, there are
indeed many other
large-scale works among
his oeuvre which are
largely presumed lost
today, apart from those
that were published as
first editions. Until
now, only insufficient or
erroneous editions of the
Magnificat have been
available, a piano
reduction has not been
available at all. Beyond
that, editor David Erler
has succeeded in tracking
down new evidence on the
authorship of four Laudes
(insertion movements for
performances over
Christmas) and to carry
out their altogether new
placement in the main
work. He was able to
prove that Bach's
Magnificat directly
succeeded Kuhnaus's work
and that the use of such
Laudes was common in
Leipzig's parish churches
and beyond.
Composed by Bela Bartok (1881-1945). Edited by Eberhard Hofmann. Free organ musi...(+)
Composed by Bela Bartok
(1881-1945). Edited by
Eberhard Hofmann. Free
organ music. Komp. Aus
Gyermekeknek U.
Mikrokosmos. Free organ
music. Score. 28 pages.
Carus Verlag #CV
18.009/00. Published by
Carus Verlag
(CA.1800900).
(Organ). Composed by Sigfrid Karg-Elert (1877-1933). For Organ. Music Sales Amer...(+)
(Organ). Composed by
Sigfrid Karg-Elert
(1877-1933). For Organ.
Music Sales America.
Post-1900. 40 pages.
Music Sales #NOV590097.
Published by Music Sales
Organ SKU: SU.80101452 For Organ. Composed by Carson Cooman. Keybo...(+)
Organ
SKU:
SU.80101452
For
Organ. Composed by
Carson Cooman. Keyboard,
Organ. Score. Zimbel
Press #80101452.
Published by Zimbel Press
(SU.80101452).
Two Contrasts
(2018) is dedicated to
Timothy Miller. The two
movements (which may be
performed together or
separately) form
contrasts to each other
in a number of musical
ways. However, in
addition to the
differences, there are
also connections of
motivic material that
link the two movements
together. Sharagan refers
to a style of monodic
hymn in the Armenian
Orthodox Church. Madrigal
alternates between
declamatory, expressive
music and buoyant,
dance-like music.
Instrumentation: Organ
Duration: 8' Composed:
2018 Published by: Zimbel
Press.
Soli ST, SATB Choir/SATB/SATB/SATB, organ SKU: CA.2708349 Composed by Car...(+)
Soli ST, SATB
Choir/SATB/SATB/SATB,
organ
SKU:
CA.2708349
Composed
by Carl Friedrich
Christian Fasch. Edited
by Ryan Kelly. Organ.
Sacred vocal music,
Masses, Latin. Single
Part, Organ. FWV. 20
pages. Duration 23
minutes. Carus Verlag #CV
27.083/49. Published by
Carus Verlag
(CA.2708349).
ISBN
9790007164195. Language:
Latin.
Carl
Friedrich Christian
Fasch's Mass in 16 parts
is remarkable for more
than its unusual scoring.
Inspired by the Italian
church music style of
Orazio Benevoli, it was
composed in 1783 for the
Berliner Sing-Akademie,
and revised by Fasch
several times throughout
his life in order to
adapt the score to the
vocal capabilities of his
ensemble. The composer
destroyed all earlier
compositions, which
probably contributed to
the legendary fame which
this mass has enjoyed
since the 19th century.
The mass was, however,
only published in 1839 -
around four decades after
Fasch's death. The
present edition is based
on the version contained
in the first printed
edition. In addition to
modern music notation,
extensive performance
materials (two choral
scores, separate organ
part) facilitate the
rehearsal of this
challenging work. Score
and part available
separately - see item
CA.2708300.
(Masters of the North German School, Vol. 29). Composed by Various. Edited by Cl...(+)
(Masters of the North
German School, Vol. 29).
Composed by Various.
Edited by Claudia
Schumacher and Klaus
Beckmann. For Organ.
Organ Collection.
Softcover. Schott Music
#ED21635. Published by
Schott Music
(Dritter Teil der Clavier-Ubung). Composed by Johann Sebastian Bach (1685-1750)....(+)
(Dritter Teil der
Clavier-Ubung). Composed
by Johann Sebastian Bach
(1685-1750). Edited by
Manfred Tessmer /
Christoph Wolff. For
organ solo. This edition:
urtext edition.
Paperback. Johann
Sebastian Bach.
Orgelwerke 4. Level 4.
Performance score(s),
anthology. Published by
Baerenreiter Verlag
The Liturgical Organist, Volume 3 arranged by Carlo Rossini. For Organ. Masterwo...(+)
The Liturgical Organist,
Volume 3 arranged by
Carlo Rossini. For Organ.
Masterworks; Organ -
Method or Collection.
Masterwork; Sacred.
Intermediate. Book. 128
pages. Published by
Alfred Music Publishing
Organ (Organ) SKU: HL.14013003 Composed by Henryk Gorecki. Music Sales Am...(+)
Organ (Organ)
SKU:
HL.14013003
Composed
by Henryk Gorecki. Music
Sales America. Classical.
Book [Softcover].
Composed 2002. 16 pages.
Chester Music #CH60910.
Published by Chester
Music (HL.14013003).
ISBN 9780711934948.
11.75x8.25x0.06
inches.
Henryk
Mikolaj Gorecki's career
spans more than 40 years,
dating from the
post-Stalinist era of the
mid 1950s and embracing a
catalogue of more than 70
acknowledged works. It
was not, however, until
the phenomenal success of
his third symphony,
Symphony of Sorrowful
Songs Op 36, which
brought the composer
world-wide renown through
its numerous performances
and recordings, that his
music reached an extended
audience outside his
native Poland. Since then
the directness and
emotional impact of his
music have established
him as one of the major
figures of contemporary
music.
Organ SKU: SU.80101526 For Organ. Composed by Carson Cooman. Keybo...(+)
Organ
SKU:
SU.80101526
For
Organ. Composed by
Carson Cooman. Keyboard,
Organ. Score. Zimbel
Press #80101526.
Published by Zimbel Press
(SU.80101526).
This volume
contains five unrelated
chorale preludes. Each is
based on a traditional
chorale melody from the
Germanic tradition.
However, they are all
tunes now widely used
internationally. The
chorales are: Wie
schön leuchtet; Jesus,
meine Zuversicht; Macht
hoch die Tür; In dir
ist Freude; and Es ist
ein Ros.Organ Duration:
18â?? Composed: 2021/22
Published by: Zimbel
Press.
Organ SKU: BR.EB-8670 Chorale Preludes from 5 Centuries to the Evang. ...(+)
Organ
SKU:
BR.EB-8670
Chorale
Preludes from 5 Centuries
to the Evang.
Gesangbuch. Composed
by Gardonyi / Ludwig /
Schweizer (Hrsg.). Edited
by Klaus Uwe Ludwig. Solo
instruments; Softbound.
Edition Breitkopf. Music
pedagogy. Score. 112
pages. Breitkopf and
Haertel #EB 8670.
Published by Breitkopf
and Haertel (BR.EB-8670).
ISBN 9790004180624. 9
x 12 inches.
In
Ewigkeit dich loben has
now become a permanent
fixture in the every-day
repertoire of many church
musicians. The editor's
four-volume concept has
proven to be both handy
and compelling. With its
limitation to the main
section of the new
Evangelical Hymnal,
however, many eager
organists increasingly
began to ask for preludes
to beloved church hymns
that are found in the
various regional sections
of the Hymnal, such as
Als ich bei meinen
Schafen wacht, Freunde,
dass der Mandelzweig and
Herr, deine Liebe. In
this selection from the
approximately 700 hymns
of the regional section,
the editor has included
hymns which have a long
history and are thus
quite well known, but
also certain hymns which
are found in more than
one regional section. The
result is a stylistically
varied palette of
traditional pieces and
newer, lesser known ones
that should stimulate the
imagination of every
organist.
in
Ewigkeit dich loben
features preludes for all
the hymns contained in
the new Protestant
Hymnbook (Evangelisches
Gesangbuch, EG)..
Baritone, mixed choir and piano or organ SKU: HL.49017447 Composed by Pet...(+)
Baritone, mixed choir and
piano or organ
SKU:
HL.49017447
Composed
by Petr Eben. Edited by
Veroslav Nemec. Sheet
music. PANTON. 52 pages.
Schott Music #P5046.
Published by Schott Music
(HL.49017447).
9.25x12.25x0.185
inches.
The Bitter
Earth (Horka hlina)
cantata was written in
1960 and it was
originally conceived for
a mixed choir and organ.
The composer soon found,
however, that this
instrumental
accompaniment limited the
performance possibilities
of the piece to a certain
extent and he therefore
created a piano
transcription of the
organ part for a later
edition which was printed
in 1987.The composition
sets to music the verses
of Jaroslav Seifert from
the collection Turn Out
the Lights (Zhasnete
svetla) which was written
in the period of the
nation's peril prior to
the Second World War. The
genuine and totally
non-cliched patriotism
expressed in these texts
has long outgrown the
historical connection to
the moment of their
inception and it
continues to bear wtness
to Seivert's fervent love
for this country.
(Love Divine, All Loves Excelling God, the Spirit, Guide and Guardian). By Cathy...(+)
(Love Divine, All Loves
Excelling God, the
Spirit, Guide and
Guardian). By Cathy
Moklebust. Arranged by
David Moklebust. For
organ. Sacred. Level 3.
Organ score. Published by
Chorister's Guild
Organ SKU: HL.14011001 Composed by Johann Sebastian Bach. Music Sales Ame...(+)
Organ
SKU:
HL.14011001
Composed
by Johann Sebastian Bach.
Music Sales America.
Baroque. Book
[Softcover]. 12 pages.
Music Sales #NOV010016.
Published by Music Sales
(HL.14011001).
11.75x8.25x0.43
inches.
J.
S. Bach (1685-1750)
was a German Baroque
composer who is revered
for the originality and
skill of his contrapuntal
and harmonic techniques.
He spent most of his life
working as an organist
and choirmaster, but was
also employed as a
composer a many different
Royal Courts. However,
his skill as an organist
and composer for Organ is
what gained him the
reputation he enjoyed
during his
lifetime.
This is
perhaps epitomised by his
Fantasia and
Fugue in G Minor
(BWV 542), often referred
to as the Great
Fantasia and
Fugue. It has
been edited by Sir
Frederick Bridge and
James
Higgs.
Organ SKU: BR.EB-9305 Urtext - Critical Source Edition of the Free Org...(+)
Organ
SKU:
BR.EB-9305
Urtext
- Critical Source Edition
of the Free Organ
Works. Composed by
Dietrich Buxtehude.
Edited by Harald Vogel.
Solo instruments;
Softbound. Edition
Breitkopf.
Renaissance/early
Baroque; Baroque. Score.
84 pages. Breitkopf and
Haertel #EB 9305.
Published by Breitkopf
and Haertel (BR.EB-9305).
ISBN 9790004187692. 12
x 9 inches.
This
edition is the result of
Harald Vogel's many years
of practice as an
organist and
musicologist. The music
text is based on a
reevaluation of 17th- and
18th-century manuscripts
containing the free organ
and keyboard works by
Buxtehude. They
originated during a
transitional phase
between the traditional
letter tablature and the
staff notation still in
use today. Since many
works have survived only
in transcriptions for
staff notation, the
editor was confronted
with a high error rate,
which he carefully
analyzes in the
Einzelanmerkungen. During
the preparation of the
edition, the editor
always kept sight of the
performance practice, but
still, the image of the
sources is never
distorted (e. g. by
superfluous rests,
beaming not conforming to
the sources and the
unhistorical adjustment
of time signatures) and
stays very close to the
compositional notation,
the letter tablature. The
flexible use of three
staves and the
differentiated
distribution of the
voices on the staves
allow for an
approximation in reading
conventions of historical
notation with its
resulting information
about hand division.
Grouping the free organ
repertoire into works
with obbligato pedal and
works for manuals, this
edition is organized in
two volumes. The first
subvolume (I/1, EB 9304)
contains the Preface and
the Preludes, whereas the
second subvolume (I/2, EB
9305) contains Toccatas,
Ostinato works,
alternative versions and
a comprehensive Critical
Commentary (in German
only). Volume II (EB
9306) contains
Buxtehude's free organ
and keyboard works
(manualiter) with the
corresponding texts
(Preface and Critical
Commentary).Until 1971,
Harald Vogel worked on a
dissertation (with Georg
von Dadelsen, Hamburg) on
Die Fuge um Bach. Besides
the description of the
inclusion of triple
measures into the C
notation and the
irregularities of the
voice mutation in the
polyphonic structures,
this also included a
discussion about the
justification of the
inner textual criticism.
With the inner textual
criticism, deviations in
parallel passages are
unified. The North German
fugue style, reaching a
peak in Buxtehude's work,
is characterized by a
constant diversity of
details in subject and
polyphonic progressions.
One of the indicators of
the fantastic style is
the dissolution of the
polyphonic structures at
the ends of the fugues,
evident in Buxtehude's
work.In this edition, a
musical text is presented
that avoids the
uniformity of detail not
conforming to the
sources. However, there
are many examples of
transcription and cursory
errors, which are
analyzed in a methodical
systematic manner. About
the editor: As an
organist, professor,
organ expert, and
scholar, Harald Vogel has
rendered outstanding
services to the
interpretation of early
music and especially to
historical performance
practice concerning the
organ for decades. He has
received numerous awards,
including an ECHO Klassik
as Instrumentalist of the
Year (2012), honorary
doctorates from Lulea
University of Technology
(Sweden, 2008) and
Oberlin College (USA,
2014), as well as the
Buxtehude Prize of the
City of Lubeck (2018).
Harald Vogel is the
author and editor of
numerous scholarly
publications and
editions. Through his
lifelong performance
practice, he can look
back on an extensive
discography, including
the complete recording of
Buxtehude's organ works,
which he recorded in
various locations with
historical organ
instruments of the North
German organ building
tradition in Scandinavia,
North Germany and the
Netherlands.
pure
source edition (no
mixture of different
transmissions);
comprehensive commentary
(Vol. I/2 & II) (with
texts about the sources,
chronology, use of keys,
liturgic placement as
well as detailed critical
remarks, incl. music
examples (in German
only)); good page
turnsflexible division of
voices (on 2 or 3
systems, good
legibility); contains
facsimiles. Contains the
Critical Commentary of
the subvolumes I/1 and
I/2.