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| Orgelsinfonie No. 16
(SCHNEIDER ENJOTT)
Orgue
Schott
Martin Luther. Par SCHNEIDER ENJOTT. On the occasion of the quincentenary of Ref...(+)
Martin Luther. Par SCHNEIDER ENJOTT. On the occasion of the quincentenary of Reformation Day in 2017, the composer Enjott Schneider thoroughly studied Martin Luther the individual and all his contradictions. The result is a brilliant, demanding organ symphony which is perfect for concerts on the subject of Reformation and Martin Luther.
The composer describes the five movements of the symphony as follows:
'1st movement:
Wir glauben all an einen Gott with its quintuplet-like beginning is very Gregorian in style, outlining the range of Lutheran emotionalism between the Middle Ages and the modern era. The irrationality of 'faith' ultimately has priority over any thought and evidence. At the beginning of the movement, sounds of knocking on wood remind of the nailing of the Ninety-Five Theses to the doors of churches in Wittenberg. The chorale melody sometimes hides with an almost rough medieval saltarello, referring to Luther's robustness and vitality with which he knew to carry away even common people.
2nd movement:
In 1530, the electoral prince of Saxony presented to Luther at Coburg Castle the golden signet ring with the 'Luther rose' which became the symbol of his theology of grace. A white heart with black cross is fixed on a five-petalled rose. To him, 'white' is the colour of angels and ghosts, 'black' stands for the pain of crucification: 'The just shall live by faith, but by faith in the Crucified.' But the fact that the rose and the heart are the dominating symbols shows how Catholic Marian piety remained an ingredient of Luther's spirituality throughout his life. In line with the dominant five-petal structure of the rose, this movement was composed, to a large extent, in accordance with the floating, lyrical rhythm in 5/8 time.
3rd movement:
The omnipresence of death and dying – from the plague and war to the never-ending dangers of daily life – was an essential part of the world view of that time. Fears ensued that might heighten into the grotesque, e.g. in the pictures of Hieronymus Bosch. The 'Danse macabre' was a popular motif in those years. Luther's chorale 'Mitten wir im Leben sind / mit dem Tod umfangen' from 1524 ('Enchiridion' from Erfurt) is based on the Gregorian chant 'Media vita in morte sumus' created in France around 750 and, with its idea of transience, inspired a simplistic air.
4th movement:
The famous confession delivered at the Diet of Worms in 1521, 'I stand here and can say no more. God help me. Amen', are not Luther's words but the version later used as text for a pamphlet. However, it represents quite plainly the straightforwardness and inevitability of his mission. Musically, it was made into a 'perpetuum mobile', i.e. a dogged, ostinato and never-ending musical air.
5th movement:
The 'Mighty Fortress', on the other hand, is one of the great symbols of Martin Luther which, with its shining C major key, embodies the Protestant ideology and willful nature of the Reformation unlike any other song. Heinrich Heine called it the 'Marseille anthem of the Reformation', Friedrich Engels the 'Marseillaise of the Peasants' Wars'. This disputability is not thought through to the end but rather interrupted: With a jubilant 'birdcall version' of the melody, the finale shows a rather chamber-music-like side of the 'ideals of freedom of Christians'.'/ RĂ©pertoire / Orgue
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| Pachelbel J. - Organ
Works
Orgue
Dover Publications
22.00 EUR - vendu par Woodbrass
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| Organ Plus One
Orgue [Partition] - Intermédiaire/avancé
Barenreiter
The 'organ plus? one series was conceived primarily with semi-professional churc...(+)
The 'organ plus? one series was conceived primarily with semi-professional church musicians and instrumentalists in mind.Based on the liturgical year, the pieces can be readily performed in church services, evening recitals or small concerts.Included are pieces which are freely-composed or based on chorales, both original works and arrangements.Each edition includes solo parts for instruments in C, B-flat, E-flat and F which can be played by violin, flute, oboe, clarinet, trumpet and horn in F. The range of the solo instruments remains in the middle register.Among the pieces in this edition are John Alcock, 'Fuga? - ChristliebSiegmund Binder, 'Prelude in F major? - Jacques-Nicolas Lemmens, 'Fanfare? - Max Philipp Zeyhold, 'Concerto in A major? - Johann Sebastian Bach, 'Was Gott tut, das ist wohlgetan? - Karl Hoyer, 'Liebster Jesu, wir sind hier? - Carl Piutti, 'Lobe den Herren, den mächtigen König? - and Carsten Klomp, 'Grosser Gott, wir loben dich?. / Orgue
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| Organ Music for Communion
Orgue [Partition] - Intermédiaire
Barenreiter
This volume devised by Martin Weyer contains organ music of easy to medium techn...(+)
This volume devised by Martin Weyer contains organ music of easy to medium technical difficulty for use at communion. The broad range of styles encompasses Johann Sebastian Bach and early Classical works through to the late Romantic period.
The album contains original compositions and first publications as well as arrangements for organ and twelve pieces for communion in settings by Johann Sebastian Bach with melodies and texts appropriate to communion. Some of the pieces can also be performed with solo instruments (in C, Bb or F). Corresponding instrumental parts are included with the score.
- Organ music of easy to medium technical difficulty for use at communion
- Broad range of styles
- Includes first publications
- Original compositions and arrangements for organ, some which can be performed with solo instruments. / [Musique pour Communion] / Célébrations / Partition /
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| Concerto For Organ
(Harpsichord) With String
Instruments C Major Hob.
XVIII:10 (First Edition)
Orgue [Partition]
G. Henle
Incarnant le classicisme viennois tout comme Mozart et Beethoven, le compositeur...(+)
Incarnant le classicisme viennois tout comme Mozart et Beethoven, le compositeur autrichien Franz Joseph Haydn, a eu une carrière musicale couvrant tout la période baroque en allant jusqu'au début du romantisme. A travers cette partition Concerto for Organ (Harpsichord) with String instruments C major Hob. XVIII:10 (First Edition) écrite et composée pour Orgue vous retrouverez tout le talent de ce compositeur. Ce sont les éditions Henle qui ont eu le privilège d'imprimer cette oeuvre. / Orgue / Partition
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| Orgelsinfonie #6
Orgue
Schott
Avec ses symphonies de l'orgue, le compositeur acteur Schneider (né en 1950) de...(+)
Avec ses symphonies de l'orgue, le compositeur acteur Schneider (né en 1950) de Munich a été une profonde sensation dans ces dernières années et vu les premières mondiales lors d'événements majeurs organe européen. L'orgue Symphonie #6 'Te Deum' (première à St. Florian de Bruckner ci-dessus tombe de Bruckner y 2008 et enregistrée sur CD) adopte la structure de cinq parties et plusieurs motifs de 'Te Deum' de Bruckner, devenant ainsi un travail compact énergique sont envahi par le Gotteslob. 1: ' Te Deum ' est basé sur la figuration de Bruckner originale des quintes et huitièmes qui est connectée avec le Latin Te Deum - 2: Te Ergo est un ' preghiera ' avec la plaidoirie et en priant les gestes - 3: ' Aeterna fac ' est un virtuose extrêmement perpetuum mobile - 4: ' Salvum Fac ' un ostinato de basso et, enfin, 5: 'In te, Domine speravi' une toccata qui, après avoir pris de nombreux détours, mène inévitablement à la major C. / Orgue
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| 10 Organ Pieces
(ROSEINGRAVE THOMAS)
Orgue [Partition]
Stainer and Bell
Par ROSEINGRAVE THOMAS. Edited by Peter Williams Double Fugue in B flat major (S...(+)
Par ROSEINGRAVE THOMAS. Edited by Peter Williams Double Fugue in B flat major (Second Set I) Double Fugue in E minor (Second Set IV) Double Fugue in F major (Second Set III) Fugue in D minor (First Set V) Fugue in G major (First Set X) Voluntary and Fugue in F minor (First Set II, III) Voluntary in C minor (XV) Voluntary in G major (First Set XIV) Voluntary in G minor (First Set VII) Voluntary in G minor (First Set III)/ Recueil / Orgue
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| Franck C. - Organ Works
- Orgue
Orgue [Partition]
Dover Publications
Contenu :
Six Pièces
Fantaisie in C major, Op. 16
Grande Piè...(+)
Contenu :
Six Pièces
Fantaisie in C major, Op. 16
Grande Pièce Symphonique, Op. 17
Prélude, Fugue et Variation, Op. 18
Pastorale, Op. 19
Prière, Op. 20
Final, Op. 21
Trois Pièces
Fantaisie in A major
Cantabile
Pièce Héroïque
Trois Chorals
Choral No. 1 in E major
Choral No. 2 in B minor
Choral No. 3 in A minor
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| Bach J.s. - Complete
Organ Works Vol.1 -
Preludes And Fugues I +
Cd-rom
Orgue [Partition + CD-ROM]
Breitkopf & Härtel
Bach: Complete Organ Works Vol. 1
Preludes and Fugues I - with CD-ROM - ed. by ...(+)
Bach: Complete Organ Works Vol. 1
Preludes and Fugues I - with CD-ROM - ed. by David Schulenberg
As close as possible to Bach
In his ?Preludes and Fugues,? Johann Sebastian Bach made decisive contributions to the development of this genre tradition. The importance of this work group in his own organ oeuvre is confirmed by the many transmitted sources: hardly any autographs, but all the more copies. The genesis of the works and the question of versions associated with it are described at length in the introduction. In his new edition, editor David Schulenberg occasionally makes a new evaluation of the transmitted sources. To do so, he based himself as faithfully as possible on the manuscripts that can be traced back to Bach or to his circle. Here the American Bach expert generally chooses one source as his principal one. Divergences from other sources are documented in the Commentary. On the whole, the new Urtext edition sometimes also emends some long-cherished readings of ornaments, voice leading and notation. Also printed in Volume 1 is, for example, the early version of the C major Prelude BWV 545 as well as the inserted Trio movement of the three-movement version of this work. As with the previously published volumes, the CD-ROM enclosed in Volumes 1 and 2 contains dubious works and secondary versions for comparison with the principal versions. This time, the CD-ROMs are completely in German and English and feature the English version of the Commentary.
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| Keyboard And Organ Works
From Copied Sources:
Toccatas
Orgue [Partition]
Barenreiter
Johann Jacob Froberger (1617-1667) fut un compositeur d'une importance considér...(+)
Johann Jacob Froberger (1617-1667) fut un compositeur d'une importance considérable au cours de sa vie, son style de composition qui représente une synthèse des influences italiennes, françaises et anglaises. De plus en plus, les musiciens et les savants sont de plus en plus conscients de l'importance Froberger pour la musique de clavier du 17e siècle, une importance comparable à celle de Jan Pieterszoon Sweelinck.Chaque volume de l'édition complète des organes Froberger et la musique de clavier est publié en allemand et en anglais avec un commentaire critique ainsi que d'un avant-propos détaillé expliquant la portée et la subdivision de l'édition et les techniques de rédaction. En outre, des informations sur la pratique d'exécution, sur les instruments de l'époque et sur l'ornementation est inclus, ainsi que des détails sur la biographie de Froberger.- Edition Urtext exemplaire complet- Reflète bourses actuelles- Vaste notes explicatives (Eng / Ger) / Claviers
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| Wedding Album For Organ
Orgue
Novello & Co Ltd.
A collection of popular organ music for weddings. Includes 'Bridal Chorus' (Wagn...(+)
A collection of popular organ music for weddings. Includes 'Bridal Chorus' (Wagner), 'Wedding March' (Mendelssohn) and 'Alla Marcia' (Ireland). / Orgue
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| Orgelwerke (HAENDEL GEORG
FRIEDRICH)
Orgue
Barenreiter
Par HAENDEL GEORG FRIEDRICH. In terms of layout and musical text, this scholarly...(+)
Par HAENDEL GEORG FRIEDRICH. In terms of layout and musical text, this scholarly-critical performing edition of George Frideric Handels Complete Organ Works is based on the complete edition volumes of the composers keyboard music edited by Terence Best as part of the HalleHandel Edition (HHA). The HHA Critical Commentary forms the basis of this edition, which however differs from the HHA volumes in two respects. Firstly, it gathers together, for the first time, all of Handel works for which it can be solidly argued that they were composedfor the organ. The centre piece is a set of twelve handwritten fugues deriving directly from his immediate surroundings and published here, for the first time, as a unified cycle. Secondly, our edition presents plausible alternative readings fromvarious sources in the main body of the music. In the HHA these readings, all of which definitely or presumably stem from the composer, are merely listed in the critical commentary. - A detailed Foreword contains a description of the sources, followed by comments on the individual works. In addition this edition includes contemporary organ dispositions and a Critical Commentary. - Scholarly-critical edition based on the Urtext of the Halle Handel Edition (HHA) - First single-volume edition of Handels organ works - Includes all variant readings from the sources which have previously only been available in the Critical Commentary of the HHA - Detailed Foreword (Ger/Eng) with short descriptions of each source and a Critical Commentary (Ger/Eng) - With contemporary organ dispositionsContents:Fuga I in C minor HWV 610Fuga II in G minor HWV 605Fuga III in B-flat major HWV 607Fuga IV in F minor HWV 433/2Fuga V in E minor HWV 429/1Fuga VI in G major HWV 606Fuga VII in D minor HWV 428/2Fuga VIII in A minor HWV 609Fuga IX in B minor HWV 608Fuga X in F-sharp minor HWV 431/3Fuga XI in F major HWV 427/4Fuga XII in F major HWV 611“Fuga in E major” HWV 612“O the pleasure of the plains” in G major HWV 474“Jesu meine Freude” in G minor HWV 480 A scholarly-critical performing edition of George Frideric Handel 's Complete Organ Works based on the Halle Handel Edition (HHA). First single-volume edition of Handel 's Organ works Includes all variant readings from the sources which have previously only been available in the Critical Commentary of the HHA Detailed Foreword (Ger/Eng) with short descriptions of each source and a Critical Commentary (Ger/Eng) With contemporary Organ dispositions In terms of layout and musical text, this Barenreiter edition is based on the complete volumes of the composer's Keyboard music edited by TerenceBest as part of the HHA. The Halle Handel Edition's Critical Commentary forms the basis of this edition, which however differs from the HHA volumes in two respects. Firstly, it gathers together, for the first time, all of Handel 's works for which it can be solidly argued that they were composed for the Organ. The centre piece is a set of twelve handwritten fugues deriving directly from the composer's immediate surroundings and published here, for the first time, as a unified cycle. Secondly, this Barenreiter edition presents plausible alternative readings from various sources in the main body of the music. In the HHA these readings, all of which definitely or presumably stem from the composer, are merely listed in the critical commentary. Contents: Fuga I in C minor HWV 610 Fuga II in G minor HWV 605 Fuga III in B-flat major HWV 607 Fuga IV in F minor HWV 433/2 Fuga V in E minor HWV 429/1 Fuga VI in G major HWV 606 Fuga VII in D minor HWV 428/2 Fuga VIII in A minor HWV 609 Fuga IX in B minor HWV 608 Fuga X in F-sharp minor HWV 431/3 Fuga XI in F major HWV 427/4 Fuga XII in F major HWV 611 Fuga in E major HWV 612 O the pleasure of the plains in G major HWV 474 Jesu meine Freude in G minor HWV 480/ Répertoire / Orgue
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| Bach J.s. - Complete
Organ Works Vol.5 -
Sonatas, Trios, Concertos
+ Cd-rom
Orgue [Partition + CD-ROM]
Breitkopf & Härtel
Bach: Complete Organ Works Vol. 5
Sonatas / Trios / Concertos - ed. by Pieter D...(+)
Bach: Complete Organ Works Vol. 5
Sonatas / Trios / Concertos - ed. by Pieter Dirksen
Organ Works Based on Compositions by Bach and Others
Genres such as sonata, trio and concerto were initially uncommon in the keyboard music of the early 18th century. Thus it comes as no surprise that many of the pieces in this volume are arrangements by Bach of original compositions and of works by other composers. Next to the Sonatas BWV 525?530 and the Concertos or concerto movements based on pieces by other composers BWV 592?596, the volume also contains the Trio in D minor BWV 583, the Trio settings BWV 585?587 as well as the early versions of BWV 527 and 528. Moreover, the CD-ROM offers eight arrangements of trio movements by Bach made by others. In his detailed introduction, Pieter Dirksen discusses various aspects of these pieces' origins, inasmuch as they help us better understand the works. The organist will especially welcome the comments on performance practice and registration. It is precisely the fact that these works derive from chamber-music models that leads to individual considerations for each work group.
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| Organ Events. Concert
Organ Music From Five
Cent.
Orgue
Barenreiter
Wide range of stylesConceived by Martin Weyer, this edition ranges in style from...(+)
Wide range of stylesConceived by Martin Weyer, this edition ranges in style from 17th century Portuguese organ music to French and American works of the 19th century. It also contains a selection of German organ music including lesser-known works by Bach and other pieces from Robert Schumann to Ernst Pepping.In addition to the original compositions, organ arrangements have also been included. A detailed Foreword offers information on the music-historical context of each work and suggestions for its performance.- Original pieces and attractive arrangements for organ- Easy to moderately difficult concert music for organ- Includes a broad range of styles / Orgue
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| Selected Organ Works
Orgue [Partition]
Schott
Parmi les élèves de JS Bach, Johann Ludwig Krebs a ??pris une position clé. E...(+)
Parmi les élèves de JS Bach, Johann Ludwig Krebs a ??pris une position clé. Etant l'un des plus talentueux des étudiants de Bach, Krebs était déjà considéré comme un compositeur et organiste extraordinaire avec virtuosité dans sa propre vie. En étudiant son oeuvre complète d'organes, on se sent ses grandes compétences comme organiste qui se manifestent dans un doigté virtuose et technique de la pédale. En tant que compositeur, Krebs nous apparaît comme un artiste dans une parfaite maîtrise des règles du contrepoint. Mis à part imitant parfaitement son Bach enseignant, Krebs a ??également tourné vers les nouvelles tendances galantes et sensible de son temps. Il s'est ainsi révélé être réceptifs aux nouveaux mouvements musicaux qui se posent dans ses jours, qui jouent un rôle particulier dans ses compositions. / Orgue / 108 pages / niveau : Facile / Intermédiaire / Partition
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| Fantasie and Fugue on the
name of B-A-C-H (LISZT
FRANZ)
Orgue
Schott
Syncretic Version. Par LISZT FRANZ. In his 'Art of Fugue' Bach himself introduce...(+)
Syncretic Version. Par LISZT FRANZ. In his 'Art of Fugue' Bach himself introduced a theme based on the four letters of his name: the notes we know as Bb A C B correspond to the German note names B A C H. Since that time, many composers have expressed their admiration for incomparable master by writing their own pieces of music on this theme.
The work based on this theme by Franz Liszt is without any doubt the most important of them all - indeed, it represents a major landmark in the whole of the organ repertoire. It was composed in 1855 and given its first performance in the cathedral of Merseburg by Alexander Winterberger, to whom the work was dedicated. Liszt produced a second version of the work in 1869/70 and in 1870 he also wrote a piano transcription. It was a pity that the organist should not be able to use the ideas with which Liszt subsequently enriched his own adaptation. That is why, without adding anything that was not written by Liszt himself, Guillou has incorporated everything contained in the organ composition and the piano transcription in this 'syncretic' version of the work./ RĂ©pertoire / Orgue
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| Bach J.s. - Organ Works
Vol.6 - Preludes,
Toccatas, Fantasias and
Fugues
Orgue
Barenreiter
Bach, Johann Sebastian Organ Works, Volume 6 Preludes, Toccatas, Fantasias and F...(+)
Bach, Johann Sebastian Organ Works, Volume 6 Preludes, Toccatas, Fantasias and Fugues II / Early Versions and Variants to I (Volume 5) and II (Volume 6) Editor Kilian, Dietrich / Wollny, Peter Johann Sebastian Bach: Complete Organ Works in revised editions Any complete scholarly critical edition of the works of Johann Sebastian Bach must incorporate new research findings in the interest of scholars and performers alike. Now all of Bärenreiter's new performing editions of Bach's organ works are being revised to reflect the current state of scholarship and to convey maximum fidelity to the sources by being linked to 'Bach digital'. The present volume is an updated edition of Series IV, Volume 6 of the 'New Bach Edition' (NBA), prepared by Dietrich Kilian in 1964. The discovery of new sources and a reassessment of existing handwritten copies have brought about changes to the contents of the volume, which now includes the 'Fantasia in C minor' (BWV 1121), the 'Fantasia in G major' (BWV 571), the 'Fugue in G major' (BWV 577) and the C major version of the 'Toccata and Fugue in E major' (BWV 566). On the other hand, the 'Prelude in G major' (BWV 568) as well as the alternative versions of the 'Fugue in C minor' (BWV 574a) and the 'Prelude in A major' (BWV 536a) have been discarded as presumably spurious. Besides the new compilation and corrections of the musical text, the volume also contains a detailed Foreword by Peter Wollny with observations on each work and the extant sources. Page turns have been re-examined and improved. In collaboration with the Bach Archive Leipzig and its 'Bach' digital database, links are provided to all the major sources. The website http://links.baerenreiter.com enables readers to access the relevant page in the source simply and conveniently via short URLs. The links stored there are examined for their validity on a regular basis. Contents: BWV 551, 563-566 (version in E major), 569-571, 573-575, 577-579 and 1121 / Early versions and variants to I (Vol. 5) and II (Vol. 6): BWV 532a, 533a, 535a, 543a, 545a, 549a, 566 (version in C major) and 574b ' New detailed Foreword (Ger/Eng) by Peter Wollny on the works and their sources ' New contents reflecting the current state of source evaluations ' Links to sources in 'Bach digital' ' Complete new engraving and revised page-turns · Composer / Author: Bach, Johann Sebastian Toccata in C BWV 564 · Composer / Author: Bach, Johann Sebastian Fantasia in C BWV 570 · Composer / Author: Bach, Johann Sebastian Fantasia in c BWV 1121 früher BWV Anh. 205 · Composer / Author: Bach, Johann Sebastian Fantasia in C BWV 573 Fragment · Composer / Author: Bach, Johann Sebastian Fuga in c BWV 574 über ein Thema von Giovanni Maria Bononcini · Composer / Author: Bach, Johann Sebastian Fuga in c BWV 575 · Composer / Author: Bach, Johann Sebastian Toccata con Fuga in d BWV 565 · Composer / Author: Bach, Johann Sebastian Toccata in E BWV 566 · Early Versions and Variants to I (Volume 5) and II (Volume 6): · Composer / Author: Bach, Johann Sebastian Praeludium con Fuga in C BWV 545a · Composer / Author: Bach, Johann Sebastian Toccata Fassung in C zu BWV 566 · Composer / Author: Bach, Johann Sebastian Fuga in c BWV 574b über ein Thema von Giovanni Maria Bononcini · Composer / Author: Bach, Johann Sebastian Fuga in D BWV 532a · Composer / Author: Bach, Johann Sebastian Praeludium ô Fantasia in d BWV 549a · Composer / Author: Bach, Johann Sebastian Praeludium in e BWV 533a · Composer / Author: Bach, Johann Sebastian Praeludium con Fuga in g BWV 535a · Composer / Author: Bach, Johann Sebastian Praeludium in a BWV 543a · Composer / Author: Bach, Johann Sebastian Fantasia in G BWV 571 · Composer / Author: Bach, Johann Sebastian Fuga in G BWV 577 · Composer / Author: Bach, Johann Sebastian Fuga in g BWV 578 · Composer / Author: Bach, Johann Sebastian Praeludium in a BWV 569 · Composer / Author: Bach, Johann Sebastian Praeludium con Fuga in a BWV 551 · Composer / Author: Bach, Johann Sebastian Fantasia in h BWV 563 · Composer / Author: Bach, Johann Sebastian Fuga in h BWV 579 über ein Thema von Arcangelo Corelli
DĂ©lais: Sur commande | | |
| Complete Organ Works
Orgue
Schott
Cette édition pour la première fois une distinction entre père et fils, c'est...(+)
Cette édition pour la première fois une distinction entre père et fils, c'est-à -dire entre les oeuvres composées par Vincent Lübeck Senior (1654-1740) et les oeuvres composées par Vincent Lübeck Junior (1684-1755). En conséquence, cette nouvelle édition soigneusement éditée des sources est d'une importance particulière à la recherche de l'orgue. / Orgue
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| Gulbins, Max : Sonate n°
4 en ut majeur Opus 28
Saint Paul. Un portrait
caractéristique / Sonata
No. 4 in C Major Opus 28
St. Paul. A Character
Portrait
Orgue [Partition]
Barenreiter
[Sonate Nr. 4 C-Dur Opus 28 Paulus. Ein Charakterbild (1904)] / Classique / Edit...(+)
[Sonate Nr. 4 C-Dur Opus 28 Paulus. Ein Charakterbild (1904)] / Classique / Editeur : Klaus Uwe Ludwig / Partition / Agrafé /
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| Widor Complete Organ
Symphonies Series I - 001
- Organ
Orgue [Partition]
Dover Publications
Description Widely regarded as the culmination of French romanticism on the o...(+)
Description Widely regarded as the culmination of French romanticism on the organ, Widor's symphonies include some of the most frequently performed and recorded works in the modern organ repertoire. Most of these symphonies - so called to emphasise the orchestral wealth of timbres offered by the new French organs - were written specifically to exploit the capacities of the modern Cavaille-Coll organ, especially the rich-toned five-keyboard instrument at St-Sulpice in Paris. Presented here in two inexpensive (this being the first), well-made volumes they offer a splendid resource for organists and all music lovers. Songlist Adagio Allegro Allegro Cantabile Allegro Vivace Andante (Sonata G.1) [Torelli, Giuseppe] Andante Cantabile Andantino Quasi Allegretto Finale Fugue Intermezzo Op.1 No.2 [Borodin, Aljeksandr Porfirjevic] Marche Pontificale Marcia Meditation Minuetto Pastorale [Pace] Prelude Scherzo [Goldschmidt, Berthold] Symphony No. 1 In C Minor, Op. 13, No. 1: Symphony No. 2 In D Major Op. 13, No. 2: Symphony No. 3 In E Minor, Op. 13, No. 3: Symphony No. 4 In F Minor, Op. 13, No. 4: Symphony No. 5 In F Minor, Op. 42, No. 1: Toccata
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| Kadenzen
Orgue - Intermédiaire/avancé
Schott
Zu Konzerten Von Händel, C.Ph.E. Bach, Mozart, Widor. / Niveau : Intermédiair...(+)
Zu Konzerten Von Händel, C.Ph.E. Bach, Mozart, Widor. / Niveau : Intermédiaire à Avancé / Classique / Recueil / Orgue
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| 3 Chant Coulée
Grand Orgue
Orgue
G. Henle
Les trois hymnes appartiennent aux oeuvres les plus célèbres de Franck. Ils so...(+)
Les trois hymnes appartiennent aux oeuvres les plus célèbres de Franck. Ils sont caractérisés par une grande gravité religieuse et plutôt destinées à l'orgue de concert dans leurs dimensions. De nombreux organistes ils sont considérés comme l'héritage de César Franck. Selon un accident de la circulation mai 1890 Franck décédé au début de Novembre, 1890. Vraisemblablement, il avait commencé à travailler sur les trois chorales avant son accident, en 1889. Cependant, l'achèvement retiré moyen éprouvé à l'automne de l'année en 1890. L'impression de la première édition ne pouvait pas se Franck superviser, elle est apparue seulement en 1892. Notre Urtextausgabe évalue d'abord deux autographes encore inconnues de 1 3 et Chant et peut donc fournir le texte musical de la première addition d'édition à une base de source sûre. / Orgue
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| Organ Sonatas (GUILMANT
ALEXANDER)
Orgue [Partition]
Dover Publications
Par GUILMANT ALEXANDER. The eight sonatas of Guilmant may well lay claim to clas...(+)
Par GUILMANT ALEXANDER. The eight sonatas of Guilmant may well lay claim to classical rank. Originally conceived for the French organs of Cavaille-Col, they are sufficiently broad in conception as to lose little, if anything, in their interpretation on English and American instruments. At the time of their composition (1874-1909) they brought to the Organ a new sense which had been too little cultivated by organists. This volume is edited by A. Eaglefield Hull and contains the First Sonata in D Minor Op. 42, Second Sonata In D Major Op. 50, Third Sonata In C Minor Op. 56, Fourth Sonata In D Minor Op. 61 and the Fifth Sonata In C Minor Op. 80./ RĂ©pertoire / Orgue
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| Concerto For Organ
(Harpsichord) With String
Instruments C Major Hob.
XVIII:10 (First Edition)
Orgue [Partitur / Partition (Orgel)]
G. Henle
27.90 EUR - vendu par LMI-partitions
DĂ©lais: 2-5 jours - En Stock Fournisseur | | |
| Organ Works, Vol.6
Orgue [Partition] - Avancé
Barenreiter
This present volume is an updated edition of Series IV, Volume 6, of the New Bac...(+)
This present volume is an updated edition of Series IV, Volume 6, of the New Bach Edition (NBA), prepared by Dietrich Kilian in 1964. The discovery of new sources and a reassessment of existing handwritten copies have brought about changes to the contents of the volume, which now includes the Fantasia in C minor (BWV 1121), the Fantasia in G major (BWV 571), the Fugue in G major (BWV 577) and the C major version of the Toccata and Fugue in E major (BWV 566). On the other hand, the Prelude in G major (BWV 568) as well as the alternative versions of the Fugue in C minor (BWV 574a) and the Prelude in A major (BWV 536a) have been discarded as presumably spurious. In collaboration with the Bach Archive Leipzig and its 'Bach? digital database, links are provided to all the major sources. The website http://links.baerenreiter.com enables readers to access the relevant page in the source simply and conveniently via short URLs. The links stored there are examined for their validity on a regular basis. / Orgue
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| Sämtliche
Orgelwerke, Band I
Orgue
Breitkopf & Härtel
43.50 EUR - vendu par LMI-partitions
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| Transcriptions Pour Orgue
(Schubert, Beethoven,
Mozart, Gounod ...)
(MORANCON GUY)
 En Français
Orgue [Partition]
Chant du Monde
Par MORANCON GUY. Guy Morançon's Transcriptions for Organ. Guy Morançon's Tran...(+)
Par MORANCON GUY. Guy Morançon's Transcriptions for Organ. Guy Morançon's Transcriptions for Organ./ Répertoire / Orgue
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