By John Leavitt. For organ. Easter. Level: Moderately Easy. Published by Concordia Publishing House.

Ten Christmas Organ Voluntaries (On Familiar Carols). By Various. Arranged by Gordon Young. For Organ. Solo part. Standard notation. 23 pages. Published by Theodore Presser Company

By Rodney Schrank. For organ. Organ Music. Published by MorningStar Music Publishers.
Level: Easy/Medium-Easy.

Composed by Various. For organ: 3-staff. Sacred. Moderately advanced. Lorenz Publishing Company #70/1931L. Published by Lorenz Publishing Company

By Dale Wood. Organ. Level: 3-staff. Sacred Organ. Published by Sacred Music Press.

By Dorothy Wells. For organ. Lent. Level: 3-staff. Sacred organ. Published by Lorenz Publishing Company. (70/1183L)

(38 Organ Settings for Worship or Recital). Composed by Douglas E. Wagner. For organ: 3-staff. Christmas. Intermediate. Published by Lorenz Publishing Company

(Organ expressions for Palm Sunday through Eastertide). By Michael Shea. For Organ. Sacred: Easter, Holy Week, Palm Sunday. 3-staff. Book. Published by Lorenz Publishing Company

Organ

SKU: BR.EB-9345

For Organ. Composed by Sanchez-Verdu. Solo instruments; stapled. Edition Breitkopf.

World premiere: Berlin, Januar 20, 2019 (Compulsory piece for the Prizewinner Concert of the Felix Mendelssohn Bartholdy Conservatory Competition, Berlin 2019)Commissioned by the Felix Mendelssohn Bartholdy Conservatory Competition 2019ISBN 9790004188095. 12 x 9 inches.

Lar in Roman mythology refers to the so-called Lares, gods of households, fields and pathways, deified souls of the deceased and tutelary deities, especially of the house and its inhabitants. Lar is also the fireplace in a house - and thus a place where you feel protected. Lar II is part of a cycle. Each piece focusses on a kind of movement or transition between the interior (the house) and the unknown (the outside, the adventure). Gilles Deleuze speaks of deterritorialization; it is precisely this process that is also used in music as a metaphor. For Deleuze, a melody can act as a ritornello, for example, representing the house, the acquainted. Lar II plays with ritornellos which are developed alternatingly - like breathing- with certain movements to the outside and back again. Musically, the instrument organ opens/introduces as a topos something within a space and focusses on the concept of space as the central point of a continuous musical transition. (Jose M. Sanchez-Verdu, 2018)

World premiere: Berlin, Januar 20, 2019 (Compulsory piece for the Prizewinner Concert of the Felix Mendelssohn Bartholdy Conservatory Competition, Berlin 2019) Commissioned by the Felix Mendelssohn Bartholdy Conservatory Competition 2019.