Handbook of classical-modern organ playing. Edited by Peter Wagner. Paper...(+)
Handbook of
classical-modern organ
playing. Edited by
Peter Wagner. Paperback.
Performance scores,
anthology. Published by
Baerenreiter Verlag
(BA.BA11238).
Organ (Organ) SKU: HL.14008416 Composed by Sir Peter Maxwell Davies. Musi...(+)
Organ (Organ)
SKU:
HL.14008416
Composed
by Sir Peter Maxwell
Davies. Music Sales
America. Classical. Book
[Softcover]. Composed
1999. 32 pages. Chester
Music #CH55477. Published
by Chester Music
(HL.14008416).
9.0x12.0x0.132
inches.
This
essentially contemplative
work in four movements is
based on a plainsong
fragment from the
Lamentations of Jeremiah,
traditionally sung on
Maundy Thursday in the
ceremonies spiralling
down to the sacrifice of
Christ on Good Friday.
First performed in June
1982 by Richard Hughes,
to whom the work is
dedicated.
Composed by Gerard Bunk. Edited by Jan Boecker; Wolfgang Stockmeier. For organ, ...(+)
Composed by Gerard Bunk.
Edited by Jan Boecker;
Wolfgang Stockmeier. For
organ, (violin). This
edition: Urtext edition.
Paperback. Gerard Bunk.
Samtliche Orgelwerke 3.
Performance score,
Part(s), Anthology. 110/2
pages. Published by
Baerenreiter Verlag
Organ SKU: BR.EB-9300 (Plainte sur la perte de la reflexion musicale)<...(+)
Organ
SKU:
BR.EB-9300
(Plainte sur la perte
de la reflexion
musicale). Composed
by Klaus Huber. Arranged
by A. Digby and M.
Sattelberger. Solo
instruments; stapled.
Edition Breitkopf. World
premieres: I version for
flute: Wiesbaden, 1972.
Music post-1945; New
music (post-2000). Score.
Composed 1972. 20 pages.
Duration 20'. Breitkopf
and Haertel #EB 9300.
Published by Breitkopf
and Haertel (BR.EB-9300).
ISBN 9790004187647. 9
x 12 inches.
World
premieres:I version for
flute: Wiesbaden, 1972II
version for piano: Nyon,
1972III version for var.
insts.: Cologne, May 29,
1976VI version for
accordeon: Fribourg, June
25, 1987VIII version for
violoncello Tokyo:
October 14, 1989X version
for organ: Stuttgart,
March 28, 2018This work
(A Breath of the
Untimely) was first
written for solo Flute
and dedicated to Aurele
Nicolet. Its bears the
subtitle Lament on the
Loss of Musical Thought -
some Madrigals for Solo
Flute or Flute with any
other Instruments. This
serves as a playing
instruction but doubles
at the same time as an
outmoded programme: it
refers back to the
musical origin of the
opening lamenting motif,
a tradition which was
once of its time but is
not of our time - namely
the Lamento genre which
gave the title to the
Chaconne in Purcell's
opera Dido and Aeneas.
Almost simultaneously I
wrote a second version
for Piano (for Piano
one-and-a-half hands),
which already formulates
possible approaches for
the performer, in some
detail, to the indicated,
quasi-canonic version of
the piece in the
programme. The multiple
version Ein Hauch von
Unzeit III realizes a
concrete version of a
formal state which floats
between strict canon and
aleatoric principles:
each of the musicians who
are spread throughout the
hall introduces their own
idiomatic translation of
the flute part. And so
the music exists,
omnipresent, not only
spatially throughout the
hall, but also formally
in a sort of fluctuating
simultaneity. For that
reason, it was my express
wish to any potential
interpreter that they
should construct entirely
their own version of the
piece. A healthy number
of musicians have
responded to my
suggestion - versions of
the piece have now been
made for guitar
(Cornelius Schwehr,
Gunther Schneider),
accordion (Hugo Noth),
double bass (Fernando
Grillo), violin
(Hansheinz Schneeberger),
viola, violoncello, and
double bass (trio basso,
Koln), violoncello
(Michael Bach), trombone
(Andrew Digby) and,
created by myself, a sung
version for voice (to
words by Georg Wilhelm
Friedrich Hegel und Max
Bense), and for viola.The
most important
requirement for the whole
piece is absolute
stillness, which should
as far as possible
emanate from the
performer. The pauses are
occasionally in this
respect the most
important element. These
may, if one can find the
necessary stillness,
become very long.Ein
Hauch von Unzeit (A
Breath of the Untimely) -
time almost
dissolves!(Klaus Huber,
1989/2014 - translation:
David
Alberman)CD:Jean-Luc
Menet (Bass flute)CD
Traversieres
120.270Jean-Luc Menet
(fl)CD STR
37039Bibliography:Zimmerm
ann, Heidy:
Zeitgestaltung im
Kompositionsprozess bei
Klaus Huber - dargestellt
anhand von Skizzen, in:
Mnemosyne. Zeit und
Gedachtnis in der
europaischen Musik des
ausgehenden 20.
Jahrhunderts, hrsg. von
Dorothea Redepenning und
Joachim Steinheuer,
Saarbrucken: Pfau 2006,
S. 90-109
World
premiere: Stuttgart,
Hospitalkirche, March 28,
2018.
(Volume 1: Latvia). Edited by Alexander Fiseisky. For organ. This edition: Paper...(+)
(Volume 1: Latvia).
Edited by Alexander
Fiseisky. For organ. This
edition: Paperback.
Orgelmusik in den
baltischen Staaten, Band
1. Level 4. Performance
score, Anthology. 86
pages. Published by
Baerenreiter Verlag
Organ solo, Timpani,
Percussion, 2 Violins,
Viola, Cello, basso
continuo
SKU:
CA.1808549
Composed
by Kay Johannsen.
Concerto For Organ,
Strings And Perc. Free
organ music. Single Part,
Organ. Composed 2014. 24
pages. Duration 18
minutes. Carus Verlag #CV
18.085/49. Published by
Carus Verlag
(CA.1808549).
Language: all
languages.
The
Concerto for organ,
strings and percussion by
Kay Johannsen, Kantor of
the Stiftskirche in
Stuttgart, is a valuable
addition to the
repertoire for organ and
orchestra. It is a work
composed to appeal to
both performer and
audience alike - with
thrilling rhythmic
sections as well as
moments of great
intimacy. The organ part,
for a three manual
instrument if possible,
is shown to its best
advantage in many and
varied tonal colors,
ranging from the most
delicate solo
registrations to powerful
forte. The organ writing
is demanding, but well
within the capabilities
of experienced organists.
Precise registration
suggestions are contained
in the score. The string
orchestra (minimum
4/4/3/3/1) is scored with
sophistication, with
solos for all
instruments. The
percussion is for two
players - a part for
timpani and one for
other, readily available
percussion instruments.
By avoiding the use of
wind and brass
instruments, the work can
also be performed where
the tuning of the organ
is not ideally suited to
modern orchestral pitch.
Score and part available
separately - see item
CA.1808500.
Organ solo, Timpani,
Percussion, 2 Violins,
Viola, Cello, basso
continuo
SKU:
CA.1808500
Composed
by Kay Johannsen.
Concerto For Organ,
Strings And Perc. Free
organ music. Full score.
Composed 2014. 48 pages.
Duration 18 minutes.
Carus Verlag #CV
18.085/00. Published by
Carus Verlag
(CA.1808500).
ISBN
9790007163952. Language:
all languages.
The
Concerto for organ,
strings and percussion by
Kay Johannsen, Kantor of
the Stiftskirche in
Stuttgart, is a valuable
addition to the
repertoire for organ and
orchestra. It is a work
composed to appeal to
both performer and
audience alike - with
thrilling rhythmic
sections as well as
moments of great
intimacy. The organ part,
for a three manual
instrument if possible,
is shown to its best
advantage in many and
varied tonal colors,
ranging from the most
delicate solo
registrations to powerful
forte. The organ writing
is demanding, but well
within the capabilities
of experienced organists.
Precise registration
suggestions are contained
in the score. The string
orchestra (minimum
4/4/3/3/1) is scored with
sophistication, with
solos for all
instruments. The
percussion is for two
players - a part for
timpani and one for
other, readily available
percussion instruments.
By avoiding the use of
wind and brass
instruments, the work can
also be performed where
the tuning of the organ
is not ideally suited to
modern orchestral
pitch.
Heures mystiques: Entrees, Offertoires, Offertoire funebre. By Leon Boellmann. E...(+)
Heures mystiques:
Entrees, Offertoires,
Offertoire funebre. By
Leon Boellmann. Edited by
Schauerte-Maubouet,
Helga. For Organ. Urtext
Edition (paperbound).
Published by
Baerenreiter-Ausgaben
(German import).
SATB Choir and Organ SKU: HL.14041506 Composed by John Tavener. Music Sal...(+)
SATB Choir and Organ
SKU: HL.14041506
Composed by John Tavener.
Music Sales America.
Classical. Choral Score.
Chester Music #CH72501.
Published by Chester
Music (HL.14041506).
UPC:
884088567958.
Ex
Maria Virgine was
commissioned by Timothy
Brown and the Choir of
Clare College, Cambridge,
with the generous support
of Paul Lee.
The
first performance was
given on 12th December
2008 in the Chapel of St
John'sCollege, Cambridge,
by the Choir of Clare
College, Cambridge with
Simon Thomas Jacobs (
organ) conducted by
Timothy Brown.
SATB Choir and Organ SKU: HL.14041505 Composed by John Tavener. Music Sal...(+)
SATB Choir and Organ
SKU: HL.14041505
Composed by John Tavener.
Music Sales America.
Classical. Choral Score.
Chester Music #CH73766.
Published by Chester
Music (HL.14041505).
UPC:
884088567941.
Ex
Maria Virgine was
commissioned by Timothy
Brown and the Choir of
Clare College, Cambridge,
with the generous support
of Paul Lee.
The
first performance was
given on 12th December
2008 in the Chapel of St
John'sCollege, Cambridge,
by the Choir of Clare
College, Cambridge with
Simon Thomas Jacobs
(organ) conducted by
Timothy Brown.
SATB Choir and Organ SKU: HL.14041507 Composed by John Tavener. Music Sal...(+)
SATB Choir and Organ
SKU: HL.14041507
Composed by John Tavener.
Music Sales America.
Classical. Choral Score.
Chester Music #CH73755.
Published by Chester
Music (HL.14041507).
UPC:
884088567965.
Ex
Maria Virgine was
commissioned by Timothy
Brown and the Choir of
Clare College, Cambridge,
with the generous support
of Paul Lee.
The
first performance was
given on 12th December
2008 in the Chapel of St
John'sCollege, Cambridge,
by the Choir of Clare
College, Cambridge with
Simon Thomas Jacobs (
organ) conducted by
Timothy Brown.
The
complete work Ex Maria
Virgine (A Christmas
Sequence) is also
available Order No.
CH73832.
SATB Choir and Organ SKU: HL.14041508 Composed by John Tavener. Music Sal...(+)
SATB Choir and Organ
SKU: HL.14041508
Composed by John Tavener.
Music Sales America.
Classical. Choral Score.
Chester Music #CH73623.
Published by Chester
Music (HL.14041508).
UPC:
884088567972.
Ex
Maria Virgine was
commissioned by Timothy
Brown and the Choir of
Clare College, Cambridge,
with the generous support
of Paul Lee.
The
first performance was
given on 12th December
2008 in the Chapel of St
John'sCollege, Cambridge,
by the Choir of Clare
College, Cambridge with
Simon Thomas Jacobs
(organ) conducted by
Timothy Brown.
Organ SKU: HL.14015982 Composed by Kenneth Leighton. Music Sales America....(+)
Organ
SKU:
HL.14015982
Composed
by Kenneth Leighton.
Music Sales America.
Classical. Book
[Softcover]. 12 pages.
Music Sales #NOV010137.
Published by Music Sales
(HL.14015982).
11.75x8.25x0.43
inches.
1st
performance at St Paul's
Church, Covent Garden,
December 15, 1969 by
Nicholas Cleobury (at the
memorial service for
Maurice de Sausmarez).
Duration c.5 minutes.
Organ SKU: HL.14005623 Composed by C.S. Lang. Music Sales America. Classi...(+)
Organ
SKU:
HL.14005623
Composed
by C.S. Lang. Music Sales
America. Classical. Book
[Softcover]. 12 pages.
Music Sales #NOV590208.
Published by Music Sales
(HL.14005623).
8.25x11.75x0.082
inches.
Introduction and
Passacaglia In A
Minor is written
for solo Organ. It
is dedicated to
David Willcocks, who at
the time of composition
was organist at Worcester
Cathedral.
Craig Seller
Lang (1891-1971) was
a British composer,
organist and musical
pedagogue, who was born
in New Zealand. He
studied at the Royal
College of Music before
becoming a teacher at
Christ's Hospital School.
His compositions were
mostly written with a
student performer in
mind. He is best
remembered for his
seminal educational Organ
books, but he also
created prolific volumes
of material in both
sacred and secular choral
genres.
Organ SKU: HL.14005630 Composed by C.S. Lang. Music Sales America. Sacred...(+)
Organ
SKU:
HL.14005630
Composed
by C.S. Lang. Music Sales
America. Sacred. Book
[Softcover]. 8 pages.
Music Sales #NOV590307.
Published by Music Sales
(HL.14005630).
8.25x11.75x0.06
inches.
The
Prelude and Fugue
In G Minor (Op.
84) was first published
in 1960. It is scored for
solo
Organ.
Craig
Seller Lang
(1891-1971) was a British
composer, organist and
musical pedagogue, who
was born in New Zealand.
He studied at the Royal
College of Music before
becoming a teacher at
Christ's Hospital School.
His compositions were
mostly written with a
student performer in
mind. He is best
remembered for his
seminal educational Organ
books, but he also
created prolific volumes
of material in both
sacred and secular choral
genres.
(Short Pieces). By Carl Philipp Emanuel Bach (1714-1788). Edited by Jochen Reutt...(+)
(Short Pieces). By Carl
Philipp Emanuel Bach
(1714-1788). Edited by
Jochen Reutter. For
organ. Study score. 116
pages. Published by
Wiener Urtext/Vienna
Urtext
Organ (Organ) SKU: HL.48186559 Composed by Thé and odore Dubois. Le...(+)
Organ (Organ)
SKU:
HL.48186559
Composed
by Thé and odore
Dubois. Leduc. Classical.
Softcover. 76 pages.
Alphonse Leduc #AL9150.
Published by Alphonse
Leduc (HL.48186559).
UPC: 888680797324.
8.0x11.5x0.243
inches.
At just 34
years of age, Theodore
Dubois was installed as a
professor of harmony at
the Paris Conservatoire.
Whilst much of his
compositional works have
disappeared from primary
classical repertoire, his
12 New Pieces for Organ
remain prominent. Whilst
being a significant
figure in the field of
teaching, Dubois was also
a revered organist,
occupying the post of
organist at the
Madeleine. Dubois' 12 New
Pieces vary in character,
beginning with a helpful
index of performance
directions. For all
aspiring, advanced
organists, Dubois' 12 New
Pieces ensure variety and
versatility within the
repertoire..
Medium voice and organ - difficult SKU: HL.49044612 For medium voice a...(+)
Medium voice and organ -
difficult
SKU:
HL.49044612
For
medium voice and
organ. Composed by
Bertold Hummel. This
edition: Saddle
stitching. Sheet music.
Vocal. Softcover.
Composed 2000. Op. 103g.
22 pages. Duration 9'.
Schott Music #ED21338.
Published by Schott Music
(HL.49044612).
ISBN
9790001187282.
9.0x12.0x0.099 inches.
Latin.
The rushing
of the Holy Spirit to
which the hymn 'Veni
creator' refers is
symbolized by fast
semiquaver runs of the
organ which return again
and again during the
whole piece. Alternately,
the text is interpreted
musically in seven verses
according to the
respective content.
Traditional melodies
appear in a contemporary
harmonic makeup. From
this context emerges a
field of tension between
old and new which
eventually dissolves in
the 'Amen' of the vocal
soloist. The work on the
rather demanding piece is
rewarding for every
performer and the
performance at the church
is very impressive.
Organ - Level 4 SKU: BA.BA02800 Ascension till Whitsuntide. Compos...(+)
Organ - Level 4
SKU:
BA.BA02800
Ascension till
Whitsuntide. Composed
by Johannes Driessler.
Stapled. Pfingsten
(Pentacost). Performance
score. Composed 1952.
Opus 30. Baerenreiter
Verlag #BA02800_00.
Published by Baerenreiter
Verlag (BA.BA02800).
SATB choir, cornetto, 3 trombones, organ SKU: CA.3550300 Arranged by J...(+)
SATB choir, cornetto, 3
trombones, organ
SKU:
CA.3550300
Arranged by J. S.
Bach. Composed by
Francesco Gasparini.
Edited by Peter Wollny.
Arranged by Johann
Sebastian Bach. This
edition: urtext. Edition
Bach-Archiv Leipzig -
Musical Monuments. Sacred
vocal music, Masses,
Latin. Full score. Carus
Verlag #CV 35.503/00.
Published by Carus Verlag
(CA.3550300).
ISBN
9790007165161. Text
language:
Latin.
Particularly
during the early 1740s,
Johann Sebastian Bach
concentrated intensely on
studying the
compositional technique
of strict vocal
polyphony. As an
inspiration, he studied
the works of older
masters, copying them
and, for the most part,
performing them as well.
A set of single parts for
the Missa canonica by
Francesco Gasparini in an
instrumentation by Bach
were recently discovered
in the collection of the
former Ephoralbibliothek
Weissenfels; some of the
parts are in Bach's own
handwriting. Gasparini
was esteemed in Germany
particularly as a master
of elaborate counterpoint
and audacious harmonic
writing. Bach amended the
music text with a view to
certain aspects of
performance practice,
clearly following a very
specific concept of sound
organization. His
interest in strict
counterpoint was
paralleled by a tangible
re-orientation in Bach's
own compositional
technique at the
beginning of the 1740s.
Francesco Gasparini's
Missa canonica therefore
served as a practical
model for the highly
developed art of canon
writing and the strict
polyphony in Bach's late
works, as we encounter
them, for example, in the
B minor Mass.
SATB choir, cornetto, 3 trombones, organ SKU: CA.3550305 Arranged by J...(+)
SATB choir, cornetto, 3
trombones, organ
SKU:
CA.3550305
Arranged by J. S.
Bach. Composed by
Francesco Gasparini.
Edited by Peter Wollny.
Arranged by Johann
Sebastian Bach. This
edition: urtext. Edition
Bach-Archiv Leipzig -
Musical Monuments. Sacred
vocal music, Masses,
Latin. Choral Score. 12
pages. Carus Verlag #CV
35.503/05. Published by
Carus Verlag
(CA.3550305).
ISBN
9790007165222. Text
language:
Latin.
Particularly
during the early 1740s,
Johann Sebastian Bach
concentrated intensely on
studying the
compositional technique
of strict vocal
polyphony. As an
inspiration, he studied
the works of older
masters, copying them
and, for the most part,
performing them as well.
A set of single parts for
the Missa canonica by
Francesco Gasparini in an
instrumentation by Bach
were recently discovered
in the collection of the
former Ephoralbibliothek
Weissenfels; some of the
parts are in Bach's own
handwriting. Gasparini
was esteemed in Germany
particularly as a master
of elaborate counterpoint
and audacious harmonic
writing. Bach amended the
music text with a view to
certain aspects of
performance practice,
clearly following a very
specific concept of sound
organization. His
interest in strict
counterpoint was
paralleled by a tangible
re-orientation in Bach's
own compositional
technique at the
beginning of the 1740s.
Francesco Gasparini's
Missa canonica therefore
served as a practical
model for the highly
developed art of canon
writing and the strict
polyphony in Bach's late
works, as we encounter
them, for example, in the
B minor Mass. Score
available separately -
see item CA.3550300.
Organ SKU: BR.EB-9306 Urtext - Critical Source Edition of the Free Org...(+)
Organ
SKU:
BR.EB-9306
Urtext
- Critical Source Edition
of the Free Organ
Works. Composed by
Dietrich Buxtehude.
Edited by Harald Vogel.
Solo instruments;
Softbound. Edition
Breitkopf.
Renaissance/early
Baroque; Baroque. Score.
84 pages. Breitkopf and
Haertel #EB 9306.
Published by Breitkopf
and Haertel (BR.EB-9306).
ISBN 9790004187708. 12
x 9 inches.
This
edition is the result of
Harald Vogel's many years
of practice as an
organist and
musicologist. The music
text is based on a
reevaluation of 17th- and
18th-century manuscripts
containing the free organ
and keyboard works by
Buxtehude. They
originated during a
transitional phase
between the traditional
letter tablature and the
staff notation still in
use today. Since many
works have survived only
in transcriptions for
staff notation, the
editor was confronted
with a high error rate,
which he carefully
analyzes in the
Einzelanmerkungen. During
the preparation of the
edition, the editor
always kept sight of the
performance practice, but
still, the image of the
sources is never
distorted (e. g. by
superfluous rests,
beaming not conforming to
the sources and the
unhistorical adjustment
of time signatures) and
stays very close to the
compositional notation,
the letter tablature. The
flexible use of three
staves and the
differentiated
distribution of the
voices on the staves
allow for an
approximation in reading
conventions of historical
notation with its
resulting information
about hand division.
Grouping the free organ
repertoire into works
with obbligato pedal and
works for manuals, this
edition is organized in
two volumes. The first
subvolume (I/1, EB 9304)
contains the Preface and
the Preludes, whereas the
second subvolume (I/2, EB
9305) contains Toccatas,
Ostinato works,
alternative versions and
a comprehensive Critical
Commentary (in German
only). Volume II (EB
9306) contains
Buxtehude's free organ
and keyboard works
(manualiter) with the
corresponding texts
(Preface and Critical
Commentary).Until 1971,
Harald Vogel worked on a
dissertation (with Georg
von Dadelsen, Hamburg) on
Die Fuge um Bach. Besides
the description of the
inclusion of triple
measures into the C
notation and the
irregularities of the
voice mutation in the
polyphonic structures,
this also included a
discussion about the
justification of the
inner textual criticism.
With the inner textual
criticism, deviations in
parallel passages are
unified. The North German
fugue style, reaching a
peak in Buxtehude's work,
is characterized by a
constant diversity of
details in subject and
polyphonic progressions.
One of the indicators of
the fantastic style is
the dissolution of the
polyphonic structures at
the ends of the fugues,
evident in Buxtehude's
work.In this edition, a
musical text is presented
that avoids the
uniformity of detail not
conforming to the
sources. However, there
are many examples of
transcription and cursory
errors, which are
analyzed in a methodical
systematic manner. About
the editor: As an
organist, professor,
organ expert, and
scholar, Harald Vogel has
rendered outstanding
services to the
interpretation of early
music and especially to
historical performance
practice concerning the
organ for decades. He has
received numerous awards,
including an ECHO Klassik
as Instrumentalist of the
Year (2012), honorary
doctorates from Lulea
University of Technology
(Sweden, 2008) and
Oberlin College (USA,
2014), as well as the
Buxtehude Prize of the
City of Lubeck (2018).
Harald Vogel is the
author and editor of
numerous scholarly
publications and
editions. Through his
lifelong performance
practice, he can look
back on an extensive
discography, including
the complete recording of
Buxtehude's organ works,
which he recorded in
various locations with
historical organ
instruments of the North
German organ building
tradition in Scandinavia,
North Germany and the
Netherlands.
pure
source edition (no
mixture of different
transmissions)
comprehensive commentary
(Vol. I/2 & II) (with
texts about the sources,
chronology, use of keys,
liturgic placement as
well as detailed critical
remarks, incl. music
examples (in German
only))good page
turnsflexible division of
voices (on 2 or 3
systems, good
legibility)contains
facsimiles.
Organ SKU: BR.EB-9415 Urtext - Critical Source Edition of the Free Org...(+)
Organ
SKU:
BR.EB-9415
Urtext
- Critical Source Edition
of the Free Organ
Works. Composed by
Dietrich Buxtehude.
Edited by Harald Vogel.
Solo instruments;
Softbound. Edition
Breitkopf.
Renaissance/early
Baroque; Baroque. Score.
192 pages. Breitkopf and
Haertel #EB 9415.
Published by Breitkopf
and Haertel (BR.EB-9415).
ISBN 9790004188897. 12
x 9 inches.
This
edition is the result of
Harald Vogel's many years
of practice as an
organist and
musicologist. The music
text is based on a
reevaluation of 17th- and
18th-century manuscripts
containing the free organ
and keyboard works by
Buxtehude. They
originated during a
transitional phase
between the traditional
letter tablature and the
staff notation still in
use today. Since many
works have survived only
in transcriptions for
staff notation, the
editor was confronted
with a high error rate,
which he carefully
analyzes in the
Einzelanmerkungen. During
the preparation of the
edition, the editor
always kept sight of the
performance practice, but
still, the image of the
sources is never
distorted (e. g. by
superfluous rests,
beaming not conforming to
the sources and the
unhistorical adjustment
of time signatures) and
stays very close to the
compositional notation,
the letter tablature. The
flexible use of three
staves and the
differentiated
distribution of the
voices on the staves
allow for an
approximation in reading
conventions of historical
notation with its
resulting information
about hand division.
Grouping the free organ
repertoire into works
with obbligato pedal and
works for manuals, this
edition is organized in
two volumes. The first
subvolume (I/1, EB 9304)
contains the Preface and
the Preludes, whereas the
second subvolume (I/2, EB
9305) contains Toccatas,
Ostinato works,
alternative versions and
a comprehensive Critical
Commentary (in German
only). Volume II (EB
9306) contains
Buxtehude's free organ
and keyboard works
(manualiter) with the
corresponding texts
(Preface and Critical
Commentary).Until 1971,
Harald Vogel worked on a
dissertation (with Georg
von Dadelsen, Hamburg) on
Die Fuge um Bach. Besides
the description of the
inclusion of triple
measures into the C
notation and the
irregularities of the
voice mutation in the
polyphonic structures,
this also included a
discussion about the
justification of the
inner textual criticism.
With the inner textual
criticism, deviations in
parallel passages are
unified. The North German
fugue style, reaching a
peak in Buxtehude's work,
is characterized by a
constant diversity of
details in subject and
polyphonic progressions.
One of the indicators of
the fantastic style is
the dissolution of the
polyphonic structures at
the ends of the fugues,
evident in Buxtehude's
work.In this edition, a
musical text is presented
that avoids the
uniformity of detail not
conforming to the
sources. However, there
are many examples of
transcription and cursory
errors, which are
analyzed in a methodical
systematic manner. About
the editor: As an
organist, professor,
organ expert, and
scholar, Harald Vogel has
rendered outstanding
services to the
interpretation of early
music and especially to
historical performance
practice concerning the
organ for decades. He has
received numerous awards,
including an ECHO Klassik
as Instrumentalist of the
Year (2012), honorary
doctorates from Lulea
University of Technology
(Sweden, 2008) and
Oberlin College (USA,
2014), as well as the
Buxtehude Prize of the
City of Lubeck (2018).
Harald Vogel is the
author and editor of
numerous scholarly
publications and
editions. Through his
lifelong performance
practice, he can look
back on an extensive
discography, including
the complete recording of
Buxtehude's organ works,
which he recorded in
various locations with
historical organ
instruments of the North
German organ building
tradition in Scandinavia,
North Germany and the
Netherlands.
pure
source edition (no
mixture of different
transmissions)
comprehensive commentary
(Vol. I/2 & II) (with
texts about the sources,
chronology, use of keys,
liturgic placement as
well as detailed critical
remarks, incl. music
examples (in German
only))good page
turnsflexible division of
voices (on 2 or 3
systems, good
legibility)contains
facsimiles.
Organ SKU: BR.EB-9305 Urtext - Critical Source Edition of the Free Org...(+)
Organ
SKU:
BR.EB-9305
Urtext
- Critical Source Edition
of the Free Organ
Works. Composed by
Dietrich Buxtehude.
Edited by Harald Vogel.
Solo instruments;
Softbound. Edition
Breitkopf.
Renaissance/early
Baroque; Baroque. Score.
84 pages. Breitkopf and
Haertel #EB 9305.
Published by Breitkopf
and Haertel (BR.EB-9305).
ISBN 9790004187692. 12
x 9 inches.
This
edition is the result of
Harald Vogel's many years
of practice as an
organist and
musicologist. The music
text is based on a
reevaluation of 17th- and
18th-century manuscripts
containing the free organ
and keyboard works by
Buxtehude. They
originated during a
transitional phase
between the traditional
letter tablature and the
staff notation still in
use today. Since many
works have survived only
in transcriptions for
staff notation, the
editor was confronted
with a high error rate,
which he carefully
analyzes in the
Einzelanmerkungen. During
the preparation of the
edition, the editor
always kept sight of the
performance practice, but
still, the image of the
sources is never
distorted (e. g. by
superfluous rests,
beaming not conforming to
the sources and the
unhistorical adjustment
of time signatures) and
stays very close to the
compositional notation,
the letter tablature. The
flexible use of three
staves and the
differentiated
distribution of the
voices on the staves
allow for an
approximation in reading
conventions of historical
notation with its
resulting information
about hand division.
Grouping the free organ
repertoire into works
with obbligato pedal and
works for manuals, this
edition is organized in
two volumes. The first
subvolume (I/1, EB 9304)
contains the Preface and
the Preludes, whereas the
second subvolume (I/2, EB
9305) contains Toccatas,
Ostinato works,
alternative versions and
a comprehensive Critical
Commentary (in German
only). Volume II (EB
9306) contains
Buxtehude's free organ
and keyboard works
(manualiter) with the
corresponding texts
(Preface and Critical
Commentary).Until 1971,
Harald Vogel worked on a
dissertation (with Georg
von Dadelsen, Hamburg) on
Die Fuge um Bach. Besides
the description of the
inclusion of triple
measures into the C
notation and the
irregularities of the
voice mutation in the
polyphonic structures,
this also included a
discussion about the
justification of the
inner textual criticism.
With the inner textual
criticism, deviations in
parallel passages are
unified. The North German
fugue style, reaching a
peak in Buxtehude's work,
is characterized by a
constant diversity of
details in subject and
polyphonic progressions.
One of the indicators of
the fantastic style is
the dissolution of the
polyphonic structures at
the ends of the fugues,
evident in Buxtehude's
work.In this edition, a
musical text is presented
that avoids the
uniformity of detail not
conforming to the
sources. However, there
are many examples of
transcription and cursory
errors, which are
analyzed in a methodical
systematic manner. About
the editor: As an
organist, professor,
organ expert, and
scholar, Harald Vogel has
rendered outstanding
services to the
interpretation of early
music and especially to
historical performance
practice concerning the
organ for decades. He has
received numerous awards,
including an ECHO Klassik
as Instrumentalist of the
Year (2012), honorary
doctorates from Lulea
University of Technology
(Sweden, 2008) and
Oberlin College (USA,
2014), as well as the
Buxtehude Prize of the
City of Lubeck (2018).
Harald Vogel is the
author and editor of
numerous scholarly
publications and
editions. Through his
lifelong performance
practice, he can look
back on an extensive
discography, including
the complete recording of
Buxtehude's organ works,
which he recorded in
various locations with
historical organ
instruments of the North
German organ building
tradition in Scandinavia,
North Germany and the
Netherlands.
pure
source edition (no
mixture of different
transmissions);
comprehensive commentary
(Vol. I/2 & II) (with
texts about the sources,
chronology, use of keys,
liturgic placement as
well as detailed critical
remarks, incl. music
examples (in German
only)); good page
turnsflexible division of
voices (on 2 or 3
systems, good
legibility); contains
facsimiles. Contains the
Critical Commentary of
the subvolumes I/1 and
I/2.
Organ SKU: BR.EB-9304 Urtext - Critical Source Edition of the Free Org...(+)
Organ
SKU:
BR.EB-9304
Urtext
- Critical Source Edition
of the Free Organ
Works. Composed by
Dietrich Buxtehude.
Edited by Harald Vogel.
Solo instruments;
Softbound. Edition
Breitkopf.
Renaissance/early
Baroque; Baroque. Score.
108 pages. Breitkopf and
Haertel #EB 9304.
Published by Breitkopf
and Haertel (BR.EB-9304).
ISBN 9790004187685. 12
x 9 inches.
This
edition is the result of
Harald Vogel's many years
of practice as an
organist and
musicologist. The music
text is based on a
reevaluation of 17th- and
18th-century manuscripts
containing the free organ
and keyboard works by
Buxtehude. They
originated during a
transitional phase
between the traditional
letter tablature and the
staff notation still in
use today. Since many
works have survived only
in transcriptions for
staff notation, the
editor was confronted
with a high error rate,
which he carefully
analyzes in the
Einzelanmerkungen. During
the preparation of the
edition, the editor
always kept sight of the
performance practice, but
still, the image of the
sources is never
distorted (e. g. by
superfluous rests,
beaming not conforming to
the sources and the
unhistorical adjustment
of time signatures) and
stays very close to the
compositional notation,
the letter tablature. The
flexible use of three
staves and the
differentiated
distribution of the
voices on the staves
allow for an
approximation in reading
conventions of historical
notation with its
resulting information
about hand division.
Grouping the free organ
repertoire into works
with obbligato pedal and
works for manuals, this
edition is organized in
two volumes. The first
subvolume (I/1, EB 9304)
contains the Preface and
the Preludes, whereas the
second subvolume (I/2, EB
9305) contains Toccatas,
Ostinato works,
alternative versions and
a comprehensive Critical
Commentary (in German
only). Volume II (EB
9306) contains
Buxtehude's free organ
and keyboard works
(manualiter) with the
corresponding texts
(Preface and Critical
Commentary).Until 1971,
Harald Vogel worked on a
dissertation (with Georg
von Dadelsen, Hamburg) on
Die Fuge um Bach. Besides
the description of the
inclusion of triple
measures into the C
notation and the
irregularities of the
voice mutation in the
polyphonic structures,
this also included a
discussion about the
justification of the
inner textual criticism.
With the inner textual
criticism, deviations in
parallel passages are
unified. The North German
fugue style, reaching a
peak in Buxtehude's work,
is characterized by a
constant diversity of
details in subject and
polyphonic progressions.
One of the indicators of
the fantastic style is
the dissolution of the
polyphonic structures at
the ends of the fugues,
evident in Buxtehude's
work.In this edition, a
musical text is presented
that avoids the
uniformity of detail not
conforming to the
sources. However, there
are many examples of
transcription and cursory
errors, which are
analyzed in a methodical
systematic manner. About
the editor: As an
organist, professor,
organ expert, and
scholar, Harald Vogel has
rendered outstanding
services to the
interpretation of early
music and especially to
historical performance
practice concerning the
organ for decades. He has
received numerous awards,
including an ECHO Klassik
as Instrumentalist of the
Year (2012), honorary
doctorates from Lulea
University of Technology
(Sweden, 2008) and
Oberlin College (USA,
2014), as well as the
Buxtehude Prize of the
City of Lubeck (2018).
Harald Vogel is the
author and editor of
numerous scholarly
publications and
editions. Through his
lifelong performance
practice, he can look
back on an extensive
discography, including
the complete recording of
Buxtehude's organ works,
which he recorded in
various locations with
historical organ
instruments of the North
German organ building
tradition in Scandinavia,
North Germany and the
Netherlands.
pure
source edition (no
mixture of different
transmissions);
comprehensive commentary
(Vol. I/2 & II) (with
texts about the sources,
chronology, use of keys,
liturgic placement as
well as detailed critical
remarks, incl. music
examples (in German
only)); good page
turnsflexible division of
voices (on 2 or 3
systems, good
legibility); contains
facsimiles. The
corresponding Critical
Commentary is contained
in Volume I/2 (EB
9305).
By Girolamo Frescobaldi (1583-1643). Edited by Christopher Stembridge / Kenneth ...(+)
By Girolamo Frescobaldi
(1583-1643). Edited by
Christopher Stembridge /
Kenneth Gilbert. For
organ/keyboard.
Paperback. Score. Text:
German, English.
Published by Baerenreiter
Verlag