(Hymn Arrangements for Seasonal and General Use). By Ethel Tench Rogers. For org...(+)
(Hymn Arrangements for
Seasonal and General
Use). By Ethel Tench
Rogers. For organ:
2-staff. Christmas,
Eastertide, General,
Thanksgiving. Moderately
easy. Published by
Lillenas Publishing
Company
Organ - late Intermediate SKU: AU.9798889832775 Composed by Aaron Shows. ...(+)
Organ - late Intermediate
SKU:
AU.9798889832775
Composed by Aaron Shows.
General. Christian.
Score. Augsburg Fortress
#9798889832775. Published
by Augsburg Fortress
(AU.9798889832775).
ISBN 9798889832775. 9
x 12 inches.
Aaron
Shows provides vibrant
and colorful music in
this Christmas collection
for organ. The setting of
Angels We Have Heard on
High calls for 4’
flutes and is marked
twinkling, starry, while
the Sans Day Carol calls
for an Irish whistle-like
sound. Included are
settings of Patapan,
Masters in This Hall, and
Ding Dong, Merrily on
High, along with several
other familiar carols. A
joyful and welcomed
addition to holiday
services, concerts, and
festivals.
Organ - intermediate-adv SKU: HL.44006367 American Tunes and Spiritual...(+)
Organ - intermediate-adv
SKU: HL.44006367
American Tunes and
Spirituals. By Gunter
Kaluza. Edited by Gü and
nter Kaluza. De Haske
Play-Along Book. Play
Along. Softcover.
Composed 1998. 48 pages.
De Haske Publications
#0981142401. Published by
De Haske Publications
(HL.44006367).
ISBN
9789043101844. UPC:
884088084684.
9.0x12.0x0.158 inches.
International (more than
one
language).
These
arrangements for organ in
the style of folk and
spiritual music were
created during the 19th
century. They provide the
occasional glimpse of the
old African jumba dances
and plantation songs.
Each arrangement is a
unique step on a voyage
of discovery into the
fascinting characteristis
of this music. 16
arrangements of beloved
spirituals, including:
Morning Has Broken *
Amazing Grace * Nobody
Knows the Trouble I've
Seen * Were You There? *
Deep River * Lord, I Want
to Be a Christian * Steal
Away to Jesus * Let Us
Break Bread Together * Go
Tell It on the Mountain *
Is There Anybody Here? *
Swing Low, Sweet Chariot
* Greensleeves.
Kyrie und Gloria.
Composed by Antonio
Lotti. Arranged by
Wolfgang Horn. German
title: Missa Sapientiae
(Kyrie + Gloria). Sacred
vocal music, Mass
sections, Mass settings,
incomplete (also Missa
brevis). Single Part,
Viola 1. 8 pages.
Duration 32 minutes.
Carus Verlag #CV
40.661/13. Published by
Carus Verlag
(CA.4066113).
ISBN
9790007076290. Language:
Latin.
Antonio
Lotti's Kyrie in G minor
and Gloria in G major are
found together under the
title Missa Sapientiae in
a score which belonged to
the Dresden church
musician Jan Dismas
Zelenka. Please note:
Carus 40.661/06 only
contains the score of the
four purely solo
movements. To perform the
complete mass, the
soloists also need the
chorus score (Carus
40.661/05). Score and
part available separately
- see item
CA.4066100.
Kyrie und Gloria.
Composed by Antonio
Lotti. Arranged by
Wolfgang Horn. German
title: Missa Sapientiae
(Kyrie + Gloria). Sacred
vocal music, Mass
sections, Mass settings,
incomplete (also Missa
brevis). Single Part,
Cello/Double Bass. 12
pages. Duration 32
minutes. Carus Verlag #CV
40.661/15. Published by
Carus Verlag
(CA.4066115).
ISBN
9790007076313. Language:
Latin.
Antonio
Lotti's Kyrie in G minor
and Gloria in G major are
found together under the
title Missa Sapientiae in
a score which belonged to
the Dresden church
musician Jan Dismas
Zelenka. Please note:
Carus 40.661/06 only
contains the score of the
four purely solo
movements. To perform the
complete mass, the
soloists also need the
chorus score (Carus
40.661/05). Score and
part available separately
- see item
CA.4066100.
Kyrie und Gloria.
Composed by Antonio
Lotti. Arranged by
Wolfgang Horn. 1x
40.661/21 flute, 1x
40.661/22 oboe 1, 1x
40.661/23 oboe 2, 1x
40.661/31 trumpet. German
title: Missa Sapientiae
(Kyrie + Gloria). Sacred
vocal music, Mass
sections, Mass settings,
incomplete (also Missa
brevis). Set of Orchestra
Parts. 26 pages. Duration
32 minutes. Carus Verlag
#CV 40.661/09. Published
by Carus Verlag
(CA.4066109).
ISBN
9790007076269. Language:
Latin.
Antonio
Lotti's Kyrie in G minor
and Gloria in G major are
found together under the
title Missa Sapientiae in
a score which belonged to
the Dresden church
musician Jan Dismas
Zelenka. Please note:
Carus 40.661/06 only
contains the score of the
four purely solo
movements. To perform the
complete mass, the
soloists also need the
chorus score (Carus
40.661/05). Score and
parts available
separately - see item
CA.4066100.
Kyrie und Gloria.
Composed by Antonio
Lotti. Arranged by
Wolfgang Horn. German
title: Missa Sapientiae
(Kyrie + Gloria). Sacred
vocal music, Mass
sections, Mass settings,
incomplete (also Missa
brevis). Single Part,
Violin 1. 12 pages.
Duration 32 minutes.
Carus Verlag #CV
40.661/11. Published by
Carus Verlag
(CA.4066111).
ISBN
9790007076276. Language:
Latin.
Antonio
Lotti's Kyrie in G minor
and Gloria in G major are
found together under the
title Missa Sapientiae in
a score which belonged to
the Dresden church
musician Jan Dismas
Zelenka. Please note:
Carus 40.661/06 only
contains the score of the
four purely solo
movements. To perform the
complete mass, the
soloists also need the
chorus score (Carus
40.661/05). Score and
part available separately
- see item
CA.4066100.
Kyrie und Gloria.
Composed by Antonio
Lotti. Arranged by
Wolfgang Horn. German
title: Missa Sapientiae
(Kyrie + Gloria). Sacred
vocal music, Mass
sections, Mass settings,
incomplete (also Missa
brevis). Single Part,
Viola 2. 8 pages.
Duration 32 minutes.
Carus Verlag #CV
40.661/14. Published by
Carus Verlag
(CA.4066114).
ISBN
9790007076306. Language:
Latin.
Antonio
Lotti's Kyrie in G minor
and Gloria in G major are
found together under the
title Missa Sapientiae in
a score which belonged to
the Dresden church
musician Jan Dismas
Zelenka. Please note:
Carus 40.661/06 only
contains the score of the
four purely solo
movements. To perform the
complete mass, the
soloists also need the
chorus score (Carus
40.661/05). Score and
part available separately
- see item
CA.4066100.
Kyrie und Gloria.
Composed by Antonio
Lotti. Arranged by
Wolfgang Horn. German
title: Missa Sapientiae
(Kyrie + Gloria). Sacred
vocal music, Mass
sections, Mass settings,
incomplete (also Missa
brevis). Choral Score. 24
pages. Duration 32
minutes. Carus Verlag #CV
40.661/05. Published by
Carus Verlag
(CA.4066105).
ISBN
9790007076252. Language:
Latin.
Antonio
Lotti's Kyrie in G minor
and Gloria in G major are
found together under the
title Missa Sapientiae in
a score which belonged to
the Dresden church
musician Jan Dismas
Zelenka. Please note:
Carus 40.661/06 only
contains the score of the
four purely solo
movements. To perform the
complete mass, the
soloists also need the
chorus score (Carus
40.661/05). Score
available separately -
see item CA.4066100.
Kyrie und Gloria.
Composed by Antonio
Lotti. Arranged by
Wolfgang Horn. German
title: Missa Sapientiae
(Kyrie + Gloria). Sacred
vocal music, Mass
sections, Mass settings,
incomplete (also Missa
brevis). Single Part,
Violin 2. 12 pages.
Duration 32 minutes.
Carus Verlag #CV
40.661/12. Published by
Carus Verlag
(CA.4066112).
ISBN
9790007076283. Language:
Latin.
Antonio
Lotti's Kyrie in G minor
and Gloria in G major are
found together under the
title Missa Sapientiae in
a score which belonged to
the Dresden church
musician Jan Dismas
Zelenka. Please note:
Carus 40.661/06 only
contains the score of the
four purely solo
movements. To perform the
complete mass, the
soloists also need the
chorus score (Carus
40.661/05). Score and
part available separately
- see item
CA.4066100.
Composed by Johann Jakob Froberger (1616-1667). Edited by Siegbert Rampe. This e...(+)
Composed by Johann Jakob
Froberger (1616-1667).
Edited by Siegbert Rampe.
This edition: Complete
edition. Paperback.
Johann Jacob Froberger.
New Edition of the
Complete Works I - VII.
Performance score,
score, set of parts,
anthology, Werkve. 1429
pages. Duration 15
minutes. Baerenreiter
Verlag #BA09299.
Published by Baerenreiter
Verlag (BA.BA09299).
(E-Z Play Today #199). Composed by Various. For Organ, Piano/Keyboard, Electroni...(+)
(E-Z Play Today #199).
Composed by Various. For
Organ, Piano/Keyboard,
Electronic Keyboard. E-Z
Play Today. Softcover.
528 pages. Published by
Hal Leonard
Organ SKU: BR.EB-9306 Urtext - Critical Source Edition of the Free Org...(+)
Organ
SKU:
BR.EB-9306
Urtext
- Critical Source Edition
of the Free Organ
Works. Composed by
Dietrich Buxtehude.
Edited by Harald Vogel.
Solo instruments;
Softbound. Edition
Breitkopf.
Renaissance/early
Baroque; Baroque. Score.
84 pages. Breitkopf and
Haertel #EB 9306.
Published by Breitkopf
and Haertel (BR.EB-9306).
ISBN 9790004187708. 12
x 9 inches.
This
edition is the result of
Harald Vogel's many years
of practice as an
organist and
musicologist. The music
text is based on a
reevaluation of 17th- and
18th-century manuscripts
containing the free organ
and keyboard works by
Buxtehude. They
originated during a
transitional phase
between the traditional
letter tablature and the
staff notation still in
use today. Since many
works have survived only
in transcriptions for
staff notation, the
editor was confronted
with a high error rate,
which he carefully
analyzes in the
Einzelanmerkungen. During
the preparation of the
edition, the editor
always kept sight of the
performance practice, but
still, the image of the
sources is never
distorted (e. g. by
superfluous rests,
beaming not conforming to
the sources and the
unhistorical adjustment
of time signatures) and
stays very close to the
compositional notation,
the letter tablature. The
flexible use of three
staves and the
differentiated
distribution of the
voices on the staves
allow for an
approximation in reading
conventions of historical
notation with its
resulting information
about hand division.
Grouping the free organ
repertoire into works
with obbligato pedal and
works for manuals, this
edition is organized in
two volumes. The first
subvolume (I/1, EB 9304)
contains the Preface and
the Preludes, whereas the
second subvolume (I/2, EB
9305) contains Toccatas,
Ostinato works,
alternative versions and
a comprehensive Critical
Commentary (in German
only). Volume II (EB
9306) contains
Buxtehude's free organ
and keyboard works
(manualiter) with the
corresponding texts
(Preface and Critical
Commentary).Until 1971,
Harald Vogel worked on a
dissertation (with Georg
von Dadelsen, Hamburg) on
Die Fuge um Bach. Besides
the description of the
inclusion of triple
measures into the C
notation and the
irregularities of the
voice mutation in the
polyphonic structures,
this also included a
discussion about the
justification of the
inner textual criticism.
With the inner textual
criticism, deviations in
parallel passages are
unified. The North German
fugue style, reaching a
peak in Buxtehude's work,
is characterized by a
constant diversity of
details in subject and
polyphonic progressions.
One of the indicators of
the fantastic style is
the dissolution of the
polyphonic structures at
the ends of the fugues,
evident in Buxtehude's
work.In this edition, a
musical text is presented
that avoids the
uniformity of detail not
conforming to the
sources. However, there
are many examples of
transcription and cursory
errors, which are
analyzed in a methodical
systematic manner. About
the editor: As an
organist, professor,
organ expert, and
scholar, Harald Vogel has
rendered outstanding
services to the
interpretation of early
music and especially to
historical performance
practice concerning the
organ for decades. He has
received numerous awards,
including an ECHO Klassik
as Instrumentalist of the
Year (2012), honorary
doctorates from Lulea
University of Technology
(Sweden, 2008) and
Oberlin College (USA,
2014), as well as the
Buxtehude Prize of the
City of Lubeck (2018).
Harald Vogel is the
author and editor of
numerous scholarly
publications and
editions. Through his
lifelong performance
practice, he can look
back on an extensive
discography, including
the complete recording of
Buxtehude's organ works,
which he recorded in
various locations with
historical organ
instruments of the North
German organ building
tradition in Scandinavia,
North Germany and the
Netherlands.
pure
source edition (no
mixture of different
transmissions)
comprehensive commentary
(Vol. I/2 & II) (with
texts about the sources,
chronology, use of keys,
liturgic placement as
well as detailed critical
remarks, incl. music
examples (in German
only))good page
turnsflexible division of
voices (on 2 or 3
systems, good
legibility)contains
facsimiles.
Organ SKU: BR.EB-9415 Urtext - Critical Source Edition of the Free Org...(+)
Organ
SKU:
BR.EB-9415
Urtext
- Critical Source Edition
of the Free Organ
Works. Composed by
Dietrich Buxtehude.
Edited by Harald Vogel.
Solo instruments;
Softbound. Edition
Breitkopf.
Renaissance/early
Baroque; Baroque. Score.
192 pages. Breitkopf and
Haertel #EB 9415.
Published by Breitkopf
and Haertel (BR.EB-9415).
ISBN 9790004188897. 12
x 9 inches.
This
edition is the result of
Harald Vogel's many years
of practice as an
organist and
musicologist. The music
text is based on a
reevaluation of 17th- and
18th-century manuscripts
containing the free organ
and keyboard works by
Buxtehude. They
originated during a
transitional phase
between the traditional
letter tablature and the
staff notation still in
use today. Since many
works have survived only
in transcriptions for
staff notation, the
editor was confronted
with a high error rate,
which he carefully
analyzes in the
Einzelanmerkungen. During
the preparation of the
edition, the editor
always kept sight of the
performance practice, but
still, the image of the
sources is never
distorted (e. g. by
superfluous rests,
beaming not conforming to
the sources and the
unhistorical adjustment
of time signatures) and
stays very close to the
compositional notation,
the letter tablature. The
flexible use of three
staves and the
differentiated
distribution of the
voices on the staves
allow for an
approximation in reading
conventions of historical
notation with its
resulting information
about hand division.
Grouping the free organ
repertoire into works
with obbligato pedal and
works for manuals, this
edition is organized in
two volumes. The first
subvolume (I/1, EB 9304)
contains the Preface and
the Preludes, whereas the
second subvolume (I/2, EB
9305) contains Toccatas,
Ostinato works,
alternative versions and
a comprehensive Critical
Commentary (in German
only). Volume II (EB
9306) contains
Buxtehude's free organ
and keyboard works
(manualiter) with the
corresponding texts
(Preface and Critical
Commentary).Until 1971,
Harald Vogel worked on a
dissertation (with Georg
von Dadelsen, Hamburg) on
Die Fuge um Bach. Besides
the description of the
inclusion of triple
measures into the C
notation and the
irregularities of the
voice mutation in the
polyphonic structures,
this also included a
discussion about the
justification of the
inner textual criticism.
With the inner textual
criticism, deviations in
parallel passages are
unified. The North German
fugue style, reaching a
peak in Buxtehude's work,
is characterized by a
constant diversity of
details in subject and
polyphonic progressions.
One of the indicators of
the fantastic style is
the dissolution of the
polyphonic structures at
the ends of the fugues,
evident in Buxtehude's
work.In this edition, a
musical text is presented
that avoids the
uniformity of detail not
conforming to the
sources. However, there
are many examples of
transcription and cursory
errors, which are
analyzed in a methodical
systematic manner. About
the editor: As an
organist, professor,
organ expert, and
scholar, Harald Vogel has
rendered outstanding
services to the
interpretation of early
music and especially to
historical performance
practice concerning the
organ for decades. He has
received numerous awards,
including an ECHO Klassik
as Instrumentalist of the
Year (2012), honorary
doctorates from Lulea
University of Technology
(Sweden, 2008) and
Oberlin College (USA,
2014), as well as the
Buxtehude Prize of the
City of Lubeck (2018).
Harald Vogel is the
author and editor of
numerous scholarly
publications and
editions. Through his
lifelong performance
practice, he can look
back on an extensive
discography, including
the complete recording of
Buxtehude's organ works,
which he recorded in
various locations with
historical organ
instruments of the North
German organ building
tradition in Scandinavia,
North Germany and the
Netherlands.
pure
source edition (no
mixture of different
transmissions)
comprehensive commentary
(Vol. I/2 & II) (with
texts about the sources,
chronology, use of keys,
liturgic placement as
well as detailed critical
remarks, incl. music
examples (in German
only))good page
turnsflexible division of
voices (on 2 or 3
systems, good
legibility)contains
facsimiles.
Organ SKU: BR.EB-9305 Urtext - Critical Source Edition of the Free Org...(+)
Organ
SKU:
BR.EB-9305
Urtext
- Critical Source Edition
of the Free Organ
Works. Composed by
Dietrich Buxtehude.
Edited by Harald Vogel.
Solo instruments;
Softbound. Edition
Breitkopf.
Renaissance/early
Baroque; Baroque. Score.
84 pages. Breitkopf and
Haertel #EB 9305.
Published by Breitkopf
and Haertel (BR.EB-9305).
ISBN 9790004187692. 12
x 9 inches.
This
edition is the result of
Harald Vogel's many years
of practice as an
organist and
musicologist. The music
text is based on a
reevaluation of 17th- and
18th-century manuscripts
containing the free organ
and keyboard works by
Buxtehude. They
originated during a
transitional phase
between the traditional
letter tablature and the
staff notation still in
use today. Since many
works have survived only
in transcriptions for
staff notation, the
editor was confronted
with a high error rate,
which he carefully
analyzes in the
Einzelanmerkungen. During
the preparation of the
edition, the editor
always kept sight of the
performance practice, but
still, the image of the
sources is never
distorted (e. g. by
superfluous rests,
beaming not conforming to
the sources and the
unhistorical adjustment
of time signatures) and
stays very close to the
compositional notation,
the letter tablature. The
flexible use of three
staves and the
differentiated
distribution of the
voices on the staves
allow for an
approximation in reading
conventions of historical
notation with its
resulting information
about hand division.
Grouping the free organ
repertoire into works
with obbligato pedal and
works for manuals, this
edition is organized in
two volumes. The first
subvolume (I/1, EB 9304)
contains the Preface and
the Preludes, whereas the
second subvolume (I/2, EB
9305) contains Toccatas,
Ostinato works,
alternative versions and
a comprehensive Critical
Commentary (in German
only). Volume II (EB
9306) contains
Buxtehude's free organ
and keyboard works
(manualiter) with the
corresponding texts
(Preface and Critical
Commentary).Until 1971,
Harald Vogel worked on a
dissertation (with Georg
von Dadelsen, Hamburg) on
Die Fuge um Bach. Besides
the description of the
inclusion of triple
measures into the C
notation and the
irregularities of the
voice mutation in the
polyphonic structures,
this also included a
discussion about the
justification of the
inner textual criticism.
With the inner textual
criticism, deviations in
parallel passages are
unified. The North German
fugue style, reaching a
peak in Buxtehude's work,
is characterized by a
constant diversity of
details in subject and
polyphonic progressions.
One of the indicators of
the fantastic style is
the dissolution of the
polyphonic structures at
the ends of the fugues,
evident in Buxtehude's
work.In this edition, a
musical text is presented
that avoids the
uniformity of detail not
conforming to the
sources. However, there
are many examples of
transcription and cursory
errors, which are
analyzed in a methodical
systematic manner. About
the editor: As an
organist, professor,
organ expert, and
scholar, Harald Vogel has
rendered outstanding
services to the
interpretation of early
music and especially to
historical performance
practice concerning the
organ for decades. He has
received numerous awards,
including an ECHO Klassik
as Instrumentalist of the
Year (2012), honorary
doctorates from Lulea
University of Technology
(Sweden, 2008) and
Oberlin College (USA,
2014), as well as the
Buxtehude Prize of the
City of Lubeck (2018).
Harald Vogel is the
author and editor of
numerous scholarly
publications and
editions. Through his
lifelong performance
practice, he can look
back on an extensive
discography, including
the complete recording of
Buxtehude's organ works,
which he recorded in
various locations with
historical organ
instruments of the North
German organ building
tradition in Scandinavia,
North Germany and the
Netherlands.
pure
source edition (no
mixture of different
transmissions);
comprehensive commentary
(Vol. I/2 & II) (with
texts about the sources,
chronology, use of keys,
liturgic placement as
well as detailed critical
remarks, incl. music
examples (in German
only)); good page
turnsflexible division of
voices (on 2 or 3
systems, good
legibility); contains
facsimiles. Contains the
Critical Commentary of
the subvolumes I/1 and
I/2.
Organ SKU: BR.EB-9304 Urtext - Critical Source Edition of the Free Org...(+)
Organ
SKU:
BR.EB-9304
Urtext
- Critical Source Edition
of the Free Organ
Works. Composed by
Dietrich Buxtehude.
Edited by Harald Vogel.
Solo instruments;
Softbound. Edition
Breitkopf.
Renaissance/early
Baroque; Baroque. Score.
108 pages. Breitkopf and
Haertel #EB 9304.
Published by Breitkopf
and Haertel (BR.EB-9304).
ISBN 9790004187685. 12
x 9 inches.
This
edition is the result of
Harald Vogel's many years
of practice as an
organist and
musicologist. The music
text is based on a
reevaluation of 17th- and
18th-century manuscripts
containing the free organ
and keyboard works by
Buxtehude. They
originated during a
transitional phase
between the traditional
letter tablature and the
staff notation still in
use today. Since many
works have survived only
in transcriptions for
staff notation, the
editor was confronted
with a high error rate,
which he carefully
analyzes in the
Einzelanmerkungen. During
the preparation of the
edition, the editor
always kept sight of the
performance practice, but
still, the image of the
sources is never
distorted (e. g. by
superfluous rests,
beaming not conforming to
the sources and the
unhistorical adjustment
of time signatures) and
stays very close to the
compositional notation,
the letter tablature. The
flexible use of three
staves and the
differentiated
distribution of the
voices on the staves
allow for an
approximation in reading
conventions of historical
notation with its
resulting information
about hand division.
Grouping the free organ
repertoire into works
with obbligato pedal and
works for manuals, this
edition is organized in
two volumes. The first
subvolume (I/1, EB 9304)
contains the Preface and
the Preludes, whereas the
second subvolume (I/2, EB
9305) contains Toccatas,
Ostinato works,
alternative versions and
a comprehensive Critical
Commentary (in German
only). Volume II (EB
9306) contains
Buxtehude's free organ
and keyboard works
(manualiter) with the
corresponding texts
(Preface and Critical
Commentary).Until 1971,
Harald Vogel worked on a
dissertation (with Georg
von Dadelsen, Hamburg) on
Die Fuge um Bach. Besides
the description of the
inclusion of triple
measures into the C
notation and the
irregularities of the
voice mutation in the
polyphonic structures,
this also included a
discussion about the
justification of the
inner textual criticism.
With the inner textual
criticism, deviations in
parallel passages are
unified. The North German
fugue style, reaching a
peak in Buxtehude's work,
is characterized by a
constant diversity of
details in subject and
polyphonic progressions.
One of the indicators of
the fantastic style is
the dissolution of the
polyphonic structures at
the ends of the fugues,
evident in Buxtehude's
work.In this edition, a
musical text is presented
that avoids the
uniformity of detail not
conforming to the
sources. However, there
are many examples of
transcription and cursory
errors, which are
analyzed in a methodical
systematic manner. About
the editor: As an
organist, professor,
organ expert, and
scholar, Harald Vogel has
rendered outstanding
services to the
interpretation of early
music and especially to
historical performance
practice concerning the
organ for decades. He has
received numerous awards,
including an ECHO Klassik
as Instrumentalist of the
Year (2012), honorary
doctorates from Lulea
University of Technology
(Sweden, 2008) and
Oberlin College (USA,
2014), as well as the
Buxtehude Prize of the
City of Lubeck (2018).
Harald Vogel is the
author and editor of
numerous scholarly
publications and
editions. Through his
lifelong performance
practice, he can look
back on an extensive
discography, including
the complete recording of
Buxtehude's organ works,
which he recorded in
various locations with
historical organ
instruments of the North
German organ building
tradition in Scandinavia,
North Germany and the
Netherlands.
pure
source edition (no
mixture of different
transmissions);
comprehensive commentary
(Vol. I/2 & II) (with
texts about the sources,
chronology, use of keys,
liturgic placement as
well as detailed critical
remarks, incl. music
examples (in German
only)); good page
turnsflexible division of
voices (on 2 or 3
systems, good
legibility); contains
facsimiles. The
corresponding Critical
Commentary is contained
in Volume I/2 (EB
9305).
(Celebrated Christmas Music). Edited by Günter Kaluza and Günter Kaluza. For...(+)
(Celebrated Christmas
Music). Edited by Günter
Kaluza and Günter
Kaluza. For Organ. De
Haske Play-Along Book.
Play Along. Softcover. 52
pages. De Haske
Publications #0991537401.
Published by De Haske
Publications
(Organ Music for Lent). Edited by G and Günter Kaluza. For Organ. De Hask...(+)
(Organ Music for Lent).
Edited by G and
Günter Kaluza. For
Organ. De Haske
Play-Along Book. Play
Along. Softcover. 64
pages. De Haske
Publications #991538.
Published by De Haske
Publications
Organ SKU: SU.80400570 For Organ. Composed by Stephen Paulus. Keyb...(+)
Organ
SKU:
SU.80400570
For
Organ. Composed by
Stephen Paulus. Keyboard,
Organ. Score. Subito
Music Corporation
#80400570. Published by
Subito Music Corporation
(SU.80400570).
Solo
OrganDuration: 7:00
Commissioned by: David
and Cindy
VogelsDedication: For the
American Guild of
OrganistsPremiered by:
The American Guild of
Organists' 2008 Organ
SpectacularCopyright 2008
Published by: Paulus
Publications (SP506).
Arranged by Brent Jorgensen. Christian, Contemporary Christian, Gospel, In...(+)
Arranged by Brent
Jorgensen.
Christian, Contemporary
Christian, Gospel,
Inspirational. Jackman
Music
Corporation #01965.
Published
by Jackman Music
Corporation
For organ. Thanksgiving, Advent, Christmas, Epiphany, General, Sacred. Sacred or...(+)
For organ. Thanksgiving,
Advent, Christmas,
Epiphany, General,
Sacred. Sacred organ.
Published by Lorenz
Publishing Company.
(70/1604L) Level:
3-staff.
Organ: 3-staff - Intermediate SKU: LO.70-2306L Composed by David Lasky. S...(+)
Organ: 3-staff -
Intermediate
SKU:
LO.70-2306L
Composed
by David Lasky. Sacred.
Lorenz Publishing Company
#70/2306L. Published by
Lorenz Publishing Company
(LO.70-2306L).
ISBN
9780787772918.
Davi
d Lasky's vibrant music
is a long-time favorite
of church organists, and
this collection draws
together some of his
works that have been
out-of-print for many
years along with a number
of newly-written pieces.
There are pieces of every
sort: hymn arrangements
for preludes,
offertories, and
postludes; original
meditative pieces;
festive trumpet tunes;
and driving postludes.
Every one of the 22
pieces can make a useful
service voluntary for
times throughout the
year.