SATB vocal soli, SSATTB choir, flute, 2 oboes, bassoon, trumpet, 2 violins, 2 violas, cello/contrabass, organ

SKU: CA.4066113

Kyrie und Gloria. Composed by Antonio Lotti. Arranged by Wolfgang Horn. German title: Missa Sapientiae (Kyrie + Gloria). Sacred vocal music, Mass sections, Mass settings, incomplete (also Missa brevis). Single Part, Viola 1. 8 pages. Duration 32 minutes. Carus Verlag #CV 40.661/13. Published by Carus Verlag (CA.4066113).

ISBN 9790007076290. Language: Latin.

Antonio Lotti's Kyrie in G minor and Gloria in G major are found together under the title Missa Sapientiae in a score which belonged to the Dresden church musician Jan Dismas Zelenka. Please note: Carus 40.661/06 only contains the score of the four purely solo movements. To perform the complete mass, the soloists also need the chorus score (Carus 40.661/05). Score and part available separately - see item CA.4066100.

SATB vocal soli, SSATTB choir, flute, 2 oboes, bassoon, trumpet, 2 violins, 2 violas, cello/contrabass, organ

SKU: CA.4066109

Kyrie und Gloria. Composed by Antonio Lotti. Arranged by Wolfgang Horn. 1x 40.661/21 flute, 1x 40.661/22 oboe 1, 1x 40.661/23 oboe 2, 1x 40.661/31 trumpet. German title: Missa Sapientiae (Kyrie + Gloria). Sacred vocal music, Mass sections, Mass settings, incomplete (also Missa brevis). Set of Orchestra Parts. 26 pages. Duration 32 minutes. Carus Verlag #CV 40.661/09. Published by Carus Verlag (CA.4066109).

ISBN 9790007076269. Language: Latin.

Antonio Lotti's Kyrie in G minor and Gloria in G major are found together under the title Missa Sapientiae in a score which belonged to the Dresden church musician Jan Dismas Zelenka. Please note: Carus 40.661/06 only contains the score of the four purely solo movements. To perform the complete mass, the soloists also need the chorus score (Carus 40.661/05). Score and parts available separately - see item CA.4066100.

SATB vocal soli, SSATTB choir, flute, 2 oboes, bassoon, trumpet, 2 violins, 2 violas, cello/contrabass, organ

SKU: CA.4066111

Kyrie und Gloria. Composed by Antonio Lotti. Arranged by Wolfgang Horn. German title: Missa Sapientiae (Kyrie + Gloria). Sacred vocal music, Mass sections, Mass settings, incomplete (also Missa brevis). Single Part, Violin 1. 12 pages. Duration 32 minutes. Carus Verlag #CV 40.661/11. Published by Carus Verlag (CA.4066111).

ISBN 9790007076276. Language: Latin.

Antonio Lotti's Kyrie in G minor and Gloria in G major are found together under the title Missa Sapientiae in a score which belonged to the Dresden church musician Jan Dismas Zelenka. Please note: Carus 40.661/06 only contains the score of the four purely solo movements. To perform the complete mass, the soloists also need the chorus score (Carus 40.661/05). Score and part available separately - see item CA.4066100.

SATB vocal soli, SSATTB choir, flute, 2 oboes, bassoon, trumpet, 2 violins, 2 violas, cello/contrabass, organ

SKU: CA.4066114

Kyrie und Gloria. Composed by Antonio Lotti. Arranged by Wolfgang Horn. German title: Missa Sapientiae (Kyrie + Gloria). Sacred vocal music, Mass sections, Mass settings, incomplete (also Missa brevis). Single Part, Viola 2. 8 pages. Duration 32 minutes. Carus Verlag #CV 40.661/14. Published by Carus Verlag (CA.4066114).

ISBN 9790007076306. Language: Latin.

Antonio Lotti's Kyrie in G minor and Gloria in G major are found together under the title Missa Sapientiae in a score which belonged to the Dresden church musician Jan Dismas Zelenka. Please note: Carus 40.661/06 only contains the score of the four purely solo movements. To perform the complete mass, the soloists also need the chorus score (Carus 40.661/05). Score and part available separately - see item CA.4066100.

SATB vocal soli, SSATTB choir, flute, 2 oboes, bassoon, trumpet, 2 violins, 2 violas, cello/contrabass, organ

SKU: CA.4066105

Kyrie und Gloria. Composed by Antonio Lotti. Arranged by Wolfgang Horn. German title: Missa Sapientiae (Kyrie + Gloria). Sacred vocal music, Mass sections, Mass settings, incomplete (also Missa brevis). Choral Score. 24 pages. Duration 32 minutes. Carus Verlag #CV 40.661/05. Published by Carus Verlag (CA.4066105).

ISBN 9790007076252. Language: Latin.

Antonio Lotti's Kyrie in G minor and Gloria in G major are found together under the title Missa Sapientiae in a score which belonged to the Dresden church musician Jan Dismas Zelenka. Please note: Carus 40.661/06 only contains the score of the four purely solo movements. To perform the complete mass, the soloists also need the chorus score (Carus 40.661/05). Score available separately - see item CA.4066100.

SATB vocal soli, SSATTB choir, flute, 2 oboes, bassoon, trumpet, 2 violins, 2 violas, cello/contrabass, organ

SKU: CA.4066112

Kyrie und Gloria. Composed by Antonio Lotti. Arranged by Wolfgang Horn. German title: Missa Sapientiae (Kyrie + Gloria). Sacred vocal music, Mass sections, Mass settings, incomplete (also Missa brevis). Single Part, Violin 2. 12 pages. Duration 32 minutes. Carus Verlag #CV 40.661/12. Published by Carus Verlag (CA.4066112).

ISBN 9790007076283. Language: Latin.

Antonio Lotti's Kyrie in G minor and Gloria in G major are found together under the title Missa Sapientiae in a score which belonged to the Dresden church musician Jan Dismas Zelenka. Please note: Carus 40.661/06 only contains the score of the four purely solo movements. To perform the complete mass, the soloists also need the chorus score (Carus 40.661/05). Score and part available separately - see item CA.4066100.

SATB Choir, 2 Trombone [2 Vioas], Organ

SKU: CA.2770505

Composed by Leopold Hofmann. Edited by Guido Erdmann. Music from Vienna. Sacred vocal music, Mourning, death. Choral Score. Composed nach 1790. 4 pages. Duration 4 minutes. Carus Verlag #CV 27.705/05. Published by Carus Verlag (CA.2770505).

ISBN 9790007166595. Text language: Latin.

Man that is born of woman hath but a short time to live is one of the central biblical texts dealing with the transitoriness of human existence. Leopold Hofmann, Kapellmeister at St. Stephen's Cathedral in Vienna from 1772 to 1793, where W. A. Mozart was his church music assistant, also set this strongly expressive text. Hofmann's setting, in C minor, offers an austere harmony, characterized by suspensions in a homophonic, through-composed four-part vocal setting (soloists or SATB choir), reinforced only by two trombones and organ continuo. Four concise instrumental transitional passages between the individual verses relieve the pathos laden Viennese church style of this composition. With its tragic air, in some passages it closely resembles Mozart's Requiem K. 626. For this first edition, the two trombone parts are available both in the original clef and in alto clef. The figured bass has been realized so that the piece can also be performed without trombones, with only organ accompaniment. For a performance this piece could easily be combined with the Salve Regina by Pietro Cassati (Carus 27.703) from the Vienna series. Score available separately - see item CA.2770500.

SATB vocal soli, SATB choir, cello/contrabass, organ

SKU: CA.2100311

Composed by Marc-Antoine Charpentier. Edited by Annick Fiaschi. Arranged by Paul Horn. French Sacred Music. German title: Magnificat. Sacred vocal music, Magnificats, Motets, Advent, Christmas, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary, Daily hours. Single Part, Cello/Double Bass. Composed 1695. H. 4 pages. Duration 9 minutes. Carus Verlag #CV 21.003/11. Published by Carus Verlag (CA.2100311).

ISBN 9790007197674. Language: Latin.

Marc-Antoine Charpentier's Magnificat H 78 was composed around 1690 for the Jesuits in Paris. No less than ten works by the composer, in differing vocal and instrumental scoring and form comprise this genre. In the present Magnificat H 78 for five voices (in which alto and bass also have solo roles), two flutes, strings and basso continuo, each of the individual movements contains its own expressive profile in sound. Score and part available separately - see item CA.2100300.

Orchestra AB vocal soli, SSATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, contrabassoon, 2 horns, 3 trumpets, timpani, 2 violins, viola, cello, double bass, organ

SKU: CA.5528355

Composed by George Frideric Handel. Edited by Kerstin Hartinger, Benedikt Poensgen. Arranged by Felix Bartholdy Mendelssohn. Stuttgart Urtext Edition: Handel. German title: Dettinger Te Deum. Choral Score. Composed 1829. HWV. Duration 40 minutes. Carus Verlag #CV 55.283/55. Published by Carus Verlag (CA.5528355).

ISBN 9790007162610. Language: German.

At the age of 20 Mendelssohn had already arranged some of Handel's great works for the Berlin Singakademie, including the Dettingen Te Deum, and he suited them to the tastes of his time. Thus, in large part he retained the original music and added wind parts, which were completely new. A special aspect is represented by Zelter's German text which, among other things, also proved how important and popular the Dettingen Ted Deum was during Mendelssohn's time. Score available separately - see item CA.5528300.

Orchestra Soli ATB, SATB Choir, Flute, 2 Oboes, (Violin), Strings, Organ

SKU: CA.3110207

Cantata for the 10th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. This edition: paperbound. BWV 102. Sacred vocal music, Cantatas. Study score. Composed 1726. BWV 102. 84 pages. Duration 24 minutes. Carus Verlag #CV 31.102/07. Published by Carus Verlag (CA.3110207).

ISBN 9790007047382. Key: G minor / c minor. Language: German/English.

In 1726 Johann Sebastian Bach performed a series of cantatas by his Meiningen cousin Johann Ludwig, then continued this series with his own works, but remained faithful to the textual models used his cousin: a Meiningen cycle of texts by an unknown author from the early 18th century. All these texts share the characteristic of including two quotations from the bible: one from the Old Testament at the beginning, and another from the New Testament in the middle. These cantatas include Herr, deine Augen sehen nach dem Glauben BWV 102. The opening chorus in several sections is one of Bach's masterpieces of choral composition. The cantata is also one of those works on which Bach's later reputation was based: performances are documented from 1776 in Hamburg and in Berlin by Zelter's Sing-Akademie from 1813 onwards. In 1830 it was one of the very first cantatas by Bach to appear in print. Score available separately - see item CA.3110200.