Organ SKU: HL.48180923 Composed by Jehan Alain. Leduc. Post-1900. Softcov...(+)
Organ
SKU:
HL.48180923
Composed
by Jehan Alain. Leduc.
Post-1900. Softcover. 16
pages. Alphonse Leduc
#AL19744. Published by
Alphonse Leduc
(HL.48180923).
UPC:
888680907976.
9.0x12.0x0.092
inches.
Composed by
Jehan Alain, Three Pieces
is a set of upper
intermediate / advanced
works for organ, with
pedal-use. The first
piece, ?Variations sur un
theme de Clement
Jannequin (Variations on
a Clement Jannequin's
Tune), should be
played?in the same way as
Couperin's Preludes:
freshly and softly. It
contains four distinctive
parts: Affetuoso,
Maggiore, Fuggato and
Grave. The second piece
is called ?Le jardin
suspendu (The hanging
garden) and features
three different parts
that can't be played
separately. The last
piece, Litanies, is quite
religious and consists of
the repetition of
lamentations. Its
introduction in vivo is
played only by the right
hand, then followed by
a?Lirico ma sempre vivo
part. These are followed
by switches between the
main tempo and some
vivacissimo parts,
sounding declamatory.
This third piece ends
really harmoniously.
Jehan Alain is a French
organist who became
famous with his Suite for
Organ. Student of Marcel
Dupre and Roger Ducasse
among others, he kept
composing all his life.
One of his most famous
international pieces is
Litanies.
Organ SKU: BA.BA09076-67 Composed by Felix Bartholdy Mendelssohn. Edited ...(+)
Organ
SKU:
BA.BA09076-67
Composed by Felix
Bartholdy Mendelssohn.
Edited by John Michael
Cooper. This edition:
urtext edition. Folded.
Barenreiter Urtext.
Single part. MWV A 23. 3
pages. Baerenreiter
Verlag #BA09076_67.
Published by Baerenreiter
Verlag (BA.BA09076-67).
ISBN 9790006531554.
32.5 x 25.5 cm inches.
Text: William
Bartholomew.
Mendel
ssohn's setting of Psalm
98 was written in a few
weeks to satisfy a
commission in his new
position as general music
director of Prussia and
was premiered by the
Berlin Cathedral Choir on
1 January 1844. As he
neither released the work
for publication nor
produced a vocal score,
his psalm setting did not
appear in print until
after his
death.
For this
edition the authoritative
Mendelssohn specialist
John Michael Cooper drew
primarily on the
autograph score with its
many subsequent
corrections and
amendments. In this way
it differs from many
other editions, which
tend to treat the
autograph as a
subordinate source.
Rounding off the edition
are an informative
Foreword and a detailed
Critical Commentary. The
piano reduction is based
on the first printed
edition, published by F.
Kistner and Evers & Co.
in 1851.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Organ - Level 3 SKU: BA.BA05897-67 Chorale Setting. Composed by Ge...(+)
Organ - Level 3
SKU:
BA.BA05897-67
Chorale Setting.
Composed by Georg Philipp
Telemann. Edited by Ute
Poetzsch. Arranged by
Andreas Kohs. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. VWV
1. 13 pages. Baerenreiter
Verlag #BA05897_67.
Published by Baerenreiter
Verlag (BA.BA05897-67).
ISBN 9790006563104.
32.5 x 25.5 cm
inches.
Chorale
settings form a central
part of Telemann's
oeuvre. His 1754 setting
of the church hymn
Christus, der ist mein
Leben, based on Melchoir
Vulpius' melody from the
Hamburg Hymnal, is
especially well-suited to
display his mastery in
depicting the words of
the chorale. The
so-called Ausfullungsbass
(a vocal bass added to
the principal bass in
tutti passages) was
probably necessitated by
the acoustical properties
of Hamburg's
churches.
This
is the first Urtext
edition of this highly
successful chorale
setting which is based on
Georg Philipp Telemann
Musical Works. The score
contains a realisation of
the continuo
part.
* First
Urtext edition based on
Georg Philipp Telemann
Musical Works * An
attractive addition to
the repertoire with a
view to the Telemann Year
2017 * Bilingual
Foreword (Ger/Eng) *
Uncluttered idiomatic
piano reduction.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Orchestra Solo Voices, SATB Chorus, Orchestra, Organ SKU: CA.2709209 Comp...(+)
Orchestra Solo Voices,
SATB Chorus, Orchestra,
Organ
SKU:
CA.2709209
Composed
by Anton Bruckner. Edited
by Knut Breyer. Set of
Orchestra Parts. WAB 26.
Duration 45 minutes.
Carus Verlag #2709200.
Published by Carus Verlag
(CA.2709209).
ISBN
9790007248727. Key: D
minor. Latin.
Anton
Bruckner composed his
first mass, the Mass in D
minor, in 1864 in just
four months. It was not
ready in time for the
Kaiser Franz Joseph I's
birthday, as planned, but
was first performed on 20
November at the Feast of
St Cecilia in Linz
Cathedral - with great
success. The mass is one
of the first works by
Bruckner to be written in
his characteristic
symphonic style. It was
revised several times and
first published in 1892.
This edition is based on
a critical evaluation of
all the relevant sources,
and offers an improved
musical text. Score and
parts available
separately - see item
CA.2709200.
Orchestra Solo Voices, SATB Chorus, Orchestra, Organ SKU: CA.2709219 Comp...(+)
Orchestra Solo Voices,
SATB Chorus, Orchestra,
Organ
SKU:
CA.2709219
Composed
by Anton Bruckner. Edited
by Knut Breyer. Set of
Orchestra Parts. WAB 26.
Duration 45 minutes.
Carus Verlag #2709200.
Published by Carus Verlag
(CA.2709219).
ISBN
9790007248710. Key: D
minor. Latin.
Anton
Bruckner composed his
first mass, the Mass in D
minor, in 1864 in just
four months. It was not
ready in time for the
Kaiser Franz Joseph I's
birthday, as planned, but
was first performed on 20
November at the Feast of
St Cecilia in Linz
Cathedral - with great
success. The mass is one
of the first works by
Bruckner to be written in
his characteristic
symphonic style. It was
revised several times and
first published in 1892.
This edition is based on
a critical evaluation of
all the relevant sources,
and offers an improved
musical text. Score and
parts available
separately - see item
CA.2709200.
Composed
by Josef Gabriel
Rheinberger. German
title: Suite In C.
Orchesterfassung. Set of
Orchestra Parts. Composed
1887. Op. 149. Duration
33 minutes. Carus Verlag
#CV 50.149/19. Published
by Carus Verlag
(CA.5014919).
ISBN
9790007138288. Key: C
minor. Language: all
languages.
The
field of sacred chamber
music, apart from vocal
music and the solo-organ
repertoire, often lives
in the shadows. Thus the
reprint of this valuable
trio is all the more
welcome. The organ has
the same role here as the
piano in a piano trio!
(Wurttembergische Blatter
fur Kirchenmusik May
1993, p. 192). Score and
parts available
separately - see item
CA.5014900.
O
Heiland, reiss die Himmel
auf. Composed by Max
Bruch. Edited by Minkus
Teske. 1x 10.364/21 flute
1, 1x 10.364/22 flute 2,
1x 10.364/23 oboe 1, 1x
10.364/24 oboe 2, 1x
10.364/25 clarinet 1, 1x
10.364/26 clarinet 2, 1x
10.364/27 bassoon 1, 1x
10.364/28 bassoon 2, 1x
10.364/31 horn 1, 1x
10.364/32 horn 2, 1x
10.364/33 horn 3, 1x
10.36. Harmony parts.
Sacred vocal music,
Cantatas, Advent. Set of
Orchestra Parts. Composed
1868/1869. Op. 29.
Duration 14 minutes.
Carus Verlag #CV
10.364/09. Published by
Carus Verlag
(CA.1036409).
ISBN
9790007190378. Text
language: German. Text:
von Spee, Friedrich /
Simrock, Karl.
Max
Bruch succeeded in
composing an impressive
setting of the well known
Advent text, O Heiland,
reiss die Himmel auf (O
Saviour, tear open the
heavens). Compositionally
it is extremely
sophisticated in its
construction; Bruch
combines both the choir
and orchestra in a
powerfully expressive and
moving portrayal of
mankind waiting for the
coming of the Saviour.
Following the premiere of
the work in 1869 it was
celebrated as Bruch's
most important choral
work, but later it fell
largely into oblivion.
Almost 150 years after it
was composed, for the
first time a
critical-scholarly
edition is now available
to the public. Score and
parts available
separately - see item
CA.1036400.
O
Heiland, reiss die Himmel
auf. Composed by Max
Bruch. Edited by Minkus
Teske. Complete
orchestral parts. Sacred
vocal music, Cantatas,
Advent. Set of Orchestra
Parts. Composed
1868/1869. Op. 29.
Duration 14 minutes.
Carus Verlag #CV
10.364/19. Published by
Carus Verlag
(CA.1036419).
ISBN
9790007166557. Text
language: German. Text:
von Spee, Friedrich /
Simrock, Karl.
Max
Bruch succeeded in
composing an impressive
setting of the well known
Advent text, O Heiland,
reiss die Himmel auf (O
Saviour, tear open the
heavens). Compositionally
it is extremely
sophisticated in its
construction; Bruch
combines both the choir
and orchestra in a
powerfully expressive and
moving portrayal of
mankind waiting for the
coming of the Saviour.
Following the premiere of
the work in 1869 it was
celebrated as Bruch's
most important choral
work, but later it fell
largely into oblivion.
Almost 150 years after it
was composed, for the
first time a
critical-scholarly
edition is now available
to the public. Score and
parts available
separately - see item
CA.1036400.
Composed
by Charles Francois
Gounod. Edited by Frank
Hondgen. 1x 27.095/21
piccolo, 1x 27.095/22
flute 1, 1x 27.095/23
flute 2, 1x 27.095/24
oboe 1, 1x 27.095/25 oboe
2, 1x 27.095/26 clarinet
1, 1x 27.095/27 clarinet
2, 2x 27.095/28 Bassoon 1
and 3, 2x 27.095/29
Bassoon 2 and 4, 1x
27.095/31 horn 1, 1x
27.095/32 hor. Messe
Solennelle De Ste.
Cecile. Sacred vocal
music, Masses, Latin,
Whole church year / Omni
tempore. Set of Orchestra
Parts. Composed 1855. CG
56. Duration 45 minutes.
Carus Verlag #CV
27.095/09. Published by
Carus Verlag
(CA.2709509).
ISBN
9790007200220. Language:
Latin.
Shining rays
stream from the 'Messe de
sainte Cecile'. At first
people were dazzled, then
bewitched, then overcome.
This is how the composer
Camille Saint-Saens
described his impression
of what was probably
Charles Gounod's
best-known setting of the
mass. The work written in
1855 in honor of the
patron saint of church
music, soon became
well-known beyond the
borders of France and
acquired a degree of
popularity like almost no
other sacred composition.
In the Messe de sainte
Cecile, Gounod combines
sublime simplicity with
operatic-dramatic
elements and a colorful,
effective orchestration.
Critical edition in
proven Carus quality.
Score and parts available
separately - see item
CA.2709500.
Composed
by Charles Francois
Gounod. Edited by Frank
Hondgen. Messe Solennelle
De Ste. Cecile. Sacred
vocal music, Masses,
Latin, Whole church year
/ Omni tempore. Set of
Orchestra Parts. Composed
1855. CG 56. Duration 45
minutes. Carus Verlag #CV
27.095/19. Published by
Carus Verlag
(CA.2709519).
ISBN
9790007200282. Language:
Latin.
Shining rays
stream from the 'Messe de
sainte Cecile'. At first
people were dazzled, then
bewitched, then overcome.
This is how the composer
Camille Saint-Saens
described his impression
of what was probably
Charles Gounod's
best-known setting of the
mass. The work written in
1855 in honor of the
patron saint of church
music, soon became
well-known beyond the
borders of France and
acquired a degree of
popularity like almost no
other sacred composition.
In the Messe de sainte
Cecile, Gounod combines
sublime simplicity with
operatic-dramatic
elements and a colorful,
effective orchestration.
Critical edition in
proven Carus quality.
Score and parts available
separately - see item
CA.2709500.
Vocal soli, choir, orchestra, congregation, organ SKU: CA.4019809 Compose...(+)
Vocal soli, choir,
orchestra, congregation,
organ
SKU:
CA.4019809
Composed
by Heinrich von
Herzogenberg. 2x
40.198/21 2 flutes, 2x
40.198/22 2 oboes, 2x
40.198/23 2 clarinets, 2x
40.198/24 2 bassoons, 2x
40.198/31 2 horns, 2x
40.198/32 2 trumpets, 2x
40.198/32 2 trumpets, 2x
40.198/32 2 trumpets, 2x
40.198/32 2 trumpets, 2x
40.198/33 2 trombones, 1x
40.198/3. Harmony parts.
Sacred vocal music,
Oratorios, Special days.
Set of Orchestra Parts.
Op. 104. 476 pages.
Duration 150 minutes.
Carus Verlag #CV
40.198/09. Published by
Carus Verlag
(CA.4019809).
ISBN
9790007217952. Language:
German.
The present
publication finally
closes the gap in the
availability of the three
church oratorios of
Heinrich von Herzogenberg
(1843-1900). With this
late work, which he
considered his most
important, Heinrich von
Herzogenberg set the
musical high point of the
15th Conference of the
German Church Song
Association in Strasbourg
(1899), and also of his
entire career. The
celebration of the
harvest provides an
interesting look into the
stylistic diversity of
church music at the end
of the 19th century, and
shows the composer's
aptitude for dramatic
presentation in a special
way. Score and parts
available separately -
see item CA.4019800.
Vocal soli, choir, orchestra, congregation, organ SKU: CA.4019819 Compose...(+)
Vocal soli, choir,
orchestra, congregation,
organ
SKU:
CA.4019819
Composed
by Heinrich von
Herzogenberg. Complete
orchestral parts. Sacred
vocal music, Oratorios,
Special days. Set of
Orchestra Parts. Op. 104.
Duration 150 minutes.
Carus Verlag #CV
40.198/19. Published by
Carus Verlag
(CA.4019819).
ISBN
9790007133160. Language:
German.
The present
publication finally
closes the gap in the
availability of the three
church oratorios of
Heinrich von Herzogenberg
(1843-1900). With this
late work, which he
considered his most
important, Heinrich von
Herzogenberg set the
musical high point of the
15th Conference of the
German Church Song
Association in Strasbourg
(1899), and also of his
entire career. The
celebration of the
harvest provides an
interesting look into the
stylistic diversity of
church music at the end
of the 19th century, and
shows the composer's
aptitude for dramatic
presentation in a special
way. Score and parts
available separately -
see item CA.4019800.
Composed
by Anton Bruckner. Edited
by Ernst Herttrich. This
edition: urtext. 1x
27.190/21 flute 1, 1x
27.190/22 flute 2, 1x
27.190/23 oboe 1, 1x
27.190/24 oboe 2, 1x
27.190/25 clarinet 1, 1x
27.190/26 clarinet 2, 1x
27.190/27 bassoon 1, 1x
27.190/28 bassoon 2, 1x
27.190/31 horn 1, 1x
27.190/32 horn 2, 1x
27.190/33 horn 3, 1x
27.19. Stuttgart Urtext
Edition: Urtext Editions;
Carus sheet music series:
Vocal scores XL. Harmony
parts. Innovative
practice aids, Sacred
vocal music, Praise and
thanks. Set of Orchestra
Parts. WAB 45. Duration
25 minutes. Carus Verlag
#CV 27.190/09. Published
by Carus Verlag
(CA.2719009).
ISBN
9790007200732. Text
language:
Latin.
Anton
Bruckner's Te Deum - a
high point in the
composer's output and one
of the most important
works of the sacred
choral repertoire in the
19th century - is now
available in a modern,
scholarly edition. The
Carus edition draws on
both the two sources
regarded as important,
the autograph score and
the first printed
edition, with careful
consideration given to
variant readings. And so
a music text has been
prepared which reflects
the composer's intentions
as closely as possible.
Great emphasis has been
placed on a clear-to-read
layout of the full score
pages, as well as
excellent legibility for
the parts, which are
available on sale. With
current performance
practice in mind, the
clarinet parts are
notated in B flat instead
of A, corresponding with
the first printed
edition. The vocal score
has been newly prepared
to reflect current
practical requirements.
As an economical
alternative, a chorus
score is available.
Bruckner's Te Deum is
also available in carus
music, the choir app. The
app contains the music
and a recording, as well
as a coach to help with
learning each choral
part. In preparation:
arrangement of the Te
Deum for soli, choir,
brass quintet and organ.
Score and parts available
separately - see item
CA.2719000.
Composed
by Charles Francois
Gounod. Edited by Barbara
Grossmann. This edition:
urtext. 1x 27.315/21
flute 1, 1x 27.315/22
flute 2, 1x 27.315/23
oboe 1, 1x 27.315/24 oboe
2, 1x 27.315/25 clarinet
1, 1x 27.315/26 clarinet
2, 1x 27.315/27 bassoon
1, 2x 27.315/28 bassoon
2, 1x 27.315/31 horn 1,
1x 27.315/32 horn 2, 1x
27.315/33 horn 3, 1x
27.31. Stuttgart Urtext
Edition: Urtext Editions;
French Sacred Music.
Requiem (Gounods Letztes
Werk). Sacred vocal
music, Requiem, End of
the church year,
Mourning, death. Set of
Orchestra Parts. CG op.
Posth. 104 pages.
Duration 35 minutes.
Carus Verlag #CV
27.315/09. Published by
Carus Verlag
(CA.2731509).
ISBN
9790007201685. Key: C
major. Language:
Latin.
Charles
Gounod composed this
Requiem under the impact
of the death of his
four-year-old grandson,
Maurice. According to
information handed down,
while finishing the
details of this work he
was overtaken by death.
It was published
posthumously in various
constellations by his
pupil, Henri Busser, but
the only complete version
from the pen of Gounod is
the version for large
orchestra, which is
published here for the
first time in a critical
edition. Gounod's
Requiem, unlike many
contemporary settings of
the Mass of the Dead, is
not characterized by
darkness and terror.
Rather, with all of its
trepidation - expressed
through a marked
chromaticism - an
atmosphere of hopeful
expectation, of trust in
the grace and equity of
the divine judge
predominates. This
confidence finds its
expression in the choice
of the fundamental key of
C major, which is rather
unusual for a requiem.
The work was given an
impressive performance on
the occasion of the first
anniversary of Gounod's
death in the Parisian
church of
Sainte-Madeleine under
the direction of Gabriel
Fauré and it was
highly acclaimed by the
contemporary press. Score
and parts available
separately - see item
CA.2731500.
Composed
by Charles Francois
Gounod. Edited by Barbara
Grossmann. This edition:
urtext. Stuttgart Urtext
Edition: Urtext Editions;
French Sacred Music.
German title: Requiem
(Gounods Letztes Werk).
Sacred vocal music,
Requiem, End of the
church year, Mourning,
death. Set of Orchestra
Parts. CG op. Posth.
Duration 35 minutes.
Carus Verlag #CV
27.315/19. Published by
Carus Verlag
(CA.2731519).
ISBN
9790007137366. Key: C
major. Language:
Latin.
Charles
Gounod composed this
Requiem under the impact
of the death of his
four-year-old grandson,
Maurice. According to
information handed down,
while finishing the
details of this work he
was overtaken by death.
It was published
posthumously in various
constellations by his
pupil, Henri Busser, but
the only complete version
from the pen of Gounod is
the version for large
orchestra, which is
published here for the
first time in a critical
edition. Gounod's
Requiem, unlike many
contemporary settings of
the Mass of the Dead, is
not characterized by
darkness and terror.
Rather, with all of its
trepidation - expressed
through a marked
chromaticism - an
atmosphere of hopeful
expectation, of trust in
the grace and equity of
the divine judge
predominates. This
confidence finds its
expression in the choice
of the fundamental key of
C major, which is rather
unusual for a requiem.
The work was given an
impressive performance on
the occasion of the first
anniversary of Gounod's
death in the Parisian
church of
Sainte-Madeleine under
the direction of Gabriel
Fauré and it was
highly acclaimed by the
contemporary press. Score
and parts available
separately - see item
CA.2731500.
Choralkantate.
Composed by Heinrich von
Herzogenberg. Edited by
Konrad Klek. Gott Ist
Gegenwartig.Choralkantate
. Sacred vocal music,
Cantatas. Set of
Orchestra Parts. Composed
1897. Op. 106. Carus
Verlag #CV 23.001/19.
Published by Carus Verlag
(CA.2300119).
ISBN
9790007198565. Language:
German. Text: Tersteegen,
Gerhard. Text: Gerhard
Tersteegen.
Reprint
of the first edition.
Friedrich Spitta
recommended to
Herzogenberg that he set
Gerhard Tersteegen's text
Gott ist Gegenwartig on
the occasion of that
poet's 200th birthday.
Besides the obbligato
organ, Herzogenberg
restricted the
instrumentation to
strings, two trumpets,
three trombones and
timpani, and thus
achieved a majestic
quality which corresponds
to the text. Score and
parts available
separately - see item
CA.2300100.
Choralkantate.
Composed by Heinrich von
Herzogenberg. Edited by
Konrad Klek. 1x 23.001/31
trumpet 1, 1x 23.001/32
trumpet 2, 1x 23.001/33
trombone 1, 1x 23.001/34
trombone 2, 1x 23.001/35
trombone 3, 1x 23.001/41
timpani. Gott Ist
Gegenwartig.Choralkantate
. Sacred vocal music,
Cantatas. Set of
Orchestra Parts. Composed
1897. Op. 106. 20 pages.
Carus Verlag #CV
23.001/09. Published by
Carus Verlag
(CA.2300109).
ISBN
9790007198497. Language:
German. Text: Tersteegen,
Gerhard. Text: Gerhard
Tersteegen.
Reprint
of the first edition.
Friedrich Spitta
recommended to
Herzogenberg that he set
Gerhard Tersteegen's text
Gott ist Gegenwartig on
the occasion of that
poet's 200th birthday.
Besides the obbligato
organ, Herzogenberg
restricted the
instrumentation to
strings, two trumpets,
three trombones and
timpani, and thus
achieved a majestic
quality which corresponds
to the text. Score and
parts available
separately - see item
CA.2300100.
Oratorium fur
Grundonnerstag und
Karfreitag. Composed
by Heinrich von
Herzogenberg. Complete
orchestral parts. Sacred
vocal music, Oratorios,
Passions, Lent and
Passiontide, Holy Week.
Set of Orchestra Parts.
Op. 93. Duration 150
minutes. Carus Verlag #CV
40.197/19. Published by
Carus Verlag
(CA.4019719).
ISBN
9790007133153. Language:
German.
There are
two main innovations:
firstly the inclusion of
the congregation through
communal songs, and
secondly, the frequent
use of the main organ -
as accompaniment to the
congregational hymns as
well as during the
important preludes and
postludes of the two
parts 'Maundy Thursday'
and 'Good Friday,' of
which the Passion
consists. (Kirchenmusik
im Bistum Limburg
1/1990). Score and parts
available separately -
see item CA.4019700.
Composed
by Johann Gottlieb
Naumann. Arranged by Paul
Horn. Complete orchestral
parts. Sacred vocal
music, Masses, Latin. Set
of Orchestra Parts.
Composed 1794. Duration
30 minutes. Carus Verlag
#CV 40.672/19. Published
by Carus Verlag
(CA.4067219).
ISBN
9790007219970. Key: D
minor. Language:
Latin.
Johann
Gottlieb Naumann, who
today is becoming
increasingly well known,
achieved recognition
during his lifetime as a
composer of operas, among
them the first Swedish
national opera, Gustaf
Wasa. In addition he
wrote a large number of
sacred compositions for
the Court of Dresden,
where he was employed for
many years, including the
present Missa in D minor,
which was still performed
well into the 20th
century. This work,
probably composed for
Christmas in 1794,
displays a decidedly
pastoral character in the
Gloria and Agnus Dei and
moreover, is
distinguished by charming
solo woodwind parts.
Score and parts available
separately - see item
CA.4067200.
Composed
by Johann Gottlieb
Naumann. Arranged by Paul
Horn. 1x 40.672/21 flute
1, 1x 40.672/22 flute 2,
1x 40.672/23 oboe 1, 1x
40.672/24 oboe 2, 1x
40.672/25 clarinet 1, 1x
40.672/26 clarinet 2, 1x
40.672/27 bassoon 1, 1x
40.672/28 bassoon 2, 1x
40.672/31 horn 1, 1x
40.672/32 horn 2, 1x
40.672/33 trumpet 1, 1x
40. Harmony parts. Sacred
vocal music, Masses,
Latin. Set of Orchestra
Parts. Composed 1794.
Duration 30 minutes.
Carus Verlag #CV
40.672/09. Published by
Carus Verlag
(CA.4067209).
ISBN
9790007219925. Key: D
minor. Language:
Latin.
Johann
Gottlieb Naumann, who
today is becoming
increasingly well known,
achieved recognition
during his lifetime as a
composer of operas, among
them the first Swedish
national opera, Gustaf
Wasa. In addition he
wrote a large number of
sacred compositions for
the Court of Dresden,
where he was employed for
many years, including the
present Missa in D minor,
which was still performed
well into the 20th
century. This work,
probably composed for
Christmas in 1794,
displays a decidedly
pastoral character in the
Gloria and Agnus Dei and
moreover, is
distinguished by charming
solo woodwind parts.
Score and parts available
separately - see item
CA.4067200.
SATB choir, 2 violins, viola, cello/bassoon/contrabass, organ SKU: CA.4004019...(+)
SATB choir, 2 violins,
viola,
cello/bassoon/contrabass,
organ
SKU:
CA.4004019
Offertorium.
Composed by Wolfgang
Amadeus Mozart. Edited by
Robert Munster. Arranged
by Eberhard Kraus. This
edition: urtext.
Stuttgart Urtext Edition:
Mozart. German title:
Misericordias Domini
Rev.2000. Sacred vocal
music, Psalms, Latin,
Lent and Passiontide,
Easter and Eastertide,
Praise and thanks. Set of
Orchestra Parts. Composed
1775. KV 222 (205a).
Duration 7 minutes. Carus
Verlag #CV 40.040/19.
Published by Carus Verlag
(CA.4004019).
ISBN
9790007137625. Key: D
minor. Language:
Latin.
Since the
two verifiable autographs
of the offertory
Misericordias Domini have
been lost, for the
present new critical
edition Robert Munster
was able to rely for the
first time on the
manuscript parts from the
music of the Court of
Munich which he
discovered. These can be
traced back to the
material used for the
first performance of the
work in Munich in 1775
and hence they can also
be traced back to the
Munich autograph. Score
and parts available
separately - see item
CA.4004000.
SSATB choir, 2 violins, contrabass, organ SKU: CA.2041009 Aus: Symphon...(+)
SSATB choir, 2 violins,
contrabass, organ
SKU:
CA.2041009
Aus:
Symphoniae Sacrae
III. Composed by
Heinrich Schutz. Edited
by Gunter Graulich.
Arranged by Paul Horn.
This edition: urtext.
Cycles: Schutz:
Symphoniae sacrae III SWV
398-418. Stuttgart Urtext
Edition: Schutz. German
title: Siehe, dieser wird
gesetzt 3. Sacred vocal
music, Christmas. Set of
Orchestra Parts. Composed
1650. SWV 410. 6 pages.
Duration 6 minutes. Carus
Verlag #CV 20.410/09.
Published by Carus Verlag
(CA.2041009).
ISBN
9790007035570. Key: G
mixolydian. Language:
German/English.
Sco
re available separately -
see item CA.2041000.
SATB choir, cornetto, 3 trombones, organ SKU: CA.3550300 Arranged by J...(+)
SATB choir, cornetto, 3
trombones, organ
SKU:
CA.3550300
Arranged by J. S.
Bach. Composed by
Francesco Gasparini.
Edited by Peter Wollny.
Arranged by Johann
Sebastian Bach. This
edition: urtext. Edition
Bach-Archiv Leipzig -
Musical Monuments. Sacred
vocal music, Masses,
Latin. Full score. Carus
Verlag #CV 35.503/00.
Published by Carus Verlag
(CA.3550300).
ISBN
9790007165161. Text
language:
Latin.
Particularly
during the early 1740s,
Johann Sebastian Bach
concentrated intensely on
studying the
compositional technique
of strict vocal
polyphony. As an
inspiration, he studied
the works of older
masters, copying them
and, for the most part,
performing them as well.
A set of single parts for
the Missa canonica by
Francesco Gasparini in an
instrumentation by Bach
were recently discovered
in the collection of the
former Ephoralbibliothek
Weissenfels; some of the
parts are in Bach's own
handwriting. Gasparini
was esteemed in Germany
particularly as a master
of elaborate counterpoint
and audacious harmonic
writing. Bach amended the
music text with a view to
certain aspects of
performance practice,
clearly following a very
specific concept of sound
organization. His
interest in strict
counterpoint was
paralleled by a tangible
re-orientation in Bach's
own compositional
technique at the
beginning of the 1740s.
Francesco Gasparini's
Missa canonica therefore
served as a practical
model for the highly
developed art of canon
writing and the strict
polyphony in Bach's late
works, as we encounter
them, for example, in the
B minor Mass.
SATB choir, cornetto, 3 trombones, organ SKU: CA.3550305 Arranged by J...(+)
SATB choir, cornetto, 3
trombones, organ
SKU:
CA.3550305
Arranged by J. S.
Bach. Composed by
Francesco Gasparini.
Edited by Peter Wollny.
Arranged by Johann
Sebastian Bach. This
edition: urtext. Edition
Bach-Archiv Leipzig -
Musical Monuments. Sacred
vocal music, Masses,
Latin. Choral Score. 12
pages. Carus Verlag #CV
35.503/05. Published by
Carus Verlag
(CA.3550305).
ISBN
9790007165222. Text
language:
Latin.
Particularly
during the early 1740s,
Johann Sebastian Bach
concentrated intensely on
studying the
compositional technique
of strict vocal
polyphony. As an
inspiration, he studied
the works of older
masters, copying them
and, for the most part,
performing them as well.
A set of single parts for
the Missa canonica by
Francesco Gasparini in an
instrumentation by Bach
were recently discovered
in the collection of the
former Ephoralbibliothek
Weissenfels; some of the
parts are in Bach's own
handwriting. Gasparini
was esteemed in Germany
particularly as a master
of elaborate counterpoint
and audacious harmonic
writing. Bach amended the
music text with a view to
certain aspects of
performance practice,
clearly following a very
specific concept of sound
organization. His
interest in strict
counterpoint was
paralleled by a tangible
re-orientation in Bach's
own compositional
technique at the
beginning of the 1740s.
Francesco Gasparini's
Missa canonica therefore
served as a practical
model for the highly
developed art of canon
writing and the strict
polyphony in Bach's late
works, as we encounter
them, for example, in the
B minor Mass. Score
available separately -
see item CA.3550300.