By Robert Lopez. For 5 concert toms, vibraphone, crotales, temple blocks, china cymbal, splash cymbal, suspended cymbal, sizzle strip, wind chimes. (1 player). Multi percussion solo. Level: Intermediate. Folio. 9 pages. Duration 4:00. Published by Tapspace Publications.

Piano Accompaniment for Mallet Percussion. Curnow Play-Along Book. Play Along. Size 9x12 inches. 48 pages. Published by Curnow Music.

(A Practical Method for the Development of Jazz Applications to Hand Percussion Instruments). Composed by Tom Teasley. For World Percussion. Book; DVD; Method/Instruction; Percussion - Miscellaneous Educational Books and Manuals. Jazz; World. 28 pages. Published by Alfred Music

Percussion Book with Online Audio. Arranged by Johnnie Vinson, Michael Sweeney, Paul Lavender, and Robert Longfield. Essential Elements Band Folios. Holiday, Christmas. Softcover Audio Online. 24 pages. Published by Hal Leonard

For Percussion. Band Method. Expressions Music Curriculum[TM]. Book & CD. 228 pages. Published by Alfred Publishing.

Afro, Latin and Modern Grooves for Percussion Ensemble. Composed by Herwig Stieger. Music Styles and Regions, Latin American, Percussion: Hand Percussion and Bodhran, Method. Book/CD Set. 80 pages. Published by Mel Bay Publications, Inc

By Robert W. Smith, Michael Story. For Percussion. Band Method. Expressions Music Curriculum!. Level: Level 2. Book and CD. 244 pages. Published by Alfred Publishing.

Playable on Any Two Instruments or Any Number of Instruments in Ensemble. Arranged by Michael Story. For Percussion. Mixed Instruments - Flexible Instrumentation. Pop Instrumental Ensembles for All. Pop. Book. 24 pages. Published by Alfred Publishing.

By Anthony Maiello, Jack Bullock. For Combined Percussion. Band Method. Level: Level 2. Book. 64 pages. Published by Alfred Publishing.

By Jack Bullock and Anthony Maiello. For Percussion. Band Method. Belwin 21st Century Band Method. Level: Level 2. Book. 32 pages. Published by Alfred Publishing.

(and the Instruments of the Percussion Family). By H. Owen Reed and Joel Leach, with Deanna Hudgins. Reference Textbooks; Textbook - Instrumental. Book and CD-ROM. 152 pages

By Reynolds. For Solo Percussion/Solo Percussion, Real-time Computer Spatialization. Watershed I/IV (Solo Percussion/Percussion an. Duration 26/27'. Published by C.F. Peters.

(Group Percussion for Beginners). By Evelyn Glennie and Paul Cameron. For World Percussion. Book; CD; Method/Instruction; Percussion - Miscellaneous Educational Books and Manuals. Faber Edition. Published by Faber Music

(solo for multiple percussion). By Brian Blume. For Kick drum, 4 graduated tom toms, piccolo snare drum, Remo 6 TSS drum (Total Sound System) (or firecracker drum or similar), bongos, sizzle cymbal, splash cymbal, two suspended crash cymbals (medium, high). (1 players). This edition: Multiple-percussion solo. Concert Percussion Solos. Advanced. Folio. 12 pages. Duration 8:00

Transcriptions and Etudes of 10 Great Latin Percussion Artists. Composed by Michael Spiro and Michael Coletti. Method book (spiral-bound) and online audio. 127 pages. Published by Sher Music Company (SR.LOTM).

For Drummers, Percussionists and All Musicians. By Maria Martinez and Ed Roscetti. Percussion. Book and CD Package. Size 9x12 inches. 64 pages. Published by Hal Leonard.

Percussion solo

SKU: BR.EB-9380

Seismic Construction in 3 Parts. Composed by Johannes Maria Staud. Solo instruments; stapled. Edition Breitkopf. World premiere: Vienna, October 17, 2020 Commissioned by KolnMusik GmbH as a part of the Non Beethoven project of the Kolner Philharmonie for 2020, Wiener Konzerthaus and Martin Grubinger / Percussive Planet. New music (post-2000); Music post-1945. Score. Composed 2019/20. 52 pages. Duration 16'. Breitkopf and Haertel #EB 9380. Published by Breitkopf and Haertel (BR.EB-9380).

ISBN 9790004188507. 10.5 x 14 inches.

,,Trau er nur dem holzernen Freund nicht. Er ist manchmal ein lederner (aus den Beethoven-Konversationshe ften) Dieses Schlagzeugtrio, das in enger Zusammenarbeit mit den Widmungstragern entstanden ist, besteht aus drei Teilen. Es wird durch die schiere Freude am dramaturgisch gebundelten Konstruieren entlang seismischer Bruchlinien gepragt. Die drei Percussion-Spieler wechseln wahrend des Werkes zwischen drei Setups an verschiedenen Spielpositionen - vom Buhnenhintergrund, uber die Mitte der Buhne bis vorne an der Buhnenrampe. Dabei wird jeweils ein anderes Klangmaterial, im ersten Teil (Part I) das Fell, im zweiten Teil (Part II) das Metall und im dritten Teil (Part III) das Holz in den Mittelpunkt gestellt. Part I (5'30'') ist mit drei O-Daikos besetzt, die mit Fingern, Handen, Fausten, Superballs und Holzstaben gespielt werden. Part II (6'00'') ist um drei Glockenspiele, drei Vibraphone und drei Sixxen gruppiert und integriert auch Metallinstrumente wie Chinese Opera Gongs, Mini-Tam-Tams und Metalltonnen, die mit Fussmaschine gespielt werden. In Part III (4'00'') spielen alle drei Musiker mit Rundstaben, Handen und Rohrenglockenhammern das mit sieben massiven Balken aus Eschenholz besetzte baskische Nationalinstrument Txalaparta, das auch seine ganz eigene Geschichte im Widerstand gegen die Franco-Diktatur hat. Reizvoll war fur mich sowohl, dass man zu dritt auf diesem archaischen Instrument wirklich aberwitzig schnelle Rhythmen spielen kann, als auch, dass dieses Instrument auf Konzertpodien klanglich wie optisch noch vollig neu ist - und dies, trotz aller Schlichtheit, bei einem unglaublichen Reichtum an Klangmoglichkeiten. Kleine rhythmische Zellen, die sich immer wieder zu vielfaltigen neuen Texturen - bis zur klanglichen Entfesselung - zusammenballen und eine feine Differenzierung und Dynamisierung der Anschlagsmoglichkeiten bestimmen dieses Werk. Auch, wenn nur Part II durch den Einsatz bestimmter Tonhohen gepragt ist (durch die Verwendung der von Yannis Xenakis erfundenen Sixxen durchaus mikrotonal), so gibt es doch unuberhorbar abschnittsubergreifende Kontinuitaten in Rhythmik und Motivik, die das ganze Werk bestimmen und es dabei wie feine seismische Adern durchziehen. (Johannes Maria Staud, 2020)

World premiere: Vienna, October 17, 2020 Commissioned by KolnMusik GmbH as a part of the Non Beethoven project of the Kolner Philharmonie for 2020, Wiener Konzerthaus and Martin Grubinger / Percussive Planet.

For Solo Percussion. By Marta Ptaszynska. Solo percussion. For Thai Gongs (Wide Span of Pitches), Almglocken, Wind Chimes (Glass or High Metal), Suspended Cymbals (Chinese and Sizzle), Bamboo Chimes, Bass Drum (Low), Tom-Tom, Cowbell, Cowbell. Premiered on November 10, 1993 at the Percussive Arts Society International Convention in Columbus, Ohio. Classical. Solo part. 6 pages. Published by Theodore Presser Company.

For Drummers, Percussionists and All Musicians. By Maria Martinez and Ed Roscetti. Percussion. Book and CD Package. Size 9x12 inches. 72 pages. Published by Hal Leonard.

By Georges Bizet. Arranged by Chris Brooks. Concert Ensemble. For Bells, Xylophone, Marimba, (4) Timpani, Snare Drum, Bass Drum, Crash Cymbals, Tambourine, Suspended Cymbal, Triangle, Castanets. Florida State Solo & Ensemble List, Indiana State Solo & Ensemble List, Texas State Solo & Ensemble List. Level: 2. Duration 2:54. Published by Row-Loff Publications.

(solo for djembe (with digital delay), prayer bowl, and audio soundscape). By Jim Casella. For Djembe, large tibetan bowl, personal computer (Mac or PC) with a 4x4 audio interface. (1 players). This edition: Multiple-percussion solo with audio. Concert Percussion Solos. Medium-Advanced. Folio CD-Rom. 12 pages. Duration 6:00

Leopard Percussion. By Mongo Santamaria. Arranged by Rick Mattingly, Diane Downs. (Percussion). Leopard Percussion Ensemble. BOOK W/CD. Size 9x12 inches. Published by Hal Leonard.