(Solo for multiple percussion and pre-recorded sound). By Robert McClure. For Ki...(+)
(Solo for multiple
percussion and
pre-recorded sound). By
Robert McClure. For Kick
drum with double pedal, 4
toms (8 , 10 , 12 , 14 ),
2 mini timbales
(high/low), log drum (2
pitches), wooden headed
tom, 2 woodblocks, PA
system with monitor and
house speakers for
accompaniment audio. (1
players). This edition:
Multiple-percussion solo
with audio. Concert
Percussion Solos.
Medium-Advanced. Folio
CD-Rom. 16 pages.
Duration 10.00
By Robert W. Smith, Michael Story. For Percussion. Band Method. Expressions Musi...(+)
By Robert W. Smith,
Michael Story. For
Percussion. Band Method.
Expressions Music
Curriculum!. Level: Level
2. Book and CD. 244
pages. Published by
Alfred Publishing.
(and the Instruments of the Percussion Family). By H. Owen Reed and Joel Leach, ...(+)
(and the Instruments of
the Percussion Family).
By H. Owen Reed and Joel
Leach, with Deanna
Hudgins. Reference
Textbooks; Textbook -
Instrumental. Book and
CD-ROM. 152 pages
(Samba-Reggae from Salvador da Bahia, Brazil). By Julie Hill. For Steel Drum Ens...(+)
(Samba-Reggae from
Salvador da Bahia,
Brazil). By Julie Hill.
For Steel Drum Ensemble
(7â??8 Players).
Part(s); Percussion -
Steel Drum Ensemble;
Score. Alfred's Steel
Drum Ensemble Series.
World. 18 pages.
Published by Alfred Music
Publishing
Percussion solo SKU: BR.DV-8173 Composed by Karl Ottomar Treibmann. Solo ...(+)
Percussion solo
SKU:
BR.DV-8173
Composed
by Karl Ottomar
Treibmann. Solo
instruments; Softcover.
Deutscher Verlag. World
premiere Leipzig, 1980.
Music post-1945. Score.
Composed 1979. 30 pages.
Duration 10'. Deutscher
Verlag fur Musik #DV
8173. Published by
Deutscher Verlag fur
Musik (BR.DV-8173).
ISBN 9790200480832. 9
x 12 inches.
World
premiere Leipzig, 1980
Tschaikowskys
letzte Oper - auf ein
Libretto seines Bruders
Modest nach der
Dramenvorlage des
danischen Schriftstellers
Henrik Hertz - lebt von
den poetischen Momenten
und den symbolbeladenen
Charakterportrats der
Hauptfiguren: Die junge
blinde Jolanthe wird von
ihrem Vater aus Sorge um
ihren Makel und zum
Schutz ihrer
Jungfraulichkeit und vor
den Widrigkeiten der Welt
in einen paradiesischen
Garten gesperrt. Er
befielt zu ihrem Schutz
sie um ihre Blindheit
unwissend zu lassen. Ein
Arzt warnt sehen werde
sie nur konnen wenn sie
es selbst wolle gleich
welche Angste aus der
vollstandigen Erkenntnis
der Welt erwachsen. Als
der junge Vaudemont in
ihre Abgeschiedenheit
einbricht und sich beide
ineinander verlieben
befreit er sie von ihrer
Unwissenheit erklart was
Farbe und Licht bedeuten.
Erst die Liebe zu ihm
macht sie sehend.
Die dunkle Welt
der Jolanthe zeichnet
Tschaikowsky zu Beginn
musikalisch durch eine
Introduktion
ausschliesslich fur
Blaser. Erst mit dem
Eintritt in die
unbekannte Welt der Liebe
und des Sehens verwendet
Tschaikowsky einen warmen
Streicherklang. Gerade
dadurch stiess die Oper
wohl bei Zeitgenossen auf
Verstorung. Tschaikowskys
,,Jolanthe nimmt in
seinem Opernschaffen eine
Sonderstellung ein: neben
dem glucklichen Ende
einer Apotheose des
Lichts und der Liebe mit
einem religios gepragten
Schlusschoral ist es
eines der wenigen
Buhnenwerke Tschaikowskys
ohne Bezug zur russischen
Geschichte. Der
ausgepragte Lyrismus des
Werks verweist
stattdessen auf
Tschaikowskys Nahe zur
franzosischen Kultur die
im 19. Jahrhundert einen
starken Einfluss auf
Russland hatte. Die Oper
wurde 1892 am
Mariinsky-Theater in
Sankt Petersburg als
Auftragswerk zusammen mit
seinem Ballett ,,Der
Nussknacker
uraufgefuhrt.
Nebe
n der Produktion des
Munchner
Rundfunkorchesters wurde
,,Jolanthe szenisch
erfolgreich bei den
Festspielen Baden-Baden
mit Anna Netrebko und
Piotr Beczala als
Liebespaar rehabilitiert.
Ausserhalb Deutschlands
lief die Opernraritat in
Toulouse Tokyo San
Sebastian und Monte
Carlo. Zuletzt erneut die
,,Suddeutsche Zeitung:
,,Jolanthe ist eine
Opernausgrabung die
,,wirklich zu Unrecht
vergessen ist.
Tchaikovsky's last opera
- on a libretto by the
composer's brother Modest
based on the drama by the
Danish author Henrik
Hertz - derives its
life-blood from its
poetic moments and the
symbol-laden portraits of
the leading characters:
the blind young Yolanta
is kept prisoner in a
paradisiacal garden by
her father who fears for
her purity and her
virginity and seeks to
protect her from the
adversities of the world.
To do so he orders
everyone to keep her
ignorant of the fact that
she is blind. A doctor
warns that she will only
be able to see when she
is ready to do so herself
no matter what fears
might result from a
complete experience of
the world. When the young
Vaudemont breaks into her
secluded world and the
two fall in love he frees
her from her ignorance
and explains the
significance of color and
light. It is through her
love for him that she is
finally able to see. At
the beginning of the work
Tchaikovsky depicts
Yolanta's dark world with
an introduction scored
exclusively for winds. It
is not until her
discovery of the unknown
world of love and sight
that Tchaikovsky uses a
warm string sound. This
is what many of the
composer's contemporaries
found disturbing about
the
opera.
Tchaikovsky
's Yolanta occupies a
special place in the
composer's operatic
oeuvre: for one it has a
happy ending an
apotheosis of light and
love with a religiously
stamped closing chorale;
for another it is one of
Tchaikovsky's few stage
works without any
reference to Russian
history. Instead the
work's pronounced
lyricism points to the
composer's closeness to
French culture. which
exerted a strong
influence on Russia in
the 19th
century.
The opera
was given its world
premiere at the Mariinsky
Theater in St. Petersburg
in 1892. It had been
commissioned along with
the ballet The
Nutcracker. Next to the
production by the
Munchner
Rundfunkorchester Yolanta
was also successfully
rehabilitated in a recent
staged production at the
Baden-Baden Festival with
Anna Netrebko and Piotr
Beczala as the lovers.
Outside of Germany the
operatic rarity was
performed in Toulouse
Tokyo San Sebastian and
Monte Carlo.
In
closing another quote
from the Suddeutsche
Zeitung: 'Yolanta' is an
operatic rediscovery of a
work that was truly
'wrongly forgotten'.
568 exercises and 64
solos designed to improve
technical skill and
expand rhythmic
repertoire. Composed
by Bill Woods.
Saddle-stitched, Celtic /
Irish, Method,
Percussion: Hand
Percussion and Bodhran.
Style. Book and online
audio. 64 pages. Mel Bay
Publications, Inc
#21884M. Published by Mel
Bay Publications, Inc
(MB.21884M).
ISBN
9780786689989. 8.75 x
11.75 inches.
This
is the follow-up volume
to Bodhr?n: The Basics
and is designed for those
who want to improve their
technique and expand
their rhythmic
repertoire. It contains
exercises and solos in
4/4, 6/8, 3/4, and 9/8
time. The 568 one-measure
exercises are designed to
improve a players
technical skill and
demonstrate how to use
the basic building blocks
of rests, accents, rolls,
and syncopation to create
interesting and varied
rhythmic patterns. The 64
short solos show how to
combine the one-measure
rhythmic patterns into
longer compositions.In
addition to the exercises
and solos, there are
sections on time
signatures, counting,
syncopation, playing on
the backbeat, vocalizing
rhythmic patterns,
developing speed,
controlling pitch and
timbre, and playing with
both hands. Audio
download available
online.??? Shows 568
one-measure exercises
that are designed to
improve a players
technical skill???
Exercises and solos in
4/4, 6/8, 3/4, and 9/8
time??? 64 short solos
show how to combine the
one-measure rhythmic
patterns into longer
compositions??? Sections
on syncopation, playing
on the backbeat,
vocalizing rhythmic
patterns, developing
speed, controlling pitch
and timbre, and playing
with both hands??? Audio
download available
online.
Composed by David Courtney. For percussion. Perfect binding. World Music. Int...(+)
Composed by David
Courtney.
For percussion. Perfect
binding. World Music.
Intermediate. Book and
Online Audio. 72 pages.
Published by Mel Bay
Publications, Inc
Percussion solo SKU: BR.EB-9405 Composed by Nicolaus A. Huber. Solo instr...(+)
Percussion solo
SKU:
BR.EB-9405
Composed
by Nicolaus A. Huber.
Solo instruments; Folder.
Edition Breitkopf. World
premiere: Witten
(Wittener Tage fur neue
Kammermusik), April 22,
1978. Music post-1945;
New music (post-2000).
Score. Composed 1978. 16
pages. Duration 15'.
Breitkopf and Haertel #EB
9405. Published by
Breitkopf and Haertel
(BR.EB-9405).
ISBN
9790004188798. 16.5 x
11.5 inches.
My
composition for snare
drum forms a counter
piece to my series of
rhythmic pieces
(Darabukka for piano or
Morgenlied for large
orchestra). The dramatic
moment - tuned
instruments are treated
like rhythm instruments -
disappear entirely. The
inner contrast is
replaced by the tension
between the different
uses of the drum and a
relatively large number
of invariable performance
elements. Although the
snare drum was only
developed at the
beginning of the 19th
century, it has its roots
in an old and diverse
drum culture. The
technical aspects of this
composition are based on
various aspects of this
rich culture, both the
social customs as well as
the variety of different
performing techniques and
expressions. However, the
piece does not merely
quote - that would be
unhistorical - on the
contrary: The modern and
progressive, in so far as
I can observe this in our
social environment, is
quite evident, for as the
title of the piece tells
us the same is not the
same. (Nicolaus A. Huber,
1978 - translation:
Gabriele Hohmann) CDs:
Rainer Romer (percussion)
CD Ensemble Modern Medien
EMCD-012 Rainer Romer
(percussion) CD Coviello
COV 61003 LPs: Edith
Salmen LP Harmonia Mundi
DMR 1022-24 Martin Schulz
LP plane 88504
Bibliography: Schick ,
Tobias Eduard: Weltbezuge
in der Musik Mathias
Spahlingers (Beihefte zum
Archiv fur
Musikwissenschaft, Band
80), Stuttgart; Franz
Steiner 2018, here p.
102.
World
premiere: Witten
(Wittener Tage fur neue
Kammermusik), April 22,
1978.
Band/Orchestra. Published by Alfred Publishing. Hand Drumming Ensembles is the c...(+)
Band/Orchestra. Published
by Alfred Publishing.
Hand Drumming Ensembles
is the companion to the
method book Hand Drumming
Essentials: The
Instruments, Techniques
and Compositions for
Ensemble Performance.
This supplemental volume
contains 12 complete
performance scores of
compositions for hand
drumming ensemble. These
compositions (Rhythm
Chants) are written at a
variety of levels and can
be learned by young
musicians and students
with no previous musical
training. All of the
Rhythm Chants can be
studied and performed by
more proficient
musicians.
Playable on Any Four Instruments or Any Number of Instruments in Ensemble. Arran...(+)
Playable on Any Four
Instruments or Any Number
of Instruments in
Ensemble. Arranged by
Michael Story. For
Percussion. Mixed
Instruments - Flexible
Instrumentation. Pop
Instrumental Ensembles
for All. Pop. Book. 24
pages. Published by
Alfred Publishing.
By Daniel B. Meador, acc. CD by Tyler Smith and Daniel B. Meador. Book; CD; Perc...(+)
By Daniel B. Meador, acc.
CD by Tyler Smith and
Daniel B. Meador. Book;
CD; Percussion - Multiple
Percussion Solo or Duet.
32 pages. Published by
Alfred Music
World Rhythms Percussion [Partition + CD] - Intermédiaire Hal Leonard
Multicultural Resource of Songs and Ensembles. Arranged by John Higgins. (Book ...(+)
Multicultural Resource of
Songs and Ensembles.
Arranged by John Higgins.
(Book and CD pak). Music
Express Books. Softcover
with CD. 88 pages.
Published by Hal Leonard.
Percussion solo SKU: BR.EB-8812 Schule fur das Drumset. Composed b...(+)
Percussion solo
SKU:
BR.EB-8812
Schule
fur das Drumset.
Composed by Ralf
Kleinehanding. Solo
instruments; Softbound.
Edition Breitkopf.
Setting out into the
big wide drum set
world
Music pedagogy.
Score. 144 pages.
Breitkopf and Haertel #EB
8812. Published by
Breitkopf and Haertel
(BR.EB-8812).
ISBN
9790004183601. 9 x 12
inches.
German.
Drumroad 2
is for all percussion
players who have
successfully made their
way through the first
book. With more grooves,
fill-ins, exercises and
solo pieces,
Kleinehanding provides a
logical sequel to his
multi-faceted concept
which, once again, is
subdivided into a main
book and a fill-in book.
The main book also
contains six drummer
portraits, in which
leading percussionists
are introduced at length
with groove examples:
Stewart Copeland (The
Police), Sheila E.
(Prince), Clyde
Stubblefield and Jabo
Starks (James Brown),
Manu Katche (Sting a.o.),
Steve Gadd and Jojo
Mayer. Such tips help
open the big wide drum
set world to the students
of Drumroad 2. Das
Konzept des ersten Bandes
ist erfolgreich
weitergefuhrt. Die Noten
sind klar und
ubersichtlich gedruckt.
(Cornelia Monske, neue
musikzeitung)
Percussion solo SKU: BR.KM-2512 Composed by Jose Maria Sanchez-Verdu. Sol...(+)
Percussion solo
SKU:
BR.KM-2512
Composed
by Jose Maria
Sanchez-Verdu. Solo
instruments; stapled.
Kammermusik-Bibliothek
(Chamber Music Library).
Music post-1945; New
music (post-2000).
Performance score.
Composed 2008. 16 pages.
Duration 11'. Breitkopf
and Haertel #KM 2512.
Published by Breitkopf
and Haertel (BR.KM-2512).
ISBN 9790004503331.
11.5 x 16.5
inches.
World
premiere: Valencia/Spain
(Festival Ensems), May
20, 2008 Commissioned by
Neopercusion and the
Spanish Ministry of
Culture.
Mallet. Arranged by Various. Instrumental Series; Play-Along. Pop Instrum...(+)
Mallet. Arranged
by Various. Instrumental
Series; Play-Along. Pop
Instrumental Solo Series.
Movie; Pop. Book; CD. 20
pages. Alfred Music
#00-42229. Published by
Alfred Music (AP.42229).