Rhythm Brought to Life. (A Rhythmic Primer (Instruction / Exercise Book)). By Ed Thigpen. Artist/Personality; Method/Instruction; Percussion - Miscellaneous Educational Books and Manuals. Jazz. Book. 64 pages. Published by Alfred Music Publishing

(Includes instruction in Mambo, Chachacha, Merengue, and Afro-Cuban styles) Performed by Poncho Sanchez. Instructional video: DVD. Published by Cherry Lane Music.

For Drummers, Percussionists and All Musicians. By Maria Martinez and Ed Roscetti. Percussion. Book and CD Package. Size 9x12 inches. 64 pages. Published by Hal Leonard.

For Drummers, Percussionists and All Musicians. By Maria Martinez and Ed Roscetti. Percussion. Book and CD Package. Size 9x12 inches. 72 pages. Published by Hal Leonard.

Gig Savers Complete Edition. Composed by Trevor Salloum. Squareback saddle stitch. Gig Savers. Book. 32 pages. Published by Mel Bay Publications, Inc

Composed by Bill Woods. Squareback saddle-stitched. Book and online audio. 140 pages. Published by Mel Bay Publications, Inc

Band/Orchestra. Published by Alfred Publishing. Hand Drumming Ensembles is the companion to the method book Hand Drumming Essentials: The Instruments, Techniques and Compositions for Ensemble Performance. This supplemental volume contains 12 complete performance scores of compositions for hand drumming ensemble. These compositions (Rhythm Chants) are written at a variety of levels and can be learned by young musicians and students with no previous musical training. All of the Rhythm Chants can be studied and performed by more proficient musicians.

(More Than 300 Exercises for Mallets and Other Instruments). Percussion. Softcover. 112 pages. Published by Hal Leonard

By Trevor Salloum. For Percussion. Rhythm/backup. Gig Savers. Latin American. Level: Beginning. Book. Size 5.5x8. 16 pages. Published by Mel Bay Publications, Inc.

By Peter Magadini. For percussion and instrument (all). Hal Leonard Percussion. Instructional. Instructional book and examples CD. Drum notation. 68 pages. Published by Hal Leonard

By Humberto Morales, Henry Adler. Edited by Ray Brych. Percussion. 136 pages. Published by Alfred Publishing.

Full Score. By Sofia Gubaidulina. (score). Percussion. Size 8.25x11.75 inches. 24 pages. Published by Sikorski.

Berklee Workshop Series. By Ricardo Monzon. Berklee Dvd. DVD (Digital Video Disk). Size 5.3x7.5 inches. Published by Berklee Press.

Performed by Pablo "Chino" Nunez. Edited by Tim Landers. CPP video (NTSC video). Published by Alfred Publishing.

Performed by Ed Thigpen. By Ed Thigpen. Edited by Mike Finkelstein. Arranged by Ed Uribe. Percussion. Level: primer. 28 pages. Published by Alfred Publishing.

By Peter Erskine. Percussion - Miscellaneous Educational Books and Manuals. Book and CD. Published by Alfred Publishing.

By Johnny Rabb. This edition: HDBK16. Percussion. Softcover with CD. 120 pages. Published by Hudson Music.

Percussion solo

SKU: BR.EB-9380

Seismic Construction in 3 Parts. Composed by Johannes Maria Staud. Solo instruments; stapled. Edition Breitkopf. World premiere: Vienna, October 17, 2020 Commissioned by KolnMusik GmbH as a part of the Non Beethoven project of the Kolner Philharmonie for 2020, Wiener Konzerthaus and Martin Grubinger / Percussive Planet. New music (post-2000); Music post-1945. Score. Composed 2019/20. 52 pages. Duration 16'. Breitkopf and Haertel #EB 9380. Published by Breitkopf and Haertel (BR.EB-9380).

ISBN 9790004188507. 10.5 x 14 inches.

,,Trau er nur dem holzernen Freund nicht. Er ist manchmal ein lederner (aus den Beethoven-Konversationshe ften) Dieses Schlagzeugtrio, das in enger Zusammenarbeit mit den Widmungstragern entstanden ist, besteht aus drei Teilen. Es wird durch die schiere Freude am dramaturgisch gebundelten Konstruieren entlang seismischer Bruchlinien gepragt. Die drei Percussion-Spieler wechseln wahrend des Werkes zwischen drei Setups an verschiedenen Spielpositionen - vom Buhnenhintergrund, uber die Mitte der Buhne bis vorne an der Buhnenrampe. Dabei wird jeweils ein anderes Klangmaterial, im ersten Teil (Part I) das Fell, im zweiten Teil (Part II) das Metall und im dritten Teil (Part III) das Holz in den Mittelpunkt gestellt. Part I (5'30'') ist mit drei O-Daikos besetzt, die mit Fingern, Handen, Fausten, Superballs und Holzstaben gespielt werden. Part II (6'00'') ist um drei Glockenspiele, drei Vibraphone und drei Sixxen gruppiert und integriert auch Metallinstrumente wie Chinese Opera Gongs, Mini-Tam-Tams und Metalltonnen, die mit Fussmaschine gespielt werden. In Part III (4'00'') spielen alle drei Musiker mit Rundstaben, Handen und Rohrenglockenhammern das mit sieben massiven Balken aus Eschenholz besetzte baskische Nationalinstrument Txalaparta, das auch seine ganz eigene Geschichte im Widerstand gegen die Franco-Diktatur hat. Reizvoll war fur mich sowohl, dass man zu dritt auf diesem archaischen Instrument wirklich aberwitzig schnelle Rhythmen spielen kann, als auch, dass dieses Instrument auf Konzertpodien klanglich wie optisch noch vollig neu ist - und dies, trotz aller Schlichtheit, bei einem unglaublichen Reichtum an Klangmoglichkeiten. Kleine rhythmische Zellen, die sich immer wieder zu vielfaltigen neuen Texturen - bis zur klanglichen Entfesselung - zusammenballen und eine feine Differenzierung und Dynamisierung der Anschlagsmoglichkeiten bestimmen dieses Werk. Auch, wenn nur Part II durch den Einsatz bestimmter Tonhohen gepragt ist (durch die Verwendung der von Yannis Xenakis erfundenen Sixxen durchaus mikrotonal), so gibt es doch unuberhorbar abschnittsubergreifende Kontinuitaten in Rhythmik und Motivik, die das ganze Werk bestimmen und es dabei wie feine seismische Adern durchziehen. (Johannes Maria Staud, 2020)

World premiere: Vienna, October 17, 2020 Commissioned by KolnMusik GmbH as a part of the Non Beethoven project of the Kolner Philharmonie for 2020, Wiener Konzerthaus and Martin Grubinger / Percussive Planet.

Percussion solo

SKU: BR.EB-9405

Composed by Nicolaus A. Huber. Solo instruments; Folder. Edition Breitkopf. World premiere: Witten (Wittener Tage fur neue Kammermusik), April 22, 1978. Music post-1945; New music (post-2000). Score. Composed 1978. 16 pages. Duration 15'. Breitkopf and Haertel #EB 9405. Published by Breitkopf and Haertel (BR.EB-9405).

ISBN 9790004188798. 16.5 x 11.5 inches.

My composition for snare drum forms a counter piece to my series of rhythmic pieces (Darabukka for piano or Morgenlied for large orchestra). The dramatic moment - tuned instruments are treated like rhythm instruments - disappear entirely. The inner contrast is replaced by the tension between the different uses of the drum and a relatively large number of invariable performance elements. Although the snare drum was only developed at the beginning of the 19th century, it has its roots in an old and diverse drum culture. The technical aspects of this composition are based on various aspects of this rich culture, both the social customs as well as the variety of different performing techniques and expressions. However, the piece does not merely quote - that would be unhistorical - on the contrary: The modern and progressive, in so far as I can observe this in our social environment, is quite evident, for as the title of the piece tells us the same is not the same. (Nicolaus A. Huber, 1978 - translation: Gabriele Hohmann) CDs: Rainer Romer (percussion) CD Ensemble Modern Medien EMCD-012 Rainer Romer (percussion) CD Coviello COV 61003 LPs: Edith Salmen LP Harmonia Mundi DMR 1022-24 Martin Schulz LP plane 88504 Bibliography: Schick , Tobias Eduard: Weltbezuge in der Musik Mathias Spahlingers (Beihefte zum Archiv fur Musikwissenschaft, Band 80), Stuttgart; Franz Steiner 2018, here p. 102.

World premiere: Witten (Wittener Tage fur neue Kammermusik), April 22, 1978.