By Xavier Montsalvatge. For Guitar and piano. 20th century. Concerto. Full Score. 48 pages. Duration 24 minutes. Published by Trito Ediciones (Spanish import). (TR 00084)

Guitar

SKU: UT.CH-322

Composed by Giovanni Scapecchi. Edited by Raffaello Ravasio. Saddle stitching. Piero Bonaguri Collection. Classical. Score and Parts. Ut Orpheus #CH 322. Published by Ut Orpheus (UT.CH-322).

ISBN 9790215326309. 9 x 12 inches.

I am delighted to include in this series â?? so far almost totally made up of pieces written for me â?? this piece for guitar and piano composed by Giovanni Scapecchi and dedicated to the duo made up of my former student Raffaello Ravasio, who edited the fingering of the guitar part, and of Samuele Amidei. I am also particularly delighted because this piece was commissioned by the Duo Ravasio-Amidei as part of their full project in homage to Mario Castelnuovo-Tedesco on the fiftieth anniversary of his death.
In this composition, there are many references to the figure and work of Mario Castelnuovo-Tedesco. First of all the duo guitar-piano is the same as in Fantasia Op. 145 by Castelnuovo-Tedesco (written for Andrés Segovia and Paquita Madrigueira), the most famous piece of the twentieth century composed for this formation. The piece by Giovanni Scapecchi, in the form of a Suite of dances, refers explicitly to the one by the famous dedicatee by means of some references which appear in the Sarabanda and in the Giga. The Crete mentioned in the title are, of course, the famous Senese clays which, with their colours and shapes, make up a remarkable part of the Tuscan landscape. Furthermore, profound meanings are attributed by Giovanni Scapecchi to the earth which makes up the clays (like Castelnuovo-Tedesco, he is a native of Tuscany, where he still lives). The Composer recalls first of all that the book of Genesis tells us that the first man was taken from the earth (there is therefore this primordial connection between man and earth). Moreover, the historic man, Mario Castelnuovo-Tedesco, honoured here, maintained a deep relationship with his homeland â?? despite the dramatic separation due to the enforced exile to the USA, which took place in 1939 following the racial laws. Stylistically, I then found a further link between this piece and its dedicatee â?? who was influenced in his early works by musical Impressionism â?? in a certain French atmosphere running through the Suite.
(Piero Bonaguri).

Guitar and Piano

SKU: HL.14040192

Composed by Antonio Vivaldi. Arranged by Fernand Oubradous. Music Sales America. Book [Softcover]. Editions Musicales Transatlantiques #ETR000559. Published by Editions Musicales Transatlantiques (HL.14040192).

ISBN 9789043157568. French.

Antonio Vivaldi (1673-1741) was an Italian composer, violinist and teacher in the Baroque era. His name has become synonymous with the series of Violin concertos known as the Four Seasons , but he also wrote over 500 other concertos for various instruments, as well as dozens of operas and several sacred works. The Concerto No. 23 (RV 425) was written in 1725. Set in the key of C major, it was originally scored for solo Mandolin with String Orchestra and Continuo Bass (Cembalo). It has been arranged for Guitar or Mandolin with Piano accompaniment by the French composer Fernand Oubradous .

By Ferdinando Carulli (1770-1841). For Piano and Guitar. Score and Parts. 64 pages

By Ferdinando Carulli (1770-1841). For Piano and Guitar. Score and Parts. 40 pages

By Ferdinando Carulli & Gustavo Carulli. For Piano and Guitar. Score and parts. Op. 134. 32 pages. Published by Ut Orpheus

By Ferdinando Carulli (1770-1841). For Piano and Guitar. Score and Parts. 68 pages

By Ferdinando Carulli (1770-1841). For Piano and Guitar. Score and Parts. 52 pages. Published by Ut Orpheus

By Ferdinando Carulli. For Piano and Guitar. Score and Parts. Published by Ut Orpheus. (CH 76)

By Charles Wuorinen. For guitar, piano (2 scores needed for performance). This edition: Photoprint Edition. Photoprint editions are made to order. Printed on high quality paper and cover stock, they are made on a Canon digital printer from clean digital masters. Most of the photoprint editions are saddle stitched, but larger books have wire spiral binding. Duration ca.11'. Published by C.F. Peters.

By Bruce Pearson. Band Methods. Standard of Excellence. Level: Book C,3. Music Book. Published by Neil A. Kjos Music Company.

By Bruce Pearson. Band Methods. Standard of Excellence. Level: Book A,1. Music Book. Published by Neil A. Kjos Music Company.

By Bruce Pearson. Band Methods. Standard of Excellence. Level: Book B,2. Music Book. Published by Neil A. Kjos Music Company.

Guitar and Piano

SKU: HL.50564092

Guitar and Piano. Composed by Maurice Ohana. Editions Durand. Classical. Score Only. Composed 2001. Editions Durand #DA194. Published by Editions Durand (HL.50564092).

UPC: 073999580266. 9.5x12.5x0.183 inches.

Composed by Wilhelm Neuland. Score and part(s). With Standard notation. 32 pages. Chanterelle #ZECH 545. Published by Chanterelle

Composed by Joaquin Rodrigo (1901-1999), edited by Angel Romero. For guitar and piano. Includes piano/guitar book (includes separate pull out guitar part), performance part and piano reduction. With full score notation, standard guitar notation, solo part and piano reduction. 20th century. 78 pages. 9x12 inches. Published by Schott Editions.

Guitar and Piano

SKU: IS.GP14016EM

Composed by Adam Falckenhagen. Arranged by Victor Van Puijenbroeck. Plucked - Guitar. Metropolis Music Publishers #GP14016EM. Published by Metropolis Music Publishers (IS.GP14016EM).

ISBN 9790365000449.

Adam Falckenhagen (1697 - 1754) was a German lutenist and composer of the late Baroque period, travelling from court to court throughout his life, eventually settling in Bayreuth. It was there that he won the favour of Wilhelmine of Prussia, Margravine of Bayreuth, a lutenist herself, and the sister of Frederick the Great. He composed a variety of music for lute, including this Concerto in F Major in three movements: Allegro, Andante, and Vivace. In this edition, Victor Van Puijenbroeck has created a piano reduction of the orchestral score and also has adapted the lute part to be played on guitar. Included are parts for both lute (the part has been adapted from lute tablature to modern notation) and guitar (capotasto).

Guitar and Piano

SKU: IS.GP14018EM

Composed by Karl Kohaut. Arranged by Victor Van Puijenbroeck. Plucked - Guitar. Metropolis Music Publishers #GP14018EM. Published by Metropolis Music Publishers (IS.GP14018EM).

ISBN 9790365000586.

Karl Kohaut (1726 - 1784) was an Austrian lutenist and composer of Czech descent, considered to be one of the last important composers of music for Baroque lute. Although also a violinist active in the Viennese music scene, he was most well-known as a lutenist. He composed a total of seven lute concertos during his lifetime. This Concerto in B-flat Major is in three movements: Allegretto, Largo, and Tempo di Minuetto. In this edition, Victor Van Puijenbroeck has created a piano reduction of the orchestral score and also has adapted the lute part to be played on guitar. Included are parts for both lute (the part has been adapted from lute tablature to modern notation) and guitar (capotasto).

Guitar and Piano

SKU: IS.GP14009EM

Composed by Karl Kohaut. Arranged by Victor Van Puijenbroeck. Plucked - Guitar. Metropolis Music Publishers #GP14009EM. Published by Metropolis Music Publishers (IS.GP14009EM).

ISBN 9790365000609.

Karl Kohaut (1726 - 1784) was an Austrian lutenist and composer of Czech descent, considered to be one of the last important composers of music for Baroque lute. Although also a violinist active in the Viennese music scene, he was most well-known as a lutenist. Composing a total of seven lute concertos during his lifetime, this Concerto in F Major, No. 1 is the most popular. It is in three movements: Allegro, Adagio, and Tempo di Minuetto. In this edition, Victor Van Puijenbroeck has created a piano reduction of the orchestral score and also has adapted the lute part to be played on guitar. Included are parts for both lute (the part has been adapted from lute tablature to modern notation) and guitar (capotasto).