L'oeuvre musicale qui a pour support une Partition a pour titre Mendelssohn On Wings Of Song Voix/Piano. C'est une partition musicale composée par Mendelssohn Felix et qui est destinée aux joueurs de Chant/Vocal/Choeur. Le détail de l'instrumentation Chant Et Piano vous permettra de savoir si cette partition correspond bien à ce que vous cherchez. Son style Classique vous permettra de découvrir ô combien la musique Classique est belle et enrichissante. / Chant Et Piano / Partition

Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn's contemporaries frequently mentioned his 'Hymn of Praise” in the same breath as Beethoven's Ninth - and often enough viewed it as an imitation. Mendelssohn authority John Michael Cooper, in his extensive Introduction to this new Urtext edition, shows that the comparison is completely unfounded: with this work Mendelssohn created a new genre to which he gave the name 'symphony-cantata”. Later he added a secular counterpart with 'Die Erste Walpurgisnacht”. Drawing on all relevant sources, Cooper provides a detailed account of the genesis and structure of this monumental work. Rounding off his scholarly performing edition are notes on the work's performance, e.g. tempo, articulation and dynamics. For the first time the piano reduction includes Mendelssohn's authorised version of the 'Sinfonia”, based on the first edition of No. 1 for piano solo./ Répertoire / Chant et Piano

Arrangeur: Louis Derivis. Par MENDELSSOHN-BARTHOLDY FELIX. Arrangeur: DERIVIS Louis/ Répertoire / Chant et Piano

Par MENDELSSOHN-BARTHOLDY FELIX. Editeur(s) d'origine: Schmidt, Chr. Martin/ Répertoire / Chant et Piano

Romances Sans Paroles N°6, Transcrite & Arrangée Pour Choeur. Par MENDELSSOHN-BARTHOLDY FELIX. Arrangeur: DERIVIS Louis/ Répertoire / Chant et Piano

Edition no.: BA 9074-90 ISMN: 9790006530243 Editor: Cooper, John Michael Arranger: Mendelssohn Bartholdy, Felix Language(s) of work: German, English Language(s) of text: German, English Product format: Piano reduction, Urtext edition Binding: Stapled Pages / Format: IX, 57 S. - 27,0 x 19,0 cm The setting of Psalm no. 42 op. 42 'Wie der Hirsch schreit nach frischem Wasser' ('As the hart pants after the waterbrooks') for soloists, mixed choir and full orchestra dates back to 1837. The well-known Mendelssohn specialist John Michael Cooper has evaluated the first printed edition of the score prepared by the composer himself as well as taking all other important sources into account. This Urtext edition is rounded off by a detailed critical commentary (Ger/Eng). The piano reduction is by Mendelssohn and is an authentic part of this edition. ' Psalm with a large orchestral scoring in a Urtext edition ' Bilingual foreword (Ger/Eng) ' Original German as well as English text ' Includes a piano reduction by the composer