By Franz Schubert. Edited by Walther Durr. For low voice. Collection. Published by Baerenreiter Verlag (German import).

Low Voice. By Franz Schubert. Edited by Walther Durr. For Tisti, Piano. Collection; Playing Score; Urtext Edition (paperbound). Published by Baerenreiter-Ausgaben (German import).

Medium Voice. By Franz Schubert. Edited by Walther Durr. For Middle Voice, Piano. Op. 80-98. Published by Baerenreiter-Ausgaben (German import).

Voice and Piano. By Various. Arranged by A. Parisotti. (Voice and Piano). Vocal Collection. Book only. Size 9x12 inches. 136 pages. Published by Ricordi.

By Edvard Grieg. Edited by Fog/Grinde. For voice, piano. Op. 58,59,60,61,67,69, and 70; EG 121-157, Edition in original keys in accordance with Edvard Grieg: Complete Works (volume 14), edited by the Edvard Grieg Committee, Oslo (urtext). Published by C.F. Peters.

(Volume 2 Voice and Piano (Original Keys)). By Francis Poulenc (1899-1963). For Voice, Piano Accompaniment. Editions Durand. Softcover. 104 pages. Editions Durand #DF16090. Published by Editions Durand

By Various. For Voice, Piano. Level: Grade 2. CD/DVD. Published by ABRSM (Associated Board of the Royal Schools of Music).

For voice and piano. Album. Pop / Jazz. Score. 120 pages. Published by Paul Beuscher

Voice and piano - Level 3

SKU: LM.27611

Composed by Florent Pagny. Michel Leclerc. Pop, jazz. Score. Editions Henry Lemoine #27611. Published by Editions Henry Lemoine (LM.27611).

ISBN 9790230976114.

We are the champions - On n'oublie pas d'ou l'on vient - L'air du temps - Mes emmerdes - Chanter - La poupee qui fait non - Pas de boogie woogie - Et un jour une femme - Chatelet les Halles - Savoir aimer - Con te partiro.

(Tiefe Stimme). By Franz Schubert (1797-1828). Edited by Walther Durr. For Solo Voice, Piano. Playing Score; Urtext Edition. Op. 25. Published by Baerenreiter Verlag

(Mittlere Stimme). By Franz Schubert (1797-1828). Edited by Walther Durr. For Solo Voice, Piano. Playing Score; Urtext Edition. Op. 25. Published by Baerenreiter Verlag

By Antonio Vivaldi. Edited by Antonio Vivaldie, Giovanni Maria Ruggieri. Arranged by Clayton Westermann. For Soprano voice and Alto voice (Soli), Choir / Piano. (Chorus and piano). New Issues. Baroque: Rococco/Gallant; Sacred/Hymns. Vocal Score. Text Language: Latin, English. Composed c1710. 80 pages. Duration 31 minutes. Published by Serenissima.

Edited by Richard Walters. Songbook for voice and piano. A collection of songs from the musical stage, categorized by voice type. The selections are presented in their authentic settings, excerpted from the original vocal scores. 242 pages. Published by Hal Leonard.

(19th & 20th Century Repertoire) Edited by Roger Nichols. Collection for medium/low voice and piano. Photoprint edition - publisher prints this title after order is received. Published by C.F. Peters.

2-Part and Piano. By Allan Naplan. (2 part). CME BEGINNING SERIES. Size 6.8x10.5 inches. 5 pages. Published by Boosey and Hawkes.

Voice and Piano. By Gaetano Donizetti. Arranged by Raffaele Mingardo. Vocal Collection. Size 8x10.5 inches. 98 pages. Published by Ricordi.

Composed by Edvard Grieg (1843-1907), edited by Dan Fog, Nils Grinde. Collection for voice solo and piano accompaniment. Urtext Edition. Text language English, German and Norwiegan. 304 pages. Published by C.F. Peters.

(with 2 CDs of Piano Accompaniments and Diction Lessons by a Native Speaker). By Various. Edited by Alessandro Parisotti. Vocal Collection. Softcover with CD. 100 pages. Ricordi #R140323. Published by Ricordi

Voice and piano

SKU: BR.EB-8881

Repertoire Collection. Composed by Peter Anton Ling. Edited by Peter Anton Ling. Voice; Softbound. Edition Breitkopf.

If only we'd had something like that ... an album for practice, a guide for professional singers as well as for opera enthusiasts.(Franz Mazura, Patron Bass)

Aria; Opera; Classical; Late-romantic. Piano/Vocal Score. 120 pages. Breitkopf and Haertel #EB 8881. Published by Breitkopf and Haertel (BR.EB-8881).

ISBN 9790004184714. 9 x 12 inches. German / English.

The OperAria repertoire anthology was much applauded when it came on stage with three baritone volumes in 2015. The successful baritone debut was followed in 2017/18 by the appearance of the four soprano volumes, also conquering hearts in no time. Now, another performance: The curtain rises on the bass volumes, the foundation of the vocal family for heavier, darker voices, though nevertheless brilliant and full of radiance. The protagonists have such well-known names as Bartolo, Don Basilio, Colline, Don Pasquale, Falstaff, Figaro, Kecal, Osmin, Sarastro. Other heroes less often in the limelight, such as Dulcamara, Sancho Pansa, Phanuel, and Sir Morosus, can certainly also count on much applause. It is my aim to give students a modern, systematically structured, well-informed vocal coach that meets the demands of present-day stage practice. And, of course, a cohesive repertoire and logical presentation of audition arias for every vocal genre.(Peter Anton Ling)OperAria is the ideal vocal coach for all voice types. Edited by Peter Anton Ling, the books address all singers and are conceived above all for training and auditions. In addition, through their careful selection, they offer valuable inspiration for opera recitals. OperAria - repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria) with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance)with comments on the ariasinformation on the composer, the librettist, the work, the range and of versions or casting a short synopsis of the contents illuminating the basic dramatic constellation in the context of the opera's plot an evaluation from the singer's point of viewwith phonetic assistant and text assistantaria texts in the original language spoken by native speakers as an audio file (mp3)aria texts in German and English translations as a text file (pdf)available for download

If only we'd had something like that ... an album for practice, a guide for professional singers as well as for opera enthusiasts. (Franz Mazura, Patron Bass).