Piano and Vocal - advanced SKU: BT.DHP-1165710-401 Piano Reduction...(+)
Piano and Vocal -
advanced
SKU:
BT.DHP-1165710-401
Piano Reduction.
By Paul Mann. By Jon
Lord. Piano Reduction.
Composed 2016. 16 pages.
De Haske Publications
#DHP 1165710-401.
Published by De Haske
Publications
(BT.DHP-1165710-401).
ISBN
9789043150248.
The
28-year-old Jon Lord,
with no experience at all
of writing for orchestra,
composed this work in
only three months in the
lead-up to its premiere
with the Royal
Philharmonic Orchestra
and Malcolm Arnold. It
was his first workfor
orchestra, launching his
career as both a
classical composer and a
founding member of Deep
Purple. It is notably
rich in youthful
invention, sound in
structure, and
sophisticated in
craftsmanship. It broke
new ground at thetime,
and seems only to have
grown in stature across
the intervening years.
The full score appears
here in print for the
first time ever,
meticulously edited by
the
composerââ¬â¢s
long-time musical
collaborator Paul
Mann.
De 28 jaar
oude Jon Lord, die nog
geen enkele ervaring had
in het schrijven voor
orkest, componeerde dit
werk in slechts drie
maanden in de aanloop
naar de première
met het Royal
Philharmonic Orchestra en
Malcolm Arnold.
Hetbetreft dus zijn
eerste compositie voor
orkest en hij lanceerde
hiermee zijn parallelle
carrières als
componist en
medeoprichter van Deep
Purple. Het werk is rijk
aan jeugdige
vindingrijkheid, goed
opgebouwd en met
vakmanschapgemaakt. Het
was destijds baanbrekend
en het lijkt in de loop
der jaren alleen maar aan
zeggingskracht te hebben
gewonnen. De volledige
partituur verschijnt nu
voor het eerst op papier,
in een
consciëntieuze
bewerking doorPaulMann,
met wie de componist op
muzikaal gebied al jaren
samenwerkt.
Partitur und
Klavierauszug des
Concertos
können
käuflich erworben
werden. Das
Einzelstimmen-Set ist
ausschließlich
Leihmaterial. Auskunft
über
Leih-Bedingungen und
Preise erhalten Sie auf
Nachfrage.
Bittekontaktieren Sie:
HalLeonard Europe BV
- Rental
department E-Mail: rental@hall
eonardeurope.nl Der 28 Jahre alte
Jon Lord, der bis dahin
keine Erfahrung im
Bereichder
Orchesterkomposition
hatte, brauchte
für dieses Werk
nur drei Monate, bis es
mit dem Royal
Philharmonic Orchestra
unter der Leitung von
Malcolm Arnold
uraufgeführt
wurde. Seinerstes Werk
für Orchester ist
der Beginn
seinerparallelen Karriere
als Komponist und
Gründungsmitglied
der Rockband Deep Purple.
Das Stück zeichnet
sich durch jugendlichen
Einfallsreichtum, einen
strukturierten Klang
sowie ein
ausgeklügeltes
Könnenaus. Es galt
damals alsbahnbrechend
und seine Bedeutung
scheint in der
Zwischenzeit weiter
gestiegen zu sein. Die
Partitur erscheint hier
zum allerersten Mal im
Druck und wurde bis ins
kleinste Detail von Paul
Mann, einem
langjährigenmusika
lischenFreund des
Komponisten,
herausgegeben.
Voice and piano (or orchestra) For Voice and Piano (or Orchestra). Composed by M...(+)
Voice and piano (or
orchestra)
For Voice and Piano (or
Orchestra). Composed by
Mikis Theodorakis
(1925-). This edition:
Saddle stitching. Sheet
music. Vocal. Softcover.
Composed 2002. 68 pages.
Duration 34'. Schott
Music #ED21658. Published
by Schott Music
Voice and piano (solo: S/Mez - 2.2.1.B-clar.2 - 4.0.0.0 - perc - str) SKU: BR...(+)
Voice and piano (solo:
S/Mez - 2.2.1.B-clar.2 -
4.0.0.0 - perc - str)
SKU: BR.DLV-3496
Then I Ceased to Ask
Those Questions.
Composed by Jean
Sibelius. Voice; stapled.
Deutscher-Lieder-Verlag.
Nearly all of the
orchestral arrangements
were made years after the
original compositions.
Yet even though the
arrangements were made in
a very short period of
time, Sibelius handled
the combination of solo
voice and orchestra with
equal mastery.
Song;
Early modern;
Late-romantic.
Piano/Vocal Score. 4
pages. Duration 3'.
Breitkopf and Haertel
#DLV 3496. Published by
Breitkopf and Haertel
(BR.DLV-3496).
ISBN
9790004801666. 9 x 12
inches. Swedish /
German.
Sibelius
made most of the
orchestral versions of
his songs for the soprano
Ida Ekman (1875-1942),
the incomparable Sibelius
singer the composer
called her in a
dedication written in a
score. Ida Ekman gave the
first performance of the
orchestral version of
Se'n har jag ej fragat
mera on March 30, 1914,
in Turku. Idas husband
Karl conducted the
orchestra of the Turku
Musical Society.Nearly
all of the orchestral
arrangements were made
years after the original
compositions for voice
and piano. Yet even
though the arrangements
were made in a very short
period of time, Sibelius
handled the combination
of solo voice and
orchestra in all songs
with equal mastery,
sometimes creating dark
and dramatic atmospheres
(in Pa verandan vid
havet), sometimes
radiant, colorful
impressions (in
Soluppgang), or
light-colored,
transparent textures (in
Varen flyktar hastigt),
and always basing his
ideas on the poetic idea
of the song while
discovering refined ways
of supporting it.In most
cases, Sibelius used a
comparatively small
orchestra: Varen flyktar
hastigt has only two
flute and four horns
added to the
strings.
Nearly
all of the orchestral
arrangements were made
years after the original
compositions. Yet even
though the arrangements
were made in a very short
period of time, Sibelius
handled the combination
of solo voice and
orchestra with equal
mastery.
Voice and piano (solo: S - 2.0.2.2. - 4.0.0.0. - str) SKU: BR.DLV-3471 (+)
Voice and piano (solo: S
- 2.0.2.2. - 4.0.0.0. -
str)
SKU:
BR.DLV-3471
Original and
Arrangement by the
Composer. Composed by
Jean Sibelius. Voice.
Deutscher-Lieder-Verlag.
Nearly all of the
orchestral arrangements
were made years after the
original compositions.
Yet even though the
arrangements were made in
a very short period of
time, Sibelius handled
the combination of solo
voice and orchestra with
equal mastery.
Song;
Early modern;
Late-romantic. Score. 8
pages. Duration 2'.
Breitkopf and Haertel
#DLV 3471. Published by
Breitkopf and Haertel
(BR.DLV-3471).
ISBN
9790004801512. 9 x 12
inches. Swedish /
German.
Sibelius
made most of the
orchestral versions of
his songs for the soprano
Ida Ekman (1875-1942),
the incomparable Sibelius
singer the composer
called her in a
dedication written in a
score. Ida Ekman gave the
first performance of the
orchestral version of
Soluppgang on March 30,
1914, in Turku. Idas
husband Karl conducted
the orchestra of the
Turku Musical
Society.Nearly all of the
orchestral arrangements
were made years after the
original compositions for
voice and piano. Yet even
though the arrangements
were made in a very short
period of time, Sibelius
handled the combination
of solo voice and
orchestra in all songs
with equal mastery,
sometimes creating dark
and dramatic atmospheres
(in Pa verandan vid
havet), sometimes
radiant, colorful
impressions (in
Soluppgang), or
light-colored,
transparent textures (in
Varen flyktar hastigt),
and always basing his
ideas on the poetic idea
of the song while
discovering refined ways
of supporting
it.
Nearly all of
the orchestral
arrangements were made
years after the original
compositions. Yet even
though the arrangements
were made in a very short
period of time, Sibelius
handled the combination
of solo voice and
orchestra with equal
mastery.
Voice & Piano SKU: SU.21000004 For Voice & Piano. Composed by Samu...(+)
Voice & Piano
SKU:
SU.21000004
For
Voice & Piano.
Composed by Samuel Ward.
Vocal/Choral, Solo Voice.
Accompanied by piano.
Piano Vocal Score.
Calabrese Brothers Music,
LLC #21000004. Published
by Calabrese Brothers
Music, LLC (SU.21000004).
Voice Range D4
to G5This a contemporary
arrangement by Helmut C.
Calabrese using the
original melody of Samuel
A. Ward and the words of
Katerine Lee BatesVoice &
Piano Duration: 4'
Composed: 2001 Published
by: Calabrese Brothers
Music Performance
materials for version
with orchestraavailable
on rental only:.
Voice and piano SKU: BR.DLV-5256 Hey ho, the Wind and the Rain - from ...(+)
Voice and piano
SKU:
BR.DLV-5256
Hey
ho, the Wind and the Rain
- from Shakespeare's
Twelfth Night.
Composed by Jean
Sibelius. Voice;
Softcover.
Deutscher-Lieder-Verlag.
Song; Early modern;
Late-romantic. Score. 4
pages. Duration 2'.
Breitkopf and Haertel
#DLV 5256. Published by
Breitkopf and Haertel
(BR.DLV-5256).
ISBN
9790004801895. 10 x 12.5
inches.
Heissa,
hopsa, bei Regen und Wind
- from Shakespeare's
'Twelfth Night' Unklar
bleibt warum Sibelius
etwa zeitgleich eine
weitere Fassung des Werks
nur mit deutschem Text
fur Singstimme und
Streichorchester
anfertigte. Soweit
bekannt wurde diese
Fassung vor ihrer
erstmaligen
Veroffentlichung im Jahr
2003 in der Gesamtausgabe
,,Jean Sibelius Werke
(JSW) noch nicht
aufgefuhrt. It remains
uncertain why Sibelius
wrote another version of
the work with German text
only for voice and string
orchestra around the same
time. As far as is known
this latter version has
never been performed
before its first
publication in the volume
of the complete edition
Jean Sibelius Works in
2003. In den meisten
Fallen beschrankte sich
Sibelius auf ein relativ
kleines Orchester. In
,,Varen flyktar hastigt
sind neben den Streichern
nur zwei Floten und vier
Horner besetzt.
Nearly all of the
orchestral arrangements
were made years after the
original compositions for
voice and piano. Yet even
though the arrangements
were made in a very short
period of time Sibelius
handled the combination
of solo voice and
orchestra in all songs
with equal mastery
sometimes creating dark
and dramatic atmospheres
(in Pa verandan vid
havet) sometimes radiant
colorful impressions (in
Soluppgang) or
light-colored transparent
textures (in Varen
flyktar hastigt) and
always basing his ideas
on the poetic idea of the
song while discovering
refined ways of
supporting it. In most
cases Sibelius used a
comparatively small
orchestra: Varen flyktar
hastigt has only two
flute and four horns
added to the strings. Mit
dem Erscheinen der
Erstausgabe 1986 eroberte
sich das Werk rasch
seinen Platz neben den
anderen
Streichorchesterwerken
des finnischen
Komponisten. Das
vorliegende Impromptu
entstand Anfang 1894, als
Jean Sibelius die kurz
zuvor komponierten
Klavier-Impromptus op. 5
Nr. 5 und Nr. 6
zusammenfugte und fur
Streichorchester
instrumentierte. Die
beiden im Gestus vollig
unterschiedlichen
Charakterstudien finden
dabei zu einem
einheitlichen Ganzen da
Sibelius das Hauptthema
aus dem sturmischen.
Voice and Piano SKU: AP.36-M181291 Composed by Maurice Ravel. Performance...(+)
Voice and Piano
SKU:
AP.36-M181291
Composed by Maurice
Ravel. Performance Music
Ensemble; Solo Voice with
Piano. Ludwig Masters.
Score and Part(s). Alfred
Music #36-M181291.
Published by Alfred Music
(AP.36-M181291).
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Piano; Voice SKU: HL.14041133 Voice and Piano. Composed by Jean-Yv...(+)
Piano; Voice
SKU:
HL.14041133
Voice
and Piano. Composed
by Jean-Yves
Daniel-Lesur. Arranged by
J Masson. Music Sales
America. Classical.
Softcover. Editions
Musicales
Transatlantiques
#ETR0357/1. Published by
Editions Musicales
Transatlantiques
(HL.14041133).
French.
L'annonc
iation (L. Masson):
Cantate pour tenor,
recitant, choeur mixte et
orchestra. Reduction voix
et piano.
Voice and piano SKU: M7.AR-5738-24 Avec CD Play-Back. Composed by ...(+)
Voice and piano
SKU:
M7.AR-5738-24
Avec
CD Play-Back.
Composed by Henri Duparc.
Sheet music with CD. MDS
(Music Distribution
Services) #AR 5738-24.
Published by MDS (Music
Distribution Services)
(M7.AR-5738-24).
Voice and piano SKU: BR.SON-513 Composed by Hanns Eisler. Edited by Knud ...(+)
Voice and piano
SKU:
BR.SON-513
Composed
by Hanns Eisler. Edited
by Knud Breyer. Voice;
Hardback. Complete Works.
Early modern; Music
post-1945. Complete
Works. 352 pages.
Breitkopf and Haertel
#SON 513. Published by
Breitkopf and Haertel
(BR.SON-513).
ISBN
9790004803721. 9 x 12
inches. German /
English.
Editorial
BoardThomas Phleps
(Music), Georg Witte
(Writings)Editorial
MembersMusic: Oliver
Dahin / Johannes C. Gall,
Writings: Maren
KosterEditorial
CommitteeMusic: Hartmut
Fladt, Werner Grunzweig,
Elmar Juchem, Roland
Kluttig, Giselher
SchubertWritings:
Albrecht Betz, Albrecht
Riethmuller, Jurgen
Schebera, Friederike
WissmannThe editorial
works are supported by
the Deutsche
Forschungsgemeinschaft.Sp
ecial volumes are made
possible with the support
of the following
foundations:Klockner-Stif
tung, Lotto-Stiftung,
Hanns und Steffy Eisler
StiftungThe goal of the
Hanns Eisler Complete
Edition (HEGA) is to
present to the public all
available compositions,
writings and letters in
an appropriately
scholarly form. It takes
a historico-critical
approach and seeks to
document the history of
the works and writings by
shedding light on their
transformations, thus
identifying the various
versions as witnesses of
evolving aesthetic and
historical positions.
Eislers complete oeuvre
(only a limited number of
his works had penetrated
the publics awareness up
until the 1990s) first
became the object of an
editorial undertaking
when the Eisler -
Gesammelte Werke (EGW)
was founded by Nathan
Notowicz. It was later
placed under the
direction of Manfred
Grabs and Eberhardt
Klemm, and began issuing
its publications in 1968
through the intermediary
of the Deutscher Verlag
fur Musik in Leipzig.
However, only four
volumes of music and five
volumes of writings were
published. The Hanns
Eisler Complete Edition
pursues the work begun at
that time, although it
has had to fundamentally
revise its editorial
principles. In this
respect, the Hanns Eisler
Complete Edition can be
considered as a
completely new editorial
undertaking. It became
necessary to reconceive
the organization of the
volumes and series as
well as the editorial
guidelines in order to
adapt the standards of
historico-critical
editing generally
applicable today to the
specific and sometimes
singular circumstances of
Eislers works.The
Critical Commentaries
pertaining to the main
volumes follow the music
section or, whenever they
are too extensive, appear
in a special
volume.Series I: Choral
MusicSeries II: Music for
Voice and Instrumental
Ensemble or
OrchestraSeries III:
Music for Voice and
PianoSeries IV:
Instrumental MusicSeries
V: Incidental MusicSeries
VI: Film MusicSeries VII:
Sketches and
FragmentsSeries VIII:
Arrangements of works by
other composersSeries IX:
Writings, Letters and
InterviewsSON 501 has
been awarded the German
Music Edition Prize
2003.SON 502 has been
awarded the German Music
Edition Prize
2007.
The major
upheavals that
transformed society and
musical aesthetics during
the first half of the
20th century also
profoundly affected the
life of Hanns Eisler, as
well as his compositions
and writings. The
importance and scope of
Eislers oeuvre are reason
enough to make his works
accessible to musical
scholarship and practice
in a comprehensive
fashion. Price reduction
for a subscription.
Voice and piano SKU: BR.DLV-5633 Composed by Jean Sibelius. Voice. Deutsc...(+)
Voice and piano
SKU:
BR.DLV-5633
Composed
by Jean Sibelius. Voice.
Deutscher-Lieder-Verlag.
Song; Early modern;
Late-romantic. Score. 8
pages. Breitkopf and
Haertel #DLV 5633.
Published by Breitkopf
and Haertel
(BR.DLV-5633).
ISBN
9790004802151. 9 x 12
inches. Swedish /
German.
Six single
editions: DLV 5631 -
1. Der Norden DLV 5632
- 2. Hennes Budskap -
Ihre Botschaft DLV
5632 - 3. Morgonen - Der
Morgen DLV 5634 - 4.
Fagelfangaren - Der
Vogelsteller DLV 5635
- 5. Sommernatten - Die
Sommernacht DLV 5636 -
6. Vem Styrde hit din vag
- Wer hat dich hergefuhrt
Fast alle
Orchesterbearbeitungen
sind Jahre nach den
Originalkompositionen fur
Singstimme und Klavier
entstanden.
Trotz
der Tatsache dass sie
rasch hingeworfen sind
zeigt sich in allen
Liedern Sibelius'
Meisterschaft als
Orchesterliederkomponist.
Manchmal vermag er eine
dustere dramatische
Atmosphare (in ,,Pa
verandan vid havet) zu
erzeugen manchmal
gelingen ihm leuchtend
farbige Impressionen (in
,,Soluppgang) oder zart
transparente Gewebe (in
,,Varen flyktar hastigt)
- immer jedoch sind die
Lieder ganz aus deren
poetischer Idee heraus
gestaltet und
differenziert
nachgezeichnet. In den
meisten Fallen
beschrankte sich Sibelius
auf ein relativ kleines
Orchester. In ,,Varen
flyktar hastigt sind
neben den Streichern nur
zwei Floten und vier
Horner besetzt. Nearly
all of the orchestral
arrangements were made
years after the original
compositions for voice
and piano.
Yet
even though the
arrangements were made in
a very short period of
time Sibelius handled the
combination of solo voice
and orchestra in all
songs with equal mastery
sometimes creating dark
and dramatic atmospheres
(in Pa verandan vid
havet) sometimes radiant
colorful impressions (in
Soluppgang) or
light-colored transparent
textures (in Varen
flyktar hastigt) and
always basing his ideas
on the poetic idea of the
song while discovering
refined ways of
supporting it. Fast alle
Orchesterbearbeitungen
sind Jahre nach den
Originalkompositionen fur
Singstimme und Klavier
entstanden.
Trotz
der Tatsache dass sie
rasch hingeworfen sind
zeigt sich in allen
Liedern Sibelius'
Meisterschaft als
Orchesterliederkomponist.
manchmal vermag er eine
dustere dramatische
Atmosphare (in ,,Pa
verandan vid havet) zu
erzeugen manchmal
gelingen ihm leuchtend
farbige Impressionen (in
,,Soluppgang) oder zart
transparente Gewebe (in
,,Varen flyktar hastigt)
- immer jedoch sind die
Lieder ganz aus deren
poetischer Idee heraus
gestaltet und
differenziert
nachgezeichnet. In den
meisten Fallen
beschrankte sich Sibelius
auf ein relativ kleines
Orchester. In ,,Varen
flyktar hastigt sind
neben den Streichern nur
zwei Floten und vier
Horner besetzt. Nearly
all of the orchestral
arrangements were made
years after the original
compositions for voice
and piano.
Yet
even though the
arrangements were made in
a very short period of
time Sibelius handled the
combination of solo voice
and orchestra in all
songs with equal mastery
sometimes creating dark
and dramatic atmospheres
(in Pa verandan vid
havet) sometimes radiant
colorful impressions (in
Soluppgang) or
light-colored transparent
textures (in Varen
flyktar hastigt) and
always basing his ideas
on the poetic idea of the
song while discovering
refined ways of
supporting it.
(for Voice and Piano). Composed by Sergei Rachmaninoff (1873-1943). Edited by Do...(+)
(for Voice and Piano).
Composed by Sergei
Rachmaninoff (1873-1943).
Edited by Dominik Rahmer.
For Voice, High Voice,
Piano Accompaniment.
Henle Music Folios.
Softcover. 14 pages. G.
Henle #HN1237. Published
by G. Henle
Voice and piano SKU: BR.DLV-5634 Composed by Jean Sibelius. Voice. Deutsc...(+)
Voice and piano
SKU:
BR.DLV-5634
Composed
by Jean Sibelius. Voice.
Deutscher-Lieder-Verlag.
Song; Early modern;
Late-romantic. Score. 8
pages. Breitkopf and
Haertel #DLV 5634.
Published by Breitkopf
and Haertel
(BR.DLV-5634).
ISBN
9790004802168. 9 x 12
inches. Swedish /
German.
Six single
editions: DLV 5631 -
1. Der Norden DLV 5632
- 2. Hennes Budskap -
Ihre Botschaft DLV
5632 - 3. Morgonen - Der
Morgen DLV 5634 - 4.
Fagelfangaren - Der
Vogelsteller DLV 5635
- 5. Sommernatten - Die
Sommernacht DLV 5636 -
6. Vem Styrde hit din vag
- Wer hat dich hergefuhrt
Fast alle
Orchesterbearbeitungen
sind Jahre nach den
Originalkompositionen fur
Singstimme und Klavier
entstanden.
Trotz
der Tatsache dass sie
rasch hingeworfen sind
zeigt sich in allen
Liedern Sibelius'
Meisterschaft als
Orchesterliederkomponist.
Manchmal vermag er eine
dustere dramatische
Atmosphare (in ,,Pa
verandan vid havet) zu
erzeugen manchmal
gelingen ihm leuchtend
farbige Impressionen (in
,,Soluppgang) oder zart
transparente Gewebe (in
,,Varen flyktar hastigt)
- immer jedoch sind die
Lieder ganz aus deren
poetischer Idee heraus
gestaltet und
differenziert
nachgezeichnet. In den
meisten Fallen
beschrankte sich Sibelius
auf ein relativ kleines
Orchester. In ,,Varen
flyktar hastigt sind
neben den Streichern nur
zwei Floten und vier
Horner besetzt. Nearly
all of the orchestral
arrangements were made
years after the original
compositions for voice
and piano.
Yet
even though the
arrangements were made in
a very short period of
time Sibelius handled the
combination of solo voice
and orchestra in all
songs with equal mastery
sometimes creating dark
and dramatic atmospheres
(in Pa verandan vid
havet) sometimes radiant
colorful impressions (in
Soluppgang) or
light-colored transparent
textures (in Varen
flyktar hastigt) and
always basing his ideas
on the poetic idea of the
song while discovering
refined ways of
supporting it. Fast alle
Orchesterbearbeitungen
sind Jahre nach den
Originalkompositionen fur
Singstimme und Klavier
entstanden.
Trotz
der Tatsache dass sie
rasch hingeworfen sind
zeigt sich in allen
Liedern Sibelius'
Meisterschaft als
Orchesterliederkomponist.
manchmal vermag er eine
dustere dramatische
Atmosphare (in ,,Pa
verandan vid havet) zu
erzeugen manchmal
gelingen ihm leuchtend
farbige Impressionen (in
,,Soluppgang) oder zart
transparente Gewebe (in
,,Varen flyktar hastigt)
- immer jedoch sind die
Lieder ganz aus deren
poetischer Idee heraus
gestaltet und
differenziert
nachgezeichnet. In den
meisten Fallen
beschrankte sich Sibelius
auf ein relativ kleines
Orchester. In ,,Varen
flyktar hastigt sind
neben den Streichern nur
zwei Floten und vier
Horner besetzt. Nearly
all of the orchestral
arrangements were made
years after the original
compositions for voice
and piano.
Yet
even though the
arrangements were made in
a very short period of
time Sibelius handled the
combination of solo voice
and orchestra in all
songs with equal mastery
sometimes creating dark
and dramatic atmospheres
(in Pa verandan vid
havet) sometimes radiant
colorful impressions (in
Soluppgang) or
light-colored transparent
textures (in Varen
flyktar hastigt) and
always basing his ideas
on the poetic idea of the
song while discovering
refined ways of
supporting it.