Composed by Michael Ching. One Act/Chamber Opera. 20th Century. Score. Published by E.C. Schirmer Publishing

Voice and piano

SKU: BR.EB-8872

Repertoire Collection. Composed by Marina Sandel and Peter Anton Ling. Edited by Peter Anton Ling. Voice; Softbound. Edition Breitkopf. Aria; Opera; Classical; Late-romantic. Piano/Vocal Score. 152 pages. Breitkopf and Haertel #EB 8872. Published by Breitkopf and Haertel (BR.EB-8872).

ISBN 9790004184622. 9 x 12 inches. German / English.

Una voce poco profonda: Curtain up for Trouser Roles and HeroinesWhether the voice is lyric light or heavy, whether it can master coloratura, perhaps even has dramatic potential - in the OperAria mezzo-soprano and alto volumes, singers with a deeper voice and a special talent for the trouser role through to the heroine find everything they need for their performance. Throbbing of the heart? Yes, that's simply part of the game! Feeling nervous? No, because actually nothing can go wrong with OperAria. The best vocal coach for auditions and current theatre practice. Only the voice needs to do its bit. Toi, toi, toi!Our goal is to give the user a modern-day, systematically structured vocal coach who satisfies the demands of present-day theater practice. At long last a consistent repertoire and a well-ordered conflation of respective audition arias for all vocal genres. (Peter Anton Ling and Marina Sandel, editors)OperAria - repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria) with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance)with comments on the ariasinformation on the composer, the librettist, the work, the range and of versions or casting a short synopsis of the contents illuminating the basic dramatic constellation in the context of the opera's plot an evaluation from the singer's point of viewwith phonetic assistant and text assistantaria texts in the original language spoken by native speakers as an audio file (mp3)aria texts in German and English translations as a text file (pdf)available for download

One of the most difficult decisions for singers (and their teachers!) is finding the right repertoire for the present state of vocal development. These three volumes for mezzo-soprano and alto provide a magnificent orientation, and are a great gift! (Marilyn Schmiege, Patron mezzosoprano, alto).

(A Theatrical Song Cycle About The Civil War). By Ricky Ian Gordon. For vocal ensemble. Opera. Vocal score/piano reduction. Standard notation. 160 pages. Duration 1 hour, 25 minutes. Published by Theodore Presser Company

Composed by Gian-Carlo Menotti. For 2 sopranos, tenor, baritone, 2 basses and piano. Format: vocal score. With choral notation, piano reduction and introductory text. 20th Century and Broadway. 65 pages. 9x12 inches. Published by Schirmer.

Voice and piano

SKU: BR.EB-8871

Repertoire Collection. Composed by Marina Sandel and Peter Anton Ling. Edited by Peter Anton Ling. Voice; Softbound. Edition Breitkopf.

Publication of Vol. 1 is scheduled for the first half of 2020, Vol. 2 for the first half of 2021.

Aria; Opera; Classical; Late-romantic. Piano/Vocal Score. 132 pages. Breitkopf and Haertel #EB 8871. Published by Breitkopf and Haertel (BR.EB-8871).

ISBN 9790004184615. 9 x 12 inches. German / English.

Una voce poco profonda: Curtain up for Trouser Roles and HeroinesWhether the voice is lyric light or heavy, whether it can master coloratura, perhaps even has dramatic potential - in the OperAria mezzo-soprano and alto volumes, singers with a deeper voice and a special talent for the trouser role through to the heroine find everything they need for their performance. Throbbing of the heart? Yes, that's simply part of the game! Feeling nervous? No, because actually nothing can go wrong with OperAria. The best vocal coach for auditions and current theatre practice. Only the voice needs to do its bit. Toi, toi, toi!Our goal is to give the user a modern-day, systematically structured vocal coach who satisfies the demands of present-day theater practice. At long last a consistent repertoire and a well-ordered conflation of respective audition arias for all vocal genres. (Peter Anton Ling and Marina Sandel, editors)OperAria - repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria) with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance)with comments on the ariasinformation on the composer, the librettist, the work, the range and of versions or casting a short synopsis of the contents illuminating the basic dramatic constellation in the context of the opera's plot an evaluation from the singer's point of viewwith phonetic assistant and text assistantaria texts in the original language spoken by native speakers as an audio file (mp3)aria texts in German and English translations as a text file (pdf)available for download

One of the most difficult decisions for singers (and their teachers!) is finding the right repertoire for the present state of vocal development. These three volumes for mezzo-soprano and alto provide a magnificent orientation, and are a great gift! (Marilyn Schmiege, Patron mezzosoprano, alto).

Lyrics by Marsha Norman, music by Lucy Simon. Vocal score for mixed voices and piano. With vocal melody, lyrics and piano reduction. 350 pages. Published by Alfred Publishing.

Voice and piano (Soli: SBar(T) - 1(picc.A-fl).1(cor ang).1(Ebclar.Bclar).0. - 1.1.2.0. - perc - hp - pno - str: 1.1.1.1.1.)

SKU: BR.DV-6140

Scenes for 2 Singers and 15 Instrumentalists. Composed by Udo Zimmermann. Voice; Softbound. Deutscher Verlag. World premiere: Hamburg, February 27, 1986DV 1140 awarded the German Music Edition Prize. Opera; Music theatre; Music post-1945; New music (post-2000). Piano/Vocal Score. Composed 1984/85. 140 pages. Duration 75'. Deutscher Verlag fur Musik #DV 6140. Published by Deutscher Verlag fur Musik (BR.DV-6140).

ISBN 9790200460230. 13.5 x 10.5 inches.

Translation : Engl. (S. Wadsworth) (1988) / (Norbert Rubesaat) (1993); French (Jean-Pierre Wurtz) (1997) Place and time: Jail Munchen-Stadelheim, in the hour before the execution on 22nd February 1943 Characters: Sophie Scholl (soprano) / Hans Scholl (baritone or tenor) >>Weisse Rose<< (White Rose) was the name of the resistance group to which Hans and Sophie Scholl belonged. Udo Zimmermann's composition is characterized by the varying structure of its scenes: dramatic, visionary scenes, e.g. the remembered wartime experiences on the front, Sophie's anxiety about the removal of the children and the wish to see her parents one last time, contrast with contemplative monologues that are intended to provide insights into the individual's particular situation. The composer interweaves into the structure of the piece dream sequences with sudden bursts of anxiety that are not triggered by the execution that is about to take place but by the consequences of one's own actions. The result is a deliberate fusion of the various parts into one another. More than 100 different productions prove that the topic is as important as ever and that the work is both artistically rewarding and practicable. Udo Zimmermann About the piece Two young people, the siblings Sophie and Hans Scholl, are in a prison cell, one hour before they are to be put to death by their fascist executioners. Their christian convictions and sense of responsibility gave them the courage to put up resistance, resistance against the lies, the contempt for humanity and all human values. Sophie and Hans Scholl took their stand in the full knowledge that they were taking a deadly risk. They would simply not have been able to live with their feelings of shame had they not grasped the chance of fighting for what they believed in, even though it was a dangerous thing to do. Memories of past events, doubts, hopes and fears, justification of deeds and an acceptance of death, all these things happen and move in, and between, these two people during this representation of the hour before death. The orchestra provides a psycho-physical shorthand of their inner mental state. Musical effects and gestures search for their identity in human behaviour. The moments of stillness and silence provide moments of musical tension, which are just as powerful as the eruptions of fear and desperation. CDs: Gabriele Fontana (soprano), Lutz-Michael Harder (tenor), Instrumentalensemble, cond. Udo Zimmermann CD Orfeo C 162 871 Grazyna Szklarecka (soprano), Frank Schiller (tenor), musica viva-ensemble dresden, cond. Udo Zimmermann CD Berlin Classics Eterna BC 0120 060-2 CD (excerpts): Gabriele Fontana (soprano), Lutz-Michael Harder (tenor), Ein Instrumentalensemble, cond. Udo Zimmermann CD BMG 74321 73628 2 Bibliography : Kornel , Attila: ,,Tief unter uns nur Schweigen - Die Asthetik der Stille in Udo Zimmermanns Kammeroper ,,Weisse Rose, in: Die Tonkunst 11 (2017), pp. 368-377. Rheinlander , Matthias: Im Osten nichts Neues? Ostalgie ohne Kitsch am Beispiel von Udo Zimmermanns Oper Die weisse Rose, in: Musik und Unterricht, Heft 73 (2003), pp. 34-40.

World premiere: Hamburg, February 27, 1986DV 1140 Awarded the German Music Edition Prize.

Voice and Piano - Intermediate

SKU: YM.GTP01100083

Composed by Youjiro Noda RADWIMPS. Piano and Vocal. RADWIMPS. Artist Folio; J-POP. Book. Yamaha Music Media #GTP01100083. Published by Yamaha Music Media (YM.GTP01100083).

ISBN 9784636100600.

The RADWIMPS's CD album 2+0+2+1+3+1+1= 10 years 10 songs released on March 11, 2021, published for the 10th memorial year of the Great East Japan Earthquake 2011, is available as a music sheet. The music spun while facing the reality and staying close to the disaster-stricken areas appeals to the listeners' hearts for something important. Feel and share the feelings that RADWIMPS has written over the past 10 years, along with the messages that Yojiro Noda has sent every year. 10 songs are all written by Youjiro Noda, who is famous as a composer of Your Name and Weathering With You. The book can be used for a wide range of piano accompanying scores with vocals or solo instruments.

For voice(s), piano. Holidays. Book and CD. 51 pages. Published by Themes and Variations

Songs for Children to Sing and Play - Volume 2. By Paul Nordoff. Text: Anonymous. For Voice, Piano, Resonator Bells. Performance score. 27 pages. Published by Theodore Presser Company.

For Voice and Piano. By Thomas Pasatieri. Text: Pola Braun. For Voice, Piano. Premiered on May 10, 2004 at Music of Remembrance's Holocaust Remembrance concert, Benaroya Hall, Seattle, WA. Classical. Piano/Vocal Score. 39 pages. Published by Theodore Presser Company.

Vocal Score. By Sir Arthur Seymour Sullivan, W.S. Gilbert. (score). Vocal Score. Size 7.5x10.7 inches. 288 pages. Published by G. Schirmer, Inc.

Vocal Score. By Sir Arthur Seymour Sullivan, W.S. Gilbert. (score). Vocal Score. Size 7.5x11 inches. 242 pages. Published by G. Schirmer, Inc.

Seven Songs About Poets and Poetry for Mezzo-Soprano (or Soprano) and Piano. By Leo Smit. Text: Emily Dickinson. For Mezzo-Soprano, Soprano, Piano. The Ecstatic Pilgrimage: Cycle VI. Classical. Piano/Vocal Score. Composed 1989. 12 pages. Duration 9:30. Published by Theodore Presser Company.

Voice and piano (solo: T - 2(picc.A-fl).2(ob.d'am[ad lib.].cor ang.muha).2(B-clar.S-sax. muha).2(kfg.muha) - 1.1(corn [ad lib.]).1.0 - timp.perc(3) - acc(windmachine I).hp(rainmaker.windmachi ne II).guit(rainmaker.windma chine III) - str: 1.1.2.1.1)

SKU: BR.EB-9394

A Composed Interpretation. Composed by Hans Zender. Voice; Softbound. Edition Breitkopf. World premiere: Frankfurt am Main, September 21, 1993. Song; Music post-1945. Piano/Vocal Score. Composed 1993. 120 pages. Duration 85'. Breitkopf and Haertel #EB 9394. Published by Breitkopf and Haertel (BR.EB-9394).

ISBN 9790004188682. 9 x 12 inches.

My lecture of the Winterreise does not demand a new expressive interpretation, but instead systematically exercises the freedom which all interpreters allow themselves intuitively, such as: instrumental dilation i. e. acceleration of the pace, transposition into other keys and elaboration of characteristic color timbres. In addition, there are further ways of reading; the music; jumping around in the text, repeating certain lines, interrupting the continuity, comparing different expressions of the same phrase ... All these new possibilities are subjected to my compositional discipline and form autonomous formal processes which are imposed on Schuberts original. The transformation of the piano tones into a multifaceted orchestra full of resonance is only one of many aspects.(Hans Zender)CDs:Hans Peter Blochwitz (Tenor), Ensemble Modern, Conductor: Hans Zender CD BMG 9026-68067-2 Christoph Pregardien (Tenor), Klangforum Wien, Conductor: Sylvain Cambreling CD Kairos 0012002KAIJulien Pregardien (Tenor), Deutsche Radio Philharmonie Kaiserslautern, Conductor: Robert Reimer2 CD's P.RHEI (2016)Bibliography:Adam-S chmidmeier, Eva-Maria von: Schubert interpretieren. Hans Zender: Schuberts Winterreise. Eine komponierte Interpretation im Unterricht, in: Musik und Unterricht Heft 96 (2009), pp. 50-56.Gruhn, Wilfried: Wider die asthetische Routine. Hans Zenders Version von Schuberts Winterreise, in: Neue Zeitschrift fur Musik 1/1997.Hebling, Harald: Kompositorische Schubertrezeption im 20. Jahrhundert, Magisterarbeit Universitat Wien 2003, especially pp. 148-157.Nonnenmann, Rainer: Vom Nutzen und Nachteil der Musikhistorie fur das Musikleben. Zur Kritik aktualisierender Interpretation am Beispiel von Hans Zenders Schuberts ,Winterreise, in: Musik und Asthetik 7, Heft 26 (April 2003), pp. 65-90.ders.: Schuberts ,Winterreise . Komponierte Interpretation von Hans Zender / Ballett von John Neumeier, in: Osterreichische Musikzeitung 60 (2005), Heft 3, p. 42f.ders.: Fremd bin ich eingezogen, fremd zieh ich wieder aus. Versuch zur Rettung der Vergangenheit Schuberts Winterreise. Eine komponierte Interpretation fur Tenor und kleines Orchester (1993) von Hans Zender, in ders.: Winterreisen. Komponierte Wege von und zu Franz Schuberts Liederzyklus aus zwei Jahrhunderten, 2 Bande (= Taschenbucher zur Musikwissenschaft, Band 150/151), Wilhelmshaven: Florian Noetzel 2006, pp. 143-205.Petersen, Birger: Neue Musik. Analysen, Berlin: Simon Verlag fur Bibliothekswissen 2013, pp. 11-24.Revers, Peter: ... Schnee, du weisst von meinem Sehnen. Aspekte der Schubert-Rezeption in Hans Zenders Winterreise (1993), in: Dialekt ohne Erde. Franz Schubert und das 20. Jahrhundert, hrsg. von Otto Kolleritsch, Wien-Graz 1998 (Studien zur Wertungsforschung, Band 34), pp. 98-120.Schafer-Lembeck, Hans-Ulrich: Gegenstrebige Fugungen. Hans Zenders Musik und seine komponierte Interpretation von Schuberts Winterreise, in: Neue Musik vermitteln. Analysen Interpretationen - Unterricht, hrsg. von Hans Bassler, Ortwin Nimczik und Peter W. Schatt, Mainz: Schott, 2004, pp. 295-307.Stahmer, Klaus Hinrich: Bearbeitung als Interpretation - Zur Schubertrezeption Gustav Mahlers, Hans Zenders und Friedhelm Dohls, in: Franz Schubert und Gustav Mahler in der Musik der Gegenwart, Mainz 1998.Zender, Hans: warum wieder die Winterreise? Hartmut Regitz im Gesprach mit dem Komponisten, in: ballet.tanz - international.aktuell, Heft 12 (2001), p. 18.

World premiere: Frankfurt am Main, September 21, 1993.

Composed by Jacqueline Bonnardot. For medium and high voice and piano. Jacqueline Bonnardot. Classical. Score. 45 pages. Published by Editions Henry Lemoine

(Voice and Piano)

SKU: HL.48189699

Composed by Isabelle Aboulker. Leduc. Classical. Softcover. 65 pages. Alphonse Leduc #NT20690A. Published by Alphonse Leduc (HL.48189699).

UPC: 888680836658. 8.5x12.0x0.269 inches.

La Fountaine and the Crow is an opera-fable created by Isabelle Aboulker and based on the fables of Jean de la Fontaine. Featuring the scores for voice and piano only and the text for the actors, this piece is a show in which the music is initially played by flute, oboe, 2 clarinets, bassoon, horn, piano, percussion and cello. Two actors are necessary: the Crow and the show presenter. La Fountaine and the crow is a great work for a choir or a music school. Isabelle Aboulker is a French composer especially known for her opera and vocal works.