Voice and piano (solo: S - 4(2picc).3(cor ang).3(Eb-clar.Bb-clar).3 (dble bsn) -...(+)
Voice and piano (solo: S
- 4(2picc).3(cor
ang).3(Eb-clar.Bb-clar).3
(dble bsn) - 4.3.0.0 -
hp.timp.perc(4) - str)
SKU: BR.EB-8951
Final Version 1911 -
Textcritical Edition.
Composed by Gustav
Mahler. Edited by
Christian Rudolf Riedel.
Voice; stapled. Edition
Breitkopf. Symphony;
Late-romantic.
Piano/Vocal Score. 20
pages. Duration 55'.
Breitkopf and Haertel #EB
8951. Published by
Breitkopf and Haertel
(BR.EB-8951).
ISBN
9790004186206. 9 x 12
inches. German.
Of
all his symphonies,
Mahler gave the Fourth,
his favorite and problem
child, his most
particular attention. The
Heavenly Life, a
humoresque composed in
1892 for soprano and
piano, which he already
wanted to use in the
final movement of the
Third Symphony under the
title What the Child
Tells Me, ultimately
became the nucleus and
final movement of the
Fourth. Even after
publication in 1901,
Mahler kept repeatedly
refining the
orchestration. His maxim
not without my retouching
led to a whole series of
revised reprints. It is
probably no coincidence
that Mahler performed
especially the Fourth
Symphony in his last two
New York concerts in
February 1911, using this
opportunity to review
once again the score and
parts. This performance
material with his
retouching served as the
main source for the new
edition. Furthermore,
included for the first
time were corrections and
annotations in
conjunction with
performances of the
Fourth, which Mahler
entered into the scores
of conductors such as
Mengelberg and
Wickenhauser. PB 5664 has
been awarded the Presto
Sheet Music Award
2020.
Score & Parts High Voice; Vocal (Voice and Piano) SKU: HL.51481458 For...(+)
Score & Parts High Voice;
Vocal (Voice and Piano)
SKU: HL.51481458
For High Voice and
Piano. Composed by
Richard Strauss. Henle
Music Folios. Classical.
Softcover. G. Henle
#HN1458. Published by G.
Henle (HL.51481458).
UPC: 840126989601.
8.25x11.75x0.14
inches.
Written in
1885, the eight songs
after texts by the now
little-known poet Hermann
von Gilm have a special
place in Richard Strauss'
corpus of Lieder. For the
first time, he composed
an entire set of songs on
texts by a single poet,
collecting them into one
opus that was also to
appear in print. Some of
the numbers in it, like
Zueignung, Die Nacht, and
Allerseelen, are among
the most popular Strauss
songs of all time, but
the entire cycle with its
well-planned structure is
also worthy of closer
examination and
performance. The aspiring
composer quite
consciously aligns
himself with the
tradition ranging from
Schubert to Wolf,
choosing the highly
Romantic subject of
unrequited love and
illuminating its most
diverse facets. The
primary source for the
Henle Urtext edition is
the first edition from
1887, which Strauss
furnished with a
dedication to the Royal
Bavarian chamber singer
Heinrich Vogl - a serious
invitation to today's
male singers not to leave
these wonderful Strauss
songs solely to female
singers!
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
