(Voice and Piano) SKU: HL.48189346 Composed by Isabelle Aboulker. Leduc. ...(+)
(Voice and Piano)
SKU:
HL.48189346
Composed
by Isabelle Aboulker.
Leduc. Classical.
Softcover. 7 pages.
Alphonse Leduc #NT09887Z.
Published by Alphonse
Leduc (HL.48189346).
UPC: 888680835316.
8.25x12.0x0.089
inches.
Known for
her Operas and Vocal
works, contemporary
composer, Isabelle
Aboulker has won numerous
prizes for her
compositions. I love you
makes for a sublime
performance work for
Soprano and Piano.
Described as a love song
for a distressed Soprano,
I love you is technically
challenging. Aboulker's
love song addresses
features including
intervals, staccato, a
wide range, altering time
signatures and
contrasting dynamics,
amongst other aspects. As
an exciting, alternative
collection in the Vocal
repertoire, Aboulker's I
love you is an exquisite
addition to the Soprano
repertoire..
(Voice and Piano) SKU: HL.48189385 Composed by Isabelle Aboulker. Leduc. ...(+)
(Voice and Piano)
SKU:
HL.48189385
Composed
by Isabelle Aboulker.
Leduc. Classical. CD.
Alphonse Leduc #NT10800R.
Published by Alphonse
Leduc (HL.48189385).
UPC: 888680991869.
9.0x12.0
inches.
Known for
her Operas and Vocal
works, contemporary
composer, Isabelle
Aboulker has won numerous
prizes for her
compositions. 1918, The
Man who was Staggering in
the War has met much
success and is a sublime
addition to the Vocal
repertoire. Aboulker was
commissioned to write the
work in 1998 to
commemorate the 80th
anniversary of the ending
of World War I. 1918, The
Man who was Staggering in
the War was later chosen
to represent France when
Weimar became European
city of culture in 1999.
Written for Voice and
Piano, 1918, The Man who
was staggering in the War
is an Oratorio. As an
exciting, alternative
collection of songs in
the Vocal repertoire,
Aboulker''s 1918, The Man
who was Staggering in the
War is an exquisite
addition to any singer''s
repertoire..
(Solo Songs for the Developing Treble Voice). By Laura Farnell Vicki Tucker Cour...(+)
(Solo Songs for the
Developing Treble Voice).
By Laura Farnell Vicki
Tucker Courtney. For
Treble Voice and Piano.
Book with CD. 48 pages.
Published by BriLee Music
Voice and piano (solo: T - 2(picc.A-fl).2(ob.d'am[ad lib.].cor ang.muha).2(B-cla...(+)
Voice and piano (solo: T
-
2(picc.A-fl).2(ob.d'am[ad
lib.].cor
ang.muha).2(B-clar.S-sax.
muha).2(kfg.muha) -
1.1(corn [ad lib.]).1.0 -
timp.perc(3) -
acc(windmachine
I).hp(rainmaker.windmachi
ne
II).guit(rainmaker.windma
chine III) - str:
1.1.2.1.1)
SKU:
BR.EB-9394
A
Composed
Interpretation.
Composed by Hans Zender.
Voice; Softbound. Edition
Breitkopf. World
premiere: Frankfurt am
Main, September 21, 1993.
Song; Music post-1945.
Piano/Vocal Score.
Composed 1993. 120 pages.
Duration 85'. Breitkopf
and Haertel #EB 9394.
Published by Breitkopf
and Haertel (BR.EB-9394).
ISBN 9790004188682. 9
x 12 inches.
My
lecture of the
Winterreise does not
demand a new expressive
interpretation, but
instead systematically
exercises the freedom
which all interpreters
allow themselves
intuitively, such as:
instrumental dilation i.
e. acceleration of the
pace, transposition into
other keys and
elaboration of
characteristic color
timbres. In addition,
there are further ways of
reading; the music;
jumping around in the
text, repeating certain
lines, interrupting the
continuity, comparing
different expressions of
the same phrase ... All
these new possibilities
are subjected to my
compositional discipline
and form autonomous
formal processes which
are imposed on Schuberts
original. The
transformation of the
piano tones into a
multifaceted orchestra
full of resonance is only
one of many aspects.(Hans
Zender)CDs:Hans Peter
Blochwitz (Tenor),
Ensemble Modern,
Conductor: Hans Zender CD
BMG 9026-68067-2
Christoph Pregardien
(Tenor), Klangforum Wien,
Conductor: Sylvain
Cambreling CD Kairos
0012002KAIJulien
Pregardien (Tenor),
Deutsche Radio
Philharmonie
Kaiserslautern,
Conductor: Robert Reimer2
CD's P.RHEI
(2016)Bibliography:Adam-S
chmidmeier, Eva-Maria
von: Schubert
interpretieren. Hans
Zender: Schuberts
Winterreise. Eine
komponierte
Interpretation im
Unterricht, in: Musik und
Unterricht Heft 96
(2009), pp. 50-56.Gruhn,
Wilfried: Wider die
asthetische Routine. Hans
Zenders Version von
Schuberts Winterreise,
in: Neue Zeitschrift fur
Musik 1/1997.Hebling,
Harald: Kompositorische
Schubertrezeption im 20.
Jahrhundert,
Magisterarbeit
Universitat Wien 2003,
especially pp.
148-157.Nonnenmann,
Rainer: Vom Nutzen und
Nachteil der
Musikhistorie fur das
Musikleben. Zur Kritik
aktualisierender
Interpretation am
Beispiel von Hans Zenders
Schuberts ,Winterreise,
in: Musik und Asthetik 7,
Heft 26 (April 2003), pp.
65-90.ders.: Schuberts
,Winterreise .
Komponierte
Interpretation von Hans
Zender / Ballett von John
Neumeier, in:
Osterreichische
Musikzeitung 60 (2005),
Heft 3, p. 42f.ders.:
Fremd bin ich eingezogen,
fremd zieh ich wieder
aus. Versuch zur Rettung
der Vergangenheit
Schuberts Winterreise.
Eine komponierte
Interpretation fur Tenor
und kleines Orchester
(1993) von Hans Zender,
in ders.: Winterreisen.
Komponierte Wege von und
zu Franz Schuberts
Liederzyklus aus zwei
Jahrhunderten, 2 Bande (=
Taschenbucher zur
Musikwissenschaft, Band
150/151), Wilhelmshaven:
Florian Noetzel 2006, pp.
143-205.Petersen, Birger:
Neue Musik. Analysen,
Berlin: Simon Verlag fur
Bibliothekswissen 2013,
pp. 11-24.Revers, Peter:
... Schnee, du weisst von
meinem Sehnen. Aspekte
der Schubert-Rezeption in
Hans Zenders Winterreise
(1993), in: Dialekt ohne
Erde. Franz Schubert und
das 20. Jahrhundert,
hrsg. von Otto
Kolleritsch, Wien-Graz
1998 (Studien zur
Wertungsforschung, Band
34), pp.
98-120.Schafer-Lembeck,
Hans-Ulrich:
Gegenstrebige Fugungen.
Hans Zenders Musik und
seine komponierte
Interpretation von
Schuberts Winterreise,
in: Neue Musik
vermitteln. Analysen
Interpretationen -
Unterricht, hrsg. von
Hans Bassler, Ortwin
Nimczik und Peter W.
Schatt, Mainz: Schott,
2004, pp.
295-307.Stahmer, Klaus
Hinrich: Bearbeitung als
Interpretation - Zur
Schubertrezeption Gustav
Mahlers, Hans Zenders und
Friedhelm Dohls, in:
Franz Schubert und Gustav
Mahler in der Musik der
Gegenwart, Mainz
1998.Zender, Hans: warum
wieder die Winterreise?
Hartmut Regitz im
Gesprach mit dem
Komponisten, in:
ballet.tanz -
international.aktuell,
Heft 12 (2001), p.
18.
World
premiere: Frankfurt am
Main, September 21,
1993.
(Sheet Music Selections from the Original Motion Picture Soundtrack). For Keyboa...(+)
(Sheet Music Selections
from the Original Motion
Picture Soundtrack). For
Keyboard; Piano; Voice.
This edition:
Piano/Vocal. Book;
Piano/Vocal/Chords; Shows
and Movies. Movie. 64
pages. Published by
Alfred Music
Composed by Richard Wagner (1813-1883). For Voice, Piano Accompaniment (Vocal Sc...(+)
Composed by Richard
Wagner (1813-1883). For
Voice, Piano
Accompaniment (Vocal
Score). This edition:
Urtext edition. Vocal
Score. Vocal score. 478
pages. Schott Music
#ED20550. Published by
Schott Music
Alto; Soprano; Vocal (Voice and Piano) SKU: HL.51481487 For Female Voi...(+)
Alto; Soprano; Vocal
(Voice and Piano)
SKU:
HL.51481487
For
Female Voice and
Piano. Composed by
Evgeny Kissin. Henle
Music Folios. Classical.
Softcover. G. Henle
#HN1487. Published by G.
Henle (HL.51481487).
UPC: 840126989342.
8.25x11.75x0.079
inches.
It is a
great pleasure to
present, with
Thanatopsis, maestro
Kissin's opus 4, an
expressive setting of the
ground-breaking poem from
the quill of William
Cullen Bryant. Published
in in the form known
today in 1821, it is an
early example of American
romantic poetry of the
19th century. Bryant is
today reckoned among the
group of “Fireside
Poets†or
“Schoolroom
Poets,†names that
allude to the places
where their poems were
usually recited. His
poems – first and
foremost Thanatopsis
(“A Consideration
of Deathâ€) as his
most famous – are
rooted in the English
tradition, but at the
same time show Bryant's
openness to a genuine
American language and
lifeworld. Evgeny
Kissin's setting is a
large vocal scene
intensely informed by
recitative, which
congenially allows the
prevailing mood of the
text to resound. Our
edition additionally
includes German and
French translations of
the poem and an
informative afterword
about Bryant's life and
work and the genesis of
Thanatopsis.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
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experience (founded 1948
exclusively for Urtext
editions)