E-Z Play�® Today Volume 371. Composed by Various. E-Z Play Today. Softcover. 360 pages. Published by Hal Leonard (HL.159577).

Composed by Michael Ching. One Act/Chamber Opera. 20th Century. Score. Published by E.C. Schirmer Publishing

By Jerry Silverman. By Jerry Silverman. For Piano/Vocal. SongBook. Archive Edition. Western American. Level: Beginning-Intermediate. Book. 112 pages. Published by Mel Bay Publications, Inc.

Vocal Score. By Benjamin Britten. Arranged by Arthur Oldham. (Vocal Score). Boosey and Hawkes Large Choral. Book only. Size 7.25x10.25 inches. 88 pages. Published by Boosey and Hawkes.

By Various. For Organ, Piano/Keyboard, Electronic Keyboard. E-Z Play Today. Softcover. 240 pages. Published by Hal Leonard

Voice and piano

SKU: BR.EB-8882

Repertoire Collection. Composed by Peter Anton Ling. Edited by Peter Anton Ling. Voice; Softbound. Edition Breitkopf.

If only we'd had something like that ... an album for practice, a guide for professional singers as well as for opera enthusiasts.(Franz Mazura, Patron Bass)

Aria; Opera; Classical; Late-romantic. Piano/Vocal Score. 144 pages. Breitkopf and Haertel #EB 8882. Published by Breitkopf and Haertel (BR.EB-8882).

ISBN 9790004184721. 9 x 12 inches. German / English.

The OperAria repertoire anthology was much applauded when it came on stage with three baritone volumes in 2015. The successful baritone debut was followed in 2017/18 by the appearance of the four soprano volumes, also conquering hearts in no time. Now, another performance: The curtain rises on the bass volumes, the foundation of the vocal family for heavier, darker voices, though nevertheless brilliant and full of radiance. The protagonists have such well-known names as Bartolo, Don Basilio, Colline, Don Pasquale, Falstaff, Figaro, Kecal, Osmin, Sarastro. Other heroes less often in the limelight, such as Dulcamara, Sancho Pansa, Phanuel, and Sir Morosus, can certainly also count on much applause. It is my aim to give students a modern, systematically structured, well-informed vocal coach that meets the demands of present-day stage practice. And, of course, a cohesive repertoire and logical presentation of audition arias for every vocal genre.(Peter Anton Ling)OperAria is the ideal vocal coach for all voice types. Edited by Peter Anton Ling, the books address all singers and are conceived above all for training and auditions. In addition, through their careful selection, they offer valuable inspiration for opera recitals. OperAria - repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria) with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance)with comments on the ariasinformation on the composer, the librettist, the work, the range and of versions or casting a short synopsis of the contents illuminating the basic dramatic constellation in the context of the opera's plot an evaluation from the singer's point of viewwith phonetic assistant and text assistantaria texts in the original language spoken by native speakers as an audio file (mp3)aria texts in German and English translations as a text file (pdf)available for download

If only we'd had something like that ... an album for practice, a guide for professional singers as well as for opera enthusiasts. (Franz Mazura, Patron Bass).

Voice and piano

SKU: BR.EB-8881

Repertoire Collection. Composed by Peter Anton Ling. Edited by Peter Anton Ling. Voice; Softbound. Edition Breitkopf.

If only we'd had something like that ... an album for practice, a guide for professional singers as well as for opera enthusiasts.(Franz Mazura, Patron Bass)

Aria; Opera; Classical; Late-romantic. Piano/Vocal Score. 120 pages. Breitkopf and Haertel #EB 8881. Published by Breitkopf and Haertel (BR.EB-8881).

ISBN 9790004184714. 9 x 12 inches. German / English.

The OperAria repertoire anthology was much applauded when it came on stage with three baritone volumes in 2015. The successful baritone debut was followed in 2017/18 by the appearance of the four soprano volumes, also conquering hearts in no time. Now, another performance: The curtain rises on the bass volumes, the foundation of the vocal family for heavier, darker voices, though nevertheless brilliant and full of radiance. The protagonists have such well-known names as Bartolo, Don Basilio, Colline, Don Pasquale, Falstaff, Figaro, Kecal, Osmin, Sarastro. Other heroes less often in the limelight, such as Dulcamara, Sancho Pansa, Phanuel, and Sir Morosus, can certainly also count on much applause. It is my aim to give students a modern, systematically structured, well-informed vocal coach that meets the demands of present-day stage practice. And, of course, a cohesive repertoire and logical presentation of audition arias for every vocal genre.(Peter Anton Ling)OperAria is the ideal vocal coach for all voice types. Edited by Peter Anton Ling, the books address all singers and are conceived above all for training and auditions. In addition, through their careful selection, they offer valuable inspiration for opera recitals. OperAria - repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria) with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance)with comments on the ariasinformation on the composer, the librettist, the work, the range and of versions or casting a short synopsis of the contents illuminating the basic dramatic constellation in the context of the opera's plot an evaluation from the singer's point of viewwith phonetic assistant and text assistantaria texts in the original language spoken by native speakers as an audio file (mp3)aria texts in German and English translations as a text file (pdf)available for download

If only we'd had something like that ... an album for practice, a guide for professional singers as well as for opera enthusiasts. (Franz Mazura, Patron Bass).

Voice and piano

SKU: BR.EB-8880

Repertoire Collection. Composed by Peter Anton Ling. Edited by Peter Anton Ling. Voice; Softbound. Edition Breitkopf.

If only we'd had something like that ... an album for practice, a guide for professional singers as well as for opera enthusiasts.(Franz Mazura, Patron Bass)

Aria; Opera; Classical; Late-romantic. Piano/Vocal Score. 156 pages. Breitkopf and Haertel #EB 8880. Published by Breitkopf and Haertel (BR.EB-8880).

ISBN 9790004184707. 9 x 12 inches. German / English.

The OperAria repertoire anthology was much applauded when it came on stage with three baritone volumes in 2015. The successful baritone debut was followed in 2017/18 by the appearance of the four soprano volumes, also conquering hearts in no time. Now, another performance: The curtain rises on the bass volumes, the foundation of the vocal family for heavier, darker voices, though nevertheless brilliant and full of radiance. The protagonists have such well-known names as Bartolo, Don Basilio, Colline, Don Pasquale, Falstaff, Figaro, Kecal, Osmin, Sarastro. Other heroes less often in the limelight, such as Dulcamara, Sancho Pansa, Phanuel, and Sir Morosus, can certainly also count on much applause. It is my aim to give students a modern, systematically structured, well-informed vocal coach that meets the demands of present-day stage practice. And, of course, a cohesive repertoire and logical presentation of audition arias for every vocal genre.(Peter Anton Ling)OperAria is the ideal vocal coach for all voice types. Edited by Peter Anton Ling, the books address all singers and are conceived above all for training and auditions. In addition, through their careful selection, they offer valuable inspiration for opera recitals. OperAria - repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria) with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance)with comments on the ariasinformation on the composer, the librettist, the work, the range and of versions or casting a short synopsis of the contents illuminating the basic dramatic constellation in the context of the opera's plot an evaluation from the singer's point of viewwith phonetic assistant and text assistantaria texts in the original language spoken by native speakers as an audio file (mp3)aria texts in German and English translations as a text file (pdf)available for download

If only we'd had something like that ... an album for practice, a guide for professional singers as well as for opera enthusiasts. (Franz Mazura, Patron Bass).

Volume for voice piano

SKU: CA.240303

Composed by Various. Edited by Klaus Brecht, Klaus Konrad Weigele. Awards / Prizes: Deutscher Musikeditionspreis Best Edition. Awards / Prizes: Deutscher Musikeditionspreis Best Edition. Weihnachtslieder. Klavierband Mit 2 Stimmen. Christmas Carols, Advent, Christmas. Volume for voice piano. Carus Verlag #CV 02.403/03. Published by Carus Verlag (CA.240303).

ISBN 9790007134648. Illustrator: Frank Walka.

* Simple arrangements for voice and piano, plus instrumental upper part ad lib. * With new, varied arrangements by over 20 composers. * The instrumental difficulty level of the ad lib part is easy to medium. * The upper part (in C) and a bass part are included with the volume. The melody and upper parts, transposed for B flat instruments, are available separately (as a playing score, Carus 2.403/21). * Up-to-date collection of materials for small or larger music groups in schools, music schools, parishes and families, who want to accompany Christmas carols instrumentally. * The performer's volume can be used flexibly for different ensembles with piano accompaniment. Score available separately - see item CA.240300.

40 Hits from the '90s to Now (Piano/Vocal). Composed by various composers and arrangers. This edition: Piano/Vocal/Guitar. Book; P/V/C Mixed Folio; Piano/Vocal/Chords. Best Top 40 Songs. Pop. 248 pages. Published by Alfred Music

Baritone Voice and Piano

SKU: HL.14006558

Composed by Hector Berlioz. Music Sales America. Sacred. Book [Softcover]. 152 pages. Music Sales #NOV070053. Published by Music Sales (HL.14006558).

ISBN 9780853606444. 8.75x11.75x0.521 inches.

A perfect bouquet of sweet flowers of melody and a masterpiece of simplicity' as described by Heine in a letter to Berlioz. This sacred trilogy was written in 1854 for soprano, baritone, two tenors and three basses. This version, with English words by Paul England, contains all vocal parts and a piano reduction of the orchestral score.

Album of 30 songs (I. & E.) Realization of the Figured Bass by LUIGI DALLAPICCOLA. Voice and piano. Published by International Music Co.

Tragedie Opera (Drama heroique) in 3 Akten. Pariser Fassung 1774 (franzosisch/deutsch). Klavierauszug nach dem Urtext der Gluck-Gesamtausgabe. By Christoph Willibald von Gluck. Edited by Finscher, Ludwig;Sommer, Jurgen. For 2 Soprano solo, Tenor solo, Mixed Choir-Ball, 2 Flute, 2 Oboe, 2 Clarinet (b flat), 2 Bassoon, 2 Horn, 2 Trumpet, 3 Trombone, Kettledrum, Harp, Strings. Piano Reduction/Vocal Score (paperbound). Published by Baerenreiter-Ausgaben (German import).

By Franz Schubert. Edited by Max Friedlander. For High / Medium / Low voice and Piano. Published by Edition Peters.

Voice and piano (solo: T - 2(picc.A-fl).2(ob.d'am[ad lib.].cor ang.muha).2(B-clar.S-sax. muha).2(kfg.muha) - 1.1(corn [ad lib.]).1.0 - timp.perc(3) - acc(windmachine I).hp(rainmaker.windmachi ne II).guit(rainmaker.windma chine III) - str: 1.1.2.1.1)

SKU: BR.EB-9394

A Composed Interpretation. Composed by Hans Zender. Voice; Softbound. Edition Breitkopf. World premiere: Frankfurt am Main, September 21, 1993. Song; Music post-1945. Piano/Vocal Score. Composed 1993. 120 pages. Duration 85'. Breitkopf and Haertel #EB 9394. Published by Breitkopf and Haertel (BR.EB-9394).

ISBN 9790004188682. 9 x 12 inches.

My lecture of the Winterreise does not demand a new expressive interpretation, but instead systematically exercises the freedom which all interpreters allow themselves intuitively, such as: instrumental dilation i. e. acceleration of the pace, transposition into other keys and elaboration of characteristic color timbres. In addition, there are further ways of reading; the music; jumping around in the text, repeating certain lines, interrupting the continuity, comparing different expressions of the same phrase ... All these new possibilities are subjected to my compositional discipline and form autonomous formal processes which are imposed on Schuberts original. The transformation of the piano tones into a multifaceted orchestra full of resonance is only one of many aspects.(Hans Zender)CDs:Hans Peter Blochwitz (Tenor), Ensemble Modern, Conductor: Hans Zender CD BMG 9026-68067-2 Christoph Pregardien (Tenor), Klangforum Wien, Conductor: Sylvain Cambreling CD Kairos 0012002KAIJulien Pregardien (Tenor), Deutsche Radio Philharmonie Kaiserslautern, Conductor: Robert Reimer2 CD's P.RHEI (2016)Bibliography:Adam-S chmidmeier, Eva-Maria von: Schubert interpretieren. Hans Zender: Schuberts Winterreise. Eine komponierte Interpretation im Unterricht, in: Musik und Unterricht Heft 96 (2009), pp. 50-56.Gruhn, Wilfried: Wider die asthetische Routine. Hans Zenders Version von Schuberts Winterreise, in: Neue Zeitschrift fur Musik 1/1997.Hebling, Harald: Kompositorische Schubertrezeption im 20. Jahrhundert, Magisterarbeit Universitat Wien 2003, especially pp. 148-157.Nonnenmann, Rainer: Vom Nutzen und Nachteil der Musikhistorie fur das Musikleben. Zur Kritik aktualisierender Interpretation am Beispiel von Hans Zenders Schuberts ,Winterreise, in: Musik und Asthetik 7, Heft 26 (April 2003), pp. 65-90.ders.: Schuberts ,Winterreise . Komponierte Interpretation von Hans Zender / Ballett von John Neumeier, in: Osterreichische Musikzeitung 60 (2005), Heft 3, p. 42f.ders.: Fremd bin ich eingezogen, fremd zieh ich wieder aus. Versuch zur Rettung der Vergangenheit Schuberts Winterreise. Eine komponierte Interpretation fur Tenor und kleines Orchester (1993) von Hans Zender, in ders.: Winterreisen. Komponierte Wege von und zu Franz Schuberts Liederzyklus aus zwei Jahrhunderten, 2 Bande (= Taschenbucher zur Musikwissenschaft, Band 150/151), Wilhelmshaven: Florian Noetzel 2006, pp. 143-205.Petersen, Birger: Neue Musik. Analysen, Berlin: Simon Verlag fur Bibliothekswissen 2013, pp. 11-24.Revers, Peter: ... Schnee, du weisst von meinem Sehnen. Aspekte der Schubert-Rezeption in Hans Zenders Winterreise (1993), in: Dialekt ohne Erde. Franz Schubert und das 20. Jahrhundert, hrsg. von Otto Kolleritsch, Wien-Graz 1998 (Studien zur Wertungsforschung, Band 34), pp. 98-120.Schafer-Lembeck, Hans-Ulrich: Gegenstrebige Fugungen. Hans Zenders Musik und seine komponierte Interpretation von Schuberts Winterreise, in: Neue Musik vermitteln. Analysen Interpretationen - Unterricht, hrsg. von Hans Bassler, Ortwin Nimczik und Peter W. Schatt, Mainz: Schott, 2004, pp. 295-307.Stahmer, Klaus Hinrich: Bearbeitung als Interpretation - Zur Schubertrezeption Gustav Mahlers, Hans Zenders und Friedhelm Dohls, in: Franz Schubert und Gustav Mahler in der Musik der Gegenwart, Mainz 1998.Zender, Hans: warum wieder die Winterreise? Hartmut Regitz im Gesprach mit dem Komponisten, in: ballet.tanz - international.aktuell, Heft 12 (2001), p. 18.

World premiere: Frankfurt am Main, September 21, 1993.

Critical Edition Reduction for Voice and Piano. Composed by Antonio Vivaldi (1678-1741). Edited by Alessandro Borin. Vocal Score. Classical. Softcover. 90 pages. Ricordi #CP141380. Published by Ricordi (HL.50600720).

Lyrics by Ira Gershwin, music by George Gershwin (1898-1937). Collection for voice and piano. 208 pages. Published by Alfred Publishing.

Voice & Piano

SKU: ST.LS14

Composed by Francis Pilkington. Edited by Edmund H Fellowes. Vocal music. Edited by E H Fellowes. Revised by Thurston Dart. With Lute Tablature. Vocal score. Stainer & Bell Ltd. #LS14. Published by Stainer & Bell Ltd. (ST.LS14).

ISBN 9790220212567.

CONT ENTS
Alas fair face (F sharp - E)
Ay me, she frowns (F - G)
Beauty sat bathing (D - F)
Can she disdain? (E - E)
Climb O heart (D - F)
Come, come all you (D - E)
Diaphenia, like the daffdowndilly (D - D)
Down a down thus Phyllis sung (D - D)
I sigh as sure to wear the fruit (E - E)
Look mistress mine (F sharp - F)
Music dear solace to my thoughts (D- F)
My choice is made (D - F)
Now let her change (E - F)
Now peep, Bo Peep (E - F)
Pavan for the lute and bass viol
Rest sweet nymphs (G - F)
Sound woeful plaints (D - D)
Thanks gentle moon (D - E)
Underneath a cypress shade (F - F)
Whither so fast? (E - E)
With fragrant flow'rs (D - E flat)
You that pine in long desire (E - E).

(Voice and Piano)

SKU: HL.48181755

Composed by Jacques-Francois Ibert. Leduc. Classical. Softcover. 4 pages. Alphonse Leduc #AL21630. Published by Alphonse Leduc (HL.48181755).

UPC: 888680862909. 9x12.25 inches.

“Jacq ues Ibert (1890-1962) studied at the Paris Conservatoire before embarking upon a successful composing career. The film Don Quichotte increased his popularity when he composed the musical score in 1933. Controversially, the producers of Don Quichotte asked five composers separately to compose songs for the film. Each composer thought only he had been approached, and when Ibert's music was eventually chosen for the film, it caused him some embarrassment as Maurice Ravel, who had also been approached, was a close friend of his. Song of Departure comes toward the beginning of the film, sung by the the main character, Don Quichotte. Addressing a variety of musical aspects and techniques, Ibert's Song of Departure is a challenging yet evocative addition to the Bass repertoire.&rdquo.