For aspiring and professional singers who love Broadway, Alfred's Singer's Library of Musical Theatre presents an elegant collection of the best-loved musical theatre songs in their original keys, authentically transcribed from their original vocal scores. Perfect for study, and equally suitable for the most important auditions and performances, each volume is dedicated to a specific vocal range, and contains dozens of songs from a variety of shows that span decades of theatre history. Multiple volumes are available for each of four vocal ranges: Soprano, Mezzo-Soprano/Alto, Tenor, and Baritone/Bass. Authoritative historical and contextual commentary, audition tips, and 16-bar cut suggestions for each song make it the most useful and relevant song library of its kind. Titles: I'm Not That Smart (The 25th Annual Putnam County Spelling Bee) * My Unfortunate Erection (Chip's Lament) (The 25th Annual Putnam County Spelling Bee) * Dames (42nd Street) * Radames' Letter (Elton John and Tim Rice's 'Aida') * The Gypsy in Me Anything Goes (1988 Revival)) * Ballad of Booth (Part III) (Assassins) * What Am I Doin'? (Closer Than Ever) * Broadway Baby (Dames At Sea) * Blah, Blah, Blah (Delicious) * When the Earth Stopped Turning (Elegies) * You Gotta Die Sometime (Falsettos) * I Want to Make Magic (Fame: The Musical) * Sandy (Grease) * Donna (Hair) * Different (Honk!) * The Phone Call (Lucky Stiff) * Knowing Me, Knowing You (Mamma Mia) * To Each His Dulcinea (Man of La Mancha) * Larger Than Life (My Favorite Year) * I'm Falling in Love with Someone (Naughty Marrietta) * And They're Off (A New Brain) * Stouthearted Men (The New Moon) * Lucky to Be Me (On the Town) * A New Town Is a Blue Town (The Pajama Game) * Extraordinary (Pippin) * There's a Boat Dat's Leavin' Soon for New York (Porgy / Instrumental Music, Miscellaneous, Songbooks, Voca / Recueil / Voix et Piano

A must-own comprehensive collection of 76 songs from musical theatre, movies, folksongs and standards for any budding vocalist! Songs include: Baby Face · The Bare Necessities · Beauty and the Beast · Born to Entertain · Castle on a Cloud · Do-Re-Mi · Do You Want to Build a Snowman? · Edelweiss · Getting to Know You · How Much Is That Doggie in the Window · I Whistle a Happy Tune · Let Me Entertain You · Let There Be Peace on Earth · Little People · Mairzy Doats · My Favorite Things · Never Never Land · Over the Rainbow · Puff the Magic Dragon · The Rainbow Connection · Red Ryder(R) Carbine Action BB Gun · Simple Gifts · Tomorrow · When I Grow Up · Where Is Love? · You've Got a Friend in Me · and more! / Piano/Vocal/Guitare (PVG)

Par LLOYD WEBBER ANDREW. Andrew Lloyd Webber brillante adaptation musicale classique beaucoup aimé du T.S.Eliot. Livre de pratique chats du Old Possum, a ravi le public partout dans le monde. Cet album vocal piano comprend toutes les pièces de l'émission aux côtés de classiques populaires mémoire, le vieux chat de Gumbie et Skimbleshanks. / TV, Film, Comédie musicale / Recueil / Chant

Description Stephen Sondheim: Into The Woods - Vocal Score Into the Woods blends various familiar fairy tales with an original story of a childless baker and his wife, who catalyze the action of the story by attempting to reverse a curse on their family in order to have a Songlist A Very Nice Prince A Very Nice Prince (Reprise) Act I Finale - Part I Act I Finale - Part II Act I Finale - Part III Act I Finale - Part IV Act I Opening - Part I Act I Opening - Part II Act I Opening - Part IIA Act I Opening - Part III Act I Opening - Part IV Act I Opening - Part V Act I Opening - Part VI Act I Opening - Part VII Act I Opening - Part VIII Act II Finale - Part I Act II Finale - Part II Act II Finale - Part III Act II Finale - Part IV Act II Opening - Part I Act II Opening - Part II Act II Opening - Part III Act II Opening - Part IV Act II Opening - Part IX Act II Opening - Part V Act II Opening - Part VI Act II Opening - Part VII Act II Opening - Part VIII Act II Opening - Part X After Plan (Underscore) Agony Agony Playoff (Underscore) Agony Reprise Any Moment - Part I Any Moment - Part II Arms Of A Princess Attack Of The Birds (Underscore) Bakers Reprise Cinderella At The Grave Cinderella Coming From The Ball (Underscore) Cinderella Coming From The Ball Again (Underscore) Cow Death (Underscore) Cues 18A Fanfare (Underscore) First Midnight Giants In The Sky Grandmother's House (Underscore) Hello Little Girl I Guess This Is Goodbye I Know Things Now It Takes Two Jack's Mother (Underscore) Lament Last Midnight Maybe They're Magic Moments In The Woods No More No One Is Alone - Part I No One Is Alone - Part II On The Steps Of The Palace Rapunzel Rapunzel Hair Pull (Underscore) Second Midnight Stay With Me The Potion (Underscore) Underscore 12B Underscore 13A Underscore 18 Underscore 9A Your Fault

Par SZYMANOWSKI KAROL. (VII) The Polish idiom appeared in Szymanowskis music in 1920, foreshadowing the beginning of a new period of creativity, later called nationalistic. Before this idiom was realised and such compositions typical of the Polish style as the ballet Harnasie, the Mazurkas, Stabat Mater, Fourth Symphony and Second Violin Concerto had been written, the change in musical thinking and the first experiments in the new language took place in songs. Symptoms of the new style manifested themselves fully in Slopiewnie, Op. 46 bis, composed in the summer of 1921 and published by Universal Edition. In these bizarre songs to bizarre words by Tuwim Szymanowski attempted to crystallize and generalize artistically some primaeval Polish, racial as he described them elements in music. The inspiring factor was undoubtedly the text by Julian Tuwim, abounding in new-coined words and imbued with its own music. It indicated the direction that artistic creativity was to take, and made the full corellation of the verbal and musical layers possible in, as Mieczyslaw Tomaszewski has stated, all the planse of co-operation phonic, structural, expressional and semantic. Based on A. Neuer Commentary to Complete Edition Volume C11 (VIII) Szymanowski did not yield to the temptation of easy over-stilization. Streching out to the deepest ethnic layers of his native musical culture, he made an attempt to mould and suitably fashion a Polish style of musical utterance. This tendency is apparent in the Three Lullabies, Op. 48, to words by Jaroslaw Iwaszkiewicz, composed in 1922 and published by Universal Edition in 1926. In the Lullabies we can find the confirmation of the fact that utterly new atmosphere which, according to the composer, Slopiewnie had introduced into his music, was not a once-for-all phenomemon. The elements of the new musical language, analised in connection with the earlier cycle, may here be regarded as assimilated. These are modalities in vocal melodies (Lullaby I) and cadences (Lullabies I and III), a bourdon effect with a tritone (Lullaby II). However these sometimes sligh and apparently unimportant details recur constatnly, an so acquire the nature of a definite compositional technique establishing a style based in an increasing degree on nationalistic elements. Based on Adam Neuer Commentary to Complete Edition Volume C11 (IX) The Childrens Rhymes, Op. 49, a cycle of twenty short songs by Kazimiera Illakowicz, composed in 1922-23, were a completely new creative experience for Szymanowski. He composed the Rhymes with his 11-year-old niece in mind. She was the daughter of Stanislawa Korwin-Szymanowska, who performed these songs for the first time in Warsaw on 25 February 1924. / Date parution : 2021-12-09/ Recueil / Chant et Piano

For aspiring and professional singers who love Broadway, Alfred's Singer's Library of Musical Theatre presents an elegant collection of the best-loved musical theatre songs in their original keys, authentically transcribed from their original vocal scores. Perfect for study, and equally suitable for the most important auditions and performances, each volume is dedicated to a specific vocal range, and contains dozens of songs from a variety of shows that span decades of theatre history. Multiple volumes are available for each of four vocal ranges: Soprano, Mezzo-Soprano/Alto, Tenor, and Baritone/Bass. Authoritative historical and contextual commentary, audition tips, and 16-bar cut suggestions for each song make it the most useful and relevant song library of its kind. Titles: All for You (Saturday Night) * Autumn (Starting Here, Starting Now) * Ballad of Dependency (The Threepenny Opera) * The Boy Friend (The Boy Friend) * Bring on Tomorrow (Fame -- The Musical) * Goodbye, Little Dream, Goodbye (Anything Goes 1988 Revival) * I Speak Six Languages (The 25th Annual Putnam County Spelling Bee) * I'm a Stranger Here Myself (One Touch of Venus) * Jilted (Of Thee I Sing) * Just Imagine (Good News) * A Little Bit in Love (Wonderful Town) * A Little Bit of Good (Chicago) * Long Ago (Half a Sixpense) * Love in a Home (Lil' Abner) * Love Is Sweeping the Country (Of Thee I Sing) * Mira (Carnival) * My Love Is on the Way (The Golden Apple) * My Man's Gone Now (Porgy and Bess) * Once Upon a Dream (Jekyll & Hyde) * Only Love (Scarlet Pimpernel) * Patterns (Closer Than Ever) * Practically Perfect (Mary Poppins -- Stage Version) * Romance (The Desert Song) * Safety in Numbers (The Boy Friend) * The Sailor of My Dreams (Dames at Sea) * Some Other Time (On the Town)* The Sun Whose Rays Are / Instrumental Music, Miscellaneous, Songbooks, Voca / Recueil / Voix et Piano

Quarante-quatre chansons de recueils de The Complete clavier joueur chants, allant des classiques jazz au rock et pop hits. Arrangé pour clavier avec des inscriptions, des doigtés, des paroles et des symboles de la corde. Comprend ' Another Day In Paradise ', ' Hey Jude', ' Satin Doll ' et ' prendre ces chaînes de mon coeur / Clavier / 96 pages / Partition

The Polar Express is a wonderfully heart-warming seasonal tale that has touched the spirits of millions over the years, telling the story of the power of belief. Published in 1985, the inevitable movie version was the Christmas film of 2004. This sumptuous edition features eight pages of stills from the film, along with Piano, Voice and Guitar arrangements of the 7 original songs by Ballard and Silvestri. Futhermore, the folio also includes five Christmas classics as performed by Frank Sinatra and Perry Como. / TV, Film, Comédie musicale / Recueil / Chant et Piano

Par SILVERMAN JERRY. Une collection de chanson complète et historiquement significatif, ce volume massif capte les espoirs et la tragédie de l'ère de la guerre civile. Chansons sont regroupés dans les catégories suivantes : le syndicat, la Confédération, Lincoln, Sentiments universelle, soldats chansons, batailles, Negro Spirituals and abolitionniste chansons, The Lighter Side et Post Bellum. Une particularité de ce texte est l'inclusion d'authentiques portraits formels et informels, plus illustrant le campement militaire de la suite de la bataille. Arrangé pour voix avec les accords de guitare et accompagnement piano. / Niveau : Intermédiaire / American - Songbooks / Recueil / Chant et Piano

Par FORTNER WOLFGANG. In his later years Fortner wrote a number of compositions for specific, usually private, occasions, most to texts by major German poets. These songs from his estate are here published as a collection for the first time. The dedications are very personal and intimate, in keeping with the private realm of the compositions. The transparent, delicate piano writing, reminiscent of some of Webern’s setting, is indicative of Fortner’s commanding mature style - economical yet relaxed and mellow./ Répertoire / Chant et Piano

20 RomancesInstrument : medium (low) voice and pianoNombre de Pages : 104Content : My Guardian, My Angel, My Friend - A Tear Hangs There op. 6/4 - None But The Lonely Heart op. 6/6 - Rest You Now, O My Heart op. 25/1 - No Answer Now op 28/5 - Don Juan's Serenade op. 38/1 - At The Ball op. 38/3 - O, Could You But for One Short Hour op. 38/4 - The Love of One Dead op. 38/5 - Pimpinella op. 38/6 - O Sleep, Unhappy Friend op. 47/4 - I Greet You All, You Woods and Forests op. 47/5 - On Golden Meadows Now op. 57/2 - Bravery op. 60/11 - The Stars Looked Tenderly upon Us op. 60/12 - I Opened My Window op. 63/2 - The Lights Were Being Dimmed op. 63/5 - Night op. 73/2 - Now the Sun's Departed op. 73/4 - Ah! Once Again All Alone op. 73/6 - Appendix

This musical, with a book by John Weidman, explores the history of presidential assassination in America, from John Wilkes Booth to John Hinckley, Jr. Assassins climaxes in a surreal sequence where the assassins convince Lee Harvey Oswald that his act is the only way he will connect - with them, with history, and with the world.Newly edited, with new music engravings, added songs, articles and photos. / Voix Et Piano