Piano, Voice SKU: PR.412410880 Composed by Victoria Bond. With Standard n...(+)
Piano, Voice
SKU:
PR.412410880
Composed
by Victoria Bond. With
Standard notation. 45
pages. Theodore Presser
Company #412-41088.
Published by Theodore
Presser Company
(PR.412410880).
Baritone voice and piano - Moderately Difficult SKU: OU.9780193451513 Com...(+)
Baritone voice and piano
- Moderately Difficult
SKU:
OU.9780193451513
Composed by Michael
Berkeley. Voice & Piano.
Version for baritone and
piano. 28 pages. Duration
20'. Oxford University
Press #9780193451513.
Published by Oxford
University Press
(OU.9780193451513).
ISBN 9780193451513. 12
x 8 inches.
for
baritone and piano A
beautifully constructed
song-cycle set to poems
from Christina Rosetti to
WB Yeats and the
sixteenth century French
poet Pontus de Tyard.
Exploring the themes of
yearning and longing at
the end of a love affair,
the subject of the texts
focus largely on a desire
for rest and even
oblivion. The music
responds accordingly,
ranging from the bright
and chromatic to simple,
poignant settings of
folk-inspired
tunes.
Tenor voice and piano - difficult SKU: HL.49008127 Ein Liederbuch nach...(+)
Tenor voice and piano -
difficult
SKU:
HL.49008127
Ein
Liederbuch nach Gedichten
von Heinrich Heine.
Composed by Wilhelm
Killmayer. This edition:
Paperback/Soft Cover.
Sheet music. Edition
Schott. Classical.
Composed 1994-1995. 95
pages. Duration 80'.
Schott Music #ED 8697.
Published by Schott Music
(HL.49008127).
ISBN
9790001121477.
9.0x12.0x0.287 inches.
German.
Commenting
on this cycle of 35
songs, the composer
writes: The
contradictions in human
nature delighted him; he
loved the unevenness of
life and all its
manifestations. While
nineteenth Century
musical settings focused
almost exclusively on his
atmospheric and lyrical
poetry, it was not until
the twentieth Century
that adequate musical
expression could be found
for Heine's poetic
realism, unique in its
time. In this selection I
have attempted to
juxtapose the various
personae and forms used
by Heine so as to present
a picture of his
personality..
Chamber Music voice and piano SKU: PR.111401100 Composed by Stanley Walde...(+)
Chamber Music voice and
piano
SKU:
PR.111401100
Composed
by Stanley Walden. Score.
With Standard notation.
12 pages. Theodore
Presser Company
#111-40110. Published by
Theodore Presser Company
(PR.111401100).
UPC:
680160002474.
'Coro
nach' is a Scottish and
Irish lament for the
dead. 'Kaddish' is the
most solemn and one of
the oldest of all Jewish
prayers. One is gently
superimposes over the
other in eery beauty. For
colleges,conservatories,
professionals, libraries.
Difficult.
Voice and piano SKU: BR.MN-9367 Composed by Peter Mieg. Voice; Softcover....(+)
Voice and piano
SKU:
BR.MN-9367
Composed
by Peter Mieg. Voice;
Softcover. Musikverlag
Nepomuk. Song; Early
modern; Music post-1945.
Score. Composed 1968. 20
pages. Duration 15'.
Breitkopf and Haertel #MN
9367. Published by
Breitkopf and Haertel
(BR.MN-9367).
ISBN
9790004790434. 8.5 x 11.5
inches.
An kaum
einem anderen Ort gibt
sich Mieg so personlich
und bekenntnishaft. Die
erstmals 1985 von Ernst
Hafliger gesungenen
Tenorlieder nehmen
innerhalb des
kompositorischen Werkes
der 60er und 70er Jahre
eine Sonderstellung ein.
Verinnerlichung,
Expressivitat der
Gesangslinie und
Sparsamkeit in der Textur
des Klaviersatzes
kennzeichnen die
Komposition.
Voice and piano SKU: BR.MN-9602 Composed by Meinrad Schutter. Edited by U...(+)
Voice and piano
SKU:
BR.MN-9602
Composed
by Meinrad Schutter.
Edited by Ute Stoecklin.
Voice; Softcover.
Musikverlag Nepomuk.
Song; Early modern; Music
post-1945. Score.
Composed 1994. 28 pages.
Duration 12'. Breitkopf
and Haertel #MN 9602.
Published by Breitkopf
and Haertel (BR.MN-9602).
ISBN 9790004790687.
8.5 x 11.5
inches.
Expressioni
stische Musik? Was
dissonant oder hart
aussieht, ertont
plotzlich weich und
anschmiegsam; was
expressionistisch
anmutet, klingt bei
Schutter frei von
jeglichem Exzess; und wo
die Tonalitat fehlt,
meint man sie doch
herauszuhoren. Hinter der
strengen Fassade findet
man die farb- und
facettenreiche Musik
einer oft verbluffenden
Schonheit. Die Lieder:
L'Alba (Morgengrauen),
Zona dal plaschair (Zone
des Vergnugens), Favuogn
(Fohnmorgen).
Composed by Richard Wagner (1813-1883). Edited by Egon Voss. For Voice, Piano Ac...(+)
Composed by Richard
Wagner (1813-1883).
Edited by Egon Voss. For
Voice, Piano
Accompaniment (Vocal
Score). This edition:
Urtext edition. Schott.
Vocal score. 416 pages.
Schott Music #ED20542.
Published by Schott Music
Voice & Piano SKU: ST.LS14 Composed by Francis Pilkington. Edited by Edmu...(+)
Voice & Piano
SKU:
ST.LS14
Composed by
Francis Pilkington.
Edited by Edmund H
Fellowes. Vocal music.
Edited by E H Fellowes.
Revised by Thurston Dart.
With Lute Tablature.
Vocal score. Stainer &
Bell Ltd. #LS14.
Published by Stainer &
Bell Ltd. (ST.LS14).
ISBN
9790220212567.
CONT
ENTS Alas fair face
(F sharp - E) Ay me,
she frowns (F - G)
Beauty sat bathing (D -
F) Can she disdain?
(E - E) Climb O heart
(D - F) Come, come
all you (D - E)
Diaphenia, like the
daffdowndilly (D - D)
Down a down thus Phyllis
sung (D - D) I sigh
as sure to wear the fruit
(E - E) Look mistress
mine (F sharp - F)
Music dear solace to my
thoughts (D- F) My
choice is made (D -
F) Now let her change
(E - F) Now peep, Bo
Peep (E - F) Pavan
for the lute and bass
viol Rest sweet
nymphs (G - F) Sound
woeful plaints (D -
D) Thanks gentle moon
(D - E) Underneath a
cypress shade (F - F)
Whither so fast? (E -
E) With fragrant
flow'rs (D - E flat)
You that pine in long
desire (E - E).
Voice and Piano SKU: AP.36-M181291 Composed by Maurice Ravel. Performance...(+)
Voice and Piano
SKU:
AP.36-M181291
Composed by Maurice
Ravel. Performance Music
Ensemble; Solo Voice with
Piano. Ludwig Masters.
Score and Part(s). Alfred
Music #36-M181291.
Published by Alfred Music
(AP.36-M181291).
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Mezzo-soprano voice and Piano - difficult SKU: HL.49044609 Funf Lieder...(+)
Mezzo-soprano voice and
Piano - difficult
SKU:
HL.49044609
Funf
Lieder. Composed by
Hans-Juergen von Bose.
This edition: Saddle
stitching. Sheet music.
Vocal. Softcover.
Composed 1985/1986. 56
pages. Duration 20'. Hal
Leonard #AVV150.
Published by Hal Leonard
(HL.49044609).
ISBN
9790200101249. Spanish -
German.
Funf Lieder
fur Mezzosopran und
Klavier nach Gedichten
des spanischen Lyrikers
Federico Garcia Lorca,
von expressiv bis
elegisch. Texte auf
Spanisch und Deutsch mit
rhythmischer Anpassung an
den jeweiligen
Sprachduktus.
Voice and piano SKU: ST.C351 Composed by George Frideric Handel. Vocal Sc...(+)
Voice and piano
SKU:
ST.C351
Composed by
George Frideric Handel.
Vocal Score. Clifton
Edition #C351. Published
by Clifton Edition
(ST.C351).
ISBN
9790570813513.
For Soprano, Tenor &
Piano (Vocal Score/Piano
Reduction).
‘As
Steals the Morn’ (The
Cheerful Man, the
Thoughtful Man and the
Moderate Man), was
composed in 1740. It is
described as a
‘Pastoral Ode’ and
based on the poetry of
John Milton. Many of the
arias which occur in
Handel’s operas and
oratorios are suitable
for concert performance,
but are not readily
available with
instrumental parts. Using
the Friedrich Chrysander
complete edition as a
source, this edition was
researched and edited by
C.M.M. Nex and F.H. Nex,
originally for
Phylloscopus
Publications.
Voice and Piano - intermediate SKU: HL.50603593 Ed. crit. R. Parker-R....(+)
Voice and Piano -
intermediate
SKU:
HL.50603593
Ed.
crit. R. Parker-R. Ward -
Riduzione per canto e
pianoforte. Composed
by Gaetano Donizetti.
Ricordi. Softcover.
Composed 2020. Ricordi
#CP14161600. Published by
Ricordi (HL.50603593).
ISBN 9788881920709.
UPC: 840126945102.
8.0x10.5x1.3 inches.
Italian-English.
Do
nizetti's Lucrezia Borgia
was premiered at Milan's
Teatro alla Scala on 26
December 1833 and is
considered one of the
composer's most important
and innovative operas of
the 1830s. Although,
because of censorship
issues, particularly in
the south of Italy, it
was initially slow to
become popular, by the
late 1830s it had become
one of the composer's
most popular operas, both
in Italy and abroad, and
remained an essential
part of the composer's
oeuvre until at least the
end of the nineteenth
century. Remarkable for
its daring subject matter
(with an unconventional,
forceful heroine), it is
also renowned for its
challenging mixture of
the comic and the tragic,
something very unusual at
the time and clearly an
important influence on
Giuseppe Verdi's middle
period masterpieces. The
present reduction for
voice and piano derives
from the critical edition
of the score, recently
published in this
catalog: is based on
Donizetti's autograph
manuscript (housed in the
Ricordi Archives in
Milan), on the libretto
for the premiere, on
several printed editions
of voice and piano, and
on numerous additional
scores of the period. It
presents for the first
time all the numerous
additions that the
composer made to the
score over the course of
ten years: a fascinating
record of his changing
music dramatic attitudes
during this period. There
is also a synthetic
historical reconstruction
of the genesis of the
opera and of the
description of the
Sources as well as a
selection of most
interest to singers of
Critical Commentary
Notes.
Rappresenta
ta per la prima volta al
Teatro alla Scala il 26
dicembre 1833, Lucrezia
Borgia e considerata una
fra le piu importanti e
innovative opere di
Donizetti. Sebbene le
resistenze della censura,
soprattutto nel sud
Italia, ne causarono
inizialmente una lenta
diffusione, dalla fine
degli anni '30
dell'Ottocento essa
divenne uno dei lavori
piu popolari e
significativi del
compositore e tale rimase
fino alla fine del XIX
secolo. Notevole per il
suo audace soggetto (con
un'eroina non
convenzionale e dalla
forte personalita) essa e
rinomata anche per
l'impegnativa commistione
di comico e tragico, un
tratto piuttosto inusuale
per l'epoca, che ebbe una
chiara influenza sui
capolavori verdiani di
meta secolo. La presente
riduzione per canto e
pianoforte e condotta
sull'edizione critica
della partitura, da poco
pubblicata in questo
stesso catalogo: si basa
sul manoscritto autografo
di Donizetti (conservato
presso l'Archivio Storico
Ricordi di Milano), sul
libretto della prima
rappresentazione, su
alcune riduzioni a stampa
per canto e pianoforte e
su varie altre fonti
dell'epoca. L'edizione
presenta per la prima
volta tutte le aggiunte
che il compositore
apporto alla partitura
nel corso di dieci anni,
costituendo
un'affascinante
testimonianza dei
mutevoli approcci di
Donizetti alla materia
drammatico musicale
durante questa fase della
sua carriera. Il volume
comprende una sintesi
della ricostruzione della
genesi storica dell'opera
e della descrizione delle
fonti e una selezione di
Note del Commento Critico
fra quelle piu funzionali
alle esigenze di cantanti
e pianisti
accompagnatori.