(Romantic Spanish Songs) For voice and piano. Format: Easy piano/vocal/chords songbook (simplified piano/vocal arrangements). With vocal melody, piano accompaniment, lyrics and chord names. Latin. 72 pages. 9x12 inches. Published by Hal Leonard.

Composed by Theodore Gouvy (1819-1898). Edited by MeeAe Cecilia Nam. Art Song, Vocal Anthology/Collection. Secular, Romantic period. Vocal score. E.C. Schirmer Publishing #8492. Published by E.C. Schirmer Publishing

Vocal and Piano - intermediate

SKU: HL.14019850

Composed by Mario Castelnuovo-Tedesco. Music Sales America. Classical. Book [Softcover]. Composed 2002. Chester Music #CH03949. Published by Chester Music (HL.14019850).

8.25x11.75x0.07 inches. Lyrics by William Shakespeare.

Like many composers who found themselves in exile during the war years, Castelnuovo-Tedesco composed in a very neoclassical and neoromantic style, reviving more traditional or antiquated ideas of melody, tonality and texture. His collection of Shakespeare Songs feature settings of verse from across the full range of the Bard's plays, and have proved to be great critical successes still widely performed today. Suitable to be adapted by most voices. the songs are interwoven with complex and thrilling Piano accompaniments that bring colour and energy to the often liberally edited texts. Book ten contains a set of six short songs adapted from King Lear.

Vocal and Piano - intermediate-advanced

SKU: HL.14019848

Composed by Mario Castelnuovo-Tedesco. Music Sales America. Classical. Book [Softcover]. Composed 2002. Chester Music #CH03943. Published by Chester Music (HL.14019848).

8.25x11.75x0.065 inches. Lyrics by William Shakespeare.

Like many composers who found themselves in exile during the war years, Castelnuovo-Tedesco composed in a very neoclassical and neoromantic style, reviving more traditional or antiquated ideas of melody, tonality and texture. His collection of Shakespeare Songs feature settings of verse from across the full range of the Bard's plays, and have proved to be great critical successes still widely performed today. Suitable to be adapted by most voices. the songs are interwoven with complex and thrilling Piano accompaniments that bring colour and energy to the often liberally edited texts. Book eight contains three songs adapted from A Winter's Tale and Cymberline.

Vocal and Piano - intermediate-advanced

SKU: HL.14019849

Composed by Mario Castelnuovo-Tedesco. Music Sales America. Classical. Book [Softcover]. Composed 2002. Chester Music #CH03948. Published by Chester Music (HL.14019849).

8.0x11.75x0.06 inches. Lyrics by William Shakespeare.

Like many composers who found themselves in exile during the war years, Castelnuovo-Tedesco composed in a very neoclassical and neoromantic style, reviving more traditional or antiquated ideas of melody, tonality and texture. His collection of Shakespeare Songs feature settings of verse from across the full range of the Bard's plays, and have proved to be great critical successes still widely performed today. Suitable to be adapted by most voices. the songs are interwoven with complex and thrilling Piano accompaniments that bring colour and energy to the often liberally edited texts. Book nine contains three songs adapted from As You Like It, A Winter's Tale and Much Ado About Nothing.

(Voice and Piano) Compiled by Robert L. Larsen. For voice and piano. Format: piano/vocal songbook. With vocal melody, lyrics and introductory text. Classical period and romantic period. Text language Italian, English, French, German. 224 pages. 8.5x11 inches. Published by Schirmer.

Piano, Voice, Piano Accompaniment (Voice and Piano) - intermediate

SKU: HL.14029882

Music Sales America. Classical. Book [Softcover]. Composed 2002. Chester Music #CH03951. Published by Chester Music (HL.14029882).

8.25x11.75x0.065 inches. Lyrics by William Shakespeare.

Like many composers who found themselves in exile during the war years, Castelnuovo-Tedesco composed in a very neoclassical and neoromantic style, reviving more traditional or antiquated ideas of melody, tonality and texture. His collection of Shakespeare Songs feature settings of verse from across the full range of the Bard's plays, and have proved to be great critical successes still widely performed today. Suitable to be adapted by most voices. the songs are interwoven with complex and thrilling Piano accompaniments that bring colour and energy to the often liberally edited texts. This edition contains Epithalamium from The Tempest, alongside a Nuptial March for Piano solo.

By Gioachino Rossini. Edited by Joerg, Guido Johannes. For Solo Soprano, Choir SSA, Piano. Romantic Choral Music; Secular Choral Music; Occasions: Peace and Justice. Score. Language: German/French. Composed 1844 (?). 12 pages. Duration 5 min. Published by Carus Verlag (German import).

Piano; Vocal

SKU: HL.50020450

Voice and Piano. Composed by Gioachino Rossini. This edition: R54357. Vocal Solo. Aria, Classical, Italian, Opera, Romantic. 8 pages. Ricordi #R54357. Published by Ricordi (HL.50020450).

UPC: 073999616910. 9.0x12.0x0.031 inches.

Sheet Music.

Voice and piano

SKU: TI.TR00010

Composed by Ramon Carnicer. Edited by Josep Dolcet. Romantic. Lied, Vocal. Full Score. Duration 15 minutes. Trito Ediciones #TR00010. Published by Trito Ediciones (TI.TR00010).

ISBN 9788488955098. Text: Anacreont.

By Isaac Albeniz (1860-1909). Edited by Anton Cardo. For voice and piano. Romantic. 28 pages. Published by Trito Ediciones

Voice and piano

SKU: BR.EB-8888

Urtext. Composed by Pauline Viardot-Garcia. Edited by Miriam-Alexandra Wigbers. Voice. Edition Breitkopf. Song; Romantic. Score. 112 pages. Breitkopf and Haertel #EB 8888. Published by Breitkopf and Haertel (BR.EB-8888).

ISBN 9790004185117. 0 x 0 inches. German.

The piano-accompanied Lied is undoubtedly the main genre of Pauline Viardot-Garcia's oeuvre. With this volume, we present settings of German texts by such poets as Ludwig Uhland, Eduard Morike, Johann Wolfgang von Goethe, Heinrich Heine, Emanuel Geibel, Ludwig Rellstab and Richard Pohl. Except for the Uhland settings, these German Lieder were written between 1862 and 1871 during Viardot's Baden-Baden period, when she shifted the focus of her activities from singing to composing and teaching. Here she worked, among other things, on the poetry of Eduard Morike, which she called the greatest and most genuine in all German poetry after Goethe.One of her first published songs was the setting of the Uhland poem Des Knaben Berglied. Accompanying herself on the piano, she performed it in 1838 on her first concert tour of Germany. A performance of the song at the Leipzig Gewandhaus prompted Robert Schumann to remark: She showed three talents here [composition, singing and piano playing], each of which would grace its artist. Through her music, Viardot brings the creatures in the poems to life, tracing their different characters and inner states, thus giving the texts a new level of interpretation.

Mi riam-Alexandra Wigber's recordings of songs from this edition can be found on YouTube.