Opera In Three Acts - Critical Edition - Piano/Vocal Score - Ital. Compos...(+)
Opera In Three Acts -
Critical Edition -
Piano/Vocal Score -
Ital. Composed by
Antonio Vivaldi
(1678-1741). Boosey and
Hawkes Voice. Softcover.
208 pages. Boosey and
Hawkes #M202523445.
Published by Boosey and
Hawkes (HL.48023818).
Vocal Score. By Benjamin Britten. Arranged by Arthur Oldham. (Vocal Score). Boo...(+)
Vocal Score. By Benjamin
Britten. Arranged by
Arthur Oldham. (Vocal
Score). Boosey and Hawkes
Large Choral. Book only.
Size 7.25x10.25 inches.
88 pages. Published by
Boosey and Hawkes.
Piano Accompaniment; Vocal (Voice and Piano) SKU: HL.49046235 Chansons...(+)
Piano Accompaniment;
Vocal (Voice and Piano)
SKU: HL.49046235
Chansons 1933-1934 /
Songs for Yvonne
1953-1967 Voice and
Piano. Composed by
Walter Jurmann. Vocal
Solo. Classical.
Softcover. 128 pages.
Schott Music #ED22799.
Published by Schott Music
(HL.49046235).
ISBN
9783795712259. 0.382
inches.
The third
and final volume of the
songs of Walter Jurmann
is dedicated to the
chansons of the Paris era
and his songs for his
wife Yvonne. Jurmann
spent the pre-war years
in Paris and under
pseudonyms, unforgettable
melodies with French
esprit were created. For
his wife Yvonne he wrote
numerous musical gems,
which are published here
for the first time.
Rounding out the volume
with the famoussongs
about Los Angeles,
Houston and Jurmann's
hometown of Vienna.
Voice (Music For Voice) SKU: HL.48188865 Composed by Kurt Weill. Leduc. C...(+)
Voice (Music For Voice)
SKU: HL.48188865
Composed by Kurt Weill.
Leduc. Classical.
Softcover. 12 pages.
Heugel & Cie #HE33700.
Published by Heugel & Cie
(HL.48188865).
UPC:
888680789961.
9.0x12.0x0.061
inches.
“Thre
e songs by Kurt Weill is
a set of three French
songs for Voice and
Piano. The lyrics have
been written by Maurice
Magre and Roger Fernay
and the general level of
difficulty is medium. The
first piece, Complainte
de la Seine (Complains of
the Seine), is three page
long and its lyrics are
about what lies at the
bottom of the river. The
second song, Je ne t?aime
pas (I don?t love you),
is a man telling someone
that he doesn?t love her,
that everything is fine
and that he is fine if
she is happy. The third
piece, Youkali is a
highly rhythmic
tango-habanera in four
pages, which depicts the
island of Youkali. Kurt
Weill (1900-1950) is a
German composer who
developed operas and some
works for the concert
hall.â€.
Composed by Franz Schubert (1797-1828). Edited by Christine Martin and Walther...(+)
Composed by Franz
Schubert
(1797-1828). Edited by
Christine Martin and
Walther
Durr. This edition:
complete
edition, urtext edition.
LN.
Franz Schubert. Neue
Ausgabe
samtlicher Werke III/3a
b.
Complete edition, vocal
score, anthology.
Baerenreiter Verlag
#BA05574-01. Published by
Baerenreiter Verlag
Composed by Richard Wagner (1813-1883). Edited by Egon Voss. For Voice, Piano Ac...(+)
Composed by Richard
Wagner (1813-1883).
Edited by Egon Voss. For
Voice, Piano
Accompaniment (Vocal
Score). This edition:
Urtext edition. Schott.
Vocal score. 416 pages.
Schott Music #ED20542.
Published by Schott Music
Vocal and Piano SKU: HL.14012307 Composed by Gustav Holst. Music Sales Am...(+)
Vocal and Piano
SKU:
HL.14012307
Composed
by Gustav Holst. Music
Sales America. Classical.
Book [Softcover].
Composed 2002. Chester
Music #CH0385001.
Published by Chester
Music (HL.14012307).
The
collection of nine
Vedic Hymns (Op.
24) for solo Voice with
Piano accompaniment
marked a turning point in
Holst's
compositions. They were
inspired by Hindu
scripture and Indian
raga, and first published
in1908.
Vac
(Speech) is the seventh
movement, and is the
first of the third group
of hymns, where the theme
shifts into the human
sphere.
Gustav
Holst (1874-1934)
was an English composer
and teacher.Having
studied under Stanford
and Parry, he became a
close friend of Vaughan
Williams - they would
often critique each
other's work - and
influenced composers such
as Tippet and Britten. He
is best remembered for
hisPlanets
suite.
Voice and piano (solo: S - 4(2picc).3(cor ang).3(Eb-clar.Bb-clar).3 (dble bsn) -...(+)
Voice and piano (solo: S
- 4(2picc).3(cor
ang).3(Eb-clar.Bb-clar).3
(dble bsn) - 4.3.0.0 -
hp.timp.perc(4) - str)
SKU: BR.EB-8951
Final Version 1911 -
Textcritical Edition.
Composed by Gustav
Mahler. Edited by
Christian Rudolf Riedel.
Voice; stapled. Edition
Breitkopf. Symphony;
Late-romantic.
Piano/Vocal Score. 20
pages. Duration 55'.
Breitkopf and Haertel #EB
8951. Published by
Breitkopf and Haertel
(BR.EB-8951).
ISBN
9790004186206. 9 x 12
inches. German.
Of
all his symphonies,
Mahler gave the Fourth,
his favorite and problem
child, his most
particular attention. The
Heavenly Life, a
humoresque composed in
1892 for soprano and
piano, which he already
wanted to use in the
final movement of the
Third Symphony under the
title What the Child
Tells Me, ultimately
became the nucleus and
final movement of the
Fourth. Even after
publication in 1901,
Mahler kept repeatedly
refining the
orchestration. His maxim
not without my retouching
led to a whole series of
revised reprints. It is
probably no coincidence
that Mahler performed
especially the Fourth
Symphony in his last two
New York concerts in
February 1911, using this
opportunity to review
once again the score and
parts. This performance
material with his
retouching served as the
main source for the new
edition. Furthermore,
included for the first
time were corrections and
annotations in
conjunction with
performances of the
Fourth, which Mahler
entered into the scores
of conductors such as
Mengelberg and
Wickenhauser. PB 5664 has
been awarded the Presto
Sheet Music Award
2020.
Soprano voice and piano - difficult SKU: HL.49032690 Nach einem Gedich...(+)
Soprano voice and piano -
difficult
SKU:
HL.49032690
Nach
einem Gedicht von James
Joyce. Composed by
Aribert Reimann. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Softcover. Composed 1992.
44 pages. Duration 16'.
Schott Music #ED8578.
Published by Schott Music
(HL.49032690).
ISBN
9790001115162.
9.0x12.0x0.229 inches.
English.
Night-like
sounds are explored in a
variety of ways in the
three parts of this
wide-ranging scene.
Ornamental and playful,
the piano entwines with
the singing voice in the
first part. In the
recitative-like second
part, the grace and
grandeur of Seraphim
manifestations are
derived from the sound of
plucked piano strings.
The third part is
characterized by the
death knell: 'voidward
from the adoring waste of
souls'.