Voice and piano (Soli: SBar(T) - 1(picc.A-fl).1(cor ang).1(Ebclar.Bclar).0. - 1....(+)
Voice and piano (Soli:
SBar(T) -
1(picc.A-fl).1(cor
ang).1(Ebclar.Bclar).0. -
1.1.2.0. - perc - hp -
pno - str: 1.1.1.1.1.)
SKU: BR.DV-6140
Scenes for 2 Singers
and 15
Instrumentalists.
Composed by Udo
Zimmermann. Voice;
Softbound. Deutscher
Verlag. World premiere:
Hamburg, February 27,
1986DV 1140 awarded the
German Music Edition
Prize. Opera; Music
theatre; Music post-1945;
New music (post-2000).
Piano/Vocal Score.
Composed 1984/85. 140
pages. Duration 75'.
Deutscher Verlag fur
Musik #DV 6140. Published
by Deutscher Verlag fur
Musik (BR.DV-6140).
ISBN 9790200460230.
13.5 x 10.5
inches.
Translation
: Engl. (S. Wadsworth)
(1988) / (Norbert
Rubesaat) (1993); French
(Jean-Pierre Wurtz)
(1997) Place and time:
Jail Munchen-Stadelheim,
in the hour before the
execution on 22nd
February 1943 Characters:
Sophie Scholl (soprano) /
Hans Scholl (baritone or
tenor) >>Weisse Rose<<
(White Rose) was the name
of the resistance group
to which Hans and Sophie
Scholl belonged. Udo
Zimmermann's composition
is characterized by the
varying structure of its
scenes: dramatic,
visionary scenes, e.g.
the remembered wartime
experiences on the front,
Sophie's anxiety about
the removal of the
children and the wish to
see her parents one last
time, contrast with
contemplative monologues
that are intended to
provide insights into the
individual's particular
situation. The composer
interweaves into the
structure of the piece
dream sequences with
sudden bursts of anxiety
that are not triggered by
the execution that is
about to take place but
by the consequences of
one's own actions. The
result is a deliberate
fusion of the various
parts into one another.
More than 100 different
productions prove that
the topic is as important
as ever and that the work
is both artistically
rewarding and
practicable. Udo
Zimmermann About the
piece Two young people,
the siblings Sophie and
Hans Scholl, are in a
prison cell, one hour
before they are to be put
to death by their fascist
executioners. Their
christian convictions and
sense of responsibility
gave them the courage to
put up resistance,
resistance against the
lies, the contempt for
humanity and all human
values. Sophie and Hans
Scholl took their stand
in the full knowledge
that they were taking a
deadly risk. They would
simply not have been able
to live with their
feelings of shame had
they not grasped the
chance of fighting for
what they believed in,
even though it was a
dangerous thing to do.
Memories of past events,
doubts, hopes and fears,
justification of deeds
and an acceptance of
death, all these things
happen and move in, and
between, these two people
during this
representation of the
hour before death. The
orchestra provides a
psycho-physical shorthand
of their inner mental
state. Musical effects
and gestures search for
their identity in human
behaviour. The moments of
stillness and silence
provide moments of
musical tension, which
are just as powerful as
the eruptions of fear and
desperation. CDs:
Gabriele Fontana
(soprano), Lutz-Michael
Harder (tenor),
Instrumentalensemble,
cond. Udo Zimmermann CD
Orfeo C 162 871 Grazyna
Szklarecka (soprano),
Frank Schiller (tenor),
musica viva-ensemble
dresden, cond. Udo
Zimmermann CD Berlin
Classics Eterna BC 0120
060-2 CD (excerpts):
Gabriele Fontana
(soprano), Lutz-Michael
Harder (tenor), Ein
Instrumentalensemble,
cond. Udo Zimmermann CD
BMG 74321 73628 2
Bibliography : Kornel ,
Attila: ,,Tief unter uns
nur Schweigen - Die
Asthetik der Stille in
Udo Zimmermanns
Kammeroper ,,Weisse Rose,
in: Die Tonkunst 11
(2017), pp. 368-377.
Rheinlander , Matthias:
Im Osten nichts Neues?
Ostalgie ohne Kitsch am
Beispiel von Udo
Zimmermanns Oper Die
weisse Rose, in: Musik
und Unterricht, Heft 73
(2003), pp.
34-40.
World
premiere: Hamburg,
February 27, 1986DV 1140
Awarded the German Music
Edition Prize.
Voice and piano SKU: BR.EB-6539 Liederzyklus. Composed by Jurg Bau...(+)
Voice and piano
SKU:
BR.EB-6539
Liederzyklus.
Composed by Jurg Baur.
Voice; Softcover. Edition
Breitkopf.
World
premiere Dusseldorf,
1967World premiere New
Version Bonn, September
27, 2002
Music
post-1945. Score.
Composed 1967. 24 pages.
Duration 25'. Breitkopf
and Haertel #EB 6539.
Published by Breitkopf
and Haertel (BR.EB-6539).
ISBN 9790004167731. 9
x 12 inches.
Warum
gerade ein
Orchester-Liederzyklus
nach Celan-Gedichten zum
Beethoven-Jubilaum 2002?
Was verbindet die
humanistischen Ideen des
genialen Klassikers mit
dem gespaltenen
Menschenbild eines der
bedeutendsten Lyriker des
20. Jahrhunderts?
Vielleicht die Gestaltung
des Aussergewohnlichen in
Wort und Ton? - oder die
innere Einsamkeit des
grossen Kunstlertums? Der
mir zum diesjahrigen
Bonner Beethovenfest
gegebene
Kompositionsauftrag war
an kein bestimmtes Thema
gebunden. Beim Nachdenken
uber einen sinnvollen
Beitrag mit
Beethoven-Bezug erinnerte
ich mich an mein 1967
komponiertes Werk Mit
wechselndem Schlussel ,
Lieder nach Paul Celan
fur Bariton und Klavier
(aus Celans Gedichtbanden
,,Mohn und ,,Gedachtnis
und ,,Von Schwelle zu
Schwelle), entstanden
wahrend einer sehr
progressiven
Schaffensperiode,
inspiriert von Versen,
die Vergangenheit und
Gegenwart poetisch
verschlusselt miteinander
verknupfen. Langer schon
plante ich, diesen Zyklus
zu orchestrieren - das
schien mir jetzt der
geeignete Ansatz zur
Erfullung meines
Auftrags, denn ich wollte
zugleich das Werk formal
anders gestalten, die
sieben einzelnen Gesange
unter einem grossen
symphonischen Bogen
zusammenfassen. So
entstand ein ganz neues
Opus - eine Art
Solo-Kantate fur
Singstimme und Orchester
- durchaus im
Beethovenschen Sinn und
Geist, da ich mich
wahrend der Ausarbeitung
der neuen Fassung von
Kompositions- und
Instrumentations-Ideen
und -Prozessen aus
Beethoven-Symphonien
anregen liess. So zum
Beispiel bei der
Durchfuhrung von
charakteristischen
Motiven und Strukturen:
im Prolog und im ersten
Lied (Kristall), oder bei
der Gestaltung
dramatischer
Bewegungsablaufe - etwa
im vierten Lied (In
Gestalt eines Ebers), bei
der Darstellung
kammermusikalisch-lyrisch
er Stimmungen im funften
Lied (Nachts) und bei
titanischen
Klangausbruchen im
Schlussgesang (An den
langen Tischen der Zeit),
schliesslich bei der
formalen Gliederung des
ganzen Werks in funf
symmetrisch angeordnete,
grossere Satze. Fazit:
ein Beitrag zur Synthese
von zeitgenossischer
Lyrik und Musik im Geiste
Beethovens. (Jurg Baur,
2002) LP/CD Franz
Muller-Heuser, Wilhelm
Hecker LP Schwann VMS
2043 CD Matthias
Gudelhofer (Bariton),
Oliver Drechsel (piano)
CD Verlag Dohr DCD 008
Bibliography : Schroter ,
Axel: Zum Liedschaffen
Jurg Baurs, in: Jurg
Baur, hrsg. von Ulrich
Tadday (= Musik-Konzepte.
Neue Folge, Heft
184/185), Munchen:
Edition Text+Kritik 2019,
S. 96-114
World
premiere Dusseldorf,
1967World premiere New
Version Bonn, September
27, 2002.
Vocal and Piano (Voice and Piano) SKU: HL.48187241 Composed by Reynaldo H...(+)
Vocal and Piano (Voice
and Piano)
SKU:
HL.48187241
Composed
by Reynaldo Hahn. Heugel.
Post-1900, Romantic.
Softcover. 32 pages.
Heugel and Cie #HE20678.
Published by Heugel and
Cie (HL.48187241).
UPC: 888680830878.
9x12
inches.
?Venezia is
a set of six songs of
music by Reynaldo Hahn.
For Voice and Piano, the
lyrics are written both
in Venetian dialect and
in French. The Piano
score requires an
upper-intermediate
technique, as per the
Voice. A small guide to
correct pronunciation is
given at the beginning of
the book. The six songs
are: - 'Sopra l'acqua
indormenzada' by Pietro
Pagello - 'La Barcheta'
by Pietro Buratti -
'L'avertimento' by Pietro
Buratti - 'La Biondina in
Gondoleta' by Antonio
Lamberti - 'Che peca !'
by Francesco Dall' Ongaro
- 'La Primavera' by
Alvise Cigogna Some of
these pieces are
dedicated to renowned
women such as Giorgio
Sand, the Countess of
Guerne born Ségur and
Ernesta Sterne. Reynaldo
Hahn was a naturalised
French composer,
conductor, theatre
director and singer. Best
known as a composer of
songs, he also wrote many
pieces and melodies for
different
instruments.andrdquo.
Composed by Marc Antoine Charpentier. Edited by Shirley Thompson. For four voice...(+)
Composed by Marc Antoine
Charpentier. Edited by
Shirley Thompson. For
four voices, two treble
instruments and continuo.
Full score. Published by
Edition HH Music
Publishers
(for Voice and Piano). Composed by Sergei Rachmaninoff (1873-1943). Edited by Do...(+)
(for Voice and Piano).
Composed by Sergei
Rachmaninoff (1873-1943).
Edited by Dominik Rahmer.
For Voice, High Voice,
Piano Accompaniment.
Henle Music Folios.
Softcover. 14 pages. G.
Henle #HN1237. Published
by G. Henle
Tragedie Opera (Drama heroique) in 3 Akten. Pariser Fassung 1774 (franzosisch/de...(+)
Tragedie Opera (Drama
heroique) in 3 Akten.
Pariser Fassung 1774
(franzosisch/deutsch).
Klavierauszug nach dem
Urtext der
Gluck-Gesamtausgabe. By
Christoph Willibald von
Gluck. Edited by
Finscher, Ludwig;Sommer,
Jurgen. For 2 Soprano
solo, Tenor solo, Mixed
Choir-Ball, 2 Flute, 2
Oboe, 2 Clarinet (b
flat), 2 Bassoon, 2 Horn,
2 Trumpet, 3 Trombone,
Kettledrum, Harp,
Strings. Piano
Reduction/Vocal Score
(paperbound). Published
by Baerenreiter-Ausgaben
(German import).
From the Nordoff-Robbins Center for Music Therapy At New York Therapy. By Variou...(+)
From the Nordoff-Robbins
Center for Music Therapy
At New York Therapy. By
Various. Arranged by
Robbins Ritholz. For
Piano, Guitar, Voice.
Piano/Vocal Score. 120
pages. Published by Carl
Fischer.
Voice and Piano - Intermediate SKU: YM.GTP01100083 Composed by Youjiro No...(+)
Voice and Piano -
Intermediate
SKU:
YM.GTP01100083
Composed by Youjiro Noda
RADWIMPS. Piano and
Vocal. RADWIMPS. Artist
Folio; J-POP. Book.
Yamaha Music Media
#GTP01100083. Published
by Yamaha Music Media
(YM.GTP01100083).
ISBN
9784636100600.
The
RADWIMPS's CD album
2+0+2+1+3+1+1= 10 years
10 songs released on
March 11, 2021, published
for the 10th memorial
year of the Great East
Japan Earthquake 2011, is
available as a music
sheet. The music spun
while facing the reality
and staying close to the
disaster-stricken areas
appeals to the listeners'
hearts for something
important. Feel and share
the feelings that
RADWIMPS has written over
the past 10 years, along
with the messages that
Yojiro Noda has sent
every year. 10 songs are
all written by Youjiro
Noda, who is famous as a
composer of Your Name and
Weathering With You. The
book can be used for a
wide range of piano
accompanying scores with
vocals or solo
instruments.
Voice and piano (solo: T - 2(picc.A-fl).2(ob.d'am[ad lib.].cor ang.muha).2(B-cla...(+)
Voice and piano (solo: T
-
2(picc.A-fl).2(ob.d'am[ad
lib.].cor
ang.muha).2(B-clar.S-sax.
muha).2(kfg.muha) -
1.1(corn [ad lib.]).1.0 -
timp.perc(3) -
acc(windmachine
I).hp(rainmaker.windmachi
ne
II).guit(rainmaker.windma
chine III) - str:
1.1.2.1.1)
SKU:
BR.EB-9394
A
Composed
Interpretation.
Composed by Hans Zender.
Voice; Softbound. Edition
Breitkopf. World
premiere: Frankfurt am
Main, September 21, 1993.
Song; Music post-1945.
Piano/Vocal Score.
Composed 1993. 120 pages.
Duration 85'. Breitkopf
and Haertel #EB 9394.
Published by Breitkopf
and Haertel (BR.EB-9394).
ISBN 9790004188682. 9
x 12 inches.
My
lecture of the
Winterreise does not
demand a new expressive
interpretation, but
instead systematically
exercises the freedom
which all interpreters
allow themselves
intuitively, such as:
instrumental dilation i.
e. acceleration of the
pace, transposition into
other keys and
elaboration of
characteristic color
timbres. In addition,
there are further ways of
reading; the music;
jumping around in the
text, repeating certain
lines, interrupting the
continuity, comparing
different expressions of
the same phrase ... All
these new possibilities
are subjected to my
compositional discipline
and form autonomous
formal processes which
are imposed on Schuberts
original. The
transformation of the
piano tones into a
multifaceted orchestra
full of resonance is only
one of many aspects.(Hans
Zender)CDs:Hans Peter
Blochwitz (Tenor),
Ensemble Modern,
Conductor: Hans Zender CD
BMG 9026-68067-2
Christoph Pregardien
(Tenor), Klangforum Wien,
Conductor: Sylvain
Cambreling CD Kairos
0012002KAIJulien
Pregardien (Tenor),
Deutsche Radio
Philharmonie
Kaiserslautern,
Conductor: Robert Reimer2
CD's P.RHEI
(2016)Bibliography:Adam-S
chmidmeier, Eva-Maria
von: Schubert
interpretieren. Hans
Zender: Schuberts
Winterreise. Eine
komponierte
Interpretation im
Unterricht, in: Musik und
Unterricht Heft 96
(2009), pp. 50-56.Gruhn,
Wilfried: Wider die
asthetische Routine. Hans
Zenders Version von
Schuberts Winterreise,
in: Neue Zeitschrift fur
Musik 1/1997.Hebling,
Harald: Kompositorische
Schubertrezeption im 20.
Jahrhundert,
Magisterarbeit
Universitat Wien 2003,
especially pp.
148-157.Nonnenmann,
Rainer: Vom Nutzen und
Nachteil der
Musikhistorie fur das
Musikleben. Zur Kritik
aktualisierender
Interpretation am
Beispiel von Hans Zenders
Schuberts ,Winterreise,
in: Musik und Asthetik 7,
Heft 26 (April 2003), pp.
65-90.ders.: Schuberts
,Winterreise .
Komponierte
Interpretation von Hans
Zender / Ballett von John
Neumeier, in:
Osterreichische
Musikzeitung 60 (2005),
Heft 3, p. 42f.ders.:
Fremd bin ich eingezogen,
fremd zieh ich wieder
aus. Versuch zur Rettung
der Vergangenheit
Schuberts Winterreise.
Eine komponierte
Interpretation fur Tenor
und kleines Orchester
(1993) von Hans Zender,
in ders.: Winterreisen.
Komponierte Wege von und
zu Franz Schuberts
Liederzyklus aus zwei
Jahrhunderten, 2 Bande (=
Taschenbucher zur
Musikwissenschaft, Band
150/151), Wilhelmshaven:
Florian Noetzel 2006, pp.
143-205.Petersen, Birger:
Neue Musik. Analysen,
Berlin: Simon Verlag fur
Bibliothekswissen 2013,
pp. 11-24.Revers, Peter:
... Schnee, du weisst von
meinem Sehnen. Aspekte
der Schubert-Rezeption in
Hans Zenders Winterreise
(1993), in: Dialekt ohne
Erde. Franz Schubert und
das 20. Jahrhundert,
hrsg. von Otto
Kolleritsch, Wien-Graz
1998 (Studien zur
Wertungsforschung, Band
34), pp.
98-120.Schafer-Lembeck,
Hans-Ulrich:
Gegenstrebige Fugungen.
Hans Zenders Musik und
seine komponierte
Interpretation von
Schuberts Winterreise,
in: Neue Musik
vermitteln. Analysen
Interpretationen -
Unterricht, hrsg. von
Hans Bassler, Ortwin
Nimczik und Peter W.
Schatt, Mainz: Schott,
2004, pp.
295-307.Stahmer, Klaus
Hinrich: Bearbeitung als
Interpretation - Zur
Schubertrezeption Gustav
Mahlers, Hans Zenders und
Friedhelm Dohls, in:
Franz Schubert und Gustav
Mahler in der Musik der
Gegenwart, Mainz
1998.Zender, Hans: warum
wieder die Winterreise?
Hartmut Regitz im
Gesprach mit dem
Komponisten, in:
ballet.tanz -
international.aktuell,
Heft 12 (2001), p.
18.
World
premiere: Frankfurt am
Main, September 21,
1993.
Voice and piano SKU: BR.SON-513 Composed by Hanns Eisler. Edited by Knud ...(+)
Voice and piano
SKU:
BR.SON-513
Composed
by Hanns Eisler. Edited
by Knud Breyer. Voice;
Hardback. Complete Works.
Early modern; Music
post-1945. Complete
Works. 352 pages.
Breitkopf and Haertel
#SON 513. Published by
Breitkopf and Haertel
(BR.SON-513).
ISBN
9790004803721. 9 x 12
inches. German /
English.
Editorial
BoardThomas Phleps
(Music), Georg Witte
(Writings)Editorial
MembersMusic: Oliver
Dahin / Johannes C. Gall,
Writings: Maren
KosterEditorial
CommitteeMusic: Hartmut
Fladt, Werner Grunzweig,
Elmar Juchem, Roland
Kluttig, Giselher
SchubertWritings:
Albrecht Betz, Albrecht
Riethmuller, Jurgen
Schebera, Friederike
WissmannThe editorial
works are supported by
the Deutsche
Forschungsgemeinschaft.Sp
ecial volumes are made
possible with the support
of the following
foundations:Klockner-Stif
tung, Lotto-Stiftung,
Hanns und Steffy Eisler
StiftungThe goal of the
Hanns Eisler Complete
Edition (HEGA) is to
present to the public all
available compositions,
writings and letters in
an appropriately
scholarly form. It takes
a historico-critical
approach and seeks to
document the history of
the works and writings by
shedding light on their
transformations, thus
identifying the various
versions as witnesses of
evolving aesthetic and
historical positions.
Eislers complete oeuvre
(only a limited number of
his works had penetrated
the publics awareness up
until the 1990s) first
became the object of an
editorial undertaking
when the Eisler -
Gesammelte Werke (EGW)
was founded by Nathan
Notowicz. It was later
placed under the
direction of Manfred
Grabs and Eberhardt
Klemm, and began issuing
its publications in 1968
through the intermediary
of the Deutscher Verlag
fur Musik in Leipzig.
However, only four
volumes of music and five
volumes of writings were
published. The Hanns
Eisler Complete Edition
pursues the work begun at
that time, although it
has had to fundamentally
revise its editorial
principles. In this
respect, the Hanns Eisler
Complete Edition can be
considered as a
completely new editorial
undertaking. It became
necessary to reconceive
the organization of the
volumes and series as
well as the editorial
guidelines in order to
adapt the standards of
historico-critical
editing generally
applicable today to the
specific and sometimes
singular circumstances of
Eislers works.The
Critical Commentaries
pertaining to the main
volumes follow the music
section or, whenever they
are too extensive, appear
in a special
volume.Series I: Choral
MusicSeries II: Music for
Voice and Instrumental
Ensemble or
OrchestraSeries III:
Music for Voice and
PianoSeries IV:
Instrumental MusicSeries
V: Incidental MusicSeries
VI: Film MusicSeries VII:
Sketches and
FragmentsSeries VIII:
Arrangements of works by
other composersSeries IX:
Writings, Letters and
InterviewsSON 501 has
been awarded the German
Music Edition Prize
2003.SON 502 has been
awarded the German Music
Edition Prize
2007.
The major
upheavals that
transformed society and
musical aesthetics during
the first half of the
20th century also
profoundly affected the
life of Hanns Eisler, as
well as his compositions
and writings. The
importance and scope of
Eislers oeuvre are reason
enough to make his works
accessible to musical
scholarship and practice
in a comprehensive
fashion. Price reduction
for a subscription.