Voice and piano - easy to intermediate SKU: HL.49019998 Composed by Lars ...(+)
Voice and piano - easy to
intermediate
SKU:
HL.49019998
Composed
by Lars Reichow. Arranged
by Julia Baldauf. This
edition: Saddle
stitching. Sheet music.
Vocal. Softcover. 16
pages. Schott Music
#ED21837. Published by
Schott Music
(HL.49019998).
ISBN
9783795748524.
German.
Das
Mainz-Lied entstand 1995
fur das Buhnenprogramm
Der Klaviator und ist
inzwischen langst zur
Hymne fur die ganze Stadt
geworden. Mit diesem
Arrangement fur Gesang
und Klavier erscheint
erstmalig eine
Notenausgabe dieses
Liedes von Lars Reichow,
gut spielbar gesetzt, fur
Liebhaber und Profis.
Voice and piano (solo: T - 2(picc.A-fl).2(ob.d'am[ad lib.].cor ang.muha).2(B-cla...(+)
Voice and piano (solo: T
-
2(picc.A-fl).2(ob.d'am[ad
lib.].cor
ang.muha).2(B-clar.S-sax.
muha).2(kfg.muha) -
1.1(corn [ad lib.]).1.0 -
timp.perc(3) -
acc(windmachine
I).hp(rainmaker.windmachi
ne
II).guit(rainmaker.windma
chine III) - str:
1.1.2.1.1)
SKU:
BR.EB-9394
A
Composed
Interpretation.
Composed by Hans Zender.
Voice; Softbound. Edition
Breitkopf. World
premiere: Frankfurt am
Main, September 21, 1993.
Song; Music post-1945.
Piano/Vocal Score.
Composed 1993. 120 pages.
Duration 85'. Breitkopf
and Haertel #EB 9394.
Published by Breitkopf
and Haertel (BR.EB-9394).
ISBN 9790004188682. 9
x 12 inches.
My
lecture of the
Winterreise does not
demand a new expressive
interpretation, but
instead systematically
exercises the freedom
which all interpreters
allow themselves
intuitively, such as:
instrumental dilation i.
e. acceleration of the
pace, transposition into
other keys and
elaboration of
characteristic color
timbres. In addition,
there are further ways of
reading; the music;
jumping around in the
text, repeating certain
lines, interrupting the
continuity, comparing
different expressions of
the same phrase ... All
these new possibilities
are subjected to my
compositional discipline
and form autonomous
formal processes which
are imposed on Schuberts
original. The
transformation of the
piano tones into a
multifaceted orchestra
full of resonance is only
one of many aspects.(Hans
Zender)CDs:Hans Peter
Blochwitz (Tenor),
Ensemble Modern,
Conductor: Hans Zender CD
BMG 9026-68067-2
Christoph Pregardien
(Tenor), Klangforum Wien,
Conductor: Sylvain
Cambreling CD Kairos
0012002KAIJulien
Pregardien (Tenor),
Deutsche Radio
Philharmonie
Kaiserslautern,
Conductor: Robert Reimer2
CD's P.RHEI
(2016)Bibliography:Adam-S
chmidmeier, Eva-Maria
von: Schubert
interpretieren. Hans
Zender: Schuberts
Winterreise. Eine
komponierte
Interpretation im
Unterricht, in: Musik und
Unterricht Heft 96
(2009), pp. 50-56.Gruhn,
Wilfried: Wider die
asthetische Routine. Hans
Zenders Version von
Schuberts Winterreise,
in: Neue Zeitschrift fur
Musik 1/1997.Hebling,
Harald: Kompositorische
Schubertrezeption im 20.
Jahrhundert,
Magisterarbeit
Universitat Wien 2003,
especially pp.
148-157.Nonnenmann,
Rainer: Vom Nutzen und
Nachteil der
Musikhistorie fur das
Musikleben. Zur Kritik
aktualisierender
Interpretation am
Beispiel von Hans Zenders
Schuberts ,Winterreise,
in: Musik und Asthetik 7,
Heft 26 (April 2003), pp.
65-90.ders.: Schuberts
,Winterreise .
Komponierte
Interpretation von Hans
Zender / Ballett von John
Neumeier, in:
Osterreichische
Musikzeitung 60 (2005),
Heft 3, p. 42f.ders.:
Fremd bin ich eingezogen,
fremd zieh ich wieder
aus. Versuch zur Rettung
der Vergangenheit
Schuberts Winterreise.
Eine komponierte
Interpretation fur Tenor
und kleines Orchester
(1993) von Hans Zender,
in ders.: Winterreisen.
Komponierte Wege von und
zu Franz Schuberts
Liederzyklus aus zwei
Jahrhunderten, 2 Bande (=
Taschenbucher zur
Musikwissenschaft, Band
150/151), Wilhelmshaven:
Florian Noetzel 2006, pp.
143-205.Petersen, Birger:
Neue Musik. Analysen,
Berlin: Simon Verlag fur
Bibliothekswissen 2013,
pp. 11-24.Revers, Peter:
... Schnee, du weisst von
meinem Sehnen. Aspekte
der Schubert-Rezeption in
Hans Zenders Winterreise
(1993), in: Dialekt ohne
Erde. Franz Schubert und
das 20. Jahrhundert,
hrsg. von Otto
Kolleritsch, Wien-Graz
1998 (Studien zur
Wertungsforschung, Band
34), pp.
98-120.Schafer-Lembeck,
Hans-Ulrich:
Gegenstrebige Fugungen.
Hans Zenders Musik und
seine komponierte
Interpretation von
Schuberts Winterreise,
in: Neue Musik
vermitteln. Analysen
Interpretationen -
Unterricht, hrsg. von
Hans Bassler, Ortwin
Nimczik und Peter W.
Schatt, Mainz: Schott,
2004, pp.
295-307.Stahmer, Klaus
Hinrich: Bearbeitung als
Interpretation - Zur
Schubertrezeption Gustav
Mahlers, Hans Zenders und
Friedhelm Dohls, in:
Franz Schubert und Gustav
Mahler in der Musik der
Gegenwart, Mainz
1998.Zender, Hans: warum
wieder die Winterreise?
Hartmut Regitz im
Gesprach mit dem
Komponisten, in:
ballet.tanz -
international.aktuell,
Heft 12 (2001), p.
18.
World
premiere: Frankfurt am
Main, September 21,
1993.
Voice and Piano SKU: BT.EMBZ20017A New Liszt Edition, Series IX. Vol.2...(+)
Voice and Piano
SKU:
BT.EMBZ20017A
New
Liszt Edition, Series IX.
Vol.2.. By David
Trippett. By Franz Liszt.
EMB New Listz Edition.
Classical. Book
Hardcover. Composed 2019.
180 pages. Editio Musica
Budapest #EMBZ20017A.
Published by Editio
Musica Budapest
(BT.EMBZ20017A).
English-German-Hungari
an.
In 1845 Franz
Liszt embarked on a
project to compose an
Italian opera based on
Lord Byron’s
tragedy, Sardanapalus
(1821). It was central to
his ambition to attain
status as a major
European composer, with
premieres variously
planned for Milan,
Vienna, Paris and London.
But he abandoned it half
way through, and the
music he completed has
lain silently for 170
years.
Liszt’s difficulty
in obtaining a libretto
meant that composition
only began in April 1850.
He completed virtually
all the music for Act 1
in an annotated
piano-vocal score of 111
pages, contained within
his N4 music
‘sketch
book’. The unnamed
librettist was an Italian
poet and political
prisoner, seemingly
living under house
arrest, and a close
acquaintance of Cristina
Belgiojoso. His libretto
survives as underlay in
the N4 sketchbook and has
been critically
reconstructed and
translated.
Sardanapalo is
Liszt’s only
mature opera. While he
consistently referred to
it in French, as
Sardanapale, the
published title of the
Italian opera would
almost certainly have
used the Italian name,
hence this forms the
title of the first
edition. There are three
solo roles and a chorus
of concubines. The
manuscript was previously
thought to be fragmentary
and partially illegible,
but it was finally
deciphered to
international acclaim in
March 2017.
Liszt’s score
offers a richly melodic
style, with elements from
Bellini and Verdi
alongside glimmers of
Wagner and the symphonic
poems ahead: a unique
mixture of Italianate
pastiche and mid-century
harmonic innovation. It
remains quintessentially
Lisztian. The opera sets
Byron’s tragedy
about war and peace in
ancient Assyria: the last
King, effeminate in his
tastes, is drawn to wine,
concubines and feasts
more than politics and
war: his subjects find
him dishonourable (a
‘man queen’)
and military rebels seek
to overthrow him, but are
pardoned, for the King
rejects the ‘deceit
of glory’ built on
others’ suffering:
this leads only to a
larger uprising, the
Euphrates floods its
banks, destroying the
castle’s main
defensive wall, and
defeat is inevitable: the
King sends his family
away and orders that he
be burned alive with his
lover, amid scents and
spices in a grand
inferno. As Byron put it:
‘not a mere pillar
formed of cloud and
flame, but a light to
lessen ages.’ For
his part, Liszt told a
friend that his finale
‘will even aim to
set fire to the entire
audience!’
This critical edition
includes a detailed study
on the genesis of
Liszt’s
Sardanapalo in English,
German, and Hungarian,
the libretto in the
original Italian as well
as in English, German,
and Hungarian
translation, several
facsimile pages of
Liszt’s
manuscript, and a
detailed Critical
Report.
(Piano Solo and Piano/Vocal). Composed by Hans Zimmer (1957-). For Keyboard; Pia...(+)
(Piano Solo and
Piano/Vocal). Composed by
Hans Zimmer (1957-). For
Keyboard; Piano; Voice.
This edition: Piano Solo
and Piano/Vocal.
Artist/Personality; Book;
Piano - Personality Book;
Piano Supplemental;
Piano/Vocal/Chords.
Movie. 144 pages.
Published by Alfred Music
Medium Voices and Piano SKU: BT.ALHE30793 Voix Moyennes Et Piano-Recue...(+)
Medium Voices and Piano
SKU: BT.ALHE30793
Voix Moyennes Et
Piano-Recueil.
Composed by Gabriel
Pierne. Classical. Book
Only. 96 pages. Heugel &
Cie #ALHE30793. Published
by Heugel & Cie
(BT.ALHE30793).
French.
G
abriel Pierné
(1863-1937) was a French
composer, conductor and
organist. Despite being
predominantly remembered
as a conductor,
his Trois
Chansons De
Métiers&n
bsp;remains arecognised
piece in the Vocal
repertoire.
Pierné studied at the Paris
Conservatoire before
taking up the position of
chief conductor for the
concert series, Concerts
Colonne in 1910. He
remained in thepost until
1933, and during this
time, he notably
conducted the world
premiere of Igor
Stravinsky's The
Firebird.
Pierné
composed for a variety of
instruments. Trois
ChansonsDeMétiers<
/strong> is arranged
for two vocal groups and
contains many
characteristics typical
of the French style, such
as lyrical melodies, a
significant amount
performance directions,
flourishes of
semiquavers,chromaticism
and many changes in
dynamics. Tr
ois Chansons De
Métiers,
1) The Tailor, 2) The
Shoemakers, and 3) The
Rope Maker, is a varied
piece, essential to the
repertoire of aspiring
choristers.
Voice and Organ or Piano Organ Accompaniment; Piano Accompaniment; Voice (Voice ...(+)
Voice and Organ or Piano
Organ Accompaniment;
Piano Accompaniment;
Voice (Voice and Piano)
SKU: HL.49047076
Zur Ruh', zur Ruh' ihr
muden Glieder / Wenn der
Herr... Voice and.
Composed by Johanna
Senfter. Edited by Rolf
Schö and nstedt.
Vocal Collection.
Classical, General
Worship, Sacred.
Softcover. 16 pages.
Schott Music #ED23654.
Published by Schott Music
(HL.49047076).
ISBN
9781705184035. UPC:
196288115076.
There
are only two sacred solo
songs in the extensive
oeuvre of the Oppenheim
composer Johanna Senfter.
Both songs, probably
composed in 1917, are
influenced by the
catastrophe of the First
World War. They are
hereby presented as the
first publication.
JOHANNA SENFTER 1879 -
1961 Born and raised in
Oppenheim/Rhein - First
lessons from the mother
(piano, violin) - School
and university years in
Frankfurt/Main -From 1895
parallel music studies at
the Hoch Conservatory in
Frankfurt, graduating in
1903 (piano, organ,
violin, composition;
especially dealing with
J.S. Bach) - From 1907
private lessons with Max
Reger - October 1908 to
1909 his student at the
Leipzig Conservatory -
1909 Arthur Nikisch Prize
for the best composition
- Then worked in
Oppenheim as a freelance
composer and music
teacher - Friendly
relationship between the
Reger family and Senfter
- With Reger's death in
1916 she lost the protege
for the advertising of
her works (approx. 130) -
1921 founding of two
music societies. ROLF
SCHONSTEDT Born in
Erfurt/Thuringia in 1944
- studied church music in
Herford and Cologne -
church music exams (B / A
/ artistic maturity exam
/ concert exam) Kantor
positions in Remscheid,
Wuppertal, Hamm/Westf. -
KMD, state chairman of
church musicians, state
church music director,
lecturer at the Westf.
phil. (The organ song - a
new genre on the
threshold of the 20th
century) - As an
organist,
harpsichordist,conductor,
lecturer in Europe,
Russia, North and South
America, Africa -
Co-founder of the 2nd
Reger Festival in
Argentina - Boardmember
of the International Max
Reger Society - Member of
the Argentine National
Academy for Art and Music
- Honors and awards
(national /
international) -
Publisher: Series The
Spiritual Song / The
Organ Works by Karl Hasse
- Radio, television, disc
/CD.
Voice and piano SKU: BR.EB-8888 Urtext. Composed by Pauline Viardo...(+)
Voice and piano
SKU:
BR.EB-8888
Urtext. Composed
by Pauline
Viardot-Garcia. Edited by
Miriam-Alexandra Wigbers.
Voice. Edition Breitkopf.
Song; Romantic. Score.
112 pages. Breitkopf and
Haertel #EB 8888.
Published by Breitkopf
and Haertel (BR.EB-8888).
ISBN 9790004185117. 0
x 0 inches.
German.
The
piano-accompanied Lied is
undoubtedly the main
genre of Pauline
Viardot-Garcia's oeuvre.
With this volume, we
present settings of
German texts by such
poets as Ludwig Uhland,
Eduard Morike, Johann
Wolfgang von Goethe,
Heinrich Heine, Emanuel
Geibel, Ludwig Rellstab
and Richard Pohl. Except
for the Uhland settings,
these German Lieder were
written between 1862 and
1871 during Viardot's
Baden-Baden period, when
she shifted the focus of
her activities from
singing to composing and
teaching. Here she
worked, among other
things, on the poetry of
Eduard Morike, which she
called the greatest and
most genuine in all
German poetry after
Goethe.One of her first
published songs was the
setting of the Uhland
poem Des Knaben Berglied.
Accompanying herself on
the piano, she performed
it in 1838 on her first
concert tour of Germany.
A performance of the song
at the Leipzig Gewandhaus
prompted Robert Schumann
to remark: She showed
three talents here
[composition, singing and
piano playing], each of
which would grace its
artist. Through her
music, Viardot brings the
creatures in the poems to
life, tracing their
different characters and
inner states, thus giving
the texts a new level of
interpretation.
Mi
riam-Alexandra Wigber's
recordings of songs from
this edition can be found
on YouTube.
Arranged by Dan Coates. For voice and piano. Format: easy piano/vocal/chords son...(+)
Arranged by Dan Coates.
For voice and piano.
Format: easy
piano/vocal/chords
songbook. With easy piano
notation, lyrics and
chord names. Pop. 88
pages. 9x12 inches.
Published by Alfred
Publishing.
Voice and piano (solo: S - 4(2picc).3(cor ang).3(Eb-clar.Bb-clar).3 (dble bsn) -...(+)
Voice and piano (solo: S
- 4(2picc).3(cor
ang).3(Eb-clar.Bb-clar).3
(dble bsn) - 4.3.0.0 -
hp.timp.perc(4) - str)
SKU: BR.EB-8951
Final Version 1911 -
Textcritical Edition.
Composed by Gustav
Mahler. Edited by
Christian Rudolf Riedel.
Voice; stapled. Edition
Breitkopf. Symphony;
Late-romantic.
Piano/Vocal Score. 20
pages. Duration 55'.
Breitkopf and Haertel #EB
8951. Published by
Breitkopf and Haertel
(BR.EB-8951).
ISBN
9790004186206. 9 x 12
inches. German.
Of
all his symphonies,
Mahler gave the Fourth,
his favorite and problem
child, his most
particular attention. The
Heavenly Life, a
humoresque composed in
1892 for soprano and
piano, which he already
wanted to use in the
final movement of the
Third Symphony under the
title What the Child
Tells Me, ultimately
became the nucleus and
final movement of the
Fourth. Even after
publication in 1901,
Mahler kept repeatedly
refining the
orchestration. His maxim
not without my retouching
led to a whole series of
revised reprints. It is
probably no coincidence
that Mahler performed
especially the Fourth
Symphony in his last two
New York concerts in
February 1911, using this
opportunity to review
once again the score and
parts. This performance
material with his
retouching served as the
main source for the new
edition. Furthermore,
included for the first
time were corrections and
annotations in
conjunction with
performances of the
Fourth, which Mahler
entered into the scores
of conductors such as
Mengelberg and
Wickenhauser. PB 5664 has
been awarded the Presto
Sheet Music Award
2020.
(Volume 4 Voice and Piano (Original Keys)). Composed by Francis Poulenc (1899-19...(+)
(Volume 4 Voice and Piano
(Original Keys)).
Composed by Francis
Poulenc (1899-1963). For
Voice, Piano
Accompaniment. Editions
Durand. Softcover.
Editions Durand #DF16091.
Published by Editions
Durand