Performed by Frank Loesser. For voice and piano. Format: piano/vocal/chords songbook. With vocal melody, piano accompaniment, lyrics, chord names, black & white photos and introductory text. Broadway. 280 pages. 9x12 inches. Published by Frank Music Corp..

The Songs of Michael Flanders and Donald Swann. (Piano/Vocal). By Donald Swann. For piano/vocal. This edition: Piano/Vocal/Chords. Personality Book; Piano/Vocal. Faber Edition. Broadway. Songbook. 223 pages. Published by Faber Music

E-Z Play�® Today Volume 370. Composed by Various. E-Z Play Today. Softcover. 352 pages. Published by Hal Leonard (HL.159576).

(Thirty Years of Popular Hits Arranged for EASY PIANO). Arranged by Dan Coates. For Piano. Book; Piano - Easy Piano Collection; Piano Supplemental; Sing-Along. Decade by Decade. Nostalgia; Pop. Easy Piano. 144 pages. Published by Alfred Music Publishing

Budget Books. By Various. Easy Piano Songbook (Easy arrangements for piano and voice). Softcover. 304 pages. Published by Hal Leonard.

(Original Keys for Singers). By Andy Williams. Vocal Piano. Softcover. 120 pages. Published by Hal Leonard

Edited by Amy Appleby. Collection and examples CD for voice and piano. Over 180 hits and showstoppers by the master songwriters of yesteryear. 399 pages. Published by Music Sales.

Arranged by Dan Coates. For voice and piano. Format: easy piano/vocal/chords songbook. With easy piano notation, lyrics and chord names. Pop. 88 pages. 9x12 inches. Published by Alfred Publishing.

Clothbound German and English Piano Accompaniment; Voice (Voice and Piano)

SKU: HL.49047152

Series II: Lieder and Songs for One Voice Hardcover. Composed by Richard Strauss. Edited by Andreas Pernpeintner and Sebastian Bolz. Edition Schott. Classical. Hardcover. Schott Music #RSW205. Published by Schott Music (HL.49047152).

UPC: 196288136620.

In 1918 a twelve-year phase came to an end during which Richard Strauss had completely turned his back on the composition of lieder.Plausible explanations for this period of abstinence range from Strauss’s focus on stage works during this time to the fact that hiswife Pauline, who had previously constituted the composer's “ideal performer” of his lieder and frequently been the source of inspiration for these compositions, had ended her career as a singer. After not having produced any new lieder during these twelve years, Strauss was equally consistent in the resumption of lied composition – at least in the year 1918 that would prove to be the most intensive “lieder year” in his entire compositional career with the composition of opp. 66, 67, 68 and 69 (a grand total of 29 lieder, in addition to the orchestration of six piano lieder composed in former years). The current volume includes the lieder dating from 1918 up to Strauss's death in 1949 in their original language and pitch. German and English.

Piano and Vocal - advanced

SKU: BT.DHP-1165710-401

Piano Reduction. By Paul Mann. By Jon Lord. Piano Reduction. Composed 2016. 16 pages. De Haske Publications #DHP 1165710-401. Published by De Haske Publications (BT.DHP-1165710-401).

ISBN 9789043150248.

The 28-year-old Jon Lord, with no experience at all of writing for orchestra, composed this work in only three months in the lead-up to its premiere with the Royal Philharmonic Orchestra and Malcolm Arnold. It was his first workfor orchestra, launching his career as both a classical composer and a founding member of Deep Purple. It is notably rich in youthful invention, sound in structure, and sophisticated in craftsmanship. It broke new ground at thetime, and seems only to have grown in stature across the intervening years. The full score appears here in print for the first time ever, meticulously edited by the composer’s long-time musical collaborator Paul Mann.

De 28 jaar oude Jon Lord, die nog geen enkele ervaring had in het schrijven voor orkest, componeerde dit werk in slechts drie maanden in de aanloop naar de première met het Royal Philharmonic Orchestra en Malcolm Arnold. Hetbetreft dus zijn eerste compositie voor orkest en hij lanceerde hiermee zijn parallelle carrières als componist en medeoprichter van Deep Purple. Het werk is rijk aan jeugdige vindingrijkheid, goed opgebouwd en met vakmanschapgemaakt. Het was destijds baanbrekend en het lijkt in de loop der jaren alleen maar aan zeggingskracht te hebben gewonnen. De volledige partituur verschijnt nu voor het eerst op papier, in een consciëntieuze bewerking doorPaulMann, met wie de componist op muzikaal gebied al jaren samenwerkt.

Partitur und Klavierauszug des Concertos können käuflich erworben werden.
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Der 28 Jahre alte Jon Lord, der bis dahin keine Erfahrung im Bereichder Orchesterkomposition hatte, brauchte für dieses Werk nur drei Monate, bis es mit dem Royal Philharmonic Orchestra unter der Leitung von Malcolm Arnold uraufgeführt wurde. Seinerstes Werk für Orchester ist der Beginn seinerparallelen Karriere als Komponist und Gründungsmitglied der Rockband Deep Purple. Das Stück zeichnet sich durch jugendlichen Einfallsreichtum, einen strukturierten Klang sowie ein ausgeklügeltes Könnenaus. Es galt damals alsbahnbrechend und seine Bedeutung scheint in der Zwischenzeit weiter gestiegen zu sein. Die Partitur erscheint hier zum allerersten Mal im Druck und wurde bis ins kleinste Detail von Paul Mann, einem langjährigenmusika lischenFreund des Komponisten, herausgegeben.

Jon Lord, gé de 28 ans et sans aucune expérience en composition pour orchestre, écrit cette œuvre en seulement trois mois l’approche de sa première avec le Royal Philharmonic Orchestra dirigé par Malcolm Arnold. Cette premièreœ uvre pour orchestre lança ses carrières parallèles de compositeur et membre fondateur de Deep Purple. Elle est particulièrement riche en invention juvénile, solide en structure et raffinée en artisanat musical. Innovante lors desa première, cette œuvre ne semble que gagner en stature depuis lors. La partition complète apparaît ici en publication pour la première fois, en édition méticuleusement préparée par le collaborateur du compositeurdepuislongtemp s, Paul Mann.

By Various. E-Z Play Today (Easy big-note right-hand-only arrangements for piano, organ, and electronic keyboard). Softcover. 392 pages. Published by Hal Leonard.

Voice and Piano

SKU: AP.36-M293191

Composed by Manuel de Falla. Performance Music Ensemble. Master Vocal Series. Score and Part(s). Alfred Music #36-M293191. Published by Alfred Music (AP.36-M293191).

UPC: 660355138577. English.

Manuel de Falla (1876-1946) wrote his Siete canciones populares españolas (Seven Spanish Folksongs) in 1914 for voice and piano, and it premiered on January 14th of the following year, with Luisa Vela singing and the composer at the piano. The work combines authentic folk melodies and otherwise to offer the infectious melodies and rhythms inherent to the popular tunes with very original piano accompaniments. Songs included: 1. El paño moruno, 2. Seguidilla murciana, 3. Asturiana, 4. Jota, 5. Nana, 6. Canción, and 7. Polo. The immediate acclaim following the 2015 premiere in Madrid helped Falla gain international recognition.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Composed by Jerry Ross, Richard Adler. Vocal score for voice and piano accompaniment. With vocal melody, lyrics and piano accompaniment. 148 pages. Published by Alfred Publishing.

(42 Classics Transposed Down For Women Singers). By Various. For Vocal, Piano Accompaniment. Vocal Collection. Vocal Standards. Difficulty: medium. Songbook. Vocal melody, lyrics, piano accompaniment and chord names. 159 pages. Published by Hal Leonard

Voice and piano

SKU: BR.EB-8601

Kommentar von W. Schubert. Composed by Bernhard Theodor Breitkopf. Edited by Gunter Raphael. Voice; Softcover. Edition Breitkopf. Goethe, who studied in Leipzig between 1765 and 1768 (a period he wrote about in Dichtung und Wahrheit), was friends there with a young man of his age, Bernhard Theodor Breitkopf, the grandson of the publishing house's founder. Song; Classical. Score. 36 pages. Breitkopf and Haertel #EB 8601. Published by Breitkopf and Haertel (BR.EB-8601).

ISBN 9790004178829. 9 x 12 inches.

Goethe, who studied in Leipzig between 1765 and 1768 (a period he wrote about in Dichtung und Wahrheit), was friends there with a young man of his age, Bernhard Theodor Breitkopf, the grandson of the publishing house's founder. Breitkopf set his friend's first poems to music in the style of the day. The Neue Lieder und Melodien came out for the 1770 Leipzig spring fair, though without any mention of the poet, still completely unknown at that time. The title Goethes Leipziger Liederbuch dates only from 1932, when Gunter Raphael prepared a new edition for the Goethe commemorative year. Since several poems from the Neue Lieder are found in highly altered forms in later work collections, this publication of Goethe's first poems is also of great value to literary scholars.

Goethe, who studied in Leipzig between 1765 and 1768 (a period he wrote about in Dichtung und Wahrheit), was friends there with a young man of his age, Bernhard Theodor Breitkopf, the grandson of the publishing house's founder.

Vocal Score. Composed by Jerry Ross and Richard Adler. Vocal Score. Softcover. 148 pages. Published by Hal Leonard