les plus belles chansons de High School Musical et de High School Musical 2 pour jouer ou chanter. Le volume comprend des partitions pour piano, guitare, chant, paroles, avec des cordes et un CD avec la musique de chanter. Les bases sont disponibles dans doppsione : facilité (avec Melody Guide) et karaoké (aucune ligne directrice du chant). / Chant Et Piano

A dozen piano/vocal selections from the Tony Award-nominated 2015 musical adapted from the popular 2003 silver screen production of the same name. Our folio includes the new songs with music by Andrew Lloyd Webber and lyrics by Glenn Slater and the title track by Mike White and Samuel Buonaugurio. / Piano Et Chant

Par PURCELL HENRY. Henry Purcell's Songs Book 2 have been edited by Maureen Lehane and Peter Wishart, and contain: Ah how sweet it is to love (E - F) Dido's lament (C - G) The fatal hour comes on apace (C sharp - F) From rosy bow'rs (C sharp - F sharp) Hark how all things with one sound rejoice (D - F) Set for the Associated Board, Guildhall School and Trinity College examinations. Henry Purcell's Songs Book 2 have been edited by Maureen Lehane and Peter Wishart, and contain: Ah how sweet it is to love (E - F) Dido's lament (C - G) The fatal hour comes on apace (C sharp - F) From rosy bow'rs (C sharp - F sharp) Hark how all things with one sound rejoice (D - F) Set for the Associated Board, Guildhall School and Trinity College examinations./ Répertoire / Chant et Piano

45 Classic Hymns for Churches, Schools & Choirs. A wonderful collection of the most popular traditional hymns in a handy 10 x 7 inch format. Ideal for Churches, Schools and Choirs making an ideal resource. / Songbooks / Recueil / Voix et Piano

Medium Voice. Par IRELAND JOHN. The Complete works for Medium Voice and Piano, by John Ireland. This second volume contians eighteen terrific settings of some real masterpieces! Set for the Associated Board and Guildhall School examinations. / Niveau : Moyen / Répertoire / Chant et Piano

Par NAOUMOFF EMILE. These songs by Emile Naoumoff are squarely in the tradition of French lied composition such as by Gabriel Fauré. Here, Naoumoff chose texts by late 19th-century French lyricists: Auguste Villiers de l'Isle-Adam, Emile Verhaeren, Charles Baudelaire and René-François Sully-Prudhomme. In their elegance and suppleness, the four songs sound typically French. As they are all easy to sing and have not been composed 'against' the voice, they are perfectly suited for both music lessons and concert programmes. Naoumoff was born in Sofia in 1962. At the age of eight, he began his career as a pianist and composer; he was a student of Nadia Boulanger for ten years until her death. At the age of ten, Naoumoff composed and performed his own piano concerto under the direction of Yehudi Menuhin. He then received numerous awards and prizes and gave performances as highly acclaimed pianist. Today, Naoumoff lives and works as an associate professor at the School of Music of the Indiana University at Bloomington. He gives master classes in the USA, Europe and Japan and is director of a music academy./ Répertoire / Chant et Piano

Par WARLOCK PETER. Warlock's fantastic tippler's anthem set here for Voice C-F and Piano accompaniment. Also suitable for singing an octave lower. Set for the Associated Board, Guildhall School and Trinity College Grade examinations./ Répertoire / Chant et Piano

Neue Ausgabe Sämtlicher Werke. Urtext Bestellung Zur Fortsetzung Zu Einem Um 10 % Ermäßigten Serienpreis Möglich. Par MOZART WOLFGANG AMADEUS. This work, possibly commissioned by Prince-Bishop Sigismund Christoph von Schrattenbach , was assigned to three Salzburg composers: W. A. Mozart (part 1), Michael Haydn (part 2), and Anton Cajetan Adlgasser (part 3). Only the manuscript of part 1 has survived. Here Mozart drew heavily on the Salzburg tradition of church music and school dramas, perhaps taking Johann Ernst Eberlin and even his father Leopold as his models. The first performance took place in the Knights' Hall of the prince's palace on 12 March 1767. The libretto was supplied by Ignaz Anton Weiser (1701-1785), town councillor and mayor of Salzburg . Mozart wrote out many of the appoggiaturas in this early work, thereby providing a useful guide to the vocal practices of his day. Aria #2 has come down to us with an instructive passage in which the vocal part is ornamented in the hand of Leopold Mozart. The piano reduction, by K.-H. Müller , was prepared on the basis of the New Mozart Edition. The piano part is uncluttered and easy-to-play./ Répertoire / Chant

Volume 3. Par IRELAND JOHN. CONTENTS All in a garden green (D - E) Aside (B - E) Beckon to me (C - E) Dear think not that they will forget you (C - F) Great things (C - E) Her song (C - D) In Boyhood (C sharp - F) In my sage moments (C - E) It was what you bore with you, woman (D sharp - E) Report song (C - E) Summer schemes (C - F) Sweet season (D - E) Thanksgiving (C sharp - E) Tragedy of that moment (B flat - D) Weathers (C - D) We'll to the woods no more (E flat - F) Set for the Associated Board, Guildhall School, London College and Trinity College examinations. / Niveau : Moyen / Répertoire / Chant et Piano

Tiefe Stimme / Low Voice. Par SCHUBERT FRANZ. Continuing the new Urtext edition of Schubert’s Lieder, editor Walther Dürr now presents Volume 6, for Low Voice. While volumes 1 to 4 of this series contain mostly Lieder that Schubert had published during his lifetime, volume 5ff. contain the remaining songs which are presented basically chronologically in the order of their Deutsch catalogue number. The Lieder in this sixth volume were composed during the period between autumn 1814 and spring 1815. With “Nachtgesang” (D 119) and “Trost in Tränen” (D120) Schubert turns to the“Strophenlied” in its stricter sense for the first time. He develops an interest in this form parallel to his first involvement with Geothe. Schubert, during this period an assistant teacher at his father’s school, orientated himself towards the so-called “Berliner Liederschule”, particularly the songs of Johann Friedrich Reichardt. By the beginning of the year 1815 he drew his inspiration mainly from the texts of Theodor Körner; however he regularly still produced settings for the poetry of Goethe and Schiller. - Based on the Urtext of the “New Schubert Edition” - Newly engraved, clearly presented musical layout - Foreword by Walther Dürr on the history and genesis of the work as well as an explanation of the sources for each individual lied (Eng/Ger) - Includes English translations of lieder texts by Richard Wigmore/ Répertoire / Vocal et Piano

Par WEDGWOOD PAM / GREGORY F.. Showkits is a brand new concept in classroom project work. This pack has been designed for teachers to use and develop according to their own strengths and interests. It can be used in a variety of ways: History Topic - based around the life and times of Henry VIII. All the activity suggestions are closely related to the National Curriculum, and draw ideas from all areas of the timetable. Drama/English Project - use the outline plot provided to encourage the class to write or improvise and perform their own script. Music Project - use the songs provided, the musical activities and the story as pointers to a themed approach to a series of music lessons. School Production - for those with ambition, use the story-line as a basis for a script, and create a mini-musical with drama, dancing and singing, tailored exactly to your own resources. Suitable for the National Curriculum Key Stages 2-3. / Niveau : Facile / Recueil / Chant et Piano