Lyrics by W.S. Gilbert, music by Sir Arthur Seymour Sullivan (1842-1900). Vocal ...(+)
Lyrics by W.S. Gilbert,
music by Sir Arthur
Seymour Sullivan
(1842-1900). Vocal score
for voices and piano.
With lyrics, vocal
melody, piano reduction,
introductory text and
complete dialog. 220
pages. Published by G.
Schirmer, Inc.
Lyrics by Oscar Hammerstein II, music by Richard Rogers. For mixed voice and pia...(+)
Lyrics by Oscar
Hammerstein II, music by
Richard Rogers. For mixed
voice and piano. Format:
vocal score. With vocal
score and piano
reduction. Broadway and
movies. 176 pages. 9x12
inches. Published by Hal
Leonard.
Voice and piano (Soli: SBar(T) - 1(picc.A-fl).1(cor ang).1(Ebclar.Bclar).0. - 1....(+)
Voice and piano (Soli:
SBar(T) -
1(picc.A-fl).1(cor
ang).1(Ebclar.Bclar).0. -
1.1.2.0. - perc - hp -
pno - str: 1.1.1.1.1.)
SKU: BR.DV-6140
Scenes for 2 Singers
and 15
Instrumentalists.
Composed by Udo
Zimmermann. Voice;
Softbound. Deutscher
Verlag. World premiere:
Hamburg, February 27,
1986DV 1140 awarded the
German Music Edition
Prize. Opera; Music
theatre; Music post-1945;
New music (post-2000).
Piano/Vocal Score.
Composed 1984/85. 140
pages. Duration 75'.
Deutscher Verlag fur
Musik #DV 6140. Published
by Deutscher Verlag fur
Musik (BR.DV-6140).
ISBN 9790200460230.
13.5 x 10.5
inches.
Translation
: Engl. (S. Wadsworth)
(1988) / (Norbert
Rubesaat) (1993); French
(Jean-Pierre Wurtz)
(1997) Place and time:
Jail Munchen-Stadelheim,
in the hour before the
execution on 22nd
February 1943 Characters:
Sophie Scholl (soprano) /
Hans Scholl (baritone or
tenor) >>Weisse Rose<<
(White Rose) was the name
of the resistance group
to which Hans and Sophie
Scholl belonged. Udo
Zimmermann's composition
is characterized by the
varying structure of its
scenes: dramatic,
visionary scenes, e.g.
the remembered wartime
experiences on the front,
Sophie's anxiety about
the removal of the
children and the wish to
see her parents one last
time, contrast with
contemplative monologues
that are intended to
provide insights into the
individual's particular
situation. The composer
interweaves into the
structure of the piece
dream sequences with
sudden bursts of anxiety
that are not triggered by
the execution that is
about to take place but
by the consequences of
one's own actions. The
result is a deliberate
fusion of the various
parts into one another.
More than 100 different
productions prove that
the topic is as important
as ever and that the work
is both artistically
rewarding and
practicable. Udo
Zimmermann About the
piece Two young people,
the siblings Sophie and
Hans Scholl, are in a
prison cell, one hour
before they are to be put
to death by their fascist
executioners. Their
christian convictions and
sense of responsibility
gave them the courage to
put up resistance,
resistance against the
lies, the contempt for
humanity and all human
values. Sophie and Hans
Scholl took their stand
in the full knowledge
that they were taking a
deadly risk. They would
simply not have been able
to live with their
feelings of shame had
they not grasped the
chance of fighting for
what they believed in,
even though it was a
dangerous thing to do.
Memories of past events,
doubts, hopes and fears,
justification of deeds
and an acceptance of
death, all these things
happen and move in, and
between, these two people
during this
representation of the
hour before death. The
orchestra provides a
psycho-physical shorthand
of their inner mental
state. Musical effects
and gestures search for
their identity in human
behaviour. The moments of
stillness and silence
provide moments of
musical tension, which
are just as powerful as
the eruptions of fear and
desperation. CDs:
Gabriele Fontana
(soprano), Lutz-Michael
Harder (tenor),
Instrumentalensemble,
cond. Udo Zimmermann CD
Orfeo C 162 871 Grazyna
Szklarecka (soprano),
Frank Schiller (tenor),
musica viva-ensemble
dresden, cond. Udo
Zimmermann CD Berlin
Classics Eterna BC 0120
060-2 CD (excerpts):
Gabriele Fontana
(soprano), Lutz-Michael
Harder (tenor), Ein
Instrumentalensemble,
cond. Udo Zimmermann CD
BMG 74321 73628 2
Bibliography : Kornel ,
Attila: ,,Tief unter uns
nur Schweigen - Die
Asthetik der Stille in
Udo Zimmermanns
Kammeroper ,,Weisse Rose,
in: Die Tonkunst 11
(2017), pp. 368-377.
Rheinlander , Matthias:
Im Osten nichts Neues?
Ostalgie ohne Kitsch am
Beispiel von Udo
Zimmermanns Oper Die
weisse Rose, in: Musik
und Unterricht, Heft 73
(2003), pp.
34-40.
World
premiere: Hamburg,
February 27, 1986DV 1140
Awarded the German Music
Edition Prize.
48 Songs from the 19th and 20th Centuries - Medium/Low Voice. Composed by...(+)
48 Songs from the 19th
and 20th Centuries -
Medium/Low Voice.
Composed by Various.
Edited by Ilaria Narici.
Vocal Collection.
Classical, Italian.
Softcover. 244 pages.
Ricordi #NR141462.
Published by Ricordi
(HL.50600668).
Piano and Vocal - advanced SKU: BT.DHP-1165710-401 Piano Reduction...(+)
Piano and Vocal -
advanced
SKU:
BT.DHP-1165710-401
Piano Reduction.
By Paul Mann. By Jon
Lord. Piano Reduction.
Composed 2016. 16 pages.
De Haske Publications
#DHP 1165710-401.
Published by De Haske
Publications
(BT.DHP-1165710-401).
ISBN
9789043150248.
The
28-year-old Jon Lord,
with no experience at all
of writing for orchestra,
composed this work in
only three months in the
lead-up to its premiere
with the Royal
Philharmonic Orchestra
and Malcolm Arnold. It
was his first workfor
orchestra, launching his
career as both a
classical composer and a
founding member of Deep
Purple. It is notably
rich in youthful
invention, sound in
structure, and
sophisticated in
craftsmanship. It broke
new ground at thetime,
and seems only to have
grown in stature across
the intervening years.
The full score appears
here in print for the
first time ever,
meticulously edited by
the
composerââ¬â¢s
long-time musical
collaborator Paul
Mann.
De 28 jaar
oude Jon Lord, die nog
geen enkele ervaring had
in het schrijven voor
orkest, componeerde dit
werk in slechts drie
maanden in de aanloop
naar de première
met het Royal
Philharmonic Orchestra en
Malcolm Arnold.
Hetbetreft dus zijn
eerste compositie voor
orkest en hij lanceerde
hiermee zijn parallelle
carrières als
componist en
medeoprichter van Deep
Purple. Het werk is rijk
aan jeugdige
vindingrijkheid, goed
opgebouwd en met
vakmanschapgemaakt. Het
was destijds baanbrekend
en het lijkt in de loop
der jaren alleen maar aan
zeggingskracht te hebben
gewonnen. De volledige
partituur verschijnt nu
voor het eerst op papier,
in een
consciëntieuze
bewerking doorPaulMann,
met wie de componist op
muzikaal gebied al jaren
samenwerkt.
Partitur und
Klavierauszug des
Concertos
können
käuflich erworben
werden. Das
Einzelstimmen-Set ist
ausschließlich
Leihmaterial. Auskunft
über
Leih-Bedingungen und
Preise erhalten Sie auf
Nachfrage.
Bittekontaktieren Sie:
HalLeonard Europe BV
- Rental
department E-Mail: rental@hall
eonardeurope.nl Der 28 Jahre alte
Jon Lord, der bis dahin
keine Erfahrung im
Bereichder
Orchesterkomposition
hatte, brauchte
für dieses Werk
nur drei Monate, bis es
mit dem Royal
Philharmonic Orchestra
unter der Leitung von
Malcolm Arnold
uraufgeführt
wurde. Seinerstes Werk
für Orchester ist
der Beginn
seinerparallelen Karriere
als Komponist und
Gründungsmitglied
der Rockband Deep Purple.
Das Stück zeichnet
sich durch jugendlichen
Einfallsreichtum, einen
strukturierten Klang
sowie ein
ausgeklügeltes
Könnenaus. Es galt
damals alsbahnbrechend
und seine Bedeutung
scheint in der
Zwischenzeit weiter
gestiegen zu sein. Die
Partitur erscheint hier
zum allerersten Mal im
Druck und wurde bis ins
kleinste Detail von Paul
Mann, einem
langjährigenmusika
lischenFreund des
Komponisten,
herausgegeben.
Aus: Drei Chore fur vier Singstimmen und Klavier. By Franz Schubert. Edited by S...(+)
Aus: Drei Chore fur vier
Singstimmen und Klavier.
By Franz Schubert. Edited
by Schmid, Thomas. For
Soli SATB (Choir), Piano.
D 985. Chamber Choir -
Recommended by Frieder
Bernius; Secular Choral
Music. Score. Language:
German. 8 pages. Duration
5 min. Published by Carus
Verlag (German import).