By Bastille; Marshmello. Piano Vocal. Pop. Softcover. 8 pages. Published by Hal Leonard

Voice and piano

SKU: LM.C06039

Composed by Jacques Ballue. Classical. Score. Editions Combre #C06039. Published by Editions Combre (LM.C06039).

ISBN 9790230360395.

MACH AUT G. : Bone Pastor - PERGOLESE G.B. : Duo (extrait du Stabat Mater) - BACH J.S. : Aria (extrait de La Passion selon St Mathieu) - BACH J.S. : Choral (extrait de La Passion selon St Mathieu) - MOZART W.A. : Tu che mi parli al core - SCHUMANN R. : Er, der Herrlichste von allen - SCHUBERT F. : Einsamkeit - MENDELSSOHN-BARTHOLDY F. : Abschied vom Walde - OFFENBACH J. : Duo (extrait de La Belle Helene) - BRAHMS J. : In stiller Nacht - WOLF H. : Seltsam ist Juanas Weise - ALBENIZ I. : Il en est de l'amour... - MAHLER G. : Nun seh' ich wohl, warum so dunkle Flammen - DEBUSSY C. : Romance - DEBUSSY C. : Deux melodies (n. 2) - REGER M. : Es bluht ein Blumlein rosenrot - LANGLAIS J. : Marie qui voudrait votre nom retourner.

Voice and Piano. Arranged by Wilhelm Lutz. Schott. Size 9x12 inches. 136 pages. Published by Schott.

By Franz, Robert (1815-1892). Voice and piano. Published by International Music Co.

(Voice and Piano)

SKU: HL.50582602

Salabert. Hal Leonard #SLB688. Published by Hal Leonard (HL.50582602).

(Voice and Piano)

SKU: HL.50590103

Ricordi Germany. Hal Leonard #UFA11700. Published by Hal Leonard (HL.50590103).

Vocal and Piano

SKU: HL.50496607

Varioustes Chant Seul. Composed by Bruant. MGB. Classical. Score Only. Composed 2002. Editions Salabert #SLB1324. Published by Editions Salabert (HL.50496607).

Voice and Piano

SKU: HL.49006944

Die beliebtesten Kinderlieder. Edited by Friederike Merck. Arranged by Fritz Volbach. This edition: Hardback/Hard Cover. Book. Edition Schott. Classical. Songbook. 50 pages. Schott Music #ED 7070. Published by Schott Music (HL.49006944).

ISBN 9783795727369. 10.25x8.5x0.383 inches. German. Ludwig Zumbusch.

Dieser schone Reprint ist auch fur Liebhaber und Sammler von alten Kinderbuchern interessant. Alle Lieder sind fur Kinderstimmen und Klavier gesetzt und mit farbigen Illustrationen von Ludwig Zumbusch versehen.

Voice and piano. Selected by GRAHAM BASTABLE. Published by International Music Co.

Voice and piano. Selected by GRAHAM BASTABLE. Published by International Music Co.

Voice & Piano

SKU: SU.50600763

For Voice & Piano. Composed by Hugo Hugo Kauder. Vocal/Choral, Solo Voice. Accompanied by piano. Score. Seesaw Music Corp #50600763. Published by Seesaw Music Corp (SU.50600763).

Voice & Piano Composed: 1919 - 1939 Published by: Seesaw Music Includes: Vier Lieder (1919) 1. Vöglein Schwermut (Morgenstern), 2. Septembermorgen (Mörike), 3. Der Tag Klingt Ab (Nietzsche), 4. Das Lied des Zwergen (George) Sieben Lieder (1921-1923) 1. Breit’ In der Stille den Geist (George), 2. Wandrers Nachtlied I (Goethe), 3. Wandrers Nachtlied II (Goethe), 4. Gesang Weylas (Mörike), 5. Lilie der Auen (George), 6. Marienlied (Novalis), 7. In Tausend Formen (Goethe) Letzte Lieder (1928-1939) In der Frühe (Mörike), Als Mir Dein Lied Erklang (Brentano), Abendständchen (Brentano), Abbitte (Hölderlin), Ermunterung (Hölderlin), Sommerbild (Hebbel), Herbstbild (Hebbel).

Voice and piano (Soli: SBar(T) - 1(picc.A-fl).1(cor ang).1(Ebclar.Bclar).0. - 1.1.2.0. - perc - hp - pno - str: 1.1.1.1.1.)

SKU: BR.DV-6140

Scenes for 2 Singers and 15 Instrumentalists. Composed by Udo Zimmermann. Voice; Softbound. Deutscher Verlag. World premiere: Hamburg, February 27, 1986DV 1140 awarded the German Music Edition Prize. Opera; Music theatre; Music post-1945; New music (post-2000). Piano/Vocal Score. Composed 1984/85. 140 pages. Duration 75'. Deutscher Verlag fur Musik #DV 6140. Published by Deutscher Verlag fur Musik (BR.DV-6140).

ISBN 9790200460230. 13.5 x 10.5 inches.

Translation : Engl. (S. Wadsworth) (1988) / (Norbert Rubesaat) (1993); French (Jean-Pierre Wurtz) (1997) Place and time: Jail Munchen-Stadelheim, in the hour before the execution on 22nd February 1943 Characters: Sophie Scholl (soprano) / Hans Scholl (baritone or tenor) >>Weisse Rose<< (White Rose) was the name of the resistance group to which Hans and Sophie Scholl belonged. Udo Zimmermann's composition is characterized by the varying structure of its scenes: dramatic, visionary scenes, e.g. the remembered wartime experiences on the front, Sophie's anxiety about the removal of the children and the wish to see her parents one last time, contrast with contemplative monologues that are intended to provide insights into the individual's particular situation. The composer interweaves into the structure of the piece dream sequences with sudden bursts of anxiety that are not triggered by the execution that is about to take place but by the consequences of one's own actions. The result is a deliberate fusion of the various parts into one another. More than 100 different productions prove that the topic is as important as ever and that the work is both artistically rewarding and practicable. Udo Zimmermann About the piece Two young people, the siblings Sophie and Hans Scholl, are in a prison cell, one hour before they are to be put to death by their fascist executioners. Their christian convictions and sense of responsibility gave them the courage to put up resistance, resistance against the lies, the contempt for humanity and all human values. Sophie and Hans Scholl took their stand in the full knowledge that they were taking a deadly risk. They would simply not have been able to live with their feelings of shame had they not grasped the chance of fighting for what they believed in, even though it was a dangerous thing to do. Memories of past events, doubts, hopes and fears, justification of deeds and an acceptance of death, all these things happen and move in, and between, these two people during this representation of the hour before death. The orchestra provides a psycho-physical shorthand of their inner mental state. Musical effects and gestures search for their identity in human behaviour. The moments of stillness and silence provide moments of musical tension, which are just as powerful as the eruptions of fear and desperation. CDs: Gabriele Fontana (soprano), Lutz-Michael Harder (tenor), Instrumentalensemble, cond. Udo Zimmermann CD Orfeo C 162 871 Grazyna Szklarecka (soprano), Frank Schiller (tenor), musica viva-ensemble dresden, cond. Udo Zimmermann CD Berlin Classics Eterna BC 0120 060-2 CD (excerpts): Gabriele Fontana (soprano), Lutz-Michael Harder (tenor), Ein Instrumentalensemble, cond. Udo Zimmermann CD BMG 74321 73628 2 Bibliography : Kornel , Attila: ,,Tief unter uns nur Schweigen - Die Asthetik der Stille in Udo Zimmermanns Kammeroper ,,Weisse Rose, in: Die Tonkunst 11 (2017), pp. 368-377. Rheinlander , Matthias: Im Osten nichts Neues? Ostalgie ohne Kitsch am Beispiel von Udo Zimmermanns Oper Die weisse Rose, in: Musik und Unterricht, Heft 73 (2003), pp. 34-40.

World premiere: Hamburg, February 27, 1986DV 1140 Awarded the German Music Edition Prize.

Vocal and Piano (Voice and Piano)

SKU: HL.50487684

Composed by N. Bretan. 20th Century. EMB. Classical. Book [Softcover]. Editio Musica Budapest #Z13636. Published by Editio Musica Budapest (HL.50487684).

ISBN 9790080136362. Bach (23 x 30,2 cm) inches. Hungarian, English. Nicolae Bretan.

Nicolae Bretan (1887-1968) was a great singer and composer who had the keys to create great lieder. He understood that the imagery of poetry deeply stirs the subconscious, that verbal images must be weighed and translated with precise yet unmeasurab le artistry into rhythm and harmony. Given songs that penetrate the listener's psyche, that arouse the listener's humanity, that increase the listener's sense of beauty, the singer has munch of his work already done for him. And the singer who sings Bretan is far ahead on the pathways to his audience's mind and heart. The listeners sense new doors onto vistas of order and beauty, torment and calm. This release of energy withinthe audience is the secret of art. Art is eternity's dialogue in whic h the listener participates, which the listener fills in with his own emotion, his own experience... Frederica von Stade

Nicolae Bretan (1887-1968) war ein Sanger und Komponist der das Geheimnis der grossen Liedschopfung kannte. Erwusste, dass das poetische Bild das Unterbewusste zutiefst aufwuhlt, dass das poetische Wort mit praziser und vollendeter kunstlerischer Meisterschaft in Rhythmen und Harmonien verwandelt werden muss. Dadurch, dass diese Lieder in die Seele des Horers dringen, das Humane, in ihm erwecken, seinen Sinn fur Schonheit steigern, wird dem Sanger seine Arbeit erleichtert. Und der Interpret, der Bretan singt, befindet sich in jenen hohen Gefilden und auf Wegen die zum Herz und Verstand des Publikums fuhren. Seine Horer erahnen Pfade zu neuen Ordnungen undSchonheiten, zu Erregung und Stille. Dieser Ausbruch von Energien im Inneren des Zuhorers ist das Geheimnis der Kunst. Die Kunst ist der Dialog der Ewigkeit, an dem das Publikum teilnimmt, den es mit seinen eigenen Emotionen und Erfahrungen erganzt... Frederica von Stade.