Composed by Richard Wagner (1813-1883). Edited by Egon Voss. For Voice, Piano Ac...(+)
Composed by Richard
Wagner (1813-1883).
Edited by Egon Voss. For
Voice, Piano
Accompaniment (Vocal
Score). This edition:
Urtext edition. Schott.
Vocal score. 416 pages.
Schott Music #ED20542.
Published by Schott Music
(Music from the Motion Picture Soundtrack Voice with Piano Accompaniment). By Kr...(+)
(Music from the Motion
Picture Soundtrack Voice
with Piano
Accompaniment). By
Kristen Anderson-Lopez
and Robert Lopez. For
Vocal. Vocal Piano.
Softcover. 64 pages.
Published by Hal Leonard
Movie Songs Piano, Voix [Partition] - Facile Hal Leonard
Easy Piano Budget Books. By Various. Easy Piano Songbook (Easy arrangements for ...(+)
Easy Piano Budget Books.
By Various. Easy Piano
Songbook (Easy
arrangements for piano
and voice). Size
8.25x10.75 inches. 302
pages. Published by Hal
Leonard.
(Voice and Piano). By Richard Strauss (1864-1949). Edited by Christian Wolf. Voc...(+)
(Voice and Piano). By
Richard Strauss
(1864-1949). Edited by
Christian Wolf. Vocal.
Softcover. 12 pages.
Schott Music #ED20666.
Published by Schott Music
Piano/Vocal Selections. Composed by Kristen Anderson-Lopez, Robert Lopez. Voc...(+)
Piano/Vocal Selections.
Composed by Kristen
Anderson-Lopez, Robert
Lopez. Vocal Selections.
Broadway, Disney.
Softcover.
144 pages. Published by
Hal
Leonard
Composed by Andrew Lloyd Webber. For voice and piano. Format: piano/vocal/chords...(+)
Composed by Andrew Lloyd
Webber. For voice and
piano. Format:
piano/vocal/chords
songbook. With vocal
melody, piano
accompaniment, lyrics and
chord names. Broadway.
238 pages. 9x12 inches.
Published by Hal Leonard.
Score & Parts High Voice; Vocal (Voice and Piano) SKU: HL.51481458 For...(+)
Score & Parts High Voice;
Vocal (Voice and Piano)
SKU: HL.51481458
For High Voice and
Piano. Composed by
Richard Strauss. Henle
Music Folios. Classical.
Softcover. G. Henle
#HN1458. Published by G.
Henle (HL.51481458).
UPC: 840126989601.
8.25x11.75x0.14
inches.
Written in
1885, the eight songs
after texts by the now
little-known poet Hermann
von Gilm have a special
place in Richard Strauss'
corpus of Lieder. For the
first time, he composed
an entire set of songs on
texts by a single poet,
collecting them into one
opus that was also to
appear in print. Some of
the numbers in it, like
Zueignung, Die Nacht, and
Allerseelen, are among
the most popular Strauss
songs of all time, but
the entire cycle with its
well-planned structure is
also worthy of closer
examination and
performance. The aspiring
composer quite
consciously aligns
himself with the
tradition ranging from
Schubert to Wolf,
choosing the highly
Romantic subject of
unrequited love and
illuminating its most
diverse facets. The
primary source for the
Henle Urtext edition is
the first edition from
1887, which Strauss
furnished with a
dedication to the Royal
Bavarian chamber singer
Heinrich Vogl - a serious
invitation to today's
male singers not to leave
these wonderful Strauss
songs solely to female
singers!
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Piano and Vocal - advanced SKU: BT.DHP-1165710-401 Piano Reduction...(+)
Piano and Vocal -
advanced
SKU:
BT.DHP-1165710-401
Piano Reduction.
By Paul Mann. By Jon
Lord. Piano Reduction.
Composed 2016. 16 pages.
De Haske Publications
#DHP 1165710-401.
Published by De Haske
Publications
(BT.DHP-1165710-401).
ISBN
9789043150248.
The
28-year-old Jon Lord,
with no experience at all
of writing for orchestra,
composed this work in
only three months in the
lead-up to its premiere
with the Royal
Philharmonic Orchestra
and Malcolm Arnold. It
was his first workfor
orchestra, launching his
career as both a
classical composer and a
founding member of Deep
Purple. It is notably
rich in youthful
invention, sound in
structure, and
sophisticated in
craftsmanship. It broke
new ground at thetime,
and seems only to have
grown in stature across
the intervening years.
The full score appears
here in print for the
first time ever,
meticulously edited by
the
composerââ¬â¢s
long-time musical
collaborator Paul
Mann.
De 28 jaar
oude Jon Lord, die nog
geen enkele ervaring had
in het schrijven voor
orkest, componeerde dit
werk in slechts drie
maanden in de aanloop
naar de première
met het Royal
Philharmonic Orchestra en
Malcolm Arnold.
Hetbetreft dus zijn
eerste compositie voor
orkest en hij lanceerde
hiermee zijn parallelle
carrières als
componist en
medeoprichter van Deep
Purple. Het werk is rijk
aan jeugdige
vindingrijkheid, goed
opgebouwd en met
vakmanschapgemaakt. Het
was destijds baanbrekend
en het lijkt in de loop
der jaren alleen maar aan
zeggingskracht te hebben
gewonnen. De volledige
partituur verschijnt nu
voor het eerst op papier,
in een
consciëntieuze
bewerking doorPaulMann,
met wie de componist op
muzikaal gebied al jaren
samenwerkt.
Partitur und
Klavierauszug des
Concertos
können
käuflich erworben
werden. Das
Einzelstimmen-Set ist
ausschließlich
Leihmaterial. Auskunft
über
Leih-Bedingungen und
Preise erhalten Sie auf
Nachfrage.
Bittekontaktieren Sie:
HalLeonard Europe BV
- Rental
department E-Mail: rental@hall
eonardeurope.nl Der 28 Jahre alte
Jon Lord, der bis dahin
keine Erfahrung im
Bereichder
Orchesterkomposition
hatte, brauchte
für dieses Werk
nur drei Monate, bis es
mit dem Royal
Philharmonic Orchestra
unter der Leitung von
Malcolm Arnold
uraufgeführt
wurde. Seinerstes Werk
für Orchester ist
der Beginn
seinerparallelen Karriere
als Komponist und
Gründungsmitglied
der Rockband Deep Purple.
Das Stück zeichnet
sich durch jugendlichen
Einfallsreichtum, einen
strukturierten Klang
sowie ein
ausgeklügeltes
Könnenaus. Es galt
damals alsbahnbrechend
und seine Bedeutung
scheint in der
Zwischenzeit weiter
gestiegen zu sein. Die
Partitur erscheint hier
zum allerersten Mal im
Druck und wurde bis ins
kleinste Detail von Paul
Mann, einem
langjährigenmusika
lischenFreund des
Komponisten,
herausgegeben.
By Ann Willison-Lemke. Johann Wolfgang von Goethe. For voice and piano. Erstvero...(+)
By Ann Willison-Lemke.
Johann Wolfgang von
Goethe. For voice and
piano.
Erstveroffentlichungen
(teilweise). Level:
intermediate. Full score.
Composed 1999. Duration
ca. 64'. Published by
Furore-Verlag (German
import).
Vocal and Piano SKU: HL.14034354 Composed by David Turnbull. Music Sales ...(+)
Vocal and Piano
SKU:
HL.14034354
Composed
by David Turnbull. Music
Sales America. Tuition.
Book [Softcover]. 48
pages. Music Sales
#BOE005169. Published by
Music Sales
(HL.14034354).
ISBN
9781844494170.
9.0x12.0x0.152
inches.
This book
contains everything you
need to progress to
intermediate singing
level, including over 20
songs which can be used
in your ABRSM Grade 4
exam, with plenty of help
and theory information
throughout. There are
also sections on
warming-up and sight
singing. Audio is
accessed online using the
unique code inside the
book and can be streamed
or downloaded. The audio
files include PLAYBACK+,
a multi-functional audio
player that allows you to
slow down audio without
changing pitch, set loop
points, change keys, and
pan left or right.
Voice and piano SKU: BR.EB-8601 Kommentar von W. Schubert. Compose...(+)
Voice and piano
SKU:
BR.EB-8601
Kommentar von W.
Schubert. Composed by
Bernhard Theodor
Breitkopf. Edited by
Gunter Raphael. Voice;
Softcover. Edition
Breitkopf. Goethe, who
studied in Leipzig
between 1765 and 1768 (a
period he wrote about in
Dichtung und Wahrheit),
was friends there with a
young man of his age,
Bernhard Theodor
Breitkopf, the grandson
of the publishing house's
founder. Song; Classical.
Score. 36 pages.
Breitkopf and Haertel #EB
8601. Published by
Breitkopf and Haertel
(BR.EB-8601).
ISBN
9790004178829. 9 x 12
inches.
Goethe, who
studied in Leipzig
between 1765 and 1768 (a
period he wrote about in
Dichtung und Wahrheit),
was friends there with a
young man of his age,
Bernhard Theodor
Breitkopf, the grandson
of the publishing house's
founder. Breitkopf set
his friend's first poems
to music in the style of
the day. The Neue Lieder
und Melodien came out for
the 1770 Leipzig spring
fair, though without any
mention of the poet,
still completely unknown
at that time. The title
Goethes Leipziger
Liederbuch dates only
from 1932, when Gunter
Raphael prepared a new
edition for the Goethe
commemorative year. Since
several poems from the
Neue Lieder are found in
highly altered forms in
later work collections,
this publication of
Goethe's first poems is
also of great value to
literary
scholars.
Goethe,
who studied in Leipzig
between 1765 and 1768 (a
period he wrote about in
Dichtung und Wahrheit),
was friends there with a
young man of his age,
Bernhard Theodor
Breitkopf, the grandson
of the publishing house's
founder.
Voice and Piano - intermediate SKU: HL.50603593 Ed. crit. R. Parker-R....(+)
Voice and Piano -
intermediate
SKU:
HL.50603593
Ed.
crit. R. Parker-R. Ward -
Riduzione per canto e
pianoforte. Composed
by Gaetano Donizetti.
Ricordi. Softcover.
Composed 2020. Ricordi
#CP14161600. Published by
Ricordi (HL.50603593).
ISBN 9788881920709.
UPC: 840126945102.
8.0x10.5x1.3 inches.
Italian-English.
Do
nizetti's Lucrezia Borgia
was premiered at Milan's
Teatro alla Scala on 26
December 1833 and is
considered one of the
composer's most important
and innovative operas of
the 1830s. Although,
because of censorship
issues, particularly in
the south of Italy, it
was initially slow to
become popular, by the
late 1830s it had become
one of the composer's
most popular operas, both
in Italy and abroad, and
remained an essential
part of the composer's
oeuvre until at least the
end of the nineteenth
century. Remarkable for
its daring subject matter
(with an unconventional,
forceful heroine), it is
also renowned for its
challenging mixture of
the comic and the tragic,
something very unusual at
the time and clearly an
important influence on
Giuseppe Verdi's middle
period masterpieces. The
present reduction for
voice and piano derives
from the critical edition
of the score, recently
published in this
catalog: is based on
Donizetti's autograph
manuscript (housed in the
Ricordi Archives in
Milan), on the libretto
for the premiere, on
several printed editions
of voice and piano, and
on numerous additional
scores of the period. It
presents for the first
time all the numerous
additions that the
composer made to the
score over the course of
ten years: a fascinating
record of his changing
music dramatic attitudes
during this period. There
is also a synthetic
historical reconstruction
of the genesis of the
opera and of the
description of the
Sources as well as a
selection of most
interest to singers of
Critical Commentary
Notes.
Rappresenta
ta per la prima volta al
Teatro alla Scala il 26
dicembre 1833, Lucrezia
Borgia e considerata una
fra le piu importanti e
innovative opere di
Donizetti. Sebbene le
resistenze della censura,
soprattutto nel sud
Italia, ne causarono
inizialmente una lenta
diffusione, dalla fine
degli anni '30
dell'Ottocento essa
divenne uno dei lavori
piu popolari e
significativi del
compositore e tale rimase
fino alla fine del XIX
secolo. Notevole per il
suo audace soggetto (con
un'eroina non
convenzionale e dalla
forte personalita) essa e
rinomata anche per
l'impegnativa commistione
di comico e tragico, un
tratto piuttosto inusuale
per l'epoca, che ebbe una
chiara influenza sui
capolavori verdiani di
meta secolo. La presente
riduzione per canto e
pianoforte e condotta
sull'edizione critica
della partitura, da poco
pubblicata in questo
stesso catalogo: si basa
sul manoscritto autografo
di Donizetti (conservato
presso l'Archivio Storico
Ricordi di Milano), sul
libretto della prima
rappresentazione, su
alcune riduzioni a stampa
per canto e pianoforte e
su varie altre fonti
dell'epoca. L'edizione
presenta per la prima
volta tutte le aggiunte
che il compositore
apporto alla partitura
nel corso di dieci anni,
costituendo
un'affascinante
testimonianza dei
mutevoli approcci di
Donizetti alla materia
drammatico musicale
durante questa fase della
sua carriera. Il volume
comprende una sintesi
della ricostruzione della
genesi storica dell'opera
e della descrizione delle
fonti e una selezione di
Note del Commento Critico
fra quelle piu funzionali
alle esigenze di cantanti
e pianisti
accompagnatori.
