Voice and Piano. By Richard Johnston. (resource book). Vocal Collection. Size 8.5x11 inches. 400 pages. Published by E.c. Kerby.

(121 Easy Arrangements ) Arranged by Claire Gordon, Melvin Stecher, Norman Horowitz. Songbook for voice and piano. 315 pages. Published by G. Schirmer, Inc.

Edited by Amy Appleby. Collection and examples CD for voice and piano. Over 180 hits and showstoppers by the master songwriters of yesteryear. 399 pages. Published by Music Sales.

For voice and piano. Format: easy piano/vocal/chords songbook. With vocal melody, piano accompaniment, lyrics and chord names. Christmas and holiday. 268 pages. 9x12 inches. Published by Hal Leonard.

Voice and piano (solo: T - 2(picc.A-fl).2(ob.d'am[ad lib.].cor ang.muha).2(B-clar.S-sax. muha).2(kfg.muha) - 1.1(corn [ad lib.]).1.0 - timp.perc(3) - acc(windmachine I).hp(rainmaker.windmachi ne II).guit(rainmaker.windma chine III) - str: 1.1.2.1.1)

SKU: BR.EB-9394

A Composed Interpretation. Composed by Hans Zender. Voice; Softbound. Edition Breitkopf. World premiere: Frankfurt am Main, September 21, 1993. Song; Music post-1945. Piano/Vocal Score. Composed 1993. 120 pages. Duration 85'. Breitkopf and Haertel #EB 9394. Published by Breitkopf and Haertel (BR.EB-9394).

ISBN 9790004188682. 9 x 12 inches.

My lecture of the Winterreise does not demand a new expressive interpretation, but instead systematically exercises the freedom which all interpreters allow themselves intuitively, such as: instrumental dilation i. e. acceleration of the pace, transposition into other keys and elaboration of characteristic color timbres. In addition, there are further ways of reading; the music; jumping around in the text, repeating certain lines, interrupting the continuity, comparing different expressions of the same phrase ... All these new possibilities are subjected to my compositional discipline and form autonomous formal processes which are imposed on Schuberts original. The transformation of the piano tones into a multifaceted orchestra full of resonance is only one of many aspects.(Hans Zender)CDs:Hans Peter Blochwitz (Tenor), Ensemble Modern, Conductor: Hans Zender CD BMG 9026-68067-2 Christoph Pregardien (Tenor), Klangforum Wien, Conductor: Sylvain Cambreling CD Kairos 0012002KAIJulien Pregardien (Tenor), Deutsche Radio Philharmonie Kaiserslautern, Conductor: Robert Reimer2 CD's P.RHEI (2016)Bibliography:Adam-S chmidmeier, Eva-Maria von: Schubert interpretieren. Hans Zender: Schuberts Winterreise. Eine komponierte Interpretation im Unterricht, in: Musik und Unterricht Heft 96 (2009), pp. 50-56.Gruhn, Wilfried: Wider die asthetische Routine. Hans Zenders Version von Schuberts Winterreise, in: Neue Zeitschrift fur Musik 1/1997.Hebling, Harald: Kompositorische Schubertrezeption im 20. Jahrhundert, Magisterarbeit Universitat Wien 2003, especially pp. 148-157.Nonnenmann, Rainer: Vom Nutzen und Nachteil der Musikhistorie fur das Musikleben. Zur Kritik aktualisierender Interpretation am Beispiel von Hans Zenders Schuberts ,Winterreise, in: Musik und Asthetik 7, Heft 26 (April 2003), pp. 65-90.ders.: Schuberts ,Winterreise . Komponierte Interpretation von Hans Zender / Ballett von John Neumeier, in: Osterreichische Musikzeitung 60 (2005), Heft 3, p. 42f.ders.: Fremd bin ich eingezogen, fremd zieh ich wieder aus. Versuch zur Rettung der Vergangenheit Schuberts Winterreise. Eine komponierte Interpretation fur Tenor und kleines Orchester (1993) von Hans Zender, in ders.: Winterreisen. Komponierte Wege von und zu Franz Schuberts Liederzyklus aus zwei Jahrhunderten, 2 Bande (= Taschenbucher zur Musikwissenschaft, Band 150/151), Wilhelmshaven: Florian Noetzel 2006, pp. 143-205.Petersen, Birger: Neue Musik. Analysen, Berlin: Simon Verlag fur Bibliothekswissen 2013, pp. 11-24.Revers, Peter: ... Schnee, du weisst von meinem Sehnen. Aspekte der Schubert-Rezeption in Hans Zenders Winterreise (1993), in: Dialekt ohne Erde. Franz Schubert und das 20. Jahrhundert, hrsg. von Otto Kolleritsch, Wien-Graz 1998 (Studien zur Wertungsforschung, Band 34), pp. 98-120.Schafer-Lembeck, Hans-Ulrich: Gegenstrebige Fugungen. Hans Zenders Musik und seine komponierte Interpretation von Schuberts Winterreise, in: Neue Musik vermitteln. Analysen Interpretationen - Unterricht, hrsg. von Hans Bassler, Ortwin Nimczik und Peter W. Schatt, Mainz: Schott, 2004, pp. 295-307.Stahmer, Klaus Hinrich: Bearbeitung als Interpretation - Zur Schubertrezeption Gustav Mahlers, Hans Zenders und Friedhelm Dohls, in: Franz Schubert und Gustav Mahler in der Musik der Gegenwart, Mainz 1998.Zender, Hans: warum wieder die Winterreise? Hartmut Regitz im Gesprach mit dem Komponisten, in: ballet.tanz - international.aktuell, Heft 12 (2001), p. 18.

World premiere: Frankfurt am Main, September 21, 1993.

(100 Hit Songs Excerpted for Successful Auditions Men's Edition Voice and Piano). By Various. Edited by Michael Dansicker. Vocal Collection. 184 pages. Published by Hal

76 Selections from Musicals, Movies, Folksongs, Novelty Songs, and Popular Standards. Composed by Various. Vocal Collection. Softcover. 280 pages. Published by Hal Leonard

The World's Great Classical Music. By Gilbert and Sullivan. World's Greatest Classical Music. Size 9x12 inches. 336 pages. Published by Hal Leonard.

Budget Books. By Various. Easy Piano Songbook (Easy arrangements for piano and voice). Softcover. 304 pages. Published by Hal Leonard.

(Easy Piano). Arranged by Dan Coates. For Piano. Book; Piano - Easy Piano Collection; Piano Supplemental. Top 50. Broadway. Easy Piano. 208 pages. Published by Alfred Music Publishing

Composed by Ricky Ian Gordon. For voice and piano. Format: piano/vocal/chords songbook. With vocal melody, piano accompaniment, lyrics and chord names. Broadway and Pop Vocal. 141 pages. 9x12 inches. Published by Hal Leonard Corporation.

Voice and piano

SKU: BR.EB-8601

Kommentar von W. Schubert. Composed by Bernhard Theodor Breitkopf. Edited by Gunter Raphael. Voice; Softcover. Edition Breitkopf. Goethe, who studied in Leipzig between 1765 and 1768 (a period he wrote about in Dichtung und Wahrheit), was friends there with a young man of his age, Bernhard Theodor Breitkopf, the grandson of the publishing house's founder. Song; Classical. Score. 36 pages. Breitkopf and Haertel #EB 8601. Published by Breitkopf and Haertel (BR.EB-8601).

ISBN 9790004178829. 9 x 12 inches.

Goethe, who studied in Leipzig between 1765 and 1768 (a period he wrote about in Dichtung und Wahrheit), was friends there with a young man of his age, Bernhard Theodor Breitkopf, the grandson of the publishing house's founder. Breitkopf set his friend's first poems to music in the style of the day. The Neue Lieder und Melodien came out for the 1770 Leipzig spring fair, though without any mention of the poet, still completely unknown at that time. The title Goethes Leipziger Liederbuch dates only from 1932, when Gunter Raphael prepared a new edition for the Goethe commemorative year. Since several poems from the Neue Lieder are found in highly altered forms in later work collections, this publication of Goethe's first poems is also of great value to literary scholars.

Goethe, who studied in Leipzig between 1765 and 1768 (a period he wrote about in Dichtung und Wahrheit), was friends there with a young man of his age, Bernhard Theodor Breitkopf, the grandson of the publishing house's founder.

Voice and Organ or Piano Organ Accompaniment; Piano Accompaniment; Voice (Voice and Piano)

SKU: HL.49047076

Zur Ruh', zur Ruh' ihr muden Glieder / Wenn der Herr... Voice and. Composed by Johanna Senfter. Edited by Rolf Schö and nstedt. Vocal Collection. Classical, General Worship, Sacred. Softcover. 16 pages. Schott Music #ED23654. Published by Schott Music (HL.49047076).

ISBN 9781705184035. UPC: 196288115076.

There are only two sacred solo songs in the extensive oeuvre of the Oppenheim composer Johanna Senfter. Both songs, probably composed in 1917, are influenced by the catastrophe of the First World War. They are hereby presented as the first publication. JOHANNA SENFTER 1879 - 1961 Born and raised in Oppenheim/Rhein - First lessons from the mother (piano, violin) - School and university years in Frankfurt/Main -From 1895 parallel music studies at the Hoch Conservatory in Frankfurt, graduating in 1903 (piano, organ, violin, composition; especially dealing with J.S. Bach) - From 1907 private lessons with Max Reger - October 1908 to 1909 his student at the Leipzig Conservatory - 1909 Arthur Nikisch Prize for the best composition - Then worked in Oppenheim as a freelance composer and music teacher - Friendly relationship between the Reger family and Senfter - With Reger's death in 1916 she lost the protege for the advertising of her works (approx. 130) - 1921 founding of two music societies. ROLF SCHONSTEDT Born in Erfurt/Thuringia in 1944 - studied church music in Herford and Cologne - church music exams (B / A / artistic maturity exam / concert exam) Kantor positions in Remscheid, Wuppertal, Hamm/Westf. - KMD, state chairman of church musicians, state church music director, lecturer at the Westf. phil. (The organ song - a new genre on the threshold of the 20th century) - As an organist, harpsichordist,conductor, lecturer in Europe, Russia, North and South America, Africa - Co-founder of the 2nd Reger Festival in Argentina - Boardmember of the International Max Reger Society - Member of the Argentine National Academy for Art and Music - Honors and awards (national / international) - Publisher: Series The Spiritual Song / The Organ Works by Karl Hasse - Radio, television, disc /CD.