By Various. E-Z Play Today (Easy big-note right-hand-only arrangements for piano...(+)
By Various. E-Z Play
Today (Easy big-note
right-hand-only
arrangements for piano,
organ, and electronic
keyboard). Softcover. 392
pages. Published by Hal
Leonard.
Original Keys For Singers. (Transcribed From Historic Recordings). By Billie Hol...(+)
Original Keys For
Singers. (Transcribed
From Historic
Recordings). By Billie
Holiday. For voice and
piano. Vocal Collection.
Standards and Vocal
Standards. Difficulty:
medium. Songbook. Vocal
melody, piano
accompaniment, lyrics,
chord names and
introductory text. 80
pages. Published
Voice and piano - Difficulty: easy-medium SKU: WD.080689422287 The Yea...(+)
Voice and piano -
Difficulty: easy-medium
SKU:
WD.080689422287
The Year's 30 Top
Christian Artists And
Hits. Edited by Ken
Barker. Choral.
Contemporary Christian.
Songbook. With vocal
melody, piano
accompaniment, lyrics and
chord names. 268 pages.
Word Music #080689422287.
Published by Word Music
(WD.080689422287).
UPC: 073999098723.
9x12
inches.
Featuring
this year's 30 top
Christian artists and
songs, the WOW 2002
Songbook is an incredible
compilation of music,
including hits like
Welcome Home from new
artist Shaun Groves and
This Day from Dove
Award-winner Steven
Curtis Chapman. Other
songs include: Adore *
Back in His Arms Again *
Breathe * Breathe on Me *
Dismissed * Genuine *
Hey, Hey * Joy * Jump,
Jump, Jump * Psalm 112 *
Wait for Me * Witness *
Wonder Why * and
more.
(Thirty Years of Popular Hits Arranged for EASY PIANO). Arranged by Dan Coates. ...(+)
(Thirty Years of Popular
Hits Arranged for EASY
PIANO). Arranged by Dan
Coates. For Piano. Book;
Piano - Easy Piano
Collection; Piano
Supplemental; Sing-Along.
Decade by Decade.
Nostalgia; Pop. Easy
Piano. 144 pages.
Published by Alfred Music
Publishing
(42 Classics Transposed Down For Women Singers). By Various. For Vocal, Piano Ac...(+)
(42 Classics Transposed
Down For Women Singers).
By Various. For Vocal,
Piano Accompaniment.
Vocal Collection. Vocal
Standards. Difficulty:
medium. Songbook. Vocal
melody, lyrics, piano
accompaniment and chord
names. 159 pages.
Published by Hal Leonard
Performed by Keith Green. For voice and piano. Format: piano/vocal/chords songbo...(+)
Performed by Keith Green.
For voice and piano.
Format:
piano/vocal/chords
songbook. With vocal
melody, piano
accompaniment, lyrics and
chord names.
Inspirational and
contemporary christian.
242 pages. 8.5x11 inches.
Published by Hal Leonard.
Arranged by Roger Edison. Songbook for solo voice and piano accompaniment. 60 of...(+)
Arranged by Roger Edison.
Songbook for solo voice
and piano accompaniment.
60 of the World's Most
Popular and Best Loved
Traditional and
Contemporary Christmas
Songs for Easy Piano and
Voice with Optional Chord
Symbols for Guitar. 144
pages. Published by
Alfred Publishing.
Performed by Frank Loesser. For voice and piano. Format: piano/vocal/chords song...(+)
Performed by Frank
Loesser. For voice and
piano. Format:
piano/vocal/chords
songbook. With vocal
melody, piano
accompaniment, lyrics,
chord names, black &
white photos and
introductory text.
Broadway. 280 pages. 9x12
inches. Published by
Frank Music Corp..
(or The Lass That Loved a Sailor ) Lyrics by W.S. Gilbert, music by Arthur Sulli...(+)
(or The Lass That Loved a
Sailor ) Lyrics by W.S.
Gilbert, music by Arthur
Sullivan (1842-1900). For
mixed voice and piano.
Format: piano/vocal
score. With vocal score
and piano accompaniment.
Broadway and vocal
standards. 167 pages.
7.5x10.7 inches.
Published by G. Schirmer,
Inc..
Piano/Vocal/Chords. Composed by Richard Adler and Jerry Ross. This edition: Pian...(+)
Piano/Vocal/Chords.
Composed by Richard Adler
and Jerry Ross. This
edition:
Piano/Vocal/Chords.
Piano/Vocal/Chords; Shows
and Movies; SmartMusic.
Broadway. Songbook. With
vocal melody, piano
accompaniment, lyrics and
chord names. 28 pages.
Alfred Music
#00-TSF0061A. Published
by Alfred Music
Early Vocal Music - 1899-1909. By Anton Von Webern; Ferdinand Avenarius. Edited ...(+)
Early Vocal Music -
1899-1909. By Anton Von
Webern; Ferdinand
Avenarius. Edited by
Matthew R. Shaftel.
Arranged by Matthew R.
Shaftel. Text: Detlev Von
Liliencron; Ferdinand
Avenarius; Freidrich
Nietzche; Gustav Falke;
Hans Bohm; J.W. Von
Goethe; Martin Greif;
Matthew R. Shaftel;
Matthias Claudius;
Richard Dehmel; Stefan
George; Wilhelm Weigand.
For Piano Solo, Voice.
Masters Collection.
Piano/Vocal Score. 92
pages. Published by Carl
Fischer.
Piano, Voix [Partition] - Intermédiaire Hal Leonard
Performed by Judy Garland. For voice and piano. Format: piano/vocal/chords songb...(+)
Performed by Judy
Garland. For voice and
piano. Format:
piano/vocal/chords
songbook. With vocal
melody, piano
accompaniment, lyrics,
chord names and black &
white photos. Vocal
Standards, Traditional
Pop and Movies. 298
pages. 9x12 inches.
Published by Hal Leonard.
For voice and piano. Format: piano/vocal/chords songbook. With vocal melody, pia...(+)
For voice and piano.
Format:
piano/vocal/chords
songbook. With vocal
melody, piano
accompaniment, lyrics,
chord names, basic guitar
chords chart (diagrams),
illustrations and
introductory text. Folk.
352 pages. 9x12 inches.
Published by Hal Leonard.
Voice and Piano SKU: BT.EMBZ20017A New Liszt Edition, Series IX. Vol.2...(+)
Voice and Piano
SKU:
BT.EMBZ20017A
New
Liszt Edition, Series IX.
Vol.2.. By David
Trippett. By Franz Liszt.
EMB New Listz Edition.
Classical. Book
Hardcover. Composed 2019.
180 pages. Editio Musica
Budapest #EMBZ20017A.
Published by Editio
Musica Budapest
(BT.EMBZ20017A).
English-German-Hungari
an.
In 1845 Franz
Liszt embarked on a
project to compose an
Italian opera based on
Lord Byron’s
tragedy, Sardanapalus
(1821). It was central to
his ambition to attain
status as a major
European composer, with
premieres variously
planned for Milan,
Vienna, Paris and London.
But he abandoned it half
way through, and the
music he completed has
lain silently for 170
years.
Liszt’s difficulty
in obtaining a libretto
meant that composition
only began in April 1850.
He completed virtually
all the music for Act 1
in an annotated
piano-vocal score of 111
pages, contained within
his N4 music
‘sketch
book’. The unnamed
librettist was an Italian
poet and political
prisoner, seemingly
living under house
arrest, and a close
acquaintance of Cristina
Belgiojoso. His libretto
survives as underlay in
the N4 sketchbook and has
been critically
reconstructed and
translated.
Sardanapalo is
Liszt’s only
mature opera. While he
consistently referred to
it in French, as
Sardanapale, the
published title of the
Italian opera would
almost certainly have
used the Italian name,
hence this forms the
title of the first
edition. There are three
solo roles and a chorus
of concubines. The
manuscript was previously
thought to be fragmentary
and partially illegible,
but it was finally
deciphered to
international acclaim in
March 2017.
Liszt’s score
offers a richly melodic
style, with elements from
Bellini and Verdi
alongside glimmers of
Wagner and the symphonic
poems ahead: a unique
mixture of Italianate
pastiche and mid-century
harmonic innovation. It
remains quintessentially
Lisztian. The opera sets
Byron’s tragedy
about war and peace in
ancient Assyria: the last
King, effeminate in his
tastes, is drawn to wine,
concubines and feasts
more than politics and
war: his subjects find
him dishonourable (a
‘man queen’)
and military rebels seek
to overthrow him, but are
pardoned, for the King
rejects the ‘deceit
of glory’ built on
others’ suffering:
this leads only to a
larger uprising, the
Euphrates floods its
banks, destroying the
castle’s main
defensive wall, and
defeat is inevitable: the
King sends his family
away and orders that he
be burned alive with his
lover, amid scents and
spices in a grand
inferno. As Byron put it:
‘not a mere pillar
formed of cloud and
flame, but a light to
lessen ages.’ For
his part, Liszt told a
friend that his finale
‘will even aim to
set fire to the entire
audience!’
This critical edition
includes a detailed study
on the genesis of
Liszt’s
Sardanapalo in English,
German, and Hungarian,
the libretto in the
original Italian as well
as in English, German,
and Hungarian
translation, several
facsimile pages of
Liszt’s
manuscript, and a
detailed Critical
Report.