Music and Lyrics for 100 Standards from the Golden Age of American Song. By Various. E-Z Play Today (Easy big-note right-hand-only arrangements for piano, organ, and electronic keyboard). Softcover. Published by Hal Leonard.

Edited by Amy Appleby. Collection and examples CD for voice and piano. Over 180 hits and showstoppers by the master songwriters of yesteryear. 399 pages. Published by Music Sales.

By Various. E-Z Play Today (Easy big-note right-hand-only arrangements for piano, organ, and electronic keyboard). Softcover. 392 pages. Published by Hal Leonard.

By Various Composers. Easy Piano Songbook (Easy arrangements for piano and voice). Size 9x12 inches. 256 pages. Published by Hal Leonard.

Performed by Judy Garland. For voice and piano. Format: piano/vocal/chords songbook. With vocal melody, piano accompaniment, lyrics, chord names and black & white photos. Vocal Standards, Traditional Pop and Movies. 298 pages. 9x12 inches. Published by Hal Leonard.

Composed by Andrew Lloyd Webber. For voice and piano. Format: piano/vocal/chords songbook. With vocal melody, piano accompaniment, lyrics and chord names. Broadway. 238 pages. 9x12 inches. Published by Hal Leonard.

By Various Artists. Easy Piano Songbook (Easy arrangements for piano and voice). Softcover. 440 pages. Published by Hal Leonard.

Composed by Jake Heggie (1961-). For Voice, Piano Accompaniment. Vocal Collection. Softcover. 216 pages. Published by Associated Music Publishers, Inc

Lyrics by Fred Ebb, music by John Kander. For voice and piano. Format: piano/vocal/chords songbook. With vocal melody, piano accompaniment, lyrics, chord names, introductory text and color photos. Broadway. 176 pages. 9x12 inches. Published by Hal Leonard.

E-Z Play�® Today Volume 369. Composed by Various. E-Z Play Today. Softcover. 352 pages. Published by Hal Leonard (HL.159575).

Vocal Score. By Gian Carlo Menotti. (score). Vocal Score. Size 7.5x10.5 inches. 121 pages. Published by G. Schirmer, Inc.

Clothbound German and English Piano Accompaniment; Voice (Voice and Piano)

SKU: HL.49047152

Series II: Lieder and Songs for One Voice Hardcover. Composed by Richard Strauss. Edited by Andreas Pernpeintner and Sebastian Bolz. Edition Schott. Classical. Hardcover. Schott Music #RSW205. Published by Schott Music (HL.49047152).

UPC: 196288136620.

In 1918 a twelve-year phase came to an end during which Richard Strauss had completely turned his back on the composition of lieder.Plausible explanations for this period of abstinence range from Strauss’s focus on stage works during this time to the fact that hiswife Pauline, who had previously constituted the composer's “ideal performer” of his lieder and frequently been the source of inspiration for these compositions, had ended her career as a singer. After not having produced any new lieder during these twelve years, Strauss was equally consistent in the resumption of lied composition – at least in the year 1918 that would prove to be the most intensive “lieder year” in his entire compositional career with the composition of opp. 66, 67, 68 and 69 (a grand total of 29 lieder, in addition to the orchestration of six piano lieder composed in former years). The current volume includes the lieder dating from 1918 up to Strauss's death in 1949 in their original language and pitch. German and English.

Edited by Dennis Alexander, E. L. Lancaster, Gayle Kowalchyk, Martha Mier, Morton Manus, Victoria Mcarthur. Instructional book and examples CD for piano. Series: Alfred's Premier Piano Course. 32 pages. Published by Alfred Publishing.

By Leonard Bernstein (1918-1990). Easy Piano Vocal Selections. 56 pages. Boosey & Hawkes #M051246489. Published by Boosey & Hawkes

Edited by Amy Appleby, Liz Seelhoff Byrum. For voice and piano. Format: piano/vocal/chords songbook (spiral bound). With vocal melody, piano accompaniment, lyrics, chord names, illustrations and introductory text. Children's and Folk. 240 pages. 9x12 inches. Published by Music Sales.

The Songs of Jake Heggie - Book 2. By Jake Heggie. Vocal Collection. Size 9x12 inches. 68 pages. Published by Associated.

Composed by Michael Ching. One Act/Chamber Opera. 20th Century. Score. Published by E.C. Schirmer Publishing

Voice and piano

SKU: BR.EB-8882

Repertoire Collection. Composed by Peter Anton Ling. Edited by Peter Anton Ling. Voice; Softbound. Edition Breitkopf.

If only we'd had something like that ... an album for practice, a guide for professional singers as well as for opera enthusiasts.(Franz Mazura, Patron Bass)

Aria; Opera; Classical; Late-romantic. Piano/Vocal Score. 144 pages. Breitkopf and Haertel #EB 8882. Published by Breitkopf and Haertel (BR.EB-8882).

ISBN 9790004184721. 9 x 12 inches. German / English.

The OperAria repertoire anthology was much applauded when it came on stage with three baritone volumes in 2015. The successful baritone debut was followed in 2017/18 by the appearance of the four soprano volumes, also conquering hearts in no time. Now, another performance: The curtain rises on the bass volumes, the foundation of the vocal family for heavier, darker voices, though nevertheless brilliant and full of radiance. The protagonists have such well-known names as Bartolo, Don Basilio, Colline, Don Pasquale, Falstaff, Figaro, Kecal, Osmin, Sarastro. Other heroes less often in the limelight, such as Dulcamara, Sancho Pansa, Phanuel, and Sir Morosus, can certainly also count on much applause. It is my aim to give students a modern, systematically structured, well-informed vocal coach that meets the demands of present-day stage practice. And, of course, a cohesive repertoire and logical presentation of audition arias for every vocal genre.(Peter Anton Ling)OperAria is the ideal vocal coach for all voice types. Edited by Peter Anton Ling, the books address all singers and are conceived above all for training and auditions. In addition, through their careful selection, they offer valuable inspiration for opera recitals. OperAria - repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria) with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance)with comments on the ariasinformation on the composer, the librettist, the work, the range and of versions or casting a short synopsis of the contents illuminating the basic dramatic constellation in the context of the opera's plot an evaluation from the singer's point of viewwith phonetic assistant and text assistantaria texts in the original language spoken by native speakers as an audio file (mp3)aria texts in German and English translations as a text file (pdf)available for download

If only we'd had something like that ... an album for practice, a guide for professional singers as well as for opera enthusiasts. (Franz Mazura, Patron Bass).

Voice and piano

SKU: BR.EB-8881

Repertoire Collection. Composed by Peter Anton Ling. Edited by Peter Anton Ling. Voice; Softbound. Edition Breitkopf.

If only we'd had something like that ... an album for practice, a guide for professional singers as well as for opera enthusiasts.(Franz Mazura, Patron Bass)

Aria; Opera; Classical; Late-romantic. Piano/Vocal Score. 120 pages. Breitkopf and Haertel #EB 8881. Published by Breitkopf and Haertel (BR.EB-8881).

ISBN 9790004184714. 9 x 12 inches. German / English.

The OperAria repertoire anthology was much applauded when it came on stage with three baritone volumes in 2015. The successful baritone debut was followed in 2017/18 by the appearance of the four soprano volumes, also conquering hearts in no time. Now, another performance: The curtain rises on the bass volumes, the foundation of the vocal family for heavier, darker voices, though nevertheless brilliant and full of radiance. The protagonists have such well-known names as Bartolo, Don Basilio, Colline, Don Pasquale, Falstaff, Figaro, Kecal, Osmin, Sarastro. Other heroes less often in the limelight, such as Dulcamara, Sancho Pansa, Phanuel, and Sir Morosus, can certainly also count on much applause. It is my aim to give students a modern, systematically structured, well-informed vocal coach that meets the demands of present-day stage practice. And, of course, a cohesive repertoire and logical presentation of audition arias for every vocal genre.(Peter Anton Ling)OperAria is the ideal vocal coach for all voice types. Edited by Peter Anton Ling, the books address all singers and are conceived above all for training and auditions. In addition, through their careful selection, they offer valuable inspiration for opera recitals. OperAria - repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria) with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance)with comments on the ariasinformation on the composer, the librettist, the work, the range and of versions or casting a short synopsis of the contents illuminating the basic dramatic constellation in the context of the opera's plot an evaluation from the singer's point of viewwith phonetic assistant and text assistantaria texts in the original language spoken by native speakers as an audio file (mp3)aria texts in German and English translations as a text file (pdf)available for download

If only we'd had something like that ... an album for practice, a guide for professional singers as well as for opera enthusiasts. (Franz Mazura, Patron Bass).

Voice and piano

SKU: BR.EB-8880

Repertoire Collection. Composed by Peter Anton Ling. Edited by Peter Anton Ling. Voice; Softbound. Edition Breitkopf.

If only we'd had something like that ... an album for practice, a guide for professional singers as well as for opera enthusiasts.(Franz Mazura, Patron Bass)

Aria; Opera; Classical; Late-romantic. Piano/Vocal Score. 156 pages. Breitkopf and Haertel #EB 8880. Published by Breitkopf and Haertel (BR.EB-8880).

ISBN 9790004184707. 9 x 12 inches. German / English.

The OperAria repertoire anthology was much applauded when it came on stage with three baritone volumes in 2015. The successful baritone debut was followed in 2017/18 by the appearance of the four soprano volumes, also conquering hearts in no time. Now, another performance: The curtain rises on the bass volumes, the foundation of the vocal family for heavier, darker voices, though nevertheless brilliant and full of radiance. The protagonists have such well-known names as Bartolo, Don Basilio, Colline, Don Pasquale, Falstaff, Figaro, Kecal, Osmin, Sarastro. Other heroes less often in the limelight, such as Dulcamara, Sancho Pansa, Phanuel, and Sir Morosus, can certainly also count on much applause. It is my aim to give students a modern, systematically structured, well-informed vocal coach that meets the demands of present-day stage practice. And, of course, a cohesive repertoire and logical presentation of audition arias for every vocal genre.(Peter Anton Ling)OperAria is the ideal vocal coach for all voice types. Edited by Peter Anton Ling, the books address all singers and are conceived above all for training and auditions. In addition, through their careful selection, they offer valuable inspiration for opera recitals. OperAria - repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria) with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance)with comments on the ariasinformation on the composer, the librettist, the work, the range and of versions or casting a short synopsis of the contents illuminating the basic dramatic constellation in the context of the opera's plot an evaluation from the singer's point of viewwith phonetic assistant and text assistantaria texts in the original language spoken by native speakers as an audio file (mp3)aria texts in German and English translations as a text file (pdf)available for download

If only we'd had something like that ... an album for practice, a guide for professional singers as well as for opera enthusiasts. (Franz Mazura, Patron Bass).

Piano and Vocal - advanced

SKU: BT.DHP-1165710-401

Piano Reduction. By Paul Mann. By Jon Lord. Piano Reduction. Composed 2016. 16 pages. De Haske Publications #DHP 1165710-401. Published by De Haske Publications (BT.DHP-1165710-401).

ISBN 9789043150248.

The 28-year-old Jon Lord, with no experience at all of writing for orchestra, composed this work in only three months in the lead-up to its premiere with the Royal Philharmonic Orchestra and Malcolm Arnold. It was his first workfor orchestra, launching his career as both a classical composer and a founding member of Deep Purple. It is notably rich in youthful invention, sound in structure, and sophisticated in craftsmanship. It broke new ground at thetime, and seems only to have grown in stature across the intervening years. The full score appears here in print for the first time ever, meticulously edited by the composer’s long-time musical collaborator Paul Mann.

De 28 jaar oude Jon Lord, die nog geen enkele ervaring had in het schrijven voor orkest, componeerde dit werk in slechts drie maanden in de aanloop naar de première met het Royal Philharmonic Orchestra en Malcolm Arnold. Hetbetreft dus zijn eerste compositie voor orkest en hij lanceerde hiermee zijn parallelle carrières als componist en medeoprichter van Deep Purple. Het werk is rijk aan jeugdige vindingrijkheid, goed opgebouwd en met vakmanschapgemaakt. Het was destijds baanbrekend en het lijkt in de loop der jaren alleen maar aan zeggingskracht te hebben gewonnen. De volledige partituur verschijnt nu voor het eerst op papier, in een consciëntieuze bewerking doorPaulMann, met wie de componist op muzikaal gebied al jaren samenwerkt.

Partitur und Klavierauszug des Concertos können käuflich erworben werden.
Das Einzelstimmen-Set ist ausschließlich Leihmaterial.
Auskunft über Leih-Bedingungen und Preise erhalten Sie auf Nachfrage. Bittekontaktieren Sie:
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E-Mail: rental@hall eonardeurope.nl
Der 28 Jahre alte Jon Lord, der bis dahin keine Erfahrung im Bereichder Orchesterkomposition hatte, brauchte für dieses Werk nur drei Monate, bis es mit dem Royal Philharmonic Orchestra unter der Leitung von Malcolm Arnold uraufgeführt wurde. Seinerstes Werk für Orchester ist der Beginn seinerparallelen Karriere als Komponist und Gründungsmitglied der Rockband Deep Purple. Das Stück zeichnet sich durch jugendlichen Einfallsreichtum, einen strukturierten Klang sowie ein ausgeklügeltes Könnenaus. Es galt damals alsbahnbrechend und seine Bedeutung scheint in der Zwischenzeit weiter gestiegen zu sein. Die Partitur erscheint hier zum allerersten Mal im Druck und wurde bis ins kleinste Detail von Paul Mann, einem langjährigenmusika lischenFreund des Komponisten, herausgegeben.

Jon Lord, gé de 28 ans et sans aucune expérience en composition pour orchestre, écrit cette œuvre en seulement trois mois l’approche de sa première avec le Royal Philharmonic Orchestra dirigé par Malcolm Arnold. Cette premièreœ uvre pour orchestre lança ses carrières parallèles de compositeur et membre fondateur de Deep Purple. Elle est particulièrement riche en invention juvénile, solide en structure et raffinée en artisanat musical. Innovante lors desa première, cette œuvre ne semble que gagner en stature depuis lors. La partition complète apparaît ici en publication pour la première fois, en édition méticuleusement préparée par le collaborateur du compositeurdepuislongtemp s, Paul Mann.

Lyrics by Ira Gershwin, music by George Gershwin (1898-1937). Collection for voice and piano. 208 pages. Published by Alfred Publishing.