Par SILVERMAN JERRY. Un groupe varié de personnages se trouvent dans cette collection. Pour voix et piano et cordes de guitare. / Niveau : Débutant à Intermédiaire / Folk - Songbooks / Recueil / Chant et Piano

And Did Those Feet In Ancient Times. Words by William Blake. Arranged by Albert Howe for voice and piano or organ. / Chant Et Piano

Par MASSENET JULES. With its music composed by Jules Massenet, Werther is a lyrical drama that became famous at the beginning of the 20th century. This really complete edition contains pictures, text and scores of the opera for Voice and Piano. The text is written in French and in English. Composed in four acts, the story is based on Goethe's early life: a poet, Werther, falls in love with a girl, Charlotte, who is due to marry another man. The story revolves around these characters and the struggle of Werther to cope with his own love. Werther was performed more than 1, 100 times at the Opera-Comique since it became famous. / Opéra-opérette / Répertoire / Chant et Piano

Par SMOLKO JOANNA. Soixante du compositeur américain Stephen Collins Foster (1826-1864) des chansons plus appréciées dans les arrangements originaux du compositeur pour piano avec cordes de guitare ajouté. Les textes ont été révisées pour capturer le prévue Foster esprit, éliminant les paroles obsolètes ou répréhensibles. Une introduction détaillée par le musicologue Steven Saunders décrit les traditions qui entourent les chansons populaires du XIXe siècle et la biographie de Foster. Les chansons Foster connues comme les courses de football, Oh Susanna et Jeanie with the Light Brown Hair sont inclus, avec un certain nombre de pièces qui ont été popularisée par les enregistrements contemporains tels que sommeiller My Darling et Hard Times Come Again No More. Chansons jamais incluses dans les collections publiées, comme The Voice of par Gone Days, tourner pas loin et Willie nous ont manqué vous, fournissent des chanteurs l'occasion de se familiariser avec les nouveaux titres. La collection montre la gamme de Foster comme auteur de chansons de salon, ballades comiques, airs de la guerre civile et religieuse hymne... / Niveau : Débutant / American - Songbooks / Recueil / Chant et Piano

Par WRIGHT R. / FORREST G.. Robert Wright et George Forrest adaptent à la musique de Danses polovtsiennes d'Alexandre Borodine de cette comédie musicale, qui se déroule dans la ville de Bagdad dans le times of The Arabian Nights./ Recueil / Chant et Piano

Ed. critica A. Borin - A. Moccia - Riduzione per canto e pianoforte. Par VIVALDI ANTONIO. With Il Teuzzone, RV 736, the collected edition of operas by Antonio Vivaldi gains a new volume that brings to completion the pair of operas written by the ?Red Priest? for Mantua. Premiered during the last days of 1718, the opera preceded by a few months the production of Tito Manlio, RV 738 (PR 1411). This edition of Teuzzone, the first in modern times, is based on the two complete sources to have survived: a copy originating from the composer?s own archive (Biblioteca Nazionale Universitaria di Torino, Raccolta Mauro Foà 33) and the one today housed in Berlin (Staatsbibliothek zu Berlin ? Preussischer Kulturbesitz, Musikabteilung, N. Mus, ms. 125), which was made for the Mantuan production. Additionally, numerous secondary sources have been collated. An appendix to the volume contains the musical materials discarded by Vivaldi during the period preceding the opera?s premiere. The supporting texts for the edition report on new findings that have emerged from archival and documentary research. It has been established, for instance, that the aria Tu, mio vezzoso (I.03) is a borrowing from Alessandro Severo by Antonio Lotti, while the aria Tornerò, pupille belle (II.02) is a reworking of Nelle mie selve natie, an aria in Scanderbeg, RV 732. These examples reveal the pasticcio-like nature of this Vivaldi opera. In the section concerned with the description of the sources, which includes a meticulous codicological examination of the source in Turin, a bold attempt has been made to reconstruct the phases that the composition of Vivaldi?s opera underwent, an operation that sheds light on the inner workings of Vivaldi?s atelier. In addition, the close relationship of this score to a work with the same title staged in Turin with music by G. Casanova and A. S. Fiorè is analysed./ Répertoire / Chant et Piano

Par DREAM THEATER. Note-for-note keyboard transcriptions of every Jordan Rudess part on Dream Theater\'s tenth studio album, Black Clouds and Silver Linings. In an exclusive foreword, Rudess discusses some of the groundbreaking aspects he contributed to the album, including the first-ever commercially recorded performance of an iPhone played as a musical instrument. More than 120 pages of musical madness follow, bends and all! Titles: The Best of Times * The Count of Tuscany * A Nightmare to Remember * A Rite of Passage * The Shattered Fortress * Wither. / Instrumental Music, Methods and Tutors, Miscellaneou / Tablatures / Piano et Clavier

Par HAYDN FRANZ JOSEF. This thoughtful, delicate, dramatic and at times joyful Stabat Mater, is the vocal work that established Haydn throughout Europe as a great composer of religious music./ Répertoire / Chorale

Stephen Collins Foster penned some of America's most enduring songs. This exquisite book offers stunning piano/vocal arrangements of ten favorites from the Foster library. Mark Hayes adds his touch to this quintessential repertoire for recitals, concerts, and contests. / Voix Et Piano

Stephen Collins Foster penned some of America's most enduring songs. This exquisite book offers stunning piano/vocal arrangements of ten favorites from the Foster library. Mark Hayes adds his touch to this quintessential repertoire for recitals, concerts, and contests. / Voix Et Piano

Plus de 25 Hits plus agréable de Berlin, y compris : Count Your Blessings au lieu de moutons, j'aime un Piano, I've Got My Love to Keep Me chaleureux, folie de Manhattan, à jouer une mélodie Simple, embaument sur le Ritz et plus encore. / Chant Et Piano