For voice and piano. Format: piano/vocal/chords songbook (spiral bound). With vocal melody, piano accompaniment, lyrics and chord names. Gospel and worship. 192 pages. 9.25x12 inches. Published by Word Music.

For voice and piano. Format: piano/vocal/chords songbook. With vocal melody, piano accompaniment, lyrics and chord names. Gospel and worship. 207 pages. 9x12 inches. Published by Word Music.

(100 Hit Songs Excerpted for Successful Auditions Men's Edition Voice and Piano). By Various. Edited by Michael Dansicker. Vocal Collection. 184 pages. Published by Hal

Composed by Gwyneth W. Walker (1947-). Secular. Published by E.C. Schirmer Publishing (EC.8247).

(Voice and Piano)

SKU: HL.48186451

Composed by Reynaldo Hahn. Leduc. Post-1900. Softcover. 39 pages. Alphonse Leduc #AL30690. Published by Alphonse Leduc (HL.48186451).

UPC: 888680828332. 9.0x12.0x0.185 inches.

Exceptional singer Reynaldo Hahn (1875-1947) owes his early successes to the ?songs for voice and piano? genre, whose raison d?etre he defines in his journal as follows: ?To highlight a poem, word for word but without uniformity; to emphasize its meaning without distorting it; to shine light upon one idea, obscure another and present it all in vocal, sung form; to produce a sharp, precise sensation by touching a heartstring or evoking an image - all in a well-structured and tastefully written piece?. Enhanced by an audio version attached as a download card, this anthology of songs should dispel a good many misconceptions. This is no salon miniature: L?Heure exquise radiates an infinite tenderness, exalted by the high vocal cadences of O Bien-Aimee! and C?est l?heure exquise, which surely wrought tears from the author of the verses, Verlaine. Tyndaris, the jewel of Heures latines, clears a crystal-clear space given over to the delights of slumber and of love. Like D?une prison and Cygnes, these songs do more than wet the eyes: they grip the heart..

Piano/Vocal. Composed by Various. Piano Songbook. Spiritual and Gospel. Songbook (softcover). With vocal melody, piano accompaniment, lyrics and chord names. 64 pages. Music Sales #AM15058. Published by Music Sales

Medium Voice and Piano

SKU: HL.14030819

Composed by Cecil Armstrong Gibbs. Music Sales America. 20th Century. Book [Softcover]. 72 pages. Music Sales #NOV170363. Published by Music Sales (HL.14030819).

ISBN 9780853609094. 9.0x12.0x0.227 inches.

An album containing fifteen superb songs by Armstrong Gibbs, one of the greatest of English song-writers. Singers will welcome this anthology, which celebrates the mastery of Gibbs' word-setting, with texts by de la Mare, Masefield and others.

E-Z Play�® Today Volume 369. Composed by Various. E-Z Play Today. Softcover. 352 pages. Published by Hal Leonard (HL.159575).

Voice and piano

SKU: BR.BG-801

9 Fragments based on Holderlin. Composed by Friedhelm Dohl. Voice; stapled. Edition Gerig. World premiere: Cologne, 1971. Song; Music post-1945. Score. Composed 1969. 52 pages. Duration 29'. Breitkopf and Haertel #BG 801. Published by Breitkopf and Haertel (BR.BG-801).

ISBN 9790004120811. 9 x 12 inches.

Fragmente - nicht ,,Lieder im ublichen Sinn. Fragmente, zugleich ,,Labyrinthe, existenziell wie asthetisch: Doppelbodigkeit von Musik und Sprache. Texte des mittleren Holderlin, als diesem die Welt aufbrach, als er in ihren Rissen und Trummern herumtastete, die verschiedenen Zeiten und Raume durcheinander bringend, aufeinander beziehend (so besonders exponiert in dem ersten Fragment ,,Tende Stromfeld, das Holderlin auf die Ruckseite einer Wascherechnung notierte). - Ein auslosender Moment der Komposition war die Vorstellung des Holderlinschen Gesangs, wie ihn Wilhelm Waiblinger beschrieb: Hat er eine Zeitlang (auf dem Klavier) gespielt und ist seine Seele ganz weich geworden, so fallt plotzlich sein Auge zu, sein Haupt richtet sich empor, er scheint vergehen zu wollen, und er beginnt zu singen. In welcher Sprache, das konnte ich nie erfahren, so oft ich es auch horte; aber er tat es mit uberschwanglichem Pathos, und es schauderte einem in allen Nerven, ihn so zu sehen und zu horen. Schwermut und Trauer waren der Geist seines Gesanges.Formal sind die Fragmente zum Teil reduzierbar auf die musikalischen Prinzipien Fantasia, Canto, Ornamento, Rondo, Recitativo. Inhaltlich ist der Zyklus eine Art Irrfahrt durch die Labyrinthe der Aussen- zur Innen-Welt, uber die verschiedenen Situationen von Traum, Lust, Sehnsucht, Trotz, Trauer, Verzweiflung bis zur Resignation, schon jenseits der Verzweiflung. Mit gewissem Vorbehalt: eine andere Winterreise.(Friedhelm Dohl)CD:Dietrich Fischer-Dieskau (baritone), Aribert Reimann (piano)Dreyer-Gaido CD 21023

World premiere: Cologne, 1971.

(Vocal Score). By Alan Jay Lerner and Frederick Loewe. Vocal Score. Softcover. 196 pages

Come back to a simpler time and place... a small church in the wildwood nestled in the hills of the Smoky Mountains. Enjoy the homespun sounds of fiddle, guitar, piano, auto harp, dulcimer, banjo and more with Smoky Mountain Sunday. This delightful collection of all-time favorite foot-stomping and heartfelt gospel favorites will transport more...you to a place of quiet rest and simple faith.

Lyrics by W.S. Gilbert, music by Arthur Sullivan (1842-1900). For mixed choir (with solos) and piano accompaniment. From the Broadway musical "The Pirates Of Penzance". Format: vocal score. With choral notation, piano reduction, introductory text and black and white illustrations. Broadway. Text language English. 213 pages. 7.5x11 inches. Published by G. Schirmer.

Voice and Piano. By Marc Blitzstein. Boosey and Hawkes Voice. Book only. Size 9x12 inches. 140 pages. Published by Boosey and Hawkes.

66 of the Greatest Praise & Worship Songs of All Time. Integrity. Size 9x12 inches. 318 pages. Published by Integrity Music.

Songs for Male Voices. By Michael Head. (Voice and Piano). Boosey and Hawkes Voice. Size 9x12 inches. 48 pages. Published by Boosey and Hawkes.

(Voice and Piano)

SKU: HL.48186445

Composed by Betsy Jolas. Leduc. Post-1900. Softcover. Alphonse Leduc #AL30681. Published by Alphonse Leduc (HL.48186445).

UPC: 888680829384. 9x12 inches.

“'Wha t's important in music that's based on a poem ' on the emotion inspired by a poem ' is the music and power of emotion it harbours within itself'. These words, written in 1949 by poet Pierre Reverdy, would make a deep impression on composer Betsy Jolas. She'd just sent the writer her Six mélodies for mezzo-soprano and piano composed on poems from his masterwork Plupart du temps. The songs were accompanied by a letter that betrayed her fear of distorting his ideas. In creative terms, there was no need to worry ' Betsy Jolas must have placed this conviction at the heart of her reflection on the relation between text and music. Nearly sixty years later, the musician decided to take several fragments of these beloved poems of Reverdy and place them, in the form of quotations, into new musical and theatrical perspectives. The exalted memory of the words led to D'Un Journal D'Amour, a mini-cantata for Voice and Alto offered as a wedding gift to soprano Eliette Prévôt and violist Antoine Tamestit, who premiered it together in Montreuil in 2010.&rdquo.