Edited by Amy Appleby, Liz Seelhoff Byrum. For voice and piano. Format: piano/vocal/chords songbook (spiral bound). With vocal melody, piano accompaniment, lyrics, chord names, illustrations and introductory text. Children's and Folk. 240 pages. 9x12 inches. Published by Music Sales.

Voice and Piano

SKU: AP.36-M187391

Composed by Alexis Emmanuel Chabrier. Voice. Master Vocal Series - LudwigMasters. Score. LudwigMasters Publications #36-M187391. Published by LudwigMasters Publications (AP.36-M187391).

ISBN 9781682962534. UPC: 659859190136. English.

A series of songs of the noted master of French vocal and operatic music, Emmanuel Chabrier (1841-1894). 8 songs included: 1. Toutes les fleurs (1889; text by Edmond Rostand); 2. Ballade des gros dindons (1889; text by Edmond Rostand); 3. Les cigales (1889; text by Rosemonde Gérard); 4. Pastorale des cochons roses (1889; text by Edmond Rostand); 5. Villanelle des petits canards (1890; text by Rosemonde Gérard); 6. Romance de L'étoile (from the operetta L'ÉTOILE; 1887; text by Eugène Leterrier and Albert Vanloo); 7. Chanson de l'alouette (from the operetta LE ROI MALGRÉ LUI; 1887; text by Émile de Najac, Paul Burani, and Albert Carré); 8. Chanson tzigane (from the operetta LE ROI MALGRÉ LUI; 1887; text by Émile de Najac, Paul Burani, and Albert Carré). Reprinted edition.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Voice & Piano

SKU: ST.LS14

Composed by Francis Pilkington. Edited by Edmund H Fellowes. Vocal music. Edited by E H Fellowes. Revised by Thurston Dart. With Lute Tablature. Vocal score. Stainer & Bell Ltd. #LS14. Published by Stainer & Bell Ltd. (ST.LS14).

ISBN 9790220212567.

CONT ENTS
Alas fair face (F sharp - E)
Ay me, she frowns (F - G)
Beauty sat bathing (D - F)
Can she disdain? (E - E)
Climb O heart (D - F)
Come, come all you (D - E)
Diaphenia, like the daffdowndilly (D - D)
Down a down thus Phyllis sung (D - D)
I sigh as sure to wear the fruit (E - E)
Look mistress mine (F sharp - F)
Music dear solace to my thoughts (D- F)
My choice is made (D - F)
Now let her change (E - F)
Now peep, Bo Peep (E - F)
Pavan for the lute and bass viol
Rest sweet nymphs (G - F)
Sound woeful plaints (D - D)
Thanks gentle moon (D - E)
Underneath a cypress shade (F - F)
Whither so fast? (E - E)
With fragrant flow'rs (D - E flat)
You that pine in long desire (E - E).

Piano, voice (solo and accompaniment)

SKU: GH.CG-5286

My Old Flame. Composed by A. Johnston / S. Coslow. Gehrmans Musikforlag #CG 5286. Published by Gehrmans Musikforlag (GH.CG-5286).

Key: G dur / g major. Text: Pepita (Swedish text).

For piano eller sang och piano, med ackordanalys.

Voice and piano (Soli: SBar(T) - 1(picc.A-fl).1(cor ang).1(Ebclar.Bclar).0. - 1.1.2.0. - perc - hp - pno - str: 1.1.1.1.1.)

SKU: BR.DV-6140

Scenes for 2 Singers and 15 Instrumentalists. Composed by Udo Zimmermann. Voice; Softbound. Deutscher Verlag. World premiere: Hamburg, February 27, 1986DV 1140 awarded the German Music Edition Prize. Opera; Music theatre; Music post-1945; New music (post-2000). Piano/Vocal Score. Composed 1984/85. 140 pages. Duration 75'. Deutscher Verlag fur Musik #DV 6140. Published by Deutscher Verlag fur Musik (BR.DV-6140).

ISBN 9790200460230. 13.5 x 10.5 inches.

Translation : Engl. (S. Wadsworth) (1988) / (Norbert Rubesaat) (1993); French (Jean-Pierre Wurtz) (1997) Place and time: Jail Munchen-Stadelheim, in the hour before the execution on 22nd February 1943 Characters: Sophie Scholl (soprano) / Hans Scholl (baritone or tenor) >>Weisse Rose<< (White Rose) was the name of the resistance group to which Hans and Sophie Scholl belonged. Udo Zimmermann's composition is characterized by the varying structure of its scenes: dramatic, visionary scenes, e.g. the remembered wartime experiences on the front, Sophie's anxiety about the removal of the children and the wish to see her parents one last time, contrast with contemplative monologues that are intended to provide insights into the individual's particular situation. The composer interweaves into the structure of the piece dream sequences with sudden bursts of anxiety that are not triggered by the execution that is about to take place but by the consequences of one's own actions. The result is a deliberate fusion of the various parts into one another. More than 100 different productions prove that the topic is as important as ever and that the work is both artistically rewarding and practicable. Udo Zimmermann About the piece Two young people, the siblings Sophie and Hans Scholl, are in a prison cell, one hour before they are to be put to death by their fascist executioners. Their christian convictions and sense of responsibility gave them the courage to put up resistance, resistance against the lies, the contempt for humanity and all human values. Sophie and Hans Scholl took their stand in the full knowledge that they were taking a deadly risk. They would simply not have been able to live with their feelings of shame had they not grasped the chance of fighting for what they believed in, even though it was a dangerous thing to do. Memories of past events, doubts, hopes and fears, justification of deeds and an acceptance of death, all these things happen and move in, and between, these two people during this representation of the hour before death. The orchestra provides a psycho-physical shorthand of their inner mental state. Musical effects and gestures search for their identity in human behaviour. The moments of stillness and silence provide moments of musical tension, which are just as powerful as the eruptions of fear and desperation. CDs: Gabriele Fontana (soprano), Lutz-Michael Harder (tenor), Instrumentalensemble, cond. Udo Zimmermann CD Orfeo C 162 871 Grazyna Szklarecka (soprano), Frank Schiller (tenor), musica viva-ensemble dresden, cond. Udo Zimmermann CD Berlin Classics Eterna BC 0120 060-2 CD (excerpts): Gabriele Fontana (soprano), Lutz-Michael Harder (tenor), Ein Instrumentalensemble, cond. Udo Zimmermann CD BMG 74321 73628 2 Bibliography : Kornel , Attila: ,,Tief unter uns nur Schweigen - Die Asthetik der Stille in Udo Zimmermanns Kammeroper ,,Weisse Rose, in: Die Tonkunst 11 (2017), pp. 368-377. Rheinlander , Matthias: Im Osten nichts Neues? Ostalgie ohne Kitsch am Beispiel von Udo Zimmermanns Oper Die weisse Rose, in: Musik und Unterricht, Heft 73 (2003), pp. 34-40.

World premiere: Hamburg, February 27, 1986DV 1140 Awarded the German Music Edition Prize.

Voice and piano (Voice and Piano)

SKU: HL.50511984

20th Century. EMB. Classical. Softcover. 32 pages. Editio Musica Budapest #Z14377. Published by Editio Musica Budapest (HL.50511984).

ISBN 9790080143773. Bach (23 x 30,2 cm) inches. Hungarian, English. Bela Bartok.

1. Tiszán innen, Tiszán túl, ... 2. Erdok, völgyek, szuk ligetek, ... 3. Olvad a hó, csárdás kisangyalom, ... 4. Ha bemegyek a csárdába, kimulatom magam, ... 5. Fehér László lovat lopott ... 6.Megittam a piros bort ... 7. Ez a kislány gyöngyöt fuz, ... 8. Sej, mikor engem katonának visznek... 9. Még azt mondják, sej haj, ... 10. Kis kece lányom fehérbe vagyon, ...

Piano and Vocal - advanced

SKU: BT.DHP-1165710-401

Piano Reduction. By Paul Mann. By Jon Lord. Piano Reduction. Composed 2016. 16 pages. De Haske Publications #DHP 1165710-401. Published by De Haske Publications (BT.DHP-1165710-401).

ISBN 9789043150248.

The 28-year-old Jon Lord, with no experience at all of writing for orchestra, composed this work in only three months in the lead-up to its premiere with the Royal Philharmonic Orchestra and Malcolm Arnold. It was his first workfor orchestra, launching his career as both a classical composer and a founding member of Deep Purple. It is notably rich in youthful invention, sound in structure, and sophisticated in craftsmanship. It broke new ground at thetime, and seems only to have grown in stature across the intervening years. The full score appears here in print for the first time ever, meticulously edited by the composer’s long-time musical collaborator Paul Mann.

De 28 jaar oude Jon Lord, die nog geen enkele ervaring had in het schrijven voor orkest, componeerde dit werk in slechts drie maanden in de aanloop naar de première met het Royal Philharmonic Orchestra en Malcolm Arnold. Hetbetreft dus zijn eerste compositie voor orkest en hij lanceerde hiermee zijn parallelle carrières als componist en medeoprichter van Deep Purple. Het werk is rijk aan jeugdige vindingrijkheid, goed opgebouwd en met vakmanschapgemaakt. Het was destijds baanbrekend en het lijkt in de loop der jaren alleen maar aan zeggingskracht te hebben gewonnen. De volledige partituur verschijnt nu voor het eerst op papier, in een consciëntieuze bewerking doorPaulMann, met wie de componist op muzikaal gebied al jaren samenwerkt.

Partitur und Klavierauszug des Concertos können käuflich erworben werden.
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Der 28 Jahre alte Jon Lord, der bis dahin keine Erfahrung im Bereichder Orchesterkomposition hatte, brauchte für dieses Werk nur drei Monate, bis es mit dem Royal Philharmonic Orchestra unter der Leitung von Malcolm Arnold uraufgeführt wurde. Seinerstes Werk für Orchester ist der Beginn seinerparallelen Karriere als Komponist und Gründungsmitglied der Rockband Deep Purple. Das Stück zeichnet sich durch jugendlichen Einfallsreichtum, einen strukturierten Klang sowie ein ausgeklügeltes Könnenaus. Es galt damals alsbahnbrechend und seine Bedeutung scheint in der Zwischenzeit weiter gestiegen zu sein. Die Partitur erscheint hier zum allerersten Mal im Druck und wurde bis ins kleinste Detail von Paul Mann, einem langjährigenmusika lischenFreund des Komponisten, herausgegeben.

Jon Lord, gé de 28 ans et sans aucune expérience en composition pour orchestre, écrit cette œuvre en seulement trois mois l’approche de sa première avec le Royal Philharmonic Orchestra dirigé par Malcolm Arnold. Cette premièreœ uvre pour orchestre lança ses carrières parallèles de compositeur et membre fondateur de Deep Purple. Elle est particulièrement riche en invention juvénile, solide en structure et raffinée en artisanat musical. Innovante lors desa première, cette œuvre ne semble que gagner en stature depuis lors. La partition complète apparaît ici en publication pour la première fois, en édition méticuleusement préparée par le collaborateur du compositeurdepuislongtemp s, Paul Mann.

Creative Concepts Publishing. Size 9x12 inches. 136 pages. Published by Creative Concepts.

Easy Piano Songbook (Easy arrangements for piano and voice). Size 9x12 inches. 64 pages. Published by Hal Leonard.

Vocal and Piano

SKU: HL.14025735

Composed by Edward Elgar. Music Sales America. Classical. Book [Softcover]. Music Sales #NOV170153. Published by Music Sales (HL.14025735).

Plea ding is a song for solo voice with Piano accompaniment, written in 1908. It was composed for, and dedicated to, the composer's great friend Lady Maud Warrender. It was published as the composer's opus 41 in three arrangements: No. 1 is for medium voice, and is set in the Key of G major. Versions for low and high voices are also available. The text is from a poem by Arthur L. Salmon.

Ed ward Elgar (1857-1934) is one of England's best-known and most-loved composers. He was self-taught as composer, coming from outside the musical and social establishment, which allowed his music to be fresh and unencumbered.

Op. 52, #6. Composed by Franz Schubert (1797-1828). Edited by transcr. Robert Schultz. Masterworks; Piano Solo; Solo; Solo Small Ensembles. Classical Period. Single piece. With vocal melody, piano accompaniment and lyrics (English). 4 pages. Belwin Music #00-PA02498. Published by Belwin Music

Edited by Michael Pilkington. For Voice and Piano. Songs. 9 songs from the 18th century, arranged with accompaniment for piano

By Franz Schubert. Edited by Max Friedlander. For High / Medium / Low voice and Piano. Published by Edition Peters.

Bass Voice and Piano

SKU: HL.14013708

Composed by George Frideric Handel. Music Sales America. Classical. Book [Softcover]. Music Sales #NOV170249. Published by Music Sales (HL.14013708).

G F Handel (1685-1759) was a German-born British composer and organist who spent his life working in London. He is credited with popularising opera and oratorio in Britain, both importing Italian works, and composing his own.

Twelve Songs From The Oratorios have been edited by Alberto Randegger, and are scored for Baritone or Bass with Piano accompaniment. It contains 12 airs from popular works such as Messiah, Judas Maccabaeus, and Samson, and 8 of their associated recitatives. This is the perfect collection for any Bass or Baritone looking to expand their repertoire, or for any Handel fan who wants todiscover more of his songs.