Par COLE NAT KING. Twenty classic songs by the master of all crooners, Nat King Cole , for you to play on the Keyboard. This selection of ballads and vintage favourites will bring warmth and nostalgia to the repertoire of any early keyboard player. All songs have been specially arranged with a simple melody line and full guide to playing all chords and accompaniment. Each song includes suggestions for appropriate accompaniment styles and Keyboard voice selection, as well as full lyrics. Soon such memorable moments as Unforgettable , When I Fall In Love and that all-time Christmas classic, Chestnuts Roasting on an Open Fire will be at your fingertips! / Niveau : Facile / Recueil / Clavier Electronique et Ligne Mélodique

Part of the popular 'Top Ten' series, this collection contains ten carefully selected pieces in the jazz style.There is such variety within the genre we call 'jazz' it seems almost impossible to do it justice in just ten songs, but we've given it our best shot. We've unforgettable standards, like Duke Ellington's 'Take The A Train', and 'Fly Me To The Moon' as popularised by Frank Sinatra - elegant tunes from the 1930s, such as 'The Way You Look Tonight' and 'The Very Thought Of You' - classic numbers from the late 50s and early 60s, 'So What' and 'Cantaloupe Island' - and we make no apology for stretching the jazz definition to accommodate the gorgeous 'Girl From Ipanema'!Some of the pieces are arranged for Piano and Voice - others are purely instrumental, but every one possesses that special something that has earned it a place in our collection, and indeed in the heads and hearts of countless jazz lovers around the world.Each piece in The Top Ten Jazz Songs To Play On Piano is accompanied by interesting background notes to give you that extra bit of insight. / Piano

Certain songs have the tendency to become massive hits as soon as they are released and continue to be hugely successful as they are covered or reworked, or simply because they are perfect compositions. Timeless Songs For Easy Piano collects 25 of these songs that have stood the test of time in easy Piano arrangement.The works included in this songbook are all examples of the kinds of brilliant melodies, sumptuous harmonies or poetic lyrics that have kept people listening for 50 years and more. Songs like At Last, Blue Moon and Over The Rainbow will never go out of fashion simply because they are universally loved. This makes the songs in this collection perfect for any beginner Piano player because all of these tunes are instantly recognisable and are sure to be crowd-pleasers with any audience.The simplified arrangements included in the Easy Piano books enable pianists of all abilities to easy play the all-time great songs as sung by performers like Etta James, Billie Holiday and Frank Sinatra. With chord names and helpful fingering suggestions throughout, this songbook is the perfect introduction to popular songs for the Piano without intimidation.For a beginner who wants to learn to play some of the greatest songs ever written, this Timeless Songs For Easy Piano sheet music makes learning the best Piano standards simple. / Piano

The Polar Express is a wonderfully heart-warming seasonal tale that has touched the spirits of millions over the years, telling the story of the power of belief. Published in 1985, the inevitable movie version was the Christmas film of 2004. This sumptuous edition features eight pages of stills from the film, along with Piano, Voice and Guitar arrangements of the 7 original songs by Ballard and Silvestri. Futhermore, the folio also includes five Christmas classics as performed by Frank Sinatra and Perry Como. / TV, Film, Comédie musicale / Recueil / Chant et Piano

Par SZYMANOWSKI KAROL. (VII) The Polish idiom appeared in Szymanowskis music in 1920, foreshadowing the beginning of a new period of creativity, later called nationalistic. Before this idiom was realised and such compositions typical of the Polish style as the ballet Harnasie, the Mazurkas, Stabat Mater, Fourth Symphony and Second Violin Concerto had been written, the change in musical thinking and the first experiments in the new language took place in songs. Symptoms of the new style manifested themselves fully in Slopiewnie, Op. 46 bis, composed in the summer of 1921 and published by Universal Edition. In these bizarre songs to bizarre words by Tuwim Szymanowski attempted to crystallize and generalize artistically some primaeval Polish, racial as he described them elements in music. The inspiring factor was undoubtedly the text by Julian Tuwim, abounding in new-coined words and imbued with its own music. It indicated the direction that artistic creativity was to take, and made the full corellation of the verbal and musical layers possible in, as Mieczyslaw Tomaszewski has stated, all the planse of co-operation phonic, structural, expressional and semantic. Based on A. Neuer Commentary to Complete Edition Volume C11 (VIII) Szymanowski did not yield to the temptation of easy over-stilization. Streching out to the deepest ethnic layers of his native musical culture, he made an attempt to mould and suitably fashion a Polish style of musical utterance. This tendency is apparent in the Three Lullabies, Op. 48, to words by Jaroslaw Iwaszkiewicz, composed in 1922 and published by Universal Edition in 1926. In the Lullabies we can find the confirmation of the fact that utterly new atmosphere which, according to the composer, Slopiewnie had introduced into his music, was not a once-for-all phenomemon. The elements of the new musical language, analised in connection with the earlier cycle, may here be regarded as assimilated. These are modalities in vocal melodies (Lullaby I) and cadences (Lullabies I and III), a bourdon effect with a tritone (Lullaby II). However these sometimes sligh and apparently unimportant details recur constatnly, an so acquire the nature of a definite compositional technique establishing a style based in an increasing degree on nationalistic elements. Based on Adam Neuer Commentary to Complete Edition Volume C11 (IX) The Childrens Rhymes, Op. 49, a cycle of twenty short songs by Kazimiera Illakowicz, composed in 1922-23, were a completely new creative experience for Szymanowski. He composed the Rhymes with his 11-year-old niece in mind. She was the daughter of Stanislawa Korwin-Szymanowska, who performed these songs for the first time in Warsaw on 25 February 1924. / Date parution : 2021-12-09/ Recueil / Chant et Piano

Vocal Selections. Par ANDERSON-LOPEZ KRISTEN / LOPEZ ROBERT. 16 songs from the Tony' Award-nominated Broadway production adapted from the hit Disney animated movie, Frozen. Includes: Colder by the Minute - Do You Want to Build a Snowman? (Broadway Version) - For the First Time in Forever (Broadway Version) - Hygge - In Summer - Kristoff Lullaby - Let It Go - True Love - Vuelie/Let the Sun Shine On - and more. Includes color photos from the Broadway production!/ Recueil / Chant et Piano

Motown: The Musical est la véritable histoire de son one-of-a-kind qui a frappé les ondes en 1959 et a changé pour toujours notre culture. Cet incroyable spectacle graphiques Motown fondateur Berry incroyable voyage de Gordy de plume boxeur au magnat des poids lourds de la musique qui a lancé la carrière de Diana Ross, Michael Jackson, Stevie Wonder, Smokey Robinson, Marvin Gaye et tant d'autres. Motown: The Musical propose 27 classiques Motown préférés, ainsi que deux nouvelles chansons écrites pour le spectacle, y compris ABC, Aint No Mountain High Enough, Baby I Need Your Lovin ', je peux fermer la porte (sur l'amour), je Vous ne pouvez pas Help Myself (Sugar Pie, Honey Bunch), je l'ai entendu par la vigne, I Want You Back, Reach Out, je serai là, où avez-Our Love Go et plus. / Voix Et Piano

Toutes les chansons festives figurant sur l'album de Noël de Michael Bublé, arrangé pour piano et voix. Michael Buble est sans aucun doute jazz / spectacle de chanteur le plus de succès ces derniers temps, et a même été décrit comme le 'héritier de Sinatra'! Buble a connu la gloire en 2006 et a depuis continué à vendre plus de 35 millions d'albums, gagner 2 Grammys, et d'atteindre un étonnant 88 cerftifications de platine pour ses quatre albums studio à ce jour. / Piano Et Voix

The new Urtext edition of Schubert's lieder edited by Walther Dürr continues with volume 7, presented in separate volumes for high, medium, and low voice. This new volume contains the lieder that Schubert composed between May and August 1815, including his setting of Schiller's ballad 'Die Bürgschaft? (D 246).- Based on the Urtext of the 'New Schubert Edition?- Clear, well-presented engraving- Foreword by Walther Dürr (Ger/Eng) on the genesis and history of the work as well as an explanation of the sources for each individual lied- Includes English translations of the lieder texts by Richard Wigmore / Voix Moyenne(s) Et Piano

Walther Dürr presents Volume 8 of the new Urtext edition of Schubert's lieder in separate editions for high, medium and low voice. This volume contains lieder originating during the latter half of 1815, between August and November. Three series of lieder, each based on a particular poet, immediately catch the eye: a number of Ossian settings, a group of Klopstock lieder and finally another set on texts that Schubert found in a Viennese almanac (Selam). Furthermore, the series of Schubert lieder on texts by the North German poet Ludwig Theobul Kosegarten which starts in Volume 7, is concluded in this volume. / Voix medium Et Piano