230 folk songs and spirituals, religious and secular, arranged for piano and voice. From joyous gospel to deeply felt blues, this wonderful collection contains vintage songs sung and played through the years by black Americans - at work, in church and for pure entertainment. Included are spirituals, blues, work songs and a variety of social and dance songs. This is an indispensable treasury of music for singers, musicians and all readers seeking a comprehensive sourcebook of black American folk music. It will be equally welcomed at parties, family get-togethers, sing-alongs, church events and other gatherings where people want to play and sing these classic folk songs thatare an integral part of American musical history./ Recueil / Chant et Piano

Compilations regroupant les plus grands titres d'un genre musical spécialement regravées en piano, voix et diagrammes d'accord guitare ou en piano solo en format A4 spiralé afin qu'il reste 'plat' sur le support du piano.Titres : All The Things You Are [Kern, Jerome] [Hammerstein II, Oscar] - Anthropology [Parker, Charlie] - April In Paris [Duke, Vernon] - Big Spender [Coleman, Cy] - The Big Walk [Jones, Quincy] - Blue In Green [Davis, Miles] - Can't Help Lovin' Dat Man (Show Boat) [Kern, Jerome] - Cantaloupe Island [Hancock, Herbie] - Cheek To Cheek [Berlin, Irving] - Don't Get Around Much Anymore [Ellington, Duke] - Easy Living [Robin, Leo] [Rainger, Ralph] - The Girl From Ipanema (Garôta De Ipanema) [Getz, Stan] [Gilberto, Astrud] - Good Morning Heartache [Fisher, Dan] [Higginbotham, Irene] [Drake, Ervin] - I Wish I knew (How It Would Feel To Be Free) [Taylor, Billy] - Honeysuckle Rose (Ain't Misbehavin') [Waller, Fats] - I'm Beginning To See The Light [George, Don] [Hodges, Johnny] [Ellington, Duke] [James, Harry] - In A Mellow Tone [Ellington, Duke] - La Vie En Rose [Armstrong, Louis] - Luck Be A Lady [Loesser, Frank] - Lush Life [Coltrane, John] - Michelle [Beatles, The] - Minority [Gryce, Gigi] - Moanin' [Blakely, Art] [Jazz Messengers, The] - Mona Lisa [Livingston, Jay] [Evans, Ray] - Mood Indigo [Ellington, Duke] - Moonlight Serenade [Miller, Glen] [Parish, Mitchell] - My Baby Just Cares For Me [Kahn, Gus] - My Foolish Heart [Young, Victor] [Washington, Ned] - My Favourite Things [Coltrane, John] - The Nearness Of You [Carmichael, Hoagy] - Oleo [Martino, Pat] - Peri's Scope [Evans, Bill] - Save Your Love For Me [Johnson, Buddy] - Singin' In The Rain (Singin' In The Rain) [Brown, Nacio] [Freed, Arthur] - Smoke Gets In Your Eyes (Roberta) [Kern, Jerome] - So What [Davis, Miles] - Something To Live For [Ellington, Duke] [Strayhorn, Billy] - The Star Crossed Lovers [Ellington, Duke] [Strayhorn, Billy] - Time Remembered [Evans, Bill] - Turn Out The Stars [Evans, Bill] - The Very Thought Of You [Cole, Nat King] - The Way You Look Tonight (Swing Time) [Kern, Jerome] - What Are You Doing The Rest Of Your Life? [Legrand, Michel] - The Windmills Of Your Mind [Legrand, Michel] [Bergman, Alan] [Bergman, Marilyn] / Piano/Vocal/Guitare (PVG)

Arrangeur: Richard Walters. 40 songs, including: This Can't Be Love £ Bye, Bye Baby £ I Won't Send Roses £ The Surrey With The Fringe On Top £ Once In Love With Amy. / TV, Film, Comédie musicale / Recueil / Chant et Piano

Par FAITH REBECCA. In this collection we have gathered fifty Christmas Carols from around the world carefully arranging them for Voice and Piano. Each piano accompaniment is playable by a competent pianist, and there are additional optional harmonies added to the vocal part for choral use if desired. Every country puts its own unique cultural stamp on celebrating the holiday season and this volume can be used to explore those celebrations as part of a wider exploration of the World of Christmas. To this end we have included interesting Christmas related facts, a translation of the text, and both versions where they exist, so each anthem can be easily sung and understood, or compared. Ideal for use in the classroom, or by choirs, and provides wonderful presentational opportunities for themed Christmas concerts. / Choral Music, Songbooks / Recueil / Voix et Piano

Ce volume de la série EZ Play Today propose 15 chansons de la légende du folk-rock, Bob Dylan tous dans Hal Leonard de renommée mondiale, facile à lire la notation!Parmi les chansons retrouvez: All Along the Watchtower - Blowin' in the Wind - Forever Young - Hurricane - It Ain't Me Babe - Just like a Woman - Knockin' on Heaven's Door / Piano Ou Orgue

Kammeroper Nr. 2. Par RIHM WOLFGANG. Chamber opera does not mean “little opera.” On the same scale as chamber music is to the symphony, it is rather the other way of talking onstage. The movable apparatus permits sophisticated voice-leading. A large ensemble demands simple conception to achieve the complexity it perhaps intends; this can be formulated more sharply and nuanced in a chamber ensemble. Therefore it is the subject which this type of presentation must sustain – or, better, provoke. Büchner’s Lenz is a description of the conditions within a process of collapse, moments of destruction already occurred but not yet accepted, evident in the points of contact with the environment. And it was those points of contact which Michael Fröhling attempted to reconstruct onstage. Lenz’s distraught state is always the same; only the proximity of the environment to that distraught state grows and ebbs. The musical consequence An hour of extreme chamber music results from this description: always bound for the main character – actually, not a commentary, but the main character himself as a multilayered level of action. Although Lenz acts on many levels – or tries to or believes he is – he has no room to manoeuvre. That is why he is also tightly interwoven in his sonic surroundings; the voices which only he hears are just as much himself as the two men with whom he foregathers (the liberal pragmatist Oberlin and the alert merchant who always “does the right thing” in every situation) – they evoke responses which he deeply desires. Omnipresent Friederike is just as much his inner world as Nature is – Nature, which he can no longer perceive unless it is personified, enlivened or dead. Therefore, the music’s task is both to motivate the “situation” (atmospherically) and to be the psychological constant (via a network of entangled references per se) in an action as it is played out. The compositional process December 1977 to June 1978 – a period identical to the stepwise understanding of an existence as that of Jakob Lenz. Yet the more the historical figure became precisely attendant in my intellect in terms of data and atmosphere, the more it retreated in favour of a cipher of disturbance as I began to understand Lenz. Thence the explanation for the failure of the attempts to approach him – including my attempt to interpret him via musical representation – because, essentially, Lenz himself is the failure. Only the naked stages of that failure remain portrayable, i.e. including the failure of those who wish to “help” Lenz, for example, while Lenz himself is already trapped inextricably in a state of complete destruction. I tried to compose my way into that situation as far as possible; the insistence of several rhythmic and harmonic configurations is the palpable expression of the main character’s ever-recurring rigidity. One sound pervades the entire work. The musical stage For me, this is a place where very magical and very human things take place. In Jakob Lenz, the human aspects often switch to magical ones, since the realism of a self-suasive, unhinged soul takes on surreal traits – or we simply cannot understand that otherwise except as not being real. A character like Jakob Lenz on the stage is complex due to the fact alone that it harbours many stages within itself, and music must represent those constantly present stages. I have tried to do so in the most direct way – by not cleanly separating the musical layers, but keeping them constantly in evidence until they must break forth, each in accord with its own dramaturgy. In an overview, the large form takes on aspects of a rondo, performed in overlapping layers – a type of rondo relief, since perspectives of psychological proximity and distance are indeed formulated musically as atmospheric relations. Above all: the thread on which Jakob Lenz hangs is the current onto the listeners’ hearts. Wolfgang Rihm (January 1979)/ Répertoire / Chant et Piano

Brought together for the first time, a comprehensive collection of timeless choruses newly engraved in recent editions from the historic Novello series of vocal scores. For programming festivals, concerts, celebrations or just run-through practice for the choral society, events can be organised at last from a single volume of classics without the need for the singers to carry scores of any number of oratorios or motets. Includes introductory notes by Brian Kay. / Chant Et Piano

Ed. Critica F. Della Seta - Riduzione Per Canto E Pianoforte - Softcover, 2 Volumi. Par BELLINI VINCENZO. I Puritani is the last work of Vincenzo Bellini: composed in nine months, from April 1834 to January 1835 (a gestation unusually long for that time), was performed for the first time in Paris, Théâtre Italien, 24 January 1835. During this period, the dramatic structure suffered radical transformations: initially structured in two acts, the work was divided into three acts just before the premiere, but on the eve of the first performance, and immediately after that, the excessive length of the title imposed the cut of three pieces and other minor sections. Simultaneously with the release for Paris, Bellini prepared a version designed for a planned exhibition for Naples at Teatro S. Carlo, whose protagonist had to be Maria Malibran and in which the part of Riccardo had to be supported by a tenor. The exhibition did not take place, as the score came late in Naples: the Neapolitan version was rediscovered and performed only in the eighties of the twentieth century. The new Critical Edition is based on the autograph, on the libretto of the first performance and on four manuscript copies produced in the context of the Théâtre Italien in the first months of life of the work, three of which contain autograph interventions (these sources are now kept at the Biblioteca Comunale in Palermo, at the Museo Civico Belliniano in Catania, at the Archivio Storico Ricordi in Milano and at the Staatsbibliothek zur Preussischer Kulturbesitz in Berlin). This Edition presents for the first time all the music composed by Bellini, it restores the sections deleted before or after the first performance in Paris, and returns the modified sections of the Naples version- it consists of three-score volumes - introduced by a detailed reconstruction of the historical context - and of a 'Apparati” volume with a description of the Sources and the Critical Commentary to the musical text. / Niveau : Intermédiaire à Avancé / Répertoire / Chant et Piano

Dispose de 13 mélodies composées par Bono de U2 et The Edge pour le tant vanté comédie musicale de Broadway. / Chant/Vocal/Choeur

The Piano Treasury of Hymns is designed to be the cornerstone of your personal music library. This tremendous collection contains 400 pages of the best-loved Christian hymns from Europe and America. From traditional favourites to contemporary worship songs, here you'll find the music that has inspired praise and worship for over four centuries. This sacred folio will provide years of enjoyment for everyone who loves the music of the church. Rediscover the beauty and power of the great songs that are a part of the fabric of the church and music history. / Piano

Arrangements faciles de 50 chansons par des artistes chrétiens! / Piano / 288 pages / Partition