Voice and piano SKU: BR.DLV-5633 Composed by Jean Sibelius. Voice. Deutsc...(+)
Voice and piano
SKU:
BR.DLV-5633
Composed
by Jean Sibelius. Voice.
Deutscher-Lieder-Verlag.
Song; Early modern;
Late-romantic. Score. 8
pages. Breitkopf and
Haertel #DLV 5633.
Published by Breitkopf
and Haertel
(BR.DLV-5633).
ISBN
9790004802151. 9 x 12
inches. Swedish /
German.
Six single
editions: DLV 5631 -
1. Der Norden DLV 5632
- 2. Hennes Budskap -
Ihre Botschaft DLV
5632 - 3. Morgonen - Der
Morgen DLV 5634 - 4.
Fagelfangaren - Der
Vogelsteller DLV 5635
- 5. Sommernatten - Die
Sommernacht DLV 5636 -
6. Vem Styrde hit din vag
- Wer hat dich hergefuhrt
Fast alle
Orchesterbearbeitungen
sind Jahre nach den
Originalkompositionen fur
Singstimme und Klavier
entstanden.
Trotz
der Tatsache dass sie
rasch hingeworfen sind
zeigt sich in allen
Liedern Sibelius'
Meisterschaft als
Orchesterliederkomponist.
Manchmal vermag er eine
dustere dramatische
Atmosphare (in ,,Pa
verandan vid havet) zu
erzeugen manchmal
gelingen ihm leuchtend
farbige Impressionen (in
,,Soluppgang) oder zart
transparente Gewebe (in
,,Varen flyktar hastigt)
- immer jedoch sind die
Lieder ganz aus deren
poetischer Idee heraus
gestaltet und
differenziert
nachgezeichnet. In den
meisten Fallen
beschrankte sich Sibelius
auf ein relativ kleines
Orchester. In ,,Varen
flyktar hastigt sind
neben den Streichern nur
zwei Floten und vier
Horner besetzt. Nearly
all of the orchestral
arrangements were made
years after the original
compositions for voice
and piano.
Yet
even though the
arrangements were made in
a very short period of
time Sibelius handled the
combination of solo voice
and orchestra in all
songs with equal mastery
sometimes creating dark
and dramatic atmospheres
(in Pa verandan vid
havet) sometimes radiant
colorful impressions (in
Soluppgang) or
light-colored transparent
textures (in Varen
flyktar hastigt) and
always basing his ideas
on the poetic idea of the
song while discovering
refined ways of
supporting it. Fast alle
Orchesterbearbeitungen
sind Jahre nach den
Originalkompositionen fur
Singstimme und Klavier
entstanden.
Trotz
der Tatsache dass sie
rasch hingeworfen sind
zeigt sich in allen
Liedern Sibelius'
Meisterschaft als
Orchesterliederkomponist.
manchmal vermag er eine
dustere dramatische
Atmosphare (in ,,Pa
verandan vid havet) zu
erzeugen manchmal
gelingen ihm leuchtend
farbige Impressionen (in
,,Soluppgang) oder zart
transparente Gewebe (in
,,Varen flyktar hastigt)
- immer jedoch sind die
Lieder ganz aus deren
poetischer Idee heraus
gestaltet und
differenziert
nachgezeichnet. In den
meisten Fallen
beschrankte sich Sibelius
auf ein relativ kleines
Orchester. In ,,Varen
flyktar hastigt sind
neben den Streichern nur
zwei Floten und vier
Horner besetzt. Nearly
all of the orchestral
arrangements were made
years after the original
compositions for voice
and piano.
Yet
even though the
arrangements were made in
a very short period of
time Sibelius handled the
combination of solo voice
and orchestra in all
songs with equal mastery
sometimes creating dark
and dramatic atmospheres
(in Pa verandan vid
havet) sometimes radiant
colorful impressions (in
Soluppgang) or
light-colored transparent
textures (in Varen
flyktar hastigt) and
always basing his ideas
on the poetic idea of the
song while discovering
refined ways of
supporting it.
Voice and piano (solo: T - 2(picc.A-fl).2(ob.d'am[ad lib.].cor ang.muha).2(B-cla...(+)
Voice and piano (solo: T
-
2(picc.A-fl).2(ob.d'am[ad
lib.].cor
ang.muha).2(B-clar.S-sax.
muha).2(kfg.muha) -
1.1(corn [ad lib.]).1.0 -
timp.perc(3) -
acc(windmachine
I).hp(rainmaker.windmachi
ne
II).guit(rainmaker.windma
chine III) - str:
1.1.2.1.1)
SKU:
BR.EB-9394
A
Composed
Interpretation.
Composed by Hans Zender.
Voice; Softbound. Edition
Breitkopf. World
premiere: Frankfurt am
Main, September 21, 1993.
Song; Music post-1945.
Piano/Vocal Score.
Composed 1993. 120 pages.
Duration 85'. Breitkopf
and Haertel #EB 9394.
Published by Breitkopf
and Haertel (BR.EB-9394).
ISBN 9790004188682. 9
x 12 inches.
My
lecture of the
Winterreise does not
demand a new expressive
interpretation, but
instead systematically
exercises the freedom
which all interpreters
allow themselves
intuitively, such as:
instrumental dilation i.
e. acceleration of the
pace, transposition into
other keys and
elaboration of
characteristic color
timbres. In addition,
there are further ways of
reading; the music;
jumping around in the
text, repeating certain
lines, interrupting the
continuity, comparing
different expressions of
the same phrase ... All
these new possibilities
are subjected to my
compositional discipline
and form autonomous
formal processes which
are imposed on Schuberts
original. The
transformation of the
piano tones into a
multifaceted orchestra
full of resonance is only
one of many aspects.(Hans
Zender)CDs:Hans Peter
Blochwitz (Tenor),
Ensemble Modern,
Conductor: Hans Zender CD
BMG 9026-68067-2
Christoph Pregardien
(Tenor), Klangforum Wien,
Conductor: Sylvain
Cambreling CD Kairos
0012002KAIJulien
Pregardien (Tenor),
Deutsche Radio
Philharmonie
Kaiserslautern,
Conductor: Robert Reimer2
CD's P.RHEI
(2016)Bibliography:Adam-S
chmidmeier, Eva-Maria
von: Schubert
interpretieren. Hans
Zender: Schuberts
Winterreise. Eine
komponierte
Interpretation im
Unterricht, in: Musik und
Unterricht Heft 96
(2009), pp. 50-56.Gruhn,
Wilfried: Wider die
asthetische Routine. Hans
Zenders Version von
Schuberts Winterreise,
in: Neue Zeitschrift fur
Musik 1/1997.Hebling,
Harald: Kompositorische
Schubertrezeption im 20.
Jahrhundert,
Magisterarbeit
Universitat Wien 2003,
especially pp.
148-157.Nonnenmann,
Rainer: Vom Nutzen und
Nachteil der
Musikhistorie fur das
Musikleben. Zur Kritik
aktualisierender
Interpretation am
Beispiel von Hans Zenders
Schuberts ,Winterreise,
in: Musik und Asthetik 7,
Heft 26 (April 2003), pp.
65-90.ders.: Schuberts
,Winterreise .
Komponierte
Interpretation von Hans
Zender / Ballett von John
Neumeier, in:
Osterreichische
Musikzeitung 60 (2005),
Heft 3, p. 42f.ders.:
Fremd bin ich eingezogen,
fremd zieh ich wieder
aus. Versuch zur Rettung
der Vergangenheit
Schuberts Winterreise.
Eine komponierte
Interpretation fur Tenor
und kleines Orchester
(1993) von Hans Zender,
in ders.: Winterreisen.
Komponierte Wege von und
zu Franz Schuberts
Liederzyklus aus zwei
Jahrhunderten, 2 Bande (=
Taschenbucher zur
Musikwissenschaft, Band
150/151), Wilhelmshaven:
Florian Noetzel 2006, pp.
143-205.Petersen, Birger:
Neue Musik. Analysen,
Berlin: Simon Verlag fur
Bibliothekswissen 2013,
pp. 11-24.Revers, Peter:
... Schnee, du weisst von
meinem Sehnen. Aspekte
der Schubert-Rezeption in
Hans Zenders Winterreise
(1993), in: Dialekt ohne
Erde. Franz Schubert und
das 20. Jahrhundert,
hrsg. von Otto
Kolleritsch, Wien-Graz
1998 (Studien zur
Wertungsforschung, Band
34), pp.
98-120.Schafer-Lembeck,
Hans-Ulrich:
Gegenstrebige Fugungen.
Hans Zenders Musik und
seine komponierte
Interpretation von
Schuberts Winterreise,
in: Neue Musik
vermitteln. Analysen
Interpretationen -
Unterricht, hrsg. von
Hans Bassler, Ortwin
Nimczik und Peter W.
Schatt, Mainz: Schott,
2004, pp.
295-307.Stahmer, Klaus
Hinrich: Bearbeitung als
Interpretation - Zur
Schubertrezeption Gustav
Mahlers, Hans Zenders und
Friedhelm Dohls, in:
Franz Schubert und Gustav
Mahler in der Musik der
Gegenwart, Mainz
1998.Zender, Hans: warum
wieder die Winterreise?
Hartmut Regitz im
Gesprach mit dem
Komponisten, in:
ballet.tanz -
international.aktuell,
Heft 12 (2001), p.
18.
World
premiere: Frankfurt am
Main, September 21,
1993.
Voice and piano SKU: BR.DLV-5634 Composed by Jean Sibelius. Voice. Deutsc...(+)
Voice and piano
SKU:
BR.DLV-5634
Composed
by Jean Sibelius. Voice.
Deutscher-Lieder-Verlag.
Song; Early modern;
Late-romantic. Score. 8
pages. Breitkopf and
Haertel #DLV 5634.
Published by Breitkopf
and Haertel
(BR.DLV-5634).
ISBN
9790004802168. 9 x 12
inches. Swedish /
German.
Six single
editions: DLV 5631 -
1. Der Norden DLV 5632
- 2. Hennes Budskap -
Ihre Botschaft DLV
5632 - 3. Morgonen - Der
Morgen DLV 5634 - 4.
Fagelfangaren - Der
Vogelsteller DLV 5635
- 5. Sommernatten - Die
Sommernacht DLV 5636 -
6. Vem Styrde hit din vag
- Wer hat dich hergefuhrt
Fast alle
Orchesterbearbeitungen
sind Jahre nach den
Originalkompositionen fur
Singstimme und Klavier
entstanden.
Trotz
der Tatsache dass sie
rasch hingeworfen sind
zeigt sich in allen
Liedern Sibelius'
Meisterschaft als
Orchesterliederkomponist.
Manchmal vermag er eine
dustere dramatische
Atmosphare (in ,,Pa
verandan vid havet) zu
erzeugen manchmal
gelingen ihm leuchtend
farbige Impressionen (in
,,Soluppgang) oder zart
transparente Gewebe (in
,,Varen flyktar hastigt)
- immer jedoch sind die
Lieder ganz aus deren
poetischer Idee heraus
gestaltet und
differenziert
nachgezeichnet. In den
meisten Fallen
beschrankte sich Sibelius
auf ein relativ kleines
Orchester. In ,,Varen
flyktar hastigt sind
neben den Streichern nur
zwei Floten und vier
Horner besetzt. Nearly
all of the orchestral
arrangements were made
years after the original
compositions for voice
and piano.
Yet
even though the
arrangements were made in
a very short period of
time Sibelius handled the
combination of solo voice
and orchestra in all
songs with equal mastery
sometimes creating dark
and dramatic atmospheres
(in Pa verandan vid
havet) sometimes radiant
colorful impressions (in
Soluppgang) or
light-colored transparent
textures (in Varen
flyktar hastigt) and
always basing his ideas
on the poetic idea of the
song while discovering
refined ways of
supporting it. Fast alle
Orchesterbearbeitungen
sind Jahre nach den
Originalkompositionen fur
Singstimme und Klavier
entstanden.
Trotz
der Tatsache dass sie
rasch hingeworfen sind
zeigt sich in allen
Liedern Sibelius'
Meisterschaft als
Orchesterliederkomponist.
manchmal vermag er eine
dustere dramatische
Atmosphare (in ,,Pa
verandan vid havet) zu
erzeugen manchmal
gelingen ihm leuchtend
farbige Impressionen (in
,,Soluppgang) oder zart
transparente Gewebe (in
,,Varen flyktar hastigt)
- immer jedoch sind die
Lieder ganz aus deren
poetischer Idee heraus
gestaltet und
differenziert
nachgezeichnet. In den
meisten Fallen
beschrankte sich Sibelius
auf ein relativ kleines
Orchester. In ,,Varen
flyktar hastigt sind
neben den Streichern nur
zwei Floten und vier
Horner besetzt. Nearly
all of the orchestral
arrangements were made
years after the original
compositions for voice
and piano.
Yet
even though the
arrangements were made in
a very short period of
time Sibelius handled the
combination of solo voice
and orchestra in all
songs with equal mastery
sometimes creating dark
and dramatic atmospheres
(in Pa verandan vid
havet) sometimes radiant
colorful impressions (in
Soluppgang) or
light-colored transparent
textures (in Varen
flyktar hastigt) and
always basing his ideas
on the poetic idea of the
song while discovering
refined ways of
supporting it.
For voice and piano. Format: piano/vocal/chords songbook. With vocal melody, pia...(+)
For voice and piano.
Format:
piano/vocal/chords
songbook. With vocal
melody, piano
accompaniment, lyrics,
chord names, basic guitar
chords chart (diagrams),
illustrations and
introductory text. Folk.
352 pages. 9x12 inches.
Published by Hal Leonard.
Voice and piano SKU: BR.EB-8882 Repertoire Collection. Composed by...(+)
Voice and piano
SKU:
BR.EB-8882
Repertoire
Collection. Composed
by Peter Anton Ling.
Edited by Peter Anton
Ling. Voice; Softbound.
Edition Breitkopf.
If
only we'd had something
like that ... an album
for practice, a guide for
professional singers as
well as for opera
enthusiasts.(Franz
Mazura, Patron
Bass)
Aria; Opera; Classical;
Late-romantic.
Piano/Vocal Score. 144
pages. Breitkopf and
Haertel #EB 8882.
Published by Breitkopf
and Haertel (BR.EB-8882).
ISBN 9790004184721. 9
x 12 inches. German /
English.
The
OperAria repertoire
anthology was much
applauded when it came on
stage with three baritone
volumes in 2015. The
successful baritone debut
was followed in 2017/18
by the appearance of the
four soprano volumes,
also conquering hearts in
no time. Now, another
performance: The curtain
rises on the bass
volumes, the foundation
of the vocal family for
heavier, darker voices,
though nevertheless
brilliant and full of
radiance. The
protagonists have such
well-known names as
Bartolo, Don Basilio,
Colline, Don Pasquale,
Falstaff, Figaro, Kecal,
Osmin, Sarastro. Other
heroes less often in the
limelight, such as
Dulcamara, Sancho Pansa,
Phanuel, and Sir Morosus,
can certainly also count
on much applause. It is
my aim to give students a
modern, systematically
structured, well-informed
vocal coach that meets
the demands of
present-day stage
practice. And, of course,
a cohesive repertoire and
logical presentation of
audition arias for every
vocal genre.(Peter Anton
Ling)OperAria is the
ideal vocal coach for all
voice types. Edited by
Peter Anton Ling, the
books address all singers
and are conceived above
all for training and
auditions. In addition,
through their careful
selection, they offer
valuable inspiration for
opera recitals. OperAria
- repertoire anthology of
opera arias according to
vocal criteria (range,
tessitura, specifics,
type of aria) with due
regard to practical
aspects of musical and
theatrical nature (style,
era, role type, national
provenance)with comments
on the ariasinformation
on the composer, the
librettist, the work, the
range and of versions or
casting a short synopsis
of the contents
illuminating the basic
dramatic constellation in
the context of the
opera's plot an
evaluation from the
singer's point of
viewwith phonetic
assistant and text
assistantaria texts in
the original language
spoken by native speakers
as an audio file
(mp3)aria texts in German
and English translations
as a text file
(pdf)available for
download
If only
we'd had something like
that ... an album for
practice, a guide for
professional singers as
well as for opera
enthusiasts. (Franz
Mazura, Patron Bass).
Voice and piano SKU: BR.EB-8871 Repertoire Collection. Composed by...(+)
Voice and piano
SKU:
BR.EB-8871
Repertoire
Collection. Composed
by Marina Sandel and
Peter Anton Ling. Edited
by Peter Anton Ling.
Voice; Softbound. Edition
Breitkopf.
Publication of
Vol. 1 is scheduled for
the first half of 2020,
Vol. 2 for the first half
of 2021.
Aria; Opera; Classical;
Late-romantic.
Piano/Vocal Score. 132
pages. Breitkopf and
Haertel #EB 8871.
Published by Breitkopf
and Haertel (BR.EB-8871).
ISBN 9790004184615. 9
x 12 inches. German /
English.
Una voce
poco profonda: Curtain up
for Trouser Roles and
HeroinesWhether the voice
is lyric light or heavy,
whether it can master
coloratura, perhaps even
has dramatic potential -
in the OperAria
mezzo-soprano and alto
volumes, singers with a
deeper voice and a
special talent for the
trouser role through to
the heroine find
everything they need for
their performance.
Throbbing of the heart?
Yes, that's simply part
of the game! Feeling
nervous? No, because
actually nothing can go
wrong with OperAria. The
best vocal coach for
auditions and current
theatre practice. Only
the voice needs to do its
bit. Toi, toi, toi!Our
goal is to give the user
a modern-day,
systematically structured
vocal coach who satisfies
the demands of
present-day theater
practice. At long last a
consistent repertoire and
a well-ordered conflation
of respective audition
arias for all vocal
genres. (Peter Anton Ling
and Marina Sandel,
editors)OperAria -
repertoire anthology of
opera arias according to
vocal criteria (range,
tessitura, specifics,
type of aria) with due
regard to practical
aspects of musical and
theatrical nature (style,
era, role type, national
provenance)with comments
on the ariasinformation
on the composer, the
librettist, the work, the
range and of versions or
casting a short synopsis
of the contents
illuminating the basic
dramatic constellation in
the context of the
opera's plot an
evaluation from the
singer's point of
viewwith phonetic
assistant and text
assistantaria texts in
the original language
spoken by native speakers
as an audio file
(mp3)aria texts in German
and English translations
as a text file
(pdf)available for
download
One of
the most difficult
decisions for singers
(and their teachers!) is
finding the right
repertoire for the
present state of vocal
development. These three
volumes for mezzo-soprano
and alto provide a
magnificent orientation,
and are a great gift!
(Marilyn Schmiege, Patron
mezzosoprano, alto).
Voice and piano SKU: BR.EB-8880 Repertoire Collection. Composed by...(+)
Voice and piano
SKU:
BR.EB-8880
Repertoire
Collection. Composed
by Peter Anton Ling.
Edited by Peter Anton
Ling. Voice; Softbound.
Edition Breitkopf.
If
only we'd had something
like that ... an album
for practice, a guide for
professional singers as
well as for opera
enthusiasts.(Franz
Mazura, Patron
Bass)
Aria; Opera; Classical;
Late-romantic.
Piano/Vocal Score. 156
pages. Breitkopf and
Haertel #EB 8880.
Published by Breitkopf
and Haertel (BR.EB-8880).
ISBN 9790004184707. 9
x 12 inches. German /
English.
The
OperAria repertoire
anthology was much
applauded when it came on
stage with three baritone
volumes in 2015. The
successful baritone debut
was followed in 2017/18
by the appearance of the
four soprano volumes,
also conquering hearts in
no time. Now, another
performance: The curtain
rises on the bass
volumes, the foundation
of the vocal family for
heavier, darker voices,
though nevertheless
brilliant and full of
radiance. The
protagonists have such
well-known names as
Bartolo, Don Basilio,
Colline, Don Pasquale,
Falstaff, Figaro, Kecal,
Osmin, Sarastro. Other
heroes less often in the
limelight, such as
Dulcamara, Sancho Pansa,
Phanuel, and Sir Morosus,
can certainly also count
on much applause. It is
my aim to give students a
modern, systematically
structured, well-informed
vocal coach that meets
the demands of
present-day stage
practice. And, of course,
a cohesive repertoire and
logical presentation of
audition arias for every
vocal genre.(Peter Anton
Ling)OperAria is the
ideal vocal coach for all
voice types. Edited by
Peter Anton Ling, the
books address all singers
and are conceived above
all for training and
auditions. In addition,
through their careful
selection, they offer
valuable inspiration for
opera recitals. OperAria
- repertoire anthology of
opera arias according to
vocal criteria (range,
tessitura, specifics,
type of aria) with due
regard to practical
aspects of musical and
theatrical nature (style,
era, role type, national
provenance)with comments
on the ariasinformation
on the composer, the
librettist, the work, the
range and of versions or
casting a short synopsis
of the contents
illuminating the basic
dramatic constellation in
the context of the
opera's plot an
evaluation from the
singer's point of
viewwith phonetic
assistant and text
assistantaria texts in
the original language
spoken by native speakers
as an audio file
(mp3)aria texts in German
and English translations
as a text file
(pdf)available for
download
If only
we'd had something like
that ... an album for
practice, a guide for
professional singers as
well as for opera
enthusiasts. (Franz
Mazura, Patron Bass).
Voices and piano SKU: BR.EB-8834 Lieder fur eine stille Weihnachtszeit...(+)
Voices and piano
SKU:
BR.EB-8834
Lieder
fur eine stille
Weihnachtszeit.
Composed by Christine
Maria Rembeck. Edited by
Christoph Koop. Voice;
Softbound. Edition
Breitkopf. Music
pedagogy; Song. Score. 76
pages. Breitkopf and
Haertel #EB 8834.
Published by Breitkopf
and Haertel (BR.EB-8834).
ISBN 9790004183984. 9
x 12 inches.
German.
In
Engelslicht und
Dornenschatten, the
author invites us to
listen to well-known
Christmas carols in a new
spirit, beyond all hoary
cliches. The Lieder fur
eine stille
Weihnachtszeit and
especially the different
instrumental
accompaniments grew out
of improvisation and the
desire to encourage the
formative creativity of
the musicians. The
arrangements correspond
to the recordings on the
eponymous CD known
through radio broadcasts.
I sought new approaches
to the carols. My fingers
played accompaniments as
if on their own, my voice
made repeats where there
were none, and did away
with some of the carols
original form. It was as
if something within me
was searching for a
counter-magic to thwart
the force of habit and
the automatism with which
Christmas carols are
often sung and heard.
(Christine Maria
Rembeck).
Vocal and Piano SKU: HL.50493602 Lauda Drammatica Di Jacopone Da Todi ...(+)
Vocal and Piano
SKU:
HL.50493602
Lauda
Drammatica Di Jacopone Da
Todi Per Coro E
Pianoforte. Composed
by Elsa
Olivieri-sangiacomo. MGB.
Classical. Score Only.
Composed 1983. Ricordi
#NR124487. Published by
Ricordi (HL.50493602).
UPC: 884088926090.
8.0x11.5x0.2 inches.
Italian.
LAUDA
DRAMMATICA DI JACOPONE DA
TODI PER CORO E
PIANOFORTE.