Vocal Score. By Benjamin Britten. Arranged by Arthur Oldham. (Vocal Score). Boo...(+)
Vocal Score. By Benjamin
Britten. Arranged by
Arthur Oldham. (Vocal
Score). Boosey and Hawkes
Large Choral. Book only.
Size 7.25x10.25 inches.
88 pages. Published by
Boosey and Hawkes.
Tragedie Opera (Drama heroique) in 3 Akten. Pariser Fassung 1774 (franzosisch/de...(+)
Tragedie Opera (Drama
heroique) in 3 Akten.
Pariser Fassung 1774
(franzosisch/deutsch).
Klavierauszug nach dem
Urtext der
Gluck-Gesamtausgabe. By
Christoph Willibald von
Gluck. Edited by
Finscher, Ludwig;Sommer,
Jurgen. For 2 Soprano
solo, Tenor solo, Mixed
Choir-Ball, 2 Flute, 2
Oboe, 2 Clarinet (b
flat), 2 Bassoon, 2 Horn,
2 Trumpet, 3 Trombone,
Kettledrum, Harp,
Strings. Piano
Reduction/Vocal Score
(paperbound). Published
by Baerenreiter-Ausgaben
(German import).
Voice & Piano SKU: ST.LS4 Composed by John Dowland. Edited by Edmund H Fe...(+)
Voice & Piano
SKU:
ST.LS4
Composed by
John Dowland. Edited by
Edmund H Fellowes. Vocal
music. Edited by E H
Fellowes. Revised by
Thurston Dart. With Lute
Tablature and treble and
bass viol parts. Score
and parts. Stainer & Bell
Ltd. #LS4. Published by
Stainer & Bell Ltd.
(ST.LS4).
ISBN
9790220205729.
CONT
ENTS Cease these
false sports (solo and
5-part) Disdain me
still (E - E) Far
from triumphing court (D
- E) From silent
night (D - E)
Galliard to Lachrimae
(lute solo) Go
nightly cares (C - D)
If my complaints (C -
E) If that a sinner's
sighs (G - G) In
darkness let me dwell (C
- E) In this
trembling shadow cast (F
sharp - E flat) Lady
if you so spite me (G -
F) Lasso vita mia (D
- E) Love those beams
(F sharp - G) My
heart and tongue were
twins (A - A) Shall I
strive with words to move
(E - D) Stay time
awhile thy flying (E -
D) Sweet stay awhile
(E - E) Tell me true
love (D - D) Thou
mighty God (D - E) To
ask for all thy love (E -
G) Up merry mates
(solo voices and
4-part) Welcome black
night (solo voice and
5-part chorus) Were
every thought and eye (G
- G) When David's
life (E - E) When the
poor cripple (E - E)
Where sin sore wounding
(A - G).
Voice and piano SKU: BR.EB-8873 Repertoire Collection. Composed by...(+)
Voice and piano
SKU:
BR.EB-8873
Repertoire
Collection. Composed
by Marina (Hrsg.) Peter
Anton und Sandel Ling.
Edited by Peter Anton
Ling. Voice; Softbound.
Edition Breitkopf. Aria;
Opera; Classical;
Late-romantic.
Piano/Vocal Score. 144
pages. Breitkopf and
Haertel #EB 8873.
Published by Breitkopf
and Haertel (BR.EB-8873).
ISBN 9790004184639. 9
x 12 inches. German /
English.
,,Una voce
poco profonda: Curtain up
for Trouser Roles and
Heroines Whether the
voice is lyric light or
heavy, whether it can
master coloratura,
perhaps even has dramatic
potential - in the
OperAria mezzo-soprano
and alto volumes, singers
with a deeper voice and a
special talent for the
trouser role through to
the heroine find
everything they need for
their performance.
Throbbing of the heart?
Yes, that's simply part
of the game! Feeling
nervous? No, because
actually nothing can go
wrong with OperAria. The
best vocal coach for
auditions and current
theatre practice. Only
the voice needs to do its
bit. Toi, toi, toi! Our
goal is to give the user
a modern-day,
systematically structured
vocal coach who satisfies
the demands of
present-day theater
practice. At long last a
consistent repertoire and
a well-ordered conflation
of respective audition
arias for all vocal
genres. (Peter Anton Ling
and Marina Sandel,
editors) OperAria -
repertoire anthology of
opera arias according to
vocal criteria (range,
tessitura, specifics,
type of aria) with due
regard to practical
aspects of musical and
theatrical nature (style,
era, role type, national
provenance) with comments
on the arias information
on the composer, the
librettist, the work, the
range and of versions or
casting a short synopsis
of the contents
illuminating the basic
dramatic constellation in
the context of the
opera's plot an
evaluation from the
singer's point of view
with phonetic assistant
and text assistant aria
texts in the original
language spoken by native
speakers as an audio file
(mp3)aria texts in German
and English translations
as a text file
(pdf)available for
download
One of
the most difficult
decisions for singers
(and their teachers!) is
finding the right
repertoire for the
present state of vocal
development. These three
volumes for mezzo-soprano
and alto provide a
magnificent orientation,
and are a great gift!
(Marilyn Schmiege, Patron
mezzosoprano, alto).
Voice and piano SKU: BR.EB-8872 Repertoire Collection. Composed by...(+)
Voice and piano
SKU:
BR.EB-8872
Repertoire
Collection. Composed
by Marina Sandel and
Peter Anton Ling. Edited
by Peter Anton Ling.
Voice; Softbound. Edition
Breitkopf. Aria; Opera;
Classical; Late-romantic.
Piano/Vocal Score. 152
pages. Breitkopf and
Haertel #EB 8872.
Published by Breitkopf
and Haertel (BR.EB-8872).
ISBN 9790004184622. 9
x 12 inches. German /
English.
Una voce
poco profonda: Curtain up
for Trouser Roles and
HeroinesWhether the voice
is lyric light or heavy,
whether it can master
coloratura, perhaps even
has dramatic potential -
in the OperAria
mezzo-soprano and alto
volumes, singers with a
deeper voice and a
special talent for the
trouser role through to
the heroine find
everything they need for
their performance.
Throbbing of the heart?
Yes, that's simply part
of the game! Feeling
nervous? No, because
actually nothing can go
wrong with OperAria. The
best vocal coach for
auditions and current
theatre practice. Only
the voice needs to do its
bit. Toi, toi, toi!Our
goal is to give the user
a modern-day,
systematically structured
vocal coach who satisfies
the demands of
present-day theater
practice. At long last a
consistent repertoire and
a well-ordered conflation
of respective audition
arias for all vocal
genres. (Peter Anton Ling
and Marina Sandel,
editors)OperAria -
repertoire anthology of
opera arias according to
vocal criteria (range,
tessitura, specifics,
type of aria) with due
regard to practical
aspects of musical and
theatrical nature (style,
era, role type, national
provenance)with comments
on the ariasinformation
on the composer, the
librettist, the work, the
range and of versions or
casting a short synopsis
of the contents
illuminating the basic
dramatic constellation in
the context of the
opera's plot an
evaluation from the
singer's point of
viewwith phonetic
assistant and text
assistantaria texts in
the original language
spoken by native speakers
as an audio file
(mp3)aria texts in German
and English translations
as a text file
(pdf)available for
download
One of
the most difficult
decisions for singers
(and their teachers!) is
finding the right
repertoire for the
present state of vocal
development. These three
volumes for mezzo-soprano
and alto provide a
magnificent orientation,
and are a great gift!
(Marilyn Schmiege, Patron
mezzosoprano, alto).
Voice and piano SKU: BR.EB-8871 Repertoire Collection. Composed by...(+)
Voice and piano
SKU:
BR.EB-8871
Repertoire
Collection. Composed
by Marina Sandel and
Peter Anton Ling. Edited
by Peter Anton Ling.
Voice; Softbound. Edition
Breitkopf.
Publication of
Vol. 1 is scheduled for
the first half of 2020,
Vol. 2 for the first half
of 2021.
Aria; Opera; Classical;
Late-romantic.
Piano/Vocal Score. 132
pages. Breitkopf and
Haertel #EB 8871.
Published by Breitkopf
and Haertel (BR.EB-8871).
ISBN 9790004184615. 9
x 12 inches. German /
English.
Una voce
poco profonda: Curtain up
for Trouser Roles and
HeroinesWhether the voice
is lyric light or heavy,
whether it can master
coloratura, perhaps even
has dramatic potential -
in the OperAria
mezzo-soprano and alto
volumes, singers with a
deeper voice and a
special talent for the
trouser role through to
the heroine find
everything they need for
their performance.
Throbbing of the heart?
Yes, that's simply part
of the game! Feeling
nervous? No, because
actually nothing can go
wrong with OperAria. The
best vocal coach for
auditions and current
theatre practice. Only
the voice needs to do its
bit. Toi, toi, toi!Our
goal is to give the user
a modern-day,
systematically structured
vocal coach who satisfies
the demands of
present-day theater
practice. At long last a
consistent repertoire and
a well-ordered conflation
of respective audition
arias for all vocal
genres. (Peter Anton Ling
and Marina Sandel,
editors)OperAria -
repertoire anthology of
opera arias according to
vocal criteria (range,
tessitura, specifics,
type of aria) with due
regard to practical
aspects of musical and
theatrical nature (style,
era, role type, national
provenance)with comments
on the ariasinformation
on the composer, the
librettist, the work, the
range and of versions or
casting a short synopsis
of the contents
illuminating the basic
dramatic constellation in
the context of the
opera's plot an
evaluation from the
singer's point of
viewwith phonetic
assistant and text
assistantaria texts in
the original language
spoken by native speakers
as an audio file
(mp3)aria texts in German
and English translations
as a text file
(pdf)available for
download
One of
the most difficult
decisions for singers
(and their teachers!) is
finding the right
repertoire for the
present state of vocal
development. These three
volumes for mezzo-soprano
and alto provide a
magnificent orientation,
and are a great gift!
(Marilyn Schmiege, Patron
mezzosoprano, alto).
Voice and Piano SKU: BT.EMBZ20017A New Liszt Edition, Series IX. Vol.2...(+)
Voice and Piano
SKU:
BT.EMBZ20017A
New
Liszt Edition, Series IX.
Vol.2.. By David
Trippett. By Franz Liszt.
EMB New Listz Edition.
Classical. Book
Hardcover. Composed 2019.
180 pages. Editio Musica
Budapest #EMBZ20017A.
Published by Editio
Musica Budapest
(BT.EMBZ20017A).
English-German-Hungari
an.
In 1845 Franz
Liszt embarked on a
project to compose an
Italian opera based on
Lord Byron’s
tragedy, Sardanapalus
(1821). It was central to
his ambition to attain
status as a major
European composer, with
premieres variously
planned for Milan,
Vienna, Paris and London.
But he abandoned it half
way through, and the
music he completed has
lain silently for 170
years.
Liszt’s difficulty
in obtaining a libretto
meant that composition
only began in April 1850.
He completed virtually
all the music for Act 1
in an annotated
piano-vocal score of 111
pages, contained within
his N4 music
‘sketch
book’. The unnamed
librettist was an Italian
poet and political
prisoner, seemingly
living under house
arrest, and a close
acquaintance of Cristina
Belgiojoso. His libretto
survives as underlay in
the N4 sketchbook and has
been critically
reconstructed and
translated.
Sardanapalo is
Liszt’s only
mature opera. While he
consistently referred to
it in French, as
Sardanapale, the
published title of the
Italian opera would
almost certainly have
used the Italian name,
hence this forms the
title of the first
edition. There are three
solo roles and a chorus
of concubines. The
manuscript was previously
thought to be fragmentary
and partially illegible,
but it was finally
deciphered to
international acclaim in
March 2017.
Liszt’s score
offers a richly melodic
style, with elements from
Bellini and Verdi
alongside glimmers of
Wagner and the symphonic
poems ahead: a unique
mixture of Italianate
pastiche and mid-century
harmonic innovation. It
remains quintessentially
Lisztian. The opera sets
Byron’s tragedy
about war and peace in
ancient Assyria: the last
King, effeminate in his
tastes, is drawn to wine,
concubines and feasts
more than politics and
war: his subjects find
him dishonourable (a
‘man queen’)
and military rebels seek
to overthrow him, but are
pardoned, for the King
rejects the ‘deceit
of glory’ built on
others’ suffering:
this leads only to a
larger uprising, the
Euphrates floods its
banks, destroying the
castle’s main
defensive wall, and
defeat is inevitable: the
King sends his family
away and orders that he
be burned alive with his
lover, amid scents and
spices in a grand
inferno. As Byron put it:
‘not a mere pillar
formed of cloud and
flame, but a light to
lessen ages.’ For
his part, Liszt told a
friend that his finale
‘will even aim to
set fire to the entire
audience!’
This critical edition
includes a detailed study
on the genesis of
Liszt’s
Sardanapalo in English,
German, and Hungarian,
the libretto in the
original Italian as well
as in English, German,
and Hungarian
translation, several
facsimile pages of
Liszt’s
manuscript, and a
detailed Critical
Report.
Lyrics by W.S. Gilbert, music by Arthur Sullivan (1842-1900). For voice and pian...(+)
Lyrics by W.S. Gilbert,
music by Arthur Sullivan
(1842-1900). For voice
and piano reduction. From
the Broadway musical
"Mikado". Format: vocal
score. With vocal melody,
piano accompaniment,
lyrics, dialogue and
stage cues. Broadway. 232
pages. 9x12 inches.
Published by Schirmer.
Opera In Three Acts - Critical Edition - Piano/Vocal Score - Ital. Compos...(+)
Opera In Three Acts -
Critical Edition -
Piano/Vocal Score -
Ital. Composed by
Antonio Vivaldi
(1678-1741). Boosey and
Hawkes Voice. Softcover.
208 pages. Boosey and
Hawkes #M202523445.
Published by Boosey and
Hawkes (HL.48023818).
Composed by Franz Schubert (1797-1828). Edited by Christine Martin and Walther...(+)
Composed by Franz
Schubert
(1797-1828). Edited by
Christine Martin and
Walther
Durr. This edition:
complete
edition, urtext edition.
LN.
Franz Schubert. Neue
Ausgabe
samtlicher Werke III/3a
b.
Complete edition, vocal
score, anthology.
Baerenreiter Verlag
#BA05574-01. Published by
Baerenreiter Verlag
(A Theatrical Song Cycle About The Civil War). By Ricky Ian Gordon. For vocal en...(+)
(A Theatrical Song Cycle
About The Civil War). By
Ricky Ian Gordon. For
vocal ensemble. Opera.
Vocal score/piano
reduction. Standard
notation. 160 pages.
Duration 1 hour, 25
minutes. Published by
Theodore Presser Company
Voice and piano (Soli: SBar(T) - 1(picc.A-fl).1(cor ang).1(Ebclar.Bclar).0. - 1....(+)
Voice and piano (Soli:
SBar(T) -
1(picc.A-fl).1(cor
ang).1(Ebclar.Bclar).0. -
1.1.2.0. - perc - hp -
pno - str: 1.1.1.1.1.)
SKU: BR.DV-6140
Scenes for 2 Singers
and 15
Instrumentalists.
Composed by Udo
Zimmermann. Voice;
Softbound. Deutscher
Verlag. World premiere:
Hamburg, February 27,
1986DV 1140 awarded the
German Music Edition
Prize. Opera; Music
theatre; Music post-1945;
New music (post-2000).
Piano/Vocal Score.
Composed 1984/85. 140
pages. Duration 75'.
Deutscher Verlag fur
Musik #DV 6140. Published
by Deutscher Verlag fur
Musik (BR.DV-6140).
ISBN 9790200460230.
13.5 x 10.5
inches.
Translation
: Engl. (S. Wadsworth)
(1988) / (Norbert
Rubesaat) (1993); French
(Jean-Pierre Wurtz)
(1997) Place and time:
Jail Munchen-Stadelheim,
in the hour before the
execution on 22nd
February 1943 Characters:
Sophie Scholl (soprano) /
Hans Scholl (baritone or
tenor) >>Weisse Rose<<
(White Rose) was the name
of the resistance group
to which Hans and Sophie
Scholl belonged. Udo
Zimmermann's composition
is characterized by the
varying structure of its
scenes: dramatic,
visionary scenes, e.g.
the remembered wartime
experiences on the front,
Sophie's anxiety about
the removal of the
children and the wish to
see her parents one last
time, contrast with
contemplative monologues
that are intended to
provide insights into the
individual's particular
situation. The composer
interweaves into the
structure of the piece
dream sequences with
sudden bursts of anxiety
that are not triggered by
the execution that is
about to take place but
by the consequences of
one's own actions. The
result is a deliberate
fusion of the various
parts into one another.
More than 100 different
productions prove that
the topic is as important
as ever and that the work
is both artistically
rewarding and
practicable. Udo
Zimmermann About the
piece Two young people,
the siblings Sophie and
Hans Scholl, are in a
prison cell, one hour
before they are to be put
to death by their fascist
executioners. Their
christian convictions and
sense of responsibility
gave them the courage to
put up resistance,
resistance against the
lies, the contempt for
humanity and all human
values. Sophie and Hans
Scholl took their stand
in the full knowledge
that they were taking a
deadly risk. They would
simply not have been able
to live with their
feelings of shame had
they not grasped the
chance of fighting for
what they believed in,
even though it was a
dangerous thing to do.
Memories of past events,
doubts, hopes and fears,
justification of deeds
and an acceptance of
death, all these things
happen and move in, and
between, these two people
during this
representation of the
hour before death. The
orchestra provides a
psycho-physical shorthand
of their inner mental
state. Musical effects
and gestures search for
their identity in human
behaviour. The moments of
stillness and silence
provide moments of
musical tension, which
are just as powerful as
the eruptions of fear and
desperation. CDs:
Gabriele Fontana
(soprano), Lutz-Michael
Harder (tenor),
Instrumentalensemble,
cond. Udo Zimmermann CD
Orfeo C 162 871 Grazyna
Szklarecka (soprano),
Frank Schiller (tenor),
musica viva-ensemble
dresden, cond. Udo
Zimmermann CD Berlin
Classics Eterna BC 0120
060-2 CD (excerpts):
Gabriele Fontana
(soprano), Lutz-Michael
Harder (tenor), Ein
Instrumentalensemble,
cond. Udo Zimmermann CD
BMG 74321 73628 2
Bibliography : Kornel ,
Attila: ,,Tief unter uns
nur Schweigen - Die
Asthetik der Stille in
Udo Zimmermanns
Kammeroper ,,Weisse Rose,
in: Die Tonkunst 11
(2017), pp. 368-377.
Rheinlander , Matthias:
Im Osten nichts Neues?
Ostalgie ohne Kitsch am
Beispiel von Udo
Zimmermanns Oper Die
weisse Rose, in: Musik
und Unterricht, Heft 73
(2003), pp.
34-40.
World
premiere: Hamburg,
February 27, 1986DV 1140
Awarded the German Music
Edition Prize.