By Petr Eben and Eben Petr. For voice and piano (alto voice/bass voice, piano). ...(+)
By Petr Eben and Eben
Petr. For voice and piano
(alto voice/bass voice,
piano). Vocal music.
Czech title: Pisne z
Teainska. Classical.
Publication language:
Czech/German
Piano; Voice (Low Voice) SKU: HL.48018849 Voice and Piano. Compose...(+)
Piano; Voice (Low Voice)
SKU: HL.48018849
Voice and Piano.
Composed by Antoní,
k, and n Dvorá.
Edited by N. MacFarren.
Boosey & Hawkes Voice.
Classical, Collection,
Contemporary. 16 pages.
Simrock #M221104229.
Published by Simrock
(HL.48018849).
UPC:
073999314816.
9.0x12.0x0.054
inches.
Includes
lyrics in the original
Czech language, as well
as translations in
English, French, and
German.
Piano; Voice (High Voice) SKU: HL.48018971 Voice and Piano. Compos...(+)
Piano; Voice (High Voice)
SKU: HL.48018971
Voice and Piano.
Composed by Antoní,
k, and n Dvorá.
Edited by N. MacFarren.
Boosey & Hawkes Voice.
Classical, Collection,
Contemporary, General
Worship, Sacred. Book
only. 16 pages. Simrock
#M221100658. Published by
Simrock (HL.48018971).
UPC: 073999277890.
9.0x12.0x0.084
inches.
Includes
lyrics in the original
Czech language, as well
as translations in
English, French, and
German.
Piano; Voice (Low Voice) SKU: HL.48018848 Voice and Piano. Compose...(+)
Piano; Voice (Low Voice)
SKU: HL.48018848
Voice and Piano.
Composed by Antonin
Dvorak. Edited by N.
MacFarren. Boosey &
Hawkes Voice. Classical,
Collection, Contemporary.
18 pages. Simrock
#M221104212. Published by
Simrock (HL.48018848).
UPC: 073999188486.
9.0x12.0x0.08
inches.
Includes
lyrics in the original
Czech language, as well
as translations in
English, French, and
German.
Vocal and Piano (Voice and Piano) SKU: HL.50488133 Selected Songs....(+)
Vocal and Piano (Voice
and Piano)
SKU:
HL.50488133
Selected Songs.
Composed by Bela Bartok.
20th Century. EMB. Volume
1. Classical. Book
[Softcover]. Editio
Musica Budapest #Z4219.
Published by Editio
Musica Budapest
(HL.50488133).
ISBN
9790080042199. 0.189
inches. Hungarian,
German. Denijs
Dille.
Voice and piano (Voice and Piano) SKU: HL.50488027 Early Italian, Fren...(+)
Voice and piano (Voice
and Piano)
SKU:
HL.50488027
Early
Italian, French, English
and German Masters (low
voice). EMB. Volume
6. Album, antology.
Editio Musica Budapest
#Z3602. Published by
Editio Musica Budapest
(HL.50488027).
ISBN
9790080036020. A/4
inches. Hungarian,
original language. Jeno
Adam.
Vocal and Piano (Voice and Piano) SKU: HL.50488171 Lieder von Mozart, ...(+)
Vocal and Piano (Voice
and Piano)
SKU:
HL.50488171
Lieder
von Mozart, Beethoven,
Mendelssohn und Schumann
(hoche Stimme). By
Aurel Kern. By Adam Jeno
and Dr. Imre Molnar. EMB.
7/a. Classical. Book
[Softcover]. Editio
Musica Budapest #Z4470.
Published by Editio
Musica Budapest
(HL.50488171).
ISBN
9790080044704. A/4
inches. Hungarian,
German. Jeno
Adam.
Music pedagogy. Score. 24
pages. Breitkopf and
Haertel #EB 8933.
Published by Breitkopf
and Haertel (BR.EB-8933).
ISBN 9790004186008.
8.5 x 11.5 inches.
German.
Discovering
the voice for the very
youngest children The
little Singing Frog was
conceived and brought to
life by the soprano
Stefanie Fersch from
years of experience
teaching many young
singing talents. Around
her theme character the
author devises stories
with concealed
vocal-training exercises
and songs of her own
composition. In the
process she is able in an
appealing way to train
holistically the singing
voices of children aged 4
to 8 with first body and
breathing exercises.
Available are an
illustrated storybook
with CD, a supporting
teacher's manual complete
with methodological
suggestions and piano
part, together with the
separate piano part.
Ideal for teaching voice
in kindergarten, music
school and primary
school, in choruses and
other groups, even for
pedagogues with no
background in teaching
children Ideal gift for a
child-friendly
introduction to
singing
The new
book for children's
vocal-training -
recommended by Diana
Damrau. For further
information and news
about the Singfrosch
please visit
www.kleiner-singfrosch.de
.
Voice and piano SKU: BR.DLV-5256 Hey ho, the Wind and the Rain - from ...(+)
Voice and piano
SKU:
BR.DLV-5256
Hey
ho, the Wind and the Rain
- from Shakespeare's
Twelfth Night.
Composed by Jean
Sibelius. Voice;
Softcover.
Deutscher-Lieder-Verlag.
Song; Early modern;
Late-romantic. Score. 4
pages. Duration 2'.
Breitkopf and Haertel
#DLV 5256. Published by
Breitkopf and Haertel
(BR.DLV-5256).
ISBN
9790004801895. 10 x 12.5
inches.
Heissa,
hopsa, bei Regen und Wind
- from Shakespeare's
'Twelfth Night' Unklar
bleibt warum Sibelius
etwa zeitgleich eine
weitere Fassung des Werks
nur mit deutschem Text
fur Singstimme und
Streichorchester
anfertigte. Soweit
bekannt wurde diese
Fassung vor ihrer
erstmaligen
Veroffentlichung im Jahr
2003 in der Gesamtausgabe
,,Jean Sibelius Werke
(JSW) noch nicht
aufgefuhrt. It remains
uncertain why Sibelius
wrote another version of
the work with German text
only for voice and string
orchestra around the same
time. As far as is known
this latter version has
never been performed
before its first
publication in the volume
of the complete edition
Jean Sibelius Works in
2003. In den meisten
Fallen beschrankte sich
Sibelius auf ein relativ
kleines Orchester. In
,,Varen flyktar hastigt
sind neben den Streichern
nur zwei Floten und vier
Horner besetzt.
Nearly all of the
orchestral arrangements
were made years after the
original compositions for
voice and piano. Yet even
though the arrangements
were made in a very short
period of time Sibelius
handled the combination
of solo voice and
orchestra in all songs
with equal mastery
sometimes creating dark
and dramatic atmospheres
(in Pa verandan vid
havet) sometimes radiant
colorful impressions (in
Soluppgang) or
light-colored transparent
textures (in Varen
flyktar hastigt) and
always basing his ideas
on the poetic idea of the
song while discovering
refined ways of
supporting it. In most
cases Sibelius used a
comparatively small
orchestra: Varen flyktar
hastigt has only two
flute and four horns
added to the strings. Mit
dem Erscheinen der
Erstausgabe 1986 eroberte
sich das Werk rasch
seinen Platz neben den
anderen
Streichorchesterwerken
des finnischen
Komponisten. Das
vorliegende Impromptu
entstand Anfang 1894, als
Jean Sibelius die kurz
zuvor komponierten
Klavier-Impromptus op. 5
Nr. 5 und Nr. 6
zusammenfugte und fur
Streichorchester
instrumentierte. Die
beiden im Gestus vollig
unterschiedlichen
Charakterstudien finden
dabei zu einem
einheitlichen Ganzen da
Sibelius das Hauptthema
aus dem sturmischen.
Voice and piano (solo: S/Mez - 2.2.1.B-clar.2 - 4.0.0.0 - perc - str) SKU: BR...(+)
Voice and piano (solo:
S/Mez - 2.2.1.B-clar.2 -
4.0.0.0 - perc - str)
SKU: BR.DLV-3496
Then I Ceased to Ask
Those Questions.
Composed by Jean
Sibelius. Voice; stapled.
Deutscher-Lieder-Verlag.
Nearly all of the
orchestral arrangements
were made years after the
original compositions.
Yet even though the
arrangements were made in
a very short period of
time, Sibelius handled
the combination of solo
voice and orchestra with
equal mastery.
Song;
Early modern;
Late-romantic.
Piano/Vocal Score. 4
pages. Duration 3'.
Breitkopf and Haertel
#DLV 3496. Published by
Breitkopf and Haertel
(BR.DLV-3496).
ISBN
9790004801666. 9 x 12
inches. Swedish /
German.
Sibelius
made most of the
orchestral versions of
his songs for the soprano
Ida Ekman (1875-1942),
the incomparable Sibelius
singer the composer
called her in a
dedication written in a
score. Ida Ekman gave the
first performance of the
orchestral version of
Se'n har jag ej fragat
mera on March 30, 1914,
in Turku. Idas husband
Karl conducted the
orchestra of the Turku
Musical Society.Nearly
all of the orchestral
arrangements were made
years after the original
compositions for voice
and piano. Yet even
though the arrangements
were made in a very short
period of time, Sibelius
handled the combination
of solo voice and
orchestra in all songs
with equal mastery,
sometimes creating dark
and dramatic atmospheres
(in Pa verandan vid
havet), sometimes
radiant, colorful
impressions (in
Soluppgang), or
light-colored,
transparent textures (in
Varen flyktar hastigt),
and always basing his
ideas on the poetic idea
of the song while
discovering refined ways
of supporting it.In most
cases, Sibelius used a
comparatively small
orchestra: Varen flyktar
hastigt has only two
flute and four horns
added to the
strings.
Nearly
all of the orchestral
arrangements were made
years after the original
compositions. Yet even
though the arrangements
were made in a very short
period of time, Sibelius
handled the combination
of solo voice and
orchestra with equal
mastery.
Clothbound German and English Piano Accompaniment; Voice (Voice and Piano) SK...(+)
Clothbound German and
English Piano
Accompaniment; Voice
(Voice and Piano)
SKU:
HL.49047152
Series
II: Lieder and Songs for
One Voice Hardcover.
Composed by Richard
Strauss. Edited by
Andreas Pernpeintner and
Sebastian Bolz. Edition
Schott. Classical.
Hardcover. Schott Music
#RSW205. Published by
Schott Music
(HL.49047152).
UPC:
196288136620.
In
1918 a twelve-year phase
came to an end during
which Richard Strauss had
completely turned his
back on the composition
of lieder.Plausible
explanations for this
period of abstinence
range from StraussÂ’s
focus on stage works
during this time to the
fact that hiswife
Pauline, who had
previously constituted
the composer's
“ideal
performer†of his
lieder and frequently
been the source of
inspiration for these
compositions, had ended
her career as a singer.
After not having produced
any new lieder during
these twelve years,
Strauss was equally
consistent in the
resumption of lied
composition – at
least in the year 1918
that would prove to be
the most intensive
“lieder yearâ€
in his entire
compositional career with
the composition of opp.
66, 67, 68 and 69 (a
grand total of 29 lieder,
in addition to the
orchestration of six
piano lieder composed in
former years). The
current volume includes
the lieder dating from
1918 up to Strauss's
death in 1949 in their
original language and
pitch. German and
English.
German Piano Accompaniment; Voice SKU: HL.49046258 Voice and Piano...(+)
German Piano
Accompaniment; Voice
SKU: HL.49046258
Voice and Piano.
Composed by Georg
Kreisler. Edited by
Barbara Kreisler-Peters
and Thomas A. Schneider.
Vocal Collection.
Classical, German
Edition. Softcover. 196
pages. Schott Music
#ED23072. Published by
Schott Music
(HL.49046258).
ISBN
9781540059406. UPC:
888680953850.
Georg
Kreisler was an
admonisher, as strict as
he was understanding, who
saw his uncanny chances
in language and music and
used them to show his
fellow human beings many
possibilities of feeling
and thinking. The first
edition of Lieder and
Chanson sums up all of
these brilliantly
evil-spirited works by
Kreisler in several
anthologies for voice and
piano. Arranged in topics
such as death and
transience, surreal and
philosophical or politics
and public order, it
offers good access to his
work. Volume 7 completes
the topics Homeland and
Homelessness, Love,
Eroticism and Sex and
Discrimination,
Intolerance and
Anti-Semitism with songs
like My Home Is in Yemen,
The Love Letter, and The
Alien..
Voices and piano SKU: BR.EB-8834 Lieder fur eine stille Weihnachtszeit...(+)
Voices and piano
SKU:
BR.EB-8834
Lieder
fur eine stille
Weihnachtszeit.
Composed by Christine
Maria Rembeck. Edited by
Christoph Koop. Voice;
Softbound. Edition
Breitkopf. Music
pedagogy; Song. Score. 76
pages. Breitkopf and
Haertel #EB 8834.
Published by Breitkopf
and Haertel (BR.EB-8834).
ISBN 9790004183984. 9
x 12 inches.
German.
In
Engelslicht und
Dornenschatten, the
author invites us to
listen to well-known
Christmas carols in a new
spirit, beyond all hoary
cliches. The Lieder fur
eine stille
Weihnachtszeit and
especially the different
instrumental
accompaniments grew out
of improvisation and the
desire to encourage the
formative creativity of
the musicians. The
arrangements correspond
to the recordings on the
eponymous CD known
through radio broadcasts.
I sought new approaches
to the carols. My fingers
played accompaniments as
if on their own, my voice
made repeats where there
were none, and did away
with some of the carols
original form. It was as
if something within me
was searching for a
counter-magic to thwart
the force of habit and
the automatism with which
Christmas carols are
often sung and heard.
(Christine Maria
Rembeck).