| Gloria Alleluia Chorale 3 parties SSA Hal Leonard
By Emily Crocker. (SSA). Choral. Size 6.7x10.5 inches. 8 pages. Published by Ha...(+)
By Emily Crocker. (SSA).
Choral. Size 6.7x10.5
inches. 8 pages.
Published by Hal Leonard.
(1)$2.10 $1.995 (- 5%) Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Gloria Alleluia Chorale 3 parties 3 parties Mixtes Hal Leonard
By Emily Crocker. (3 Part Mixed). Choral. Size 6.8x10.5 inches. 8 pages. Publis...(+)
By Emily Crocker. (3
Part Mixed). Choral. Size
6.8x10.5 inches. 8 pages.
Published by Hal Leonard.
$2.20 $2.09 (- 5%) Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Gloria Alleluia! Chorale 3 parties TTB/TBB Hal Leonard
Composed by Emily Crocker. Choral. Concert, Contest, Festival. Octavo. 8 pages...(+)
Composed by Emily
Crocker.
Choral. Concert, Contest,
Festival. Octavo. 8
pages.
Hal Leonard #HLP.
Published
by Hal Leonard
$2.10 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Alleluia! Piano seul Hal Leonard
Piano Collection. Composed by Bill Gaither and Gloria Gaither. Arranged by Mar...(+)
Piano Collection.
Composed by
Bill Gaither and Gloria
Gaither. Arranged by Mark
Hayes. Fred Bock
Publications.
General Worship, Sacred.
Softcover. 48 pages. Hal
Leonard #GGK7001.
Published by
Hal Leonard
$34.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Gloria, Alleluia (based on the "Gloria" from Missa Latina) Chorale SATB SATB, Piano Subito Music
SATB Chorus & Piano SKU: SU.92070490 For SATB Chorus & Piano. Comp...(+)
SATB Chorus & Piano
SKU: SU.92070490
For SATB Chorus &
Piano. Composed by
Roberto Sierra.
Vocal/Choral, Sacred
Large Choral Works.
Choral Octavo. Subito
Music Corporation
#92070490. Published by
Subito Music Corporation
(SU.92070490).
Adapted and
edited by Judith Clurman
SATB Chorus & Piano
Duration: 4' Composed:
2013 Published by: Subito
Music Publishing Minimum
order quantity: 8 copies.
To order quantities fewer
than 8, please write to
sales@subitomusic.com. $3.25 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Messe De L'Ascension (Version Liturgique) Lemoine, Henry
Soprano voice, chorus and ensemble SKU: LM.28683 Composed by Edith Canat ...(+)
Soprano voice, chorus and
ensemble SKU:
LM.28683 Composed by
Edith Canat de Chizy.
Classical: 20th Century
(Contemporary). Score.
Editions Henry Lemoine
#28683. Published by
Editions Henry Lemoine
(LM.28683). ISBN
9790230811705. Chan
t d'entree 4' - Kyrie 3'
- Gloria 9' - Psaume 46
1'30 - Alleluia 2'30 -
Refrain d'intercession
15' - Antienne (No. 1) 2'
- Sanctus 2'30 - Anamnese
1' - Agnus Dei 3' -
Psaume 116 3' - Antienne
(No. 2) 2'30. $77.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Tarik O'Regan: Alleluia, Laus Et Gloria Chorale SATB SATB A Cappella St Rose Music Publishing
SATB a cappella. Composed by Tarik O'Regan. Choral. Octavo. 16 pages. S...(+)
SATB a cappella. Composed
by
Tarik O'Regan.
Choral.
Octavo. 16 pages. St.
Rose
Music #NOV296637.
Published
by St. Rose Music
$2.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Classic Canons - Book Chorale [Partition] Alfred Publishing
| | |
| Come and Receive - Music Collection GIA Publications
SKU: GI.G-7362 Composed by Carol Browning. Sacred. Collection. GIA Public...(+)
SKU: GI.G-7362
Composed by Carol
Browning. Sacred.
Collection. GIA
Publications #7362.
Published by GIA
Publications (GI.G-7362).
UPC: 785147736233.
English, Latin,
Spanish. This
release by Carol Browning
intertwines songs
heralding the coming of
Christ with songs
celebrating our own
return to the Lord. Her
rich arrangements give
depth to her inspiring
texts. The selections on
this recording are filled
with an emotion of
longing. Many songs on
this recording are
perfect for use at
funerals and memorial
services. Your fall
remembrance services will
have an air of added
tenderness with “We
Remember—Reading of
Names.” As the pastoral
musician in a culturally
diverse parish, Carol
also brings to this
project her experience
with not only bilingual
but trilingual liturgical
music. CONTENTS: Creator
of the Stars of Night/ De
las Estrellas, Creador
(G-7333) - Lead Us to
Your Light (G-5323) -
Come to the Stable
(G-5421) - Deo Gloria!
(G-5889) - Child of Joy
and Peace (G-5903/) -
Lord Jesus Christ
(G-5905/) - Come and
Receive (G-6255/) -
Trilingual Intercession
Response (G-5906) - All
of Us in Exile (G-7257) -
Healer of My Soul
(G-5904) - The Lord Is My
Light/El Señor Es Mi Luz
(G-7256) - Deo Gloria
Alleluia—Easter Gospel
Acclamation (G-6402) - We
Remember (G-7332) - We
Remember—Reading of
Names (G-7332) - Peace Be
with Those
(G-6922). Inspiring
new liturgical music from
Carol Browning. $18.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Deo Gloria Alleluia Chorale 3 parties SAB - Débutant GIA Publications
SAB choir, cantor, assembly, keyboard accompaniment, trumpet 1 in B-flat, trumpe...(+)
SAB choir, cantor,
assembly, keyboard
accompaniment, trumpet 1
in B-flat, trumpet 2 in
B-flat, guitar, flute -
Beginning SKU:
GI.G-6402 Easter
Gospel Acclamation.
Composed by Carol
Browning. Eastertide,
Easter Sunday, Ascension,
Pentecost, Easter 2 A,
Easter 2 B, Easter 2 C,
Easter 3 A, Easter 3 B,
Easter 3 C, Easter 4 A,
Easter 4 B, Easter 4 C,
Easter 5 A, Easter 5 B,
Easter 5 C, Easter 6 A,
Easter 6 B, Easter 6 C,
Easter 7 A, Easter 7 B,
Ea. Ritual Prayer.
Sacred. Octavo. With
guitar chord names. 8
pages. GIA Publications
#6402. Published by GIA
Publications (GI.G-6402).
UPC: 785147640202.
English. The flute
and trumpet parts are
optional. $2.20 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Antiphonal Gloria Alleluia Chorale SATB SATB Shawnee Press
By Antonio Vivaldi (1678-1741). Edited by Patrick M. Liebergen. Arranged by Patr...(+)
By Antonio Vivaldi
(1678-1741). Edited by
Patrick M. Liebergen.
Arranged by Patrick M.
Liebergen. For SATB choir
(SATB). Choral. Shawnee
Press. Sacred,
Masterwork. 12 pages.
Shawnee Press #A2354.
Published by Shawnee
Press
$2.50 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Notre Dame Mass Chorale SATB SATB [Partition] - Facile GIA Publications
By David Clark Isele. For SATB Chorus, Cantor and Organ accompaniment. Mass. Sac...(+)
By David Clark Isele. For
SATB Chorus, Cantor and
Organ accompaniment.
Mass. Sacred. Level:
easy. 48 pages. Published
by GIA Publications.
$4.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Holy Cross Mass Chorale GIA Publications
| | |
| III. Alleluia Chorale SATB SATB A Cappella Boosey and Hawkes
From Gloria Patri. By Urmas Sisask. (SATB A Cappella). Boosey and Hawkes Sacred...(+)
From Gloria Patri. By
Urmas Sisask. (SATB A
Cappella). Boosey and
Hawkes Sacred Choral.
Size 8.5x11 inches. 4
pages. Published by
Warner/Chappell Music.
$5.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Alleluia! A Praise Gathering For Believers Chorale SATB Hal Leonard
(SATB) SKU: HL.8767211 Composed by Bill Gaither, Gloria Gaither, and Ronn...(+)
(SATB) SKU:
HL.8767211 Composed
by Bill Gaither, Gloria
Gaither, and Ronn Huff.
Arranged by Ronn Huff.
Gaither Music. General
Worship, Non-Seasonal.
Softcover. 116 pages. Hal
Leonard #GG4501.
Published by Hal Leonard
(HL.8767211). UPC:
797242316593.
6.75x10.5x0.258
inches. $14.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Deo Gloria Alleluia - Guitar edition Guitare GIA Publications
Guitar SKU: GI.G-6402G Easter Gospel Acclamation. Composed by Caro...(+)
Guitar SKU:
GI.G-6402G Easter
Gospel Acclamation.
Composed by Carol
Browning. This edition:
Guitar edition.
Eastertide, Easter
Sunday, Ascension,
Pentecost. Sacred. Guitar
part. With guitar chord
names. 4 pages. GIA
Publications #6402G.
Published by GIA
Publications
(GI.G-6402G).
English. $6.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Let the Men Sing! Chorale 2 parties TB [Partition + CD] Shawnee Press
((10 Reproducible Chorals for Tenor and Baritone Voices)). By Greg Gilpin. For m...(+)
((10 Reproducible Chorals
for Tenor and Baritone
Voices)). By Greg Gilpin.
For men's choir. Shawnee
Press. Softcover with CD.
76 pages. Shawnee Press
#GN0124. Published by
Shawnee Press
$52.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Mass of the Angels and Saints GIA Publications
SKU: GI.G-CD-385 Composed by Steven R. Janco. Mass. Sacred. CD. GIA Publi...(+)
SKU: GI.G-CD-385
Composed by Steven R.
Janco. Mass. Sacred. CD.
GIA Publications #385.
Published by GIA
Publications
(GI.G-CD-385).
This new Mass
provides the ultimate in
flexibility, yet retains
a wonderful musical unity
that will enable your
assembly to sing it with
ease. Many options are
provided to encourage
your creativity in
adapting the setting.,
yet the writing is
straightforward and
accessible to resources
of every kind. Written
for SAB choir, these
settings provide both a
substantial choral sound
and greater accessibility
to smaller parish choirs
and ensembles. The Mass
may even be sung by
assembly and cantor
alone. Mass of the Angels
and Saints is wonderfully
effective on piano with
optional guitar and
woodwinds as well as on
organ with optional brass
quartet and timpani. (The
single keyboard part
works on piano or organ.)
Includes a penitential
litany (with 9 sets of
invocations), sprinkling
song, Gloria, Alleluia
and Lenten Gospel
acclamations, general
intercessions, sung
Eucharistic Prayer III,
and Lamb of God. Plus,
the recording includes
eight additional songs by
Steven Janco. $16.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Essential Repertoire for the Young Choir Hal Leonard
By Janice Killian, Michael O'Hern, Linda Rann. (Tr/st). Essential Elements Choir...(+)
By Janice Killian,
Michael O'Hern, Linda
Rann. (Tr/st). Essential
Elements Choir. Size
8.5x11 inches. 168 pages.
Published by Hal Leonard.
$16.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The New Gloria Deo, Volume 2 Chorale Augsburg Fortress
By Thomas Keesecker. For choir. Sacred. Choral collection. 96 pages. Published b...(+)
By Thomas Keesecker. For
choir. Sacred. Choral
collection. 96 pages.
Published by Augsburg
Fortress
$9.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| In Excelsis Gloria! Orgue [Partition] Lorenz Publishing Company
(Seasonal Alleluias for Organ). By James Southbridge. For Organ. Sacred: Christm...(+)
(Seasonal Alleluias for
Organ). By James
Southbridge. For Organ.
Sacred: Christmas.
2-staff. Book. Published
by Lorenz Publishing
Company
$33.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Essential Repertoire for the Young Choir Chorale Hal Leonard
Level 1 Treble, Teacher. By Michael O'hern, Janice Killian, Linda Rann. (Treble...(+)
Level 1 Treble, Teacher.
By Michael O'hern, Janice
Killian, Linda Rann.
(Treble/Teacher Edition).
Essential Elements Choir.
Size 9x12 inches. 216
pages. Published by Hal
Leonard.
$24.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Star Carol - SoundTrax CD (CD only) CD Chorale Alfred Publishing
Choir Sacred SKU: AP.40061 Composed by Gary E. Parks. This edition: Sound...(+)
Choir Sacred SKU:
AP.40061 Composed by
Gary E. Parks. This
edition: SoundTrax CD.
CD. Alfred Choral
Designs. Christmas;
Sacred. CD. Alfred Music
#00-40061. Published by
Alfred Music (AP.40061).
UPC: 038081447162.
English. Cathryne E.
Parks. As brilliant
as the Christmas star
itself, this intriguing
three-part mixed or
treble piece shines.
Sparkling modal harmonies
dance over a shimmering
3/4 accompaniment. A
verse-chorus form allows
us to sing the
captivating Gloria . . .
Alleluia refrain not
once, but twice before
crescendoing to a
glorious coda.
About Alfred
Choral
Designs Th
e Alfred Choral Designs
Series provides student
and adult choirs with a
variety of secular choral
music that is useful,
practical, educationally
appropriate, and a
pleasure to sing. To that
end, the Choral Designs
series features original
works, folk song
settings, spiritual
arrangements, choral
masterworks, and holiday
selections suitable for
use in concerts,
festivals, and
contests. $27.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Essential Repertoire for the Young Choir Hal Leonard
Level 1 Treble, Student 10-Pak. By Linda Rann, Janice Killian, Michael O'hern. ...(+)
Level 1 Treble, Student
10-Pak. By Linda Rann,
Janice Killian, Michael
O'hern. (Treble/Student
10-Pak). Essential
Elements Choir. Published
by Hal Leonard.
$135.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Deo Gloria Alleluia - Instrument edition - Débutant GIA Publications
Flute, guitar, trumpet 1 in B-flat, trumpet 2 in B-flat - Beginning SKU: GI.G...(+)
Flute, guitar, trumpet 1
in B-flat, trumpet 2 in
B-flat - Beginning
SKU: GI.G-6402INST
Easter Gospel
Acclamation. Composed
by Carol Browning. This
edition: Instrument
edition. Sacred.
Instrumental part(s). 4
pages. GIA Publications
#6402INST. Published by
GIA Publications
(GI.G-6402INST).
The flute and
trumpet parts are
optional. $5.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| A Mass of Life GIA Publications
By Paul Gibson (1952-). For SATB Chorus, Cantor, Presider and Organ accompanimen...(+)
By Paul Gibson (1952-).
For SATB Chorus, Cantor,
Presider and Organ
accompaniment. Mass.
Sacred. 32 pages
$3.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| There Is No Rose Chorale 3 parties SSA Carl Fischer
Choral SSA choir SKU: CF.CM9580 Composed by Richard Rasch. Arranged by Ri...(+)
Choral SSA choir SKU:
CF.CM9580 Composed by
Richard Rasch. Arranged
by Richard Rasch. Fold.
Performance Score. 4
pages. Duration 2
minutes, 42 seconds. Carl
Fischer Music #CM9580.
Published by Carl Fischer
Music (CF.CM9580).
ISBN 9781491154021.
UPC: 680160912520. 6.875
x 10.5 inches. Key: D
mixolydian. English,
Latin. 15th Century
Medieval Carol. The
text of this poem is from
the Trinity Carol Roll,
an English manuscript
housed at the Wren
Library of Trinity
College, Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written. The Latin
phrases come from
different parts of the
Advent/Christmas
liturgies; a sequence
called
Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and
the shepherds response in
the gospel of Luke 2:15,
Transeamus.
Latin phrase translation
source Alleluia Alleluia
Laetabundus Res miranda A
thing to be wondered at
Laetabundus Pari forma of
equal form Laetabundus
Gaudeamus Let us rejoice!
Gaudeamus Transeamus Let
us go Luke 2:15 The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and beauty.
The music in this setting
mimics the petals of a
rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic twists.
Word painting is employed
in several places but
none are as important as
the dramatic climax in
the fourth verse where
the shepherds along with
all the angels in heaven
proclaim Gloria in
excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compassthe distance
between the highest and
lowest noteis at its
widest. The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. The text of
this poem is from the
Trinity Carol Roll, an
English manuscript housed
at the Wren Library of
Trinity College,
Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written. The Latin
phrases come from
different parts of the
Advent/Christmas
liturgies; a sequence
called
Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and
the shepherdas response
in the gospel of Luke
2:15,
Transeamus.
Latin phraseA translation
source Alleluia Alleluia
Laetabundus Res miranda A
thing to be wondered at
Laetabundus Pari forma of
equal form Laetabundus
Gaudeamus Let us rejoice!
Gaudeamus Transeamus Let
us go Luke 2:15 The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and beauty.
The music in this setting
mimics the petals of a
rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic twists.
Word painting is employed
in several places but
none are as important as
the dramatic climax in
the fourth verse where
the shepherds along with
all the angels in heaven
proclaim Gloria in
excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compassathe distance
between the highest and
lowest noteais at its
widest. The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. The text of
this poem is from the
Trinity Carol Roll, an
English manuscript housed
at the Wren Library of
Trinity College,
Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written. The Latin
phrases come from
different parts of the
Advent/Christmas
liturgies; a sequence
called
Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and
the shepherd's response
in the gospel of Luke
2:15,
Transeamus.
Latin phrase translation
source Alleluia Alleluia
Laetabundus Res miranda A
thing to be wondered at
Laetabundus Pari forma of
equal form Laetabundus
Gaudeamus Let us rejoice!
Gaudeamus Transeamus Let
us go Luke 2:15 The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and beauty.
The music in this setting
mimics the petals of a
rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic twists.
Word painting is employed
in several places but
none are as important as
the dramatic climax in
the fourth verse where
the shepherds along with
all the angels in heaven
proclaim Gloria in
excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compass--the distance
between the highest and
lowest note--is at its
widest. The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. The text of
this poem is from the
Trinity Carol Roll, an
English manuscript housed
at the Wren Library of
Trinity College,
Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written. The Latin
phrases come from
different parts of the
Advent/Christmas
liturgies; a sequence
called Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and the
shepherd's response in
the gospel of Luke 2:15,
Transeamus. Latin phrase
translation source
Alleluia Alleluia
Laetabundus Res miranda A
thing to be wondered at
Laetabundus Pares forma
of equal form Laetabundus
Gaudeamus Let us rejoice!
Gaudeamus Transeamus Let
us go Luke 2:15 The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and beauty.
The music in this setting
mimics the petals of a
rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic twists.
Word painting is employed
in several places but
none are as important as
the dramatic climax in
the fourth verse where
the shepherds along with
all the angels in heaven
proclaim Gloria in
excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compass--the distance
between the highest and
lowest note--is at its
widest. The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. The text of
this poem is from the
Trinity Carol Roll, an
English manuscript housed
at the Wren Library of
Trinity College,
Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written.The Latin phrases
come from different parts
of the Advent/Christmas
liturgies; a sequence
called Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and the
shepherd’s response in
the gospel of Luke 2:15,
Transeamus.Latin phrase
translation
sourceAlleluia Alleluia
LaetabundusRes miranda A
thing to be wondered at
LaetabundusPares forma of
equal form
LaetabundusGaudeamus Let
us rejoice!
GaudeamusTranseamus Let
us go Luke 2:15The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and
beauty.The music in this
setting mimics the petals
of a rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic
twists.Word painting is
employed in several
places but none are as
important as the dramatic
climax in the fourth
verse where the shepherds
along with all the angels
in heaven proclaim Gloria
in excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compass—the
distance between the
highest and lowest
note—is at its
widest.The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. $1.75 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Missa Katharina - Intermédiaire De Haske Publications
Concert Band/Harmonie and Opt. Choir - Grade 3 SKU: BT.DHP-1074421-140 Co...(+)
Concert Band/Harmonie and
Opt. Choir - Grade 3
SKU:
BT.DHP-1074421-140
Composed by Jacob De
Haan. Musica Sacra. Score
Only. Composed 2007. 120
pages. De Haske
Publications #DHP
1074421-140. Published by
De Haske Publications
(BT.DHP-1074421-140).
9x12 inches.
English-German-French-Dut
ch. Missa Katharina
is a mass - comprising of
the standard
movementsKyrie, Gloria,
Credo, Sanctus,
Benedictus and Agnus Dei.
In additionto this the
composer has added
additional instrumental
movements- Prelude,
Offertory, Postludium and
the massmovements
Alleluiaand Amen. Missa
Katharina was primarily
written for choir,
sopranosolo and concert
band but can also be
performed with a
choir,accompanied by an
organ or piano only. If
there is no good
solosoprano voice
available, the sopranos
canalso sing the
sopranopart tutti,
standing before the
choir. A truly flexible
work that willbe equally
at home performed in the
church or in the concert
hall.Choral parts
available
separately.
<Mi
ssa Katharina is een
mis die bestaat uit de
gebruikelijke delen
Kyrie, Gloria, Credo,
Sanctus, Benedictus
en Agnus dei. Er
zijn instrumentale delen
toegevoegd: een
Preludium,
Offertorium en
Postludium,evenals
eenAlleluia en een
Amen. Het
Preludium is
bedoeld voor de aanvang
van de mis, het
Offertorium komt
tussen de preek en de
communieviering en het
Postludium komt
aan het eind vande mis.
Het Alleluia wordt
gezongenna het
Gloria, het
Amen volgt het
Agnus dei.Er zijn
verschillende
uitvoeringsmogelijkheden:
- een integrale versie,-
een versie met alleen de
gebruikelijke delen,-
eenversie zonder koor,
met alleen drie
instrumentale delen,-
eenuitvoering van elk
afzonderlijk
deel.Missa
Katharina is in
eerste instantie
geschreven voor koor,
sopraansolo en
harmonieorkest. De mis
kan ook worden
uitgevoerdmet koor en
orgel of piano. Als er
geen geschikte sopraan te
vinden is, kunnen
desopranen van het koor
de solo voor hun rekening
nemen.Koorpartijen apart
verkrijgbaar.
M
issa Katharina ist
eine Messe aus den
Ordinariumsteilen
Kyrie, Gloria, Credo,
Sanctus, Benedictus
und Agnus Die.
Dazu kommen die
Instrumentalteile
Präludium,
Offertorium und
Postludium sowie
die
MesseteileAlleluja
und Amen. Missa
Katharina ist in
erster Linie geschrieben
für Chor, Sopran-Solo
und symphonisches
Blasorchester.
Verschiedene
Aufführungsmöglichkeite
n (z.B. rein instrumental
oder in unterschiedlich
langen Versionen)
eröffnenzahlreiche
Verwendungsmöglichkeiten
für dieses
eindrucksvolle Werk, mit
dem der Komponist 2007
einen internationalen
Kompositionswettbewerb
gewann.Chorstimmen
separat
erhältlich.
Mi
ssa Katharina est une
œuvre de commande
pour le Concours
International de
Composition « Missa
Katharina », organisé
par la Fondation
allemande Dr. Dazert
(Kempten/Allgäu) en
collaboration avec la
Confédération
Internationale
desSociétés Musicales
(CISM), l’Euregio Via
Salina et le quotidien
bavarois Allgäuer
Zeitung. Les membres du
jury, Johann
Mösenbichler (Autriche),
Siegfried Bauer
(Allemagne), le Père
Stefan Kling (Allemagne),
Isabelle Ruf-Weber
(Suisse) et
ReinaldScheule
(Allemagne), eurent pour
t che de choisir
l’œuvre lauréate
du concours parmi les 32
œuvres qui leur
furent soumises. Après
délibération, le prix
du Concours fut attribué
Jacob de Haan.
L’œuvre fut
donnée en création
mondialedans la célèbre
basilique d’Ottobeuren
(Allgäu) en Allemagne
par l’Orchestre Vent
Euregio
(Euregio-Blasorchester)
et un Chœur formé
pour cette occasion,
placés sous la direction
de Johann
Mösenbichler.Prénom
féminin d’origine
grecque,Catherine
(Katharina) est le
symbole de la pureté.
Parmi les femmes
remarquables qui ont
porté ce prénom, on
citera Catherine de
Sienne (fille d’un
Ordre, mystique et
docteur de l’Église),
Catherine d’Alexandrie
(martyre, sainte
auxiliatrice),Catherine
Labouré (religieuse,
mystique), Anne Catherine
Emmerick (religieuse,
mystique), Catherine de
Bologne (abbesse) et
Catherine de Suède
(abbesse).Missa
Katharina est une
messe composée des cinq
mouvements Kyrie,
Gloria, Credo,Sanctus,
Benedictus et
Agnus Dei. Ces
mouvements sont
complétés par trois
mouvements instrumentaux
(Prélude, Offertoire,
Postlude) et deux
mouvements de messe,
l’Alléluia et
l’Amen. Le
Prélude marque
l’ouverturedu culte,
l’Offertoire
célèbre la communion et
le Postlude clôt
le culte.
L’Alléluia est
chanté après le
Gloria tandis que
l’Amen suit
l’Agnus Dei.Les
possibilités
d’interprétation sont
les suivantes :-enversion
intégrale-une version
qui ne comprend que les
mouvements.Partitions
pour chœur disponibles
séparément.
Parti per coro
disponibili a parte. $91.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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