(For Piano and String Quartet). By Peter Schickele. For piano and string quartet. Score and parts. Standard notation

Composed by Johannes Brahms (1833-1897). For piano quintet (2 violins, viola, cello, piano) and piano quartet (violin, viola, cello, piano). Book; Masterworks; String Quintet (Piano Quintet). Dover Edition. Classical Period. Full score (separate performance parts are not available with this edition). Full score notation. 298 pages. Published by Dover Publications

By Richard Walthew. For 2 violins, viola, cello and piano. Strings and Piano. First edition. Romantic. Score and set of parts. Published by Rosewood Publications

Composed by Edvard Grieg and Michael Finnissy. For piano quintet (piano, violin 1, violin 2, viola, cello). Score and parts. 100 pages. Duration 30 minutes. Published by Oxford University Press

Piano Quintet. Composed by Joan Tower (1938-). Piano Ensemble. Classical. G. Schirmer #AMP 8273. Published by G. Schirmer (HL.50499247).

Composed by Robert Schumann (1810-1856). Opus 44. For violin I, violin II, viola, cello and piano. Format: set of performance parts (includes separate pull-out string parts). Romantic period. Eb Major. 109 pages. 9x12 inches. Published by C.F. Peters.

Composed by Reynaldo Hahn (1874-1947). Leduc. Classical. Book Only. Heugel and Cie #HE28175. Published by Heugel and Cie

Chamber Music Violin 1, Violin 2, Viola, Cello, Piano

SKU: PR.11441123S

Composed by Samuel Adler. Score. With Standard notation. Theodore Presser Company #114-41123S. Published by Theodore Presser Company (PR.11441123S).

UPC: 680160016303. 8.5 x 11 inches.

The Quintet for Piano and String Quartet was written for the American String Quartet in the summer of 2000. It is in one movement but has two distinct parts. The first is a slow movement characterized by dotted rhythms. It is a fantasy with some long flowing lines interrupted by short fragments usually in the piano. After a rather agitated section in 6/8 time, this section comes to a quiet close on a G-sharp major chord. The second section of this thirteen-minute work is marked Fast and Energetic. It begins with chords that recur throughout the movement and after two measures a long main theme is introduced which is developed and altered during the rest of the fast portion of the work. One could call this second part a sort of rondo form since this long lyrical theme returns always after contrasts. When it does return, it is treated often by means of imitation, but at the climax returns played in unison by the strings while the piano renders an energetic sixteenth note background. The work ends on an E-flat major chord though the piece is certainly not in any one key, but rather features quick modulations. One might call this non-tonal music which nevertheless always feels like it has a tonal center. --Samuel Adler.

Hob. XVIII:4 - String Quartet wit Piano - Figured Bass Realization by S. Petrenz - Score with Parts. By Franz Joseph Haydn. Edited by Bettina Wackernagel. Figured bass by Siegfried Petrenz. Cadenza by Axel Ruoff. Piano Quintets. Pages: Score = IV and 49 * Vl I Part = 8 * Vl II Part = 7 * Va Part = 6 * Basso = 6. Urtext edition-paper bound. Published by G. Henle.